Images at Librifly

Treasured Admonitions to Young Women (Jijo hokun onna Imagawa), c. 1784, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 26.2 x 19.5 cm

Anomia vermiculata, Print

The Fifth Month (Satsuki), from the series Fashionable Twelve Seasons (Furyu juni kiko), c. 1779, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 26.1 x 19.1 cm

Beach with Fishing Boats (recto), Landscape with Farmer Plowing a Field (verso), 1870/79, Eugène Louis Boudin, French, 1824-1898, France, Pastel on (recto) and charcoal (verso) on grayish-tan wove paper, 195 × 307 mm

The White Negress, c. 1630, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 92 x 77 mm (image/plate), 99 x 78 mm (sheet

Bottle, 2nd/3rd century AD, Roman, Roman Empire, Glass, mold-blown technique, 28.6 × 7.3 × 7.3 cm (11 1/4 × 2 7/8 × 2 7/8 in

Display Plate with a Man Striking a Heart on an Anvil, c. 1550, Italian, Deruta, Deruta, Tin-glazed earthernware with copper luster (maiolica), Diameter: 40 cm (15 3/4 in.), H: 9.5 cm (3 3/4 in

First Performance: Le Grappin, l’Affranchie, for Le Théatre Libre, 1892–93, Henri-Gabriel Ibels (French, 1867-1936), printed by Imprimerie Eugène Verneau (French, 19th century-1906), France, Color lithograph on cream wove paper, 228

Men Carrying Nets, n.d., Attributed to John Skinner Prout, English, 1806-1876, England, Graphite on cream wove paper, 142 × 226 mm

André de Nerciat, 1867, Felix Bracquemond, French, 1833–1914, France, Etching on ivory laid paper, 120 × 85 mm (plate), 238 × 190 mm (sheet

Sketches for a Lamentation and a Pietà, and of Various Figures, Heads, and an Arm (recto), Sketches of the Dead Christ, and of Various Figures and Heads (verso), 1580 (recto), 1576/80 (verso), Jacopo Negretti, called Palma il Giovane,

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 6.7 cm (2 5/8 in

Shawl, c. 1840, India, India, Interlocking twill weave, embroidered, pieced, 190 x 173 cm (74 3/4 x 68 1/2 in

Salt, c. 1720/40, England, Glass, 10.2 cm (4 in

Morning, plate one from The Four Times of the Day, May 1738, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 455 × 376 mm (image), 488 × 395 mm (plate), 660 × 495 mm (sheet

Beaker, c. 1820, Bohemia, Czech Republic, Bohemia, Glass, 8.9 × 7 cm (3 1/2 × 2 3/4 in

The Last Moments of Mozart, 1888, Armand Mathey (French, 1854–1931), after Mihály Munkácsy (Hungarian, 1844–1900), published by Charles Sedelmeyer (French, 19th century), France, Etching and drypoint on ivory tissue paper, 435 × 570

Fragment, A.D. 500/1000, Moche-Huari, Possibly Huarmey Valley, north-central coast, Peru, Peru, Cotton and wool (camelid), plain weave with discontinuous wefts and single dovetailed tapestry weave, edged with cross-knit loop stitches, 52.1

Panel (From a Skirt), c. 1743, In the style of Anna Maria Garthwaite (English, 1690–1763), England, Spitalfields, Spitalfields, Silk, plain weave with supplementary brocading wefts and self-patterned by ground weft floats, 104.5 x 51.2 cm

Portions of a Field Armor, c. 1540 with some modern restoration, Austrian, Innsbruck, Innsbruck, Steel and leather, H. 191.8 cm (75 1/2 in

Le Sacrifice à l’Amour (Offrande à l’Amour) (Furnishing Fabric), c. 1795, Designed by Jean Baptiste Huet (French, 1745–1811), Manufactured by Christophe Phillipe Oberkampf (French, 1738-1815), France, Jouy-en-Josas, France, Cotton,

Mrs. Francis Russell, 1785/87, George Romney, British, 1734-1802, England, Oil on canvas, 127.6 × 101.9 cm (50 1/4 × 40 1/4 in

Vigilant One, 1816, Pierre Guérin (French, 1774-1833), printed by Gottfried Engelmann (French, 1788-1839), France, Lithograph in black on cream wove paper, 271 × 197 mm (image), 311 × 240 mm (sheet

