Images at Librifly 2.589.713 / 2.589.715 Entries < previous page Page 3249 / 25898 next page > Painted Banner (Thangka) of Amitayus Buddha Surrounded by One Hundred Buddhas, 19th century, Tibet, Tibet, Pigment on cloth, Image: 86.6 x 53.5 cm, Cloth: 89.8 x 56.5cm Sino-Japanese War: Two Generals at the Battle of Fenghuangcheng (Nisshin gekisen ryosho Hoojo sen no zu), 1894, Yosai Nobukazu, Japanese, 1872-1944, Japan, Color woodblock print, oban triptych Philip IV, King of Spain, plate 12 from Duces Burgundiae (Dukes of Burgundy), 1644, Jacob Louys (Flemish, 1595-after 1644), after Peter Paul Rubens (Flemish, 1577-1640), border engraved, and print published, by Pieter Claesz. Soutman Ces Croûtes-là en Font Manger D’autres, 1827–28, Denis Auguste Marie Raffet (French, 1804-1860), marketed by Chez M. Chabert (French, 19th century), France, Lithograph in black on ivory wove paper, 192 × 153 mm (image), 365 × 274 mm St. John, from The Four Evangelists, 1539, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 118 x 77 mm (sheet South Sea Island, n.d., Lorens Gottman, Swedish, 1708-1779, Sweden, Pen and black and brown ink, with brush and black, brown and pink wash, over traces of black chalk, on cream laid paper, laid down on ivory laid paper, 336 x 246 mm Coin Portraying Emperor Victorinus, AD 268/270, Roman, minted in Trier, Trier, Bronze, Diam. 2.1 cm, 3.14 g A Golden Pheasant Perched on a Steep Snowy Hillside amid Small Pine Saplings, c. 1833, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color woodblock print, otanzaku, 37 x 16.5 cm (6 1/2 x 14 1/2 in Mariko: Famous Tea Shop (Mariko, meibutsu chamise), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, View of Village and Distant Hills, n.d., Unknown French artist, after Johan van der Hagen (Dutch, 1676-c. 1745), France, Watercolor on ivory wove paper, laid down on ivory board, 250 × 345 mm Panel (Dress Fabric), c. 1850, France, Cotton, stripes of plain weave, warp-float faced twill weaves, plain gauze weave, openwork, roller printed, 113.0 × 81.9 cm (44 1/2 × 33 1/4 in Figure of a Standing Warrior, A.D. 600/900, Nopiloa, South-central Veracruz, Mexico, Veracruz state, Ceramic and pigment, H. 17.8 cm (7 in Bottle, 17th century, Germany, Glass, 15.2 x 12.1 cm (6 x 4 3/4 in Battle of the Tritons, 1763, Christian Wilhelm Ernst Dietrich, German, 1712-1774, Germany, Etching on paper, 84 x 142 mm (plate), 87 x 145 mm (sheet Untitled, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons Analcipus sanguinolentus, Print, Oriolus, Orioles are colourful Old World passerine birds in the genus Oriolus, the namesake of the corvoidean family Oriolidae. They are not related to the New World orioles, which are icterids (family Icteridae) The Scissors-Grinder, 1741, Christian Wilhelm Ernst Dietrich, German, 1712-1774, Germany, Etching printed in black on laid paper, 141 x 121 mm Coin Depicting the God Mars, about 282/203 BC, Greek, Calabria, Bronze, Diam. 2.6 cm, 14.15 g Four Sleeping Pigs, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching and roulette on China paper, 132 × 142 mm (image), 169 × 275 mm (plate), 303 × 433 mm (sheet Ameiva lemniscata, Print, Ameiva, commonly called jungle-runners, is a genus of whiptail lizards that belongs to the family Teiidae., 1818 I’m guarding city hall, 1822, Honoré Victorin Daumier (French, 1808-1879), printed by Gottfried Engelmann (French, 1788-1839), published by chez Martinet (French, 19th century), France, Lithograph in black, with hand-coloring on ivory Bracelet, 9th/12th century AD, Egyptian, Egypt, Glass, 1 × 5.7 × 5.7 cm (2/5 × 2 1/4 × 2 1/4 in The Annunciation, from The Life of the Virgin, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 64 × 44 mm (image), 69.5 × 44 mm (plate), 71 × 47 mm (sheet Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780), c. 1752, Maurice Quentin de Latour, French, 1704-1788, France, Pastel on blue-gray laid paper, laid down on canvas and wrapped around a strainer, enlarged by Happy Springtime, 1860, Sir John Everett Millais, English, 1829-1896, England, Etching on ivory wove chine