Images at Librifly

A Cliff in the Parish of Rix, 1862, Adolphe Appian, French, 1818-1898, France, Etching on ivory laid paper, 123 × 238 mm (plate), 540 × 373 mm (sheet

Eye of the God Horus (Wedjat) Amulet, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 2.5 × 2 × 0.5 cm (1 × 3/4 × 3/16 in

Carpet Strip, 1870/1900, United States, Wool, tied and free plain weave double cloth, woven on a loom with Jacquard attachment, 468.4 x 92.8 cm (184 1/2 x 36 1/2 in

Scarab: Uninscribed, Middle Kingdom–Late Period, Dynasties 12–26 (about 1985–525 BC), Egyptian, Egypt, Stone, 0.6 × 1.3 × 1 cm (1/4 × 1/2 × 3/8 in

Moses and the Burning Bush (recto) and The Infant Moses Put into the River (verso) from Neue künstliche Figuren biblischer Historien, plate 55 from Woodcuts from Books of the XVI Century, 1578, assembled into portfolio 1937, Tobias Stimmer

Man’s Rank Badge, 1880/1900, Qing dynasty (1644–1911), Manchu, China, Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu), painted, lined with silk, 3:1 twill weave self-patterned by areas of plain

Coin Depicting the God Dionysos, about 133 BC, Greek, Ancient Greece, Bronze, Diam. 1.6 cm, 4.39 g

Deer Hunt, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish), Flanders, Engraving in

Arachnothera zeylonica, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests of south and southeastern Asia. They are large

Cloisters of Lacock Abbey, c. 1841/44, William Henry Fox Talbot, English, 1800–1877, England, Salted paper print, 16.2 × 21.5 cm (image), 18.7 × 22.4 cm (paper

Glass Refuse, Third Intermediate Period–Late Period, Dynasties 21–26 (about 1069–525 BC), Egyptian, Egypt, Glass, 1.6 × 1 × 0.6 cm (5/8 × 3/8 × 1/4 in

Miniature Bowl with Shaped Base and Geometric Motifs, A.D. 1450/1532, Inca, South coast or southern highlands, Peru, Peru, southern, Ceramic and pigment, 7.5 x 10.5 cm (2 5/16 x 4 1/8 in

Man with a Pipe, 1879, Marcellin Gilbert Desboutin, French, 1823-1902, France, Drypoint on ivory wove paper, 455 × 378 mm (image), 615 × 524 mm (sheet

Antilope nasomaculata, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Sampler, 1771, Germany, Linen, plain weave, embroidered with silk, 67.3 x 22.8 cm (26 1/2 x 9 in

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

Winged Scarab Amulet, Third Intermediate Period, Dynasty 23–25 (818–656 BC), Egyptian, Egypt, Faience, 6.4 × 15.2 × 0.9 cm (2 1/2 × 6 × 3/8 in

Emblem with Blank Heraldic Shield, folio 156 from the Anthologia Gnomonica, 1579, assembled into portfolio 1937, Jost Amman (Swiss, 1539-1591), printed by Sigmund Feyerabend (German, 1527-1590), original text by Henri Estienne (French,

Cartridge Box, late 16th century, German, Saxony, Saxony, Wood, ebony, bone, and iron, H. 13.5 cm (5 5/16 in

The Milkmaid, n.d., Nicolò Boldrini (Italian, c. 1500–1566), after Titian (Italian, c. 1488-1576), Italy, Woodcut printed in black on paper, 377 x 530 mm (image), 383 x 535 mm (sheet

The Reception in Holland, published September 8, 1799, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 255 × 360 mm (image), 262 × 365 mm (plate), 290 ×

Anatifa laevis, Print, Pelagic gooseneck barnacle, Lepas anatifera (Anatifa laevis

Anna Wallenberg, 1895, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 197 x 274 mm (image/plate), 345 x 440 mm (sheet, folded

Untitled Valentine (Wedding Scene), c. 1840, Unknown Artist, English, 19th century, England, Collaged elements on embossed ivory wove paper, 140 × 92 mm (folded sheet

Pyxis (Container for Personal Objects), late 6th century BC, Greek, Athens, Greece, terracotta, decorated in the black-figure technique, 18 × 14.2 × 20 cm (7 1/8 × 7 5/8 × 7 7/8 in

