Images at Librifly

Bearded Head, n.d., Unknown Artist, Italian, 17th century, Italy, Red chalk, with stumping, heightened with touches of white chalk, with traces of black chalk, on tan laid paper, 293 × 230 mm

Bridge Over the Ramapo at Greenwood, 1860/69, Anthony & Company, American, active 1848–1901, United States, Albumen print, stereo, No. 6264 from the series "The Beauties of the Ramapo, Erie Railway

Scarab: Hieroglyphs (swt, nfr, Dd, anx, nb), Middle Kingdom–Second Intermediate Period, Dynasties 12–15 (about 1985–1550 BC), Egyptian, Egypt, Steatite, 1.3 × 1 × 0.6 cm (1/2 × 3/8 × 1/4 in

King David Receiving the Cistern Water of Bethlehem, 1515/20, Antwerp Mannerist (Master of the Antwerp Adoration group), Netherlandish, Belgium, Oil on panel, transferred to canvas, 73.5 × 27.5 cm (28 7/8 × 10 7/8 in

Goblet with Cover, Early 18th century, Germany, Glass, 15.9 x 7.8 cm (6 1/4 x 3 1/16 in

The Actor Bando Mitsugoro I as Ogata no Saburo Disguised as Yoroya Takiemon in the Play Mure Takamatsu Yuki no Shirahata, Performed at the Ichimura Theater in the Eleventh Month, 1780, c. 1780, Katsukawa Shunko I, Japanese, 1743-1812, Japan,

Portrait of a Young Woman with Pearl Earrings, 1632/35, Simon Vouet, French, 1590-1649, France, Black chalk and pastel, heightened with white chalk, on light brown laid paper, laid down on an eighteenth-century mount with framing lines, 277

Amulet of a Sitting Baboon, Middle Kingdom (about 1700 BC), Egyptian, Egypt, Carnelian, 2.2 × 1.3 × 0.5 cm (7/8 × 1/2 × 3/16 in

Two carved wooden transoms (ramma) panels from the Hooden, 1893, Takamura Koun, Japanese, 1852-1934, Japan, Wood with polychromy, 92.7 × 278.8 × 20.3 cm (36 1/2 × 109 3/4 × 8 in.) (each) (appro×imate

Outskirts of Rome, 1866, Jean-Baptiste-Camille Corot (French, 1796-1875), printed by Auguste Delâtre (French, 1822-1907), published by Cadart et Luquet, Editeurs (French, 1801-1900), France, Etching on ivory China paper laid down on white

The Mimeguri Embankment on the Sumida River (Sumidagawa Mimeguri tsutsumi), from the series Famous Places in the Eastern Capital (Toto meisho), 1862, Utagawa Hiroshige II (Shigenobu), Japanese, 1826–1869, Japan, Color woodblock print, oban,

The Actor Yamashita Kinsaku II as Oume, Wife of Kisaku, in the Play Nue no Mori Ichiyo no Mato, Performed a the Nakamura Theater in the Eleventh Month, 1770, c. 1770, Ippitsusai Buncho, Japanese, active c. 1755-90, Japan, Color woodblock

Woman with a Parasol (Mrs. Friedrich Christian Glume, Sister-in-Law of the Artist), 1749, Johann Gottlieb Glume, German, 1711-1778, Germany, Etching in black on cream laid paper, 130 × 108 mm (image/plate), 227 × 165 mm (sheet

The Shower, 1898, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Aquatint and drypoint from two zinc plates printed à la poupée in 6 colors (black, dark gray, medium gray, brown, blue and pink) on ivory laid

The Hind Legs of a Horse, n.d., Charles Le Brun, French, 1619-1690, France, Red and white chalk on brown laid paper, laid down on cream laid paper, with a blue laid paper border, 285 × 213 mm

The Belgian Curate: I have served under the great man!, 1832–33, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 143 × 197 mm (image),

Composite Dagger, Grip (formally a mirror handle): Turkish, 16th century, Crossguard: Turkish, 19th century, Blade: European, probablly Spanish, late 16th–early 17th century, Turkish, Turkey, Nephrite, bloodstone, turquoise, gold, and