Shirasuka: View of Shiomi Slope (Shirasuka, Shiomizaka zu), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa Hiroshige 歌川 広重, Japanese,

The Actor Segawa Kikunojo III as Aigo no Waka in the Play Chigo Sakura Jusan Kane, Performed at the Ichimura Theater in the Eleventh Month, 1774, c. 1774, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print,

Flute, c. 1850, England, Glass, 19.1 cm (7 1/2 in

Sutra Cover, Ming dynasty (1368–1644), c. 1590s, China, Silk and gold-leaf-over-lacquered-paper strips, satin weave with patterning wefts, wrapped over cardboard and backed with paper, applied label of silk, plain weave, with inscribed

Antilope scripta, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Gorget Plate for Bevor, c. 1500, Spanish, Spain, Steel

Aquila imperialis, Print, 1700-1880

Teapot, 1750/70, England, Staffordshire, Staffordshire, Lead-glazed earthenware (creamware), H. 13.3 cm (5 1/4 in

Piano at Washington’s Headquarters (Newburgh, NY), n.d., Remillard, American, 19th century, United States, Albumen print, 5.7 x 9.8 cm (image), 6.3 x 10.5 cm (card

La Fête du Mai, Unknown date, Jean Baptiste Joseph Pater (after), French, 1695-1736, France, Oil on panel, 7 7/16 × 9 1/2 in. (18.9 × 24.1 cm), Head of an Old Woman, n.d., Johannes Visscher (Dutch, 1634-1692), after Cornelis Visscher

Illustration from Horae in laudem Virginis Mariae, plate 64 from Woodcuts from Books of the XVI Century, 1524/25, assembled into portfolio 1937, Geoffrey Tory (French, c.1480-1533), assembled by Max Geisberg (Swiss, 1875-1943), France,

Mr. James Mackie, 1830/40, Samuel Lovett Waldo, American, 1783–1861, William Jewett, American, 1792–1874, United States, Oil on canvas, 92.1 × 73.7 cm (36 1/4 × 29 in

Coin Portraying Emperor Arcadius, AD 392/395, Roman, minted in Trier, Trier, Silver, Diam. 1.8 cm, 1.25 g

Covered Cream Bowl, c. 1820, Worcester Porcelain Factory (Flight, Barr & Barr Period), English, founded 1751, Retailed by Mortlock China Co., English, 1746-1896, London, Soft-paste porcelain, polychrome enamels and gilding, 23 x 20.3 cm

The Orchid Pavilion Gathering, Qing dynasty (1644–1911), 19th century, Chinese, China, Handscroll, ink and light colors on silk

Coverlet, 1851, Jesse Hart (American, 1814-1894), United States, Ohio, Clinton County, Wilmington, United States, Cotton and wool, plain weave double cloth, woven on loom with Jacquard attachment, full loom width, seamless, 229.9 x

Amulet of the God Imsety (one of the four Sons of Horus), Late Period–Ptolemaic Period (7th century–1st century BC), Egyptian, Egypt, Glass, 4.2 × 1.3 × 0.4 cm (1 5/8 × 1/2 × 1/8 in

Oinochoe (Pitcher), 550/500 BC, Etruscan, Etruria, terracotta, Bucchero sottile ware, 35.6 × 20.3 × 19.1 cm (14 × 8 × 7.5 in

Hair Ornament or Pin with Triangular Head and Rattle, A.D. 1000/1532, Probably Chimú-Inca, North coast, Peru, Peru, Bronze, H. 7.6 cm (3 in

Temple of Sibyl in Méréville, 1817, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black on tan wove paper, 219 × 334 mm (image), 271 × 390 mm (sheet

Panel, 1788, Designed by Claude Camille Pierre Etienne Pernon (French, 1753–1808), France, Lyon, Lyon, Silk, twill weave with pile warp printed cut, solid velvet, 331.8 x 55.8 cm (130 5/8 x 21 7/8 in

Commode Pot, c. 1780, Birch and Villers (John Birch and William Villers), England, active c. 1775-1820, Birmingham, England, Pewter, 20.3 × 31.1 cm (8 × 12 1/4 (D. rim) in