Pepe Illo making the pass of the ‘recorte’, plate 29 from The Art of Bullfighting, 1815, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory laid

So Fondly Beats this Heart for Thee (valentine), c. 1850, Unknown Artist, English, 19th century, England, Watercolor, collaged element, and pen and black ink on orange accented and embossed ivory wove paper, 256 × 206 mm (folded sheet

Wollaton Hall in the County of Nottingham, plate 68 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching,

Pillow cover, c. 1620, England, Linen, plain weave, embroidered with silk, silvered-metal-strip-wrapped silk and silvered-metal coils in stem filling and tent stitches, laid work, couching and French knots, edged with

Landscape, Qing dynasty/early Republican period, 19th/early 20th century, Chinese, spurious signature of Gong Xian （龔賢， 1618-1689）, China, Handscroll, ink on paper, 10 3/4 × 110 in

Coin Depicting the Goddess Athena, 387/301 BC, Greek, Ancient Greece, Bronze, Diam. 1.4 cm, 1.64 g

A Capriccio with Horses Watering in a River Outside a Walled Town, c. 1720, Marco Ricci, Italian, 1676-1729, Italy, Gouache, on kidskin, edge mounted on wood panel, 316 x 456 mm

Amulet of the God Amun-Ra Kamutef, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Faience, 4.8 × 2.5 × 0.6 cm (1 7/8 × 1 × 1/4 in

Water Basin (Jian), Eastern Zhou dynasty (770–256 B.C.), first half of 5th century B.C., China, probably from southern Shanxi or northern Henan province, China, Bronze, Overall with handles: 29.5 ×73 × 59.5 cm (11 5/8 × 28 3/4 × 23 7/16

Hemidrachm (Coin) Depicting a Female Head, 146/27 BC, Greek, Greece, Silver, Diam. 1.6 cm, 3.95 g

The Actor Segawa Kikunojo III as Otora in the Play Ume-goyomi Akebono Soga, Performed at the Ichimura Theater in the Third Month, 1780, c. 1780, Katsukawa Shunko I, Japanese, 1743-1812, Japan, Color woodblock print, hosoban, left sheet of

Lamentation Over Christ, 1500/25, Master S, Netherlandish, active 1500-1525, Netherlands, Engraving in black on ivory laid paper, 64 x 43.5 mm

Two Tall Pitchers, Mid 18th century, France, Glass, H. 19.1 cm (7 1/2 in

Sheltering Strangers, from The Seven Acts of Mercy, c. 1534, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 57 x 57 mm (image/sheet, plate mark not visible

Portrait of Samuel Rogers, English Poet, 1816, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black on cream laid paper, 115 × 111 mm (image), 161 × 148 mm (sheet

Border, 1890s, Switzerland or Germany, Switzerland, Cotton, burn-out lace with machine net insets, 104.1 x 10.2 cm (41 x 4 in

The Cow and Ass, 1849, Charles Meryon (French, 1821-1868), after Philip Jacques de Loutherbourg (French, 1740-1812), France, Etching, printed in black, on tan wove paper, 65 × 120 mm (image), 76 × 132 mm (plate), 80 × 138 mm (sheet

Head of a Bodhisattva, Kushan period, About 3rd/5th century, Present-day Afghanistan or Pakistan, Ancient region of Gandhara, Gandhara, Stucco with traces of red pigment, 20.4 × 13.5 × 10.8 cm (8 × 5 5/16 × 4 1/4 in

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7 cm (2 3/4 in

The Dream of Cecco Bravo, n.d., Cecco Bravo, Italian, 1607-1661, Italy, Black and red chalk, on tan laid paper, laid down on ivory laid paper, 241 x 314 mm

Little Prince Dito, 1864, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), France, Etching with scraping on ivory laid paper, 68 × 59 mm (image), 168 × 128 mm (plate), 424 × 305 mm (sheet

The Actor Ichikawa Danjuro V as Kakogawa Honzo, from the play Kanadehon Chushin Nagori no Kura, performed at the Nakamura Theater in the ninth month, 1780, c. 1780, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock

The Actors Ichikawa Somegoro (right), Segawa Kikunojo II (center), and Bando Sampachi (left), in Unidentified Roles in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770, c. 1772, Katsukawa