The Music Lesson, c. 1670, Gerard ter Borch, Dutch, 1617-1681, Netherlands, Oil on canvas, 63.6 × 50.4 cm (25 × 19 7/8 in

My Meeting with My Brother in the Tower of Fort St. Jean, Marseille, August 1793, 1806, Antoine Philippe d’Orléans, French, 1775-1807, France, Lithograph in black on greenish-blue wove paper, 292 × 400 mm (image), 333 × 427 mm (sheet

Firelight, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory laid paper, 191 x 149 mm (image), 332 x 210 mm (sheet

Altar Frontal, 1450/1500, Italy, Silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut, voided velvet, 91.5 x 172.8 cm (36 x 68 in.), Untitled, 1855/68, Georgina Cowper, attributed, English, mid 19th century,

No. 38: Fukushima, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi), c. 1835/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 24.8 x 37.5 cm (9 3/4 x 14 3/4

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

Panel (Furnishing Fabric), c. 1830, Paul Gavarni (French, 1804-1866), France, Alsace, France, Cotton, plain weave, engraved roller printed, 40.6 × 47.0 cm (16 × 18 1/2 in

Design: Ovals, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Wine Jug with the Lamb of God, c. 1630, Germany, Glass with enamel decoration, 22.9 x 9.5 cm (9 x 3 3/4 in

Citadel and Bridge in the Mountains, n.d., Unknown Artist, Flemish, 17th century, Flanders, Pen and brown ink on cream laid paper, 56 × 88 mm

Coin Portraying Emperor Constantine I, AD 307/337, Roman, minted in Cyzicus, Roman Empire, Bronze, Diam. 1.9 cm, 3.11 g

Plate One, from Five Wise and Five Foolish Virgins, 1606, Jan Saenredam, Netherlandish, 1565-1607, Netherlands, Engraving on paper, 265 x 367 mm (sheet, trimmed to platemark

Monk at Prayer, n.d., Charles Émile Jacque, French, 1813-1894, France, Drypoint on ivory wove paper, 29 × 24 mm

Lobed Cup, Goryeo dynasty (918–1392), 12th century, Korea, South Korea, Stoneware with underglaze molded decoration, H. 5.4 cm (2 1/8 in.), diam. 7.7 cm (3 1/16 in

Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 7 cm (2 3/4 in

The Pope, plate ten from The Ranks and Conditions of Men, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 178 x 100 mm (plate), 184 x 103 mm (sheet

Masks and faces: Have you done?, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory wove paper, 202 × 160 mm (image), 411 × 314 mm (sheet

Panel, 1675/1700, Italy, Silk and gold gilt strip, warp-float faced twill weave with supplementary patterning wefts tied by supplementary binding warps and supplementary pile warps forming cut, uncut, and voided velvet, 161.1 x 59.7 cm (63 3/8

Ring: Horemheb, Beloved of Amon, New Kingdom, Dynasty 18, reign of Horemheb (about 1323–1295 BC), Egyptian, Egypt, Faience, W. 1 cm (3/8 in.), diam. 2.2 cm (7/8 in

The Noda Jewel River, from a hexaptych depicting the Six Jewel Rivers, c. 1781/89, Kubo Shunman, Japanese, 1757–1820, Japan, Color woodblock print, sheet from oban hexaptych

Fukusa (Gift Cover), Appliqued fabric: Edo period (1615–1868), late 18th century, Mounting fabric: Meiji period (1868–1912), 1868/83, Japan, Patterned side: silk, warp-float faced 7:1 satin weave self-pattered by areas of weft-float faced

Closed Burgonet, c. 1610, Master MP, Flemish, Brussels, Brussels, Steel, silver, and leather, H. 22.2 cm (8 3/4 in

Bottle, 1st century BC, Roman, Levant or Syria, Syria, Glass, blown technique, H. 9.2 cm (3 5/8 in.), diam. 5.1 cm (2 in