Fragment, Fatimid period (969–1171), Egypt, Egypt, Border fragment, tapestry silk weft on dark blue silk warp, twisted rope design in yellow on outside edges, 4.8 × 12.4 cm (1 7/8 × 4 7/8 in

The Towing Path, c. 1864, Francis Seymour Haden, English, 1818-1910, England, Etching and drypoint on copper printed on cream laid paper, 139 × 213 mm (image/plate), 187 × 255 mm (sheet), Who Is in the Soup Now, from Puck, published May,

San Francisco, 1855–56, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), France, Etching and drypoint on ivory laid paper, 178 × 961 mm (image), 240 × 995 mm (plate), 345 × 1, 080 mm (sheet

Anathina, Print

Aether, plate six from Demogorgon and the Dieties, c. 1588–90, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Chiaroscuro woodcut in black and two shades of gray on paper, 347 x 261 mm (oval

Shawl, 1860/70s, England, 327.7 × 160.1 cm (129 × 63 in

Hanging, 19th century, Eastern India, India, 249.6 x 139.1 cm (98 1/4 x 54 3/4 in

The War for the Union, 1862—A Bayonet Charge, published July 12, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 346 x 524 mm (image), 393 x 541 mm

Cascade of Terni, plate fourteen from the Ruins of Rome, published March 28, 1798, M. Dubourg, (English, active 1786-1838), published by J. Merigot (Italian, Unknown), England, Hand-colored aquatint on paper, 448 × 330 mm (sheet

The Sixth Month, Enjoying the Evening Cool in a Teahouse, from the series The Twelve Months in the Southern Quarter (Minami jūni kō), About 1783, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock prints, oban diptych, 39.1 x 52

Octavian, Mark Antony, and Lepidus Dividing the Roman Empire, with Bologna in the Background, c. 1622, Francesco Brizio, Italian, 1574-1623, Italy, Pen and brown ink, with brush and brown wash, on brown laid paper, laid down on cream laid

From Gatehead (valentine), 1860/69, Unknown Artist, American or English, 19th century, United States, Collaged elements and gold and silver paint on cut and embossed ivory wove paper (lace), 97 x 70 mm (folded sheet

Allegorie à l’Amour (Homage to Love) (Furnishing Fabric), c. 1815, Possibly after Angelica Kauffman (Swiss, 1740–1807), Manufactured by Favre-Petitpierre & Cie. (French, 1802-1818), France, Nantes, Nantes, Cotton, plain weave,

Amulet of a Forked Lance (Pesekh-kef), Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Steatite, 2.5 × 1.3 × 0.6 cm (1 × 1/2 × 1/4 in

Nelson Street, City, 1899, James Craig Annan, Scottish, 1864-1946, Scotland, Photogravure, plate 46 from the book "The Old Closes & Streets of Glasgow" (1900), 17.1 x 22.2 cm (image), 27.4 x 37.9 cm (paper

Lieven van Coppenol, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper, 292 x 235 mm (trimmed), Pope Alexander the Seventh, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on

The Buddha, 1895, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid down on ivory wove paper, 315 × 250 mm (image), 330 × 261 mm (stone), 441 × 348 mm (sheet

Bacchus and Ariadne, with Silenus, Nymphs and Satyrs, n.d., Raymond de Lafage, French, 1656-1690, France, Pen and brown ink, with brush and brown wash, over black chalk, on buff laid paper, laid down on cream laid paper, 286 × 443 mm

Paperweight, 1848, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 7.6 cm (3 in

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk, gold-leaf-over-lacquered-paper strips, warp-float faced 4:1 satin weave with supplementary patterning wefts bound in 1:4 weft float faced satin interlacings, label: silk,

January, April 4, 1788, William Nelson Gardiner, Irish, 1766-1814, Ireland, Color stipple engraving on paper, 310 x 257 mm (image), 350 x 279 mm (sheet

Three Women after a Bath, from the series A Brocade of Eastern Manners (Fuzoku Azuma no nishiki), c. 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, 37.3 x 24.6 cm

Benten Shrine and Inokashira Pond (Inokashira no ike Benten no yashiro), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban,

Lebes (Stemmed Bowl with Lid), 725/700 BC, Etruscan, possibly Vulci, Etruria, terracotta, 57 × 43 × 20 cm (22 3/8 × 16 7/8 × 7 7/8 in