laid down on off-white wove paper, 135 × 98 mm (image), 245 × 169 mm (chine), 447 × 319 mm (sheet Reinforcing Bevor and Grandguard for the Tilt in the Italian Manner, c. 1560, Southern German, Augsburg, Steel, Height: 50.8 cm (20 in Beaker, c. 1830, Bohemia, Czech Republic, Bohemia, Glass, wheel engraved, 12.1 × 7.9 cm (4 3/4 × 3 1/8 in After Dinner, 1742, Jacques Le Bas (French, 1707-1783), after Nicolaes Berchem the Elder (Dutch, 1621/22-1683), France, Engraving on paper The Anniversary (Homage to Hector Berlioz), 1877, Henri Fantin-Latour, French, 1836-1904, France, Pastel, with opaque watercolor and scraping, over a lithograph in black ink on wove paper, 625 × 514 mm Cocks and Hens, Hôtel Colbert, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on off-white chine, laid down on white plate paper, 198 x 144 mm (image), 233 x 149 mm (primary support), 382 x Love Me or I Die (Valentine), c. 1840, Joseph Addenbrooke, English, 19th century, England, Collaged elements with watercolor on cut and embossed ivory wove paper (lace), 111 × 93 mm (folded sheet The Last Cart, 1835, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black, with scraping on stone, on buff wove paper, 188 × 249 mm (image, without borders), Ceremonial Cloth, 17th century, India, Coromandel Coast, Found in South Sumatra, India, Cotton, plain weave, block printed and resist-dyed, 334.6 x 230.5 cm (131 3/4 x 90 3/4 in Woman Opening Umbrella as Thunder Approaches, c. 1769, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 26 1/2 x 5 in Panel (Furnishing Fabric), c. 1850s, England, London, London, Cotton, plain weave, block printed and painted, 119.6 x 93.3 cm (47 1/8 x 36 3/4 in Anthochaera chrysotis, Print, Anthochaera is a genus of birds in the honeyeater family. The species are native to Australia and include the little wattlebird, the red wattlebird, the western wattlebird, and the yellow wattlebird. Recent evidence The Rape of Europa, 1635/40, Cornelis Schut, Flemish, 1597-1655, Flanders, Black chalk, with touches of white chalk, on ivory laid paper, 263 × 389 mm Artamus sordidus, Print, Woodswallows are soft-plumaged, somber-coloured passerine birds in the genus Artamus. The woodswallows are either treated as a subfamily, Artaminae, in an expanded family Artamidae (also including the subfamily Fragment (Dress Fabric), 19th century, Turkey, Turkey, Brocaded plain compound cloth Amphora (Storage Jar), about 490/480 BC, Attributed to the Michigan Painter, Greek, Athens, Greece, terracotta, decorated in the black-figure technique, 21.2 × 13.9 × 13.9 cm (8 3/8 × 5 1/4 × 5 1/4 in Rape of Proserpina, 1550/59, Unknown Artist, Italian, mid-16th century, Italy, Pen and black ink with brush and brown wash, heightened with lead white (oxidized), on lunette-shaped cream laid paper prepared with yellow wash, squared in Evening Moon at Izumizaki (Izumizaki yagetsu), from the series Eight Views of Ryukyu Islands (Ryukyu hakkei), c. 1832, Katsushika Hokusai 葛飾 北斎, Japanese, 1760–1849, Japan, Color woodblock print Bishop Saint Zenobius in a Historiated Initial N with Decorated Border from a Laudario, c. 1340, Italian (Florence), Master of the Dominican Effigies, Italy, Manuscript cutting with tempera and gold leaf decorations, and rounded gothica Amulet of the Mummiform God Anubis, Late Period (664–332 BC), Egyptian, Egypt, Faience, 1.6 × 0.5 × 0.5 cm (5/8 × 3/16 × 3/16 in Wine Glass, c. 1790, England, Glass, 14.6 cm (5 3/4 in Leinster House, Dublin, published July 1792, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 317 × 428 mm (plate), 420 × 538 mm (sheet Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.6 cm (3 in Scaraboid: Crocodile, New Kingdom, Dynasties 18–20 (about 1550–1069 BC), Egyptian, Egypt, Glazed steatite, 0.6 × 1.9 × 1 cm (1/4 × 3/4 × 3/8 in Edward, Prince of Wales, June 1, 1797, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 274 x 224 mm (image), 316 x 256 mm (sheet, cut within Le Romance du Cortés (The Song of Cortez) (Furnishing Fabric), 1815, Designed by Delmès (French, founded 1815) after artist Hyacinthe Aubry-Lecomte (French, 1787-1858), Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818), France, Fragment, 1625/75, Italy, Silk, plain compound cloth, brocaded, 26.3 × 36 cm (14 × 10 1/4 in.) (old card Sketchbook, c. 1793–94, George Romney, English, 1734-1802, England, Book with eleven graphite drawings on cream wove paper, bound in colored marble paperboard cover with brown leather spine and gold stamps, 150 × 245 × 8 mm (closed), 150 Why Should There Not Exist an Invisible World…?, plate 6 from Edmond Picard’s Le Jure, 1887, Odilon Redon, French, 1840-1916, France, Lithograph in black on thin cream Japanese paper, 222 × 169 mm (image), 321 × 246 mm (sheet Meetinghouse Hill, Roxbury, Massachusetts, 1799, John Ritto Penniman, American, c. 1782–1841, Roxbury, Oil on canvas, 73.6 × 94 cm (29 × 37 in Arctomys marmotta, Print, skeleton Close Helmet, 1520, Southern German or Austrian, Southern Germany, Steel, H. 22.9 cm (9 in Sketch of Three Classical Figures, c. 1810, Jacques Louis David, French, 1748-1825, France, Black chalk on ivory laid paper, 178 × 110 mm The Last Load, published August 7, 1869, Winslow Homer (American, 1836-1910), published by Appletons’ Journal (American, 1869-1881), United States, Wood engraving on paper, 113 x 165 mm (image), 283 x 205 mm (sheet Carrying a Lantern Decorated with a Pavilion, Gohei, Flowers, and Fan (Sekiguchi-cho Rosoku-cho no banto), from the series The Festival of the Kanda Shrine (Kanda go-sairei), 1779, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock Toby Jug, 1780/90, England, Staffordshire, Staffordshire, Lead-glazed earthenware, H. 27.3 cm (10 3/4 in A Civita Castellana, from Malerisch Radierte Prospekte aus Italien, 1793, Johann Christian Reinhart, German, 1761-1847, Germany, Etching on ivory laid paper, 350 × 260 mm (image), 278 × 279 mm (plate), 500 × 375 mm (sheet The Grapeleaf, 1895, Félicien Rops, Belgian, 1833-1898, Belgium, Heliogravure, with drypoint, on ivory laid paper, 198 × 140 mm (image), 216 × 150 mm (plate), 270 × 174 mm (sheet Chef des Eunuques, plate 20 from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French, 1716-1809, France, Etching on ivory laid paper, 194 × 130 mm (image), 203 × 135 mm (plate), 265 × 206 mm (sheet The Actors Ichikawa Danjuro V as Hige no Ikyu, Nakamura Riko as Agemaki, and Ichikawa Ebizo as Agemaki’s attendant in the play Sukeroku Yukari no Edozakura at the Nakamura Theater in the third month, 1784, 1784, Torii Kiyonaga, Japanese, Letter N, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 226 x 189 mm Bead Net Mummy Shroud, Saite Period, Dynasty 26 (664–525 BC), Egyptian, Egypt, Faience beads, 45.7 × 40 × 3.8 cm (18 × 15 3/4 × 1 1/2 in Anthony: What is the object of all this? The Devil: There is no object!, plate 18 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on ivory wove paper, 310 × 256 mm (image), 311 × 255 Denarius (Coin) Portraying Macrinus, AD 217 (December), Roman, Rome, Silver, Diam. 1.9 cm, 3.40 g J.B. Faure, 1891, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 201 x 150 mm (image), 235 x 159 mm (plate), 445 x 339 mm (sheet Male Nude, 1890, Wilhelm von Gloeden, German, 1856–1931, Germany, Albumen print, 18 × 13 cm (image), 36 × 26 cm (mount Charles Baudelaire, Full Face III, 1869, Édouard Manet (French, 1832-1883), after Nadar Gaspard Félix Tournachon (French, 1820, 1910), printed by Andre Salmon (French, 1880-1969), France, Etching in black on ivory laid paper, 90 × 76 Unguent Vessel, Middle Kingdom–Early New Kingdom, Dynasty 12–Early Dynasty 18 (about 1985–1425 BC), Egyptian, Egypt, Hematite, a (jar): 9.8 × 7.8 × 7.21 cm (3.86 × 3.10 × 2.84 in Marsyas Tied to a Tree, c. 1550, Follower of Baccio Bandinelli, Italian, 1493-1560, Florence, Pen and brown ink on ivory laid paper, laid down on ivory wove paper, tipped onto gray card, 284 × 205 mm Bear’s Paw Shoe, 16th century, England, Leather, 24.5 × 14 × 6.5 cm (9 5/8 × 5 1/2 × 2 9/16 in The Clock Tower, Paris, 1852, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), France, Etching, engraving and drypoint (plate has been scraped and burnished) on ivory wove chine, laid down on ivory laid Fragment (From a Border), 19th century, Greece, Attica, Attica, Cotton, plain weave, embroidered with cotton in double running, satin, and stem stitches, edged with cotton, oblique interlacing tape, 21.5 × 33.9 cm (8 1/2 × 13 3/8 in Pepper Box, 1725/50, Moody Russell, American, 1694–1761, Barnstable, Massachusetts, Barnstable, Silver, 7.6 × 5.1 × 2.5 cm (3 5/8 × 2 1/2 × 1 1/2 in.), 66.9 g Mount Kano in Kazusa Province (Kazusa Rokusozan), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban The Ide Jewel River, c. 1781/89, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print, sheet from oban hexaptych, 38.5 x 25.6 cm (15 1/8 x 10 1/16 in Wine Glass, Early 18th century, Bohemia, Czech Republic, Bohemia, Glass with engraved gold leaf decoration, 20.3 × 8.3 cm (8 × 3 1/4 in Chess Piece: Rook, 19th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 7 × 3.2 × 3.5 cm (2 3/4 × 1 1/4 × 1 3/8 in Antennarius biocellatus, Print, Toadfish, 1700-1880 Evening, 1881, John Henry Twachtman, American, 1853-1902, United States, Etching on China paper, 124.5 x 181 mm (image/plate), 168 x 228 mm (sheet), 255 x 308 mm (mount Wine Glass, c. 1780, England, Glass, H. 11.4 cm (4 1/2 in Anacyrtus gibbosus, Print, 1700-1880 Chimney Plaque: Coat of Arms of Duc de Bethune-Charlost, c. 1678, France, Cast in iron, 87 × 95.9 × 5.7 cm (34 1/4 × 37 3/4 × 2 1/4 in Kam-Hill, from Le Café-Concert, 1893, Henri-Gabriel Ibels (French, 1867-1936), printed by Edward Ancourt & Cie (French, 19th-20th century), published by L’Estampe originale (French, 1893-1895), France, Lithograph on cream wove paper, Yvette Guilbert—Chanson Ancienne, from Yvette Guilbert, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph with beige tint stone, on ivory laid paper, 324 × 266 mm (image), 544 × 382 mm (sheet Night, 1767, Emmanuel Jean Nepomucene de Ghendt (French, 1738-1815), after Pierre-Antoine Baudouin (French, 1723-1769), France, Etching on paper, 272 × 201 mm (image), 340 × 268 mm (sheet The Actors Ichikawa Monnosuke I as Minamoto no Yoshiie and Sodesaki Iseno I as Onoe no Mae in the play Kaomise Junidan, performed at the Nakamura Theater in the eleventh month, 1726 (?), c. 1726, Torii Kiyonobu II, Japanese, active c. 1725-61, Aix galericulata, Print, The mandarin duck (Aix galericulata) is a perching duck species native to East Asia. It is medium-sized, at 41–49 cm (16–19 in) long with a 65–75 cm (26–30 in) wingspan. It is closely related to the North American Pillow, 1825/75, France, Cotton, plain weave, quilted, cotton batting, lined with cotton, plain weave, 49.9 × 45 cm (19 5/8 × 17 3/4 in.), Coat from Three Piece Man’s Suit, Louis XVI period (1774–1789), 1750/75, Italy or France, Handkerchief, 1825/75, France, 33.1 × 33.1 cm (13 × 13 in Fragment, 17th century, Europe, Europe, Silk, linen, and cotton, plain weave, tied and free double cloth with self-patterning ground wefts, 67.3 × 26.5 cm (26 1/2 × 10 3/8 in Daniel Webster, Modeled and cast 1853, Thomas Ball, American, 1819–1911, Cast by J. T. Ames, Chicopee, Massachusetts, Boston, Bronze, 76.2 × 30.4 × 27.9 cm (30 × 12 × 11 in View of Grand Cañon walls, near mouth of Diamond River. From water line to first shelf 1.500 feet, from shelf to top of table 3.500 feet. Distance from point of view to top of walls 3 miles, 1871, Timothy O’Sullivan (American, born Ireland, The Broken Crock, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on light grey China paper laid down on ivory wove paper, 109 × 93 mm (image), 118 × 99 mm (chine), 215 × 158 mm (plate), 307 × 223 mm (sheet Parrying Dagger, 1650, Spanish, Spain, Steel, wood, and iron, L. 52.7 cm (20 3/4 in Kogo no Tsubone and Minamoto no Nakakuni, early 1760s, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, uncut double hosoban, benizuri-e, 30.7 x 27.4 cm (12 1/8 x 10 3/4 in Pair of Flintlock Holster Pistols, about 1740, Joseph Etienne Brion (French, active 1740-1747), Paris, Paris, Steel, gold, walnut, and flint, L. 40.3 cm (15 7/8 in 2.589.713 / 2.589.715 Entries < previous page Page 3249 / 25898 next page >