Plum Branch, late 18th century, Kitao Shigemasa, Japanese, 1739-1820, Japan, Color woodblock print, surimono, 8 3/8 x 3 3/4 in

Descending Geese at Katada (Katada rakugan), from the series Eight Views of Omi (Omi hakkei no uchi), c. 1834, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban

The Water Fan, 1898/99, Winslow Homer, American, 1836-1910, United States, Watercolor, with blotting and touches of scraping, over graphite, on thick, rough twill-textured, ivory wove paper, 374 x 534 mm

Sestertius (Coin) Portraying Emperor Maximus, AD 236/238, Roman, minted in Rome, Roman Empire, Bronze, Diam. 3.1 cm, 17.14 g

Scarab: Wish Formula, New Kingdom–Late Period, Dynasties 19–26 (about 1295–525 BC), Egyptian, Egypt, Glass (?), 1.6 × 1 × 0.6 cm (5/8 × 3/8 × 1/4 in

Moon, from the series Snow, Moon, and Flowers of the Floating World (Ukiyo setsugekka), c. 1784/85, Katsukawa Shuncho, Japanese, active c. 1780-1801, Japan, Color woodblock print, oban, 38.8 x 26.0 cm

La Constance Wallpaper Fire Board, 1790/95, Paris, France, Block-printed paper, 79.7 × 106.7 cm (31 3/8 × 42 in

The Actors Sanogawa Ichimatsu I as Ike no Shoji and Segawa Kikujiro I as Hitachi Kohagi in the play Mangetsu Oguri Yakata, performed at the Ichimura Theater in the eighth month, 1747, 1747, Torii Kiyonobu II, Japanese, active c. 1725-61,

Plate, c. 1770, Niderviller Pottery Factory, French, founded 1754, Niderviller, Tin-glazed earthenware (faience), 2.9 × 23.9 cm (1 1/8 × 9 3/8 in

Sewing Bird, c. 1853, United States, Brass-colored, with bird-shaped clamp and floral design on c-clamp, 10.7 x 7.2 cm (4 1/4 x 2 7/8 in

Apollo and Daphne, n.d., Anthoni Waterlo, Dutch, 1609-1690, Holland, Etching on paper, 290 x 243 mm (image), 291 x 245 mm (plate), 304 x 254 mm (sheet

Pausing to admire Mt. Fuji (parody of Ariwara no Narihira’s journey to the east), c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 11 x 8 in

The Agony in the Garden, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 72 x 48 mm (image/block

Narcissus, c. 1670, Possibly Polidoro Caldara, called Polidoro da Caravaggio, Italian, c. 1499-1543, Italy, Brush and gray wash over black and white chalk, on gray laid paper (lunette), 155 x 239 mm

The Isle of Aligre, with Two Boats, 1844, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory China paper laid down on ivory wove paper, 58 × 128 mm (image), 64 × 133 mm (chine), 86 × 156 mm (plate), 152 × 258 mm (sheet

Yvette Guilbert, from Le Café-Concert, 1893, Henri de Toulouse-Lautrec (French, 1864-1901), printed by Edward Ancourt & Cie (French, 19th-20th c.), published by L’Estampe originale (French, 1893-1895), France, Lithograph on cream wove

Seated Female Figure Giving Birth, c. A.D. 200, Colima, Colima, Mexico, Colima state, Ceramic and pigment, H. 7.9 cm (3 1/8 in

Mitten Gauntlet for the Left Hand, c. 1510/20, Italian, Italy, Steel and textile, L. 29.2 cm (11 1/2 in

Group Composition from Fantasia Enchained, 1873/75, Adolf Hiremy-Hirschl, Hungarian, 1860-1933, Hungary, Charcoal and white chalk, with stumping, on tan wove paper, 478 x 334 mm

A Yakshi Grasping a Tree, Kushan period, 2nd/3rd century, Pakistan, Khyber Pakhtunkhwa Province, Ancient region of Gandhara, Gandhara, Gray schist, 96.5 × 24.5 × 10.8 cm (38 × 9 5/8 × 4 1/4 in

Ruins of Castle, n.d., Style of Ercole Bazicaluva (Italian, c. 1600-1661), or Remigio Cantagallina (Italian, 1582-1656), Italy, Pen and brown and black ink on cream laid paper, 161 x 252 mm

Judge More, March 1792, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 346 x 268 mm (image), 412 x 334 mm (plate), 539 x 407 mm (sheet

Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 9.1 × 33 cm (3 5/8 × 13 in

Mount Hokke in Harima Province, No. 26 on the Saikoku Pilgrimage Route (Saikoku junrei nijurokuban Harima Hokkezan), from the series The Miracles of Kannon (Kannon reigenki), 1859, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864,

Agelaius phoeniceus, Print, The red-winged blackbird (Agelaius phoeniceus) is a passerine bird of the family Icteridae found in most of North America and much of Central America. It breeds from Alaska and Newfoundland south to Florida, the Gulf of

Flounce (Possibly From an Alb), 1701/50, Italy, Linen, bobbin part lace (continuous clothwork tapes), 25.7 x 286.2 cm (10 1/8 x 112 5/8 in

Lion (One of a Pair), c. 1785, England, Staffordshire, Staffordshire, Lead-glazed earthenware (pearlware), H. 19.1 cm (7 1/2 in

Mephistopheles Flying, from Faust, 1828, Eugène Delacroix, French, 1798-1863, France, Lithograph in black on white wove paper, 280 × 239 mm (image), 427 × 283 mm (sheet

In a Wood, c. 1885, Alphonse Legros, French, 1837-1911, France, Drypoint and plate tone on ivory laid paper, 227 × 152 mm (plate), 301 × 237 mm (sheet

The Apollo Belvedere, plate 3 from Three Famous Antique Sculptures, c. 1592, printed c. 1617, Hendrick Goltzius (Dutch, 1558-1617), text written by Theodorus Schrevelius, Netherlands, Engraving in black ink on cream laid paper, 405 x 291 mm

Vase, 1880/90, Mintons Ltd., English, founded 1793, Stoke on Trent, Hard-paste porcelain with pâte sur pâte decoration in white on green ground surrouned by pale peach ground with gilding, 19.1 x 11.1 x 10.8 cm (7 9/16 x 4 3/8 x 4 1/4 in

Portrait of the Artist, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 100 × 83 mm (image), 110 × 90 mm (chine), 111 × 93 mm (plate), 300 × 234 mm (sheet

The Actor Fujimura Handayu II as Oiso no Tora, c. 1715, Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Hand-colored woodblock print, o-oban, tan-e, 56.1 x 23.3 cm (22 x 12 5/8 in

This is Worse, plate 37 from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, lavis and drypoint on ivory wove paper with gilt edges, 139 x 185 mm (image), 153 x 208 mm

Cuckoo and iris, c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, aitanzaku, 34.5 x 11.3 cm

Tobacco Box with Scene of Venus and Adonis, early 18th century, England, Brass, 13 × 7.6 cm (5 1/8 × 3 in

Volute Krater (Mixing Bowl), About 340 BC, Attributed to the Painter of Copenhagen 4223, Greek, Apulia, Italy, Apulia, terracotta, decorated in the red-figure technique, 78 × 48 38.1 cm (30 3/4 × 18 7/8 × 15 in

Untitled Valentine (Flowers on Green Background), 1860/69, Unknown Artist, American or English, 19th century, United States, Collaged elements and gold and green paint on cut and embossed (designed) ivory wove paper, 67 x 95 mm (folded sheet

Coin Portraying Emperor Constantine I, AD 317, Roman, minted in Aquileia, Roman Empire, Bronze, Diam. 2.1 cm, 3.67 g

Samuel Fisher Bradford, 1803/8, Rembrandt Peale, American, 1778–1860, Philadelphia, Oil on canvas, 68.5 × 55.9 cm (27 × 22 in

Entrance to the Narrow Pass, 1794, Jacob Wilhelm Mechau, German, 1745-1808, Germany, Etching and aquatint in sanguine on ivory wove paper, 250 x 193 mm (plate), 470 x 331 mm (sheet

Shabti, Third Intermediate Period, Dynasty 21 (about 1069–945 BC), Egyptian, Egypt, Faience, 15.5 × 5 × 3 cm (6 × 2 × 1 3/16 in

Coin Depicting Hand with Scales, AD 41/54, Roman, Roman Empire, Bronze, Diam. 1.9 cm, 2.68 g

Harriet White, 1835/40, Samuel Lovett Waldo, American, 1783–1861, William Jewett, American, 1792–1874, United States, Oil on canvas, 123.5 × 89.5 cm (48 5/8 × 35 1/4 in

Arcadian Shepherd Boy and his Flock of Sheep, 1810, Heinrich Reinhold, German, 1788–1825, Germany, Etching on wove paper, 112 x 169 mm (image), 122 x 190 mm (plate), 182 x 249 mm (sheet

Tetradrachm (Coin) Portraying Empress Salonina, about AD 265, Roman, Roman Empire, Billon, Diam. 2.3 cm, 10.46 g

Albunea symnista, Print

Miravan, 1772, Valentine Green (English, 1739-1813), after Joseph Wright of Derby (English, 1734-1797), England, Mezzotint on off-white laid paper, 460 × 354 mm (image), 505 × 355 mm (plate), 669 × 525 mm (sheet

Niche Statue of David with the Head of Goliath, n.d., Possibly Francesco de’Rossi, called Salviati (Italian, 1510-1563), or Giulio Campi (Italian, c. 1508-1573), or Jacopo Sansovino (Italian, 1486-1570), Italy, Pen and brown ink with

Keepsake in the Form of a Purse, c. 1850, Possibly England, England, Silver gilt, glass, and braided hair, 1 × 1.2 cm (3/8 × 7/16 in

View from Azuma Bridge, from the series Ten Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan jikkei), c. 1783, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, koban, 21.8 x 16.0 cm

Fragment, c. 1860/90 (reproduction of 1720s lace pattern), Italy or France, Italy, Silk, silvered-strip-wrapped-silk, plain weave with supplementary patterning wefts tied by supplementary binding warps in weft-float faced twill interlacings

Panel (Furnishing Fabric), 1770/82, France, Linen and cotton, plain weave, block printed, 208 × 118.3 cm (81 7/8 × 46 1/2 in

Cameo with Alexander the Great, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 5.2 × 4.1 × 1 cm (2 1/16 × 1 5/8 × 3/8 in

Fragment Supplemented with Drawing, 14th century and 19th century, Drawing by Paul Schultze, Italy, Compound twill satin, plain weave, 47.9 x 37.8 cm (18 7/8 x 14 7/8 in

Plate from l’Assommoir (blacksmith), 1878, Gaston La Touche, French, 1854-1913, France, Drypoint on ivory laid paper, 187 × 131 mm (image), 240 × 159 mm (plate), 386 × 285 mm (sheet

Boy Playing a Flute, c. 1860, John George Brown, American, born England, 1831–1913, United States, Etching on ivory chine paper, laid down on cream wove cardboard, 333 x 240 mm

Fragment, Roman period (30 B.C.–641 A.D.)/Arab period (641–969), 6th/8th century, Coptic, Egypt, Egypt, Linen and wool, tapestry weave, 22.9 × 22.9 cm (9 × 9 in

Pilate Washing his Hands, with Christ Being Led Away: Left Portion, n.d., Giovanni da Bologna, after, Italian, 1529-1608, Italy, Black chalk on blue laid paper, 454 x 377 mm

Ôhi (Stole), late Edo period (1789–1868), 1800/50, Japan, Silk, gold-leaf-on-lacquered-paper-strip wrapped silk and gold-leaf-over-lacquered-paper-strip, plain weave with supplementary patterning wefts bound in weft-float faced 1:3 ‘Z‘