Evening Rain at Azuma Shrine (Azuma no mori yau), from the series Eight Views in the Environs of Edo (Edo Kinko hakkei no uchi), c. 1837/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 22.9 x

The Actor Nakamura Noshio I as Princess Usuyuki (Usuyuki Hime) in the play Shin Usuyuki Monogatari, performed at the Morita Theater in the fifth month, 1774, c. 1774, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

Ancillaria subulata, Print

August, c. 1770, Germany, Berlin, Berlin, Hard-paste porcelain, polychrome enamels, and gilding, H. 10 cm (3 15/16 in

Burning Maple Leaves to Heat Sake, c. 1768, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.7 x 21.6 cm (11 1/4 x 8 1/4 in

Conversion of Saint Paul, 18th century, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Red chalk on ivory laid paper, laid down on wood pulp board, 330 x 452 mm

Statue of Standing Warrior, from Rear, n.d., Follower of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Flanders, Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper, 274 × 154 mm (ma

Carpet, 1875/1900, Caucasus, Shirvan, Caucasus, Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Ghiordes knots

Amulet of a Hare, Late Period–Ptolemaic Period (7th–1st centuries BC), Egyptian, Egypt, Faience, 1 × 1.5 × .5 cm (3/8 × 9/16 × 3/16 in

Giant’s Causeway, 1772, John Clevely, II, English, 1747-1786, England, Pen and black ink and brush and gray wash over traces of graphite, on cream laid paper, 219 × 291 mm

Coin Depicting the God Apollo, 2nd/1st century BC, Greek, Izmir, Bronze, Diam. 1.5 cm, 3.08 g

An Actor of Woman’s Roles, 1791, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, hosoban, 30.8 x 13.5 cm

Amulet of a Cross, Byzantine Period, 4th century AD or later, Byzantine, Egypt, Glass, 2 × 1.5 × .5 cm (3/4 × 9/16 × 3/16 in

Infantry Armor, 1510/15, German, possibly Cologne, Cologne, Steel and leather, H. 137.2 cm (54 in

Border, Roman period (30 B.C.– 641 A.D.), 4th/6th century, Coptic, Egypt, Egypt, Linen and wool, slit tapestry weave, 19.1 × 6.4 cm (7 1/2 × 2 1/2 in

Three Images from Millin’s Atlas, plate XII, 1807–1808, Louis Aubin Millin, French, 19th century, France, Etching in black on ivory laid paper, 265 × 401 mm (image), 287 × 415 mm (plate), 300 × 435 mm (sheet

Claret Glass, Early 19th century, England, Sussex, Sussex, Glass, H. 14.6 cm (5 3/4 in

Arai—No. 32, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 23.7 x 35.2

Vase, 1885/90, Made by Thomas Webb and Sons, Stourbridge, England, founded 1837, Carved by George Woodall, English, 1850-1925, Stourbridge, Blown and cased glass, 26.7 cm × 20.6 cm (10 1/2 in. × 8 1/8 in

Cliff Walk at Pourville, 1882, Claude Monet, French, 1840-1926, France, Oil on canvas, 66.5 × 82.3 cm (26 1/8 × 32 7/16 in

Portrait Bust of Man Wearing Cravat (recto), Sketch of Saddle (verso), n.d., Stefano della Bella, Italian, 1610-1664, Italy, Pen and brown ink (recto), and red and brown ink (verso), on ivory laid paper, cut to oval, tipped onto ivory laid

Panel, 1775/1800, United States, Cotton, plain weave, resist printed, 111.3 x 45.8 cm (43 7/8 x 18 in

Carpet fragment, Qing dynasty (1644–1911), 1850/1900, China, Solid cut and uncut velvet, 266.4 × 63.1 cm (104 7/8 × 24 7/8 in

Girl in Peasant Dress (recto), Sheet of Sketches: Women and Girls (verso), 1891, Karel Vitezslav Masek, Czech, 1865-1927, Czech Republic, Graphite (recto and verso) on cream wove paper, 290 × 169 mm

Paperweight, c. 1848–52, Possibly Bohemian, Czech Republic, Glass, Diam. 7 cm (2 3/4 in

The Fair Store: Pilaster from the Exterior, 1890/91, addition 1896/97, William LeBaron Jenney, American, 1832-1907, Chicago, Terra-cotta, d, e: 47 × 30 × 14 cm (19 × 12 × 6 in

Part of the Castle at Heidelberg, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on

Father Time, n.d., Attributed to Alessandro Algardi, Italian, 1598–1654, Italy, Pen and brown ink and brush and brown wash, over black chalk, with traces of red chalk, on tan laid paper, laid down on ivory laid paper, 270 x 196 mm

Anser lobata, Print, 1864-1915

Female Caryatid, 1700/20, After Pietro Buonaccorsi, called Perino del Vaga, Italian, 1501-1547, Italy, Red chalk on ivory laid paper, laid down on card, 286 x 127 mm (max

Sampler, c. 1660, England, Linen, plain weave, embroidered with silk, 66.1 × 21.6 cm (26 × 8 1/2 in

Salute them!, January 1899, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Photorelief in black with mechanical dot pattern on ivory wove paper, 366 × 265 mm (image), 545 × 440 mm (sheet

Bevor (Falling Buff) with Two Gorget Pieces, c. 1500, European, possibly Spanish, Europe, Steel

Unexpected Call, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Nicolas Joseph Voyez (French, 1742-1806), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century), published

Pilgrim of the Sublunary World, plate 5 of 6, 1891, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray chine, 274 × 201 mm (image), 349 × 267 mm (sheet

Coin Depicting the Goddess Artemis, 258/202 BC, Greek, minted in Ephesos, Ancient Greece, Bronze, Diam. 1.1 cm, 1.27 g

First a pool of water, then a prostitute, the corner of a temple, a soldier’s face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series), 1888, Odilon Redon, French, 1840-1916, France,

Kimkhwab Textile, c. 1874, India, Benares, India, 9.5 x 10 cm (3 5/8 x 3 7/8 in

Panel, Roman period (30 B.C.– 641 A.D.), 4th/5th century, Egypt, Egypt, Linen and wool, tapestry weave with inlaid pattern, 21.6 × 20.1 cm (8 1/2 × 7 7/8 in

Aquila pennatus, Print, The booted eagle (Hieraaetus pennatus, also classified as Aquila pennata) is a medium-sized mostly migratory bird of prey with a wide distribution in the Palearctic and southern Asia, wintering in the tropics of Africa and

Drachm (Coin) Depicting the Goddess Athena, about 490 BC, Greek, minted in Athens, Athens, Silver, Diam. 1.5 cm, 4.22 g

Woman Lying on her Back, Lassitude, plate ten from Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave Pellet (French, 1859-1919), probably printed by Auguste Clot (French, 1858-1936), France, Color lithograph

Clear autumn sky over a mountain temple, from the series Picture Book of Chinese Poems (Toshi gafu no uchi), c. 1830/44, Totoya Hokkei, Japanese, 1780–1850, Japan, Color woodblock print, chuban

Les-Parents-Terribles series: A fine creature—and no corsets, 1852–53, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 202 × 161 mm (image), 360 × 240 mm (sheet

The Cup of Long Life, spring 1883, Shibata Zeshin, Japanese, 1807-1891, Japan, Color woodblock print, surimono, 57.4 x 43.3 cm (22 5/8 x 17 1/8 in

Tontine Building, Trongate, 1868, Thomas Annan, Scottish, 1829–1887, Scotland, Photogravure, plate 19 from the book "The Old Closes & Streets of Glasgow" (1900), 19.1 x 23.6 cm (image), 27.5 x 38 cm (paper

Rev. James Langton Clark, 1864, Lewis Carroll (Charles Lutwidge Dodgson), English, 1832–1898, England, Albumen print, 14.8 × 12.2 cm (image), 15.4 × 12.6 cm (paper), 22.2 × 19 cm (mount

Amulet of Tyet (Isis Knot), Late Period, Dynasty 26 (664–525 BC), Egyptian, Egypt, Faience, 4 × 2 × 0.5 cm (1 5/8 × 3/4 × 3/16 in

Wild Horse, or Frightened Horse Leaving the Water, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph, in black, on white wove paper, 230 × 240 mm (image), 361 × 278 mm (sheet

So, you want to meddle with the press!, plate 319, 1833, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on ivory wove paper, 227 × 194 mm (image), 367 × 282 mm (sheet

An Old Maid on a Journey, published November 20, 1804, James Gillray (English, 1756-1815), after Brownlow North (English, 1778-1829), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 245 × 373

Ara glauca, Print, 1842-1855