Noli me Tangere, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75

In the Open Air, 1890, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 147 x 113 mm (image), 157 x 117 mm (plate), 320 x 223 mm (sheet

Souvenir of Italy, 1862, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Etching on cream laid paper, 293 × 220 mm (image), 370 × 270 mm (sheet

Ohatsu, c. 1847/48, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock print, center sheet of oban triptych (right: 1901.116), 35.5 x 24.1 cm (13 15/16 x 9 1/2 in

Fragment (Border), 17th century, Iran (Persia), Iran, Gold woven border., 8.2 x 53.1 (3 1/4 x 21 in

Lamp Mat, 19th century, United States, United States

Border, 17th century, Italy, Linen and silk, intergrated compound weave of warp-float faced satin weave and plain weave, 43 x 26.5 cm (17 x 10 3/8 in

Anelastes, Print

Three Beauties Chatting by a Veranda, About 1792, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Hanging scroll, ink and colors on silk, 89.4 x 34.6 cm (35 1/4 x 13 5/8 in

Banana Garden at Nakashima (Nakashima shoen), from the series Eight Views of the Ryukyu Islands (Ryukyu hakkei), c. 1832, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 10 3/8 x 15 in

The Firing Squad, plate twelve from The Miseries of War, 1633, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 81 × 186.5 mm (plate), 120 × 223 mm (sheet

Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand

Sample (Dress Trimming), 1815/35, England or France, France, Silk, plain weave, appliquéd with silk, plain weave and silk, satin weave, interlined with cotton, plain weave, edged with cording covered with silk, satin weave, 19.69 ×

Bird Pendant, Western Zhou period, 11th/10th century B.C., China, Jade, 4 5/8 × 2 × 1/16 in

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Edo period (1615–1868), n.d., Isoda Koryusai, Japanese, 1735–1790, Japan, Color woodblock print, chuban, 10 1/4 x 7 1/2 in

Savoie 47, Le Buet et les Rochers de Fis, 1856/63, Auguste-Rosalie Bisson, French, 1826–1900, France, Albumen print, 24.5 × 38.7 cm (image/paper), 52.8 × 68 cm (mount

Holy Family, 1520/30, Workshop of Joos van Cleve, Netherlandish, active by 1507-1540/41, Holland, Oil on panel, with added strips, 48.3 x 36.4 cm (19 x 14 3/8 in

Alcidis, Print

Amulet of the Goddess Taweret, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Faience, 2.2 × 0.8 × 0.6 cm (7/8 × 5/16 × 1/4 in

Unknown Man, 1864/66, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 25 × 21 cm (image/paper), 47.5 × 32.7 cm (mount

Nocturne: Palaces, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper, 293 x 197 mm (plate), 323 x 221 mm (sheet),

Fragment, 17th century, Italy, Brocaded silk

The Actor Nakamura Sukegoro II as Kaminari Shokuro in the Play Hatsumombi Kuruwa Soga, Performed at the Nakamura Theater in the Second Month, 1780, c. 1780, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print,

Paperweight, c. 1845–60, Clichy, France, 1837-1885, Clichy, Glass, Diam. 5.7 cm (2 1/4 in

Dreaming of the Heron Maiden, c. 1771, Komai Yoshinobu, Japanese, active c. 1764-81, Japan, Color woodblock print, chuban, 10 1/8 x 7 1/2 in

Job, second plate, 1884, Alphonse Legros, French, 1837-1911, France, Etching and drypoint on ivory laid paper, 116 × 92 mm (plate), 160 × 124 mm (sheet

Amblytelus, Print, Amblytelus is a genus of ground beetle including 47 species distributed through southern Australia, including the Southwest and along the east coast up to North Queensland. It contains the following species

As (Coin) Portraying Emperor Claudius, AD 41/54, Roman, minted in Rome, Rome, Bronze, Diam. 2.9 cm, 8.74 g

Pair of Side Chairs, c. 1849, Alexander Jackson Davis, American, 1803–1892, Made by William Burns and Peter Trainque, American, active 1842–56, New York, United States, Rosewood, 107.6 × 48.3 × 50.6 cm (42 3/8 × 18 1/4 × 19 3/4 in

Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19, 1834, Honoré Victorin Daumier, French, 1808-1879, France,

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory