Images at Librifly

Le Porte Del Dolo, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid paper, 299 x 429 mm (image), 302 x 434 mm (plate), 431 x 586 mm (sheet

Covered Urn, 1810/30, England, Glass, 29.2 × 11.8 cm (11 1/2 × 4 5/8 in.), Untitled (Going Home), 1849/60, English, England, Albumen print, from the "Untitled Album

Scarab: Unlinked Scrolls and Spirals, Second Intermediate Period, Dynasty 15 (about 1650–1550 BC), Egyptian, Egypt, Glazed steatite, 1.9 × 1.3 × 1 cm (3/4 × 1/2 × 3/8 in

Covered Oil Bottle with Flowering Lotus and Scrolling Leaves, Goryeo dynasty (918–1392), 12th century, Korean, North Korea, Stoneware with underglaze carved and incised decoration, H. 7.4 cm (2 15/16 in), diam. 8.9 cm (3 9/16 in

Portrait Bust of Young Woman in Turban, n.d., Attributed to David Allan (Scottish, 1744-1796), or John Opie (English 1761-1807), Scotland, Black and red chalk on buff laid paper, 378 x 244 mm

Hakone, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx. 24 × 18.3 cm

Statuette of the God Anubis, Third Intermediate Period–Late Period, Dynasty 21–31 (about 1069–332 BC), Egyptian, Egypt, Bronze, 10.8 × 2.5 × 3.8 cm (4 1/4 × 1 × 1 1/2 in

Twelve Views….in South Wales (First Welsh Set), 1775, Paul Sandby, English, 1731-1809, England, Etching and aquatint on ivory laid paper, 180 × 255 mm (image), 238 × 314 mm (plate), 353 × 525 mm (sheet

Amadina maja, Print, Amadina is a genus of estrildid finches. Established by William John Swainson in 1827, 1700-1880

Father and Son, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream wove proofing paper, 211 x 156 mm (image), 254 x 189 mm (sheet

Two Satyrs Fighting Over a Nymph, 1520/1525, Albrecht Altdorfer (German, c.1480-1538), after Marcantonio Raimondi (Italian, c.1480-1534), Germany, Engraving in black on ivory laid paper, 60 x 40 mm (image/plate

Salesman’s Sample, 1780/90, France, possibly Lyon, France, Silk, plain weave with supplementary patterning warps and self-patterned by ground weft floats, appliquéd with linen, knotted netting, embroidered with silk floss in outline,

Fragment of a Tomb Wall Depicting Offering Bearers and Butchers, Old Kingdom, mid–Dynasty 5–early Dynasty 6 (about 2445–2287 BC), Egyptian, Saqqara, Egypt, Limestone, 45 × 94.3 × 13.65 cm (17 3/4 × 37 1/8 × 5 3/8 in

Plate One, from The Wise and Foolish Virgins, plate One, 1635, Abraham Bosse, French, 1602-1676, France, Engraving and etching on ivory laid paper, 258 × 322 mm (image), 330 × 432 mm (sheet

Groom, Tang dynasty (618–907 A.D.), first half of 8th century, China, Earthenware with three-color (sancai) lead glazes and traces of pigments, 59.5 × 18.8 × 20.5 cm (23 7/16 × 7 3/8 × 8 1/16 in

Tampan (Ceremonial Cloth), 19th century, Indonesia, Sumatra, Southeast Lampung, Kalianda district, Indonesia, Cotton, plain weave with supplementary patterning wefts, 95.3 x 80 cm (37 1/2 x 31 1/2 in

Model of Westminster Hall, c. 1830, London, England, Paper, wood, and glass, 32.7 × 17.2 × 15.2 cm (12 7/8 × 6 3/4 × 6 in

Fragment, 1601/25, Italy, Silk, cut, uncut velvet against twill weave foundation, 22.9 x 14.8 cm (9 x 5 7/8 in

Jambhala, the God of Wealth, Seated on a Dragon, 15th century, Eastern Tibet, Tibet, Ivory with traces of gilding and pigment, 13.7 x 7.5 x 3.8 cm (5 3/8 x 3 x 1 1/2 in.), H. with pins: 15.3 cm (6 in

La Toilette, 1890–94, Theodore Roussel, French, worked in England, 1847-1926, England, Transfer lithograph in black on cream laid paper, 160 × 130 mm (image), 318 × 202 mm (sheet

The Battle of Champion Hills, 1887, Unknown Artist, published by Kurz and Allison (American, founded in Chicago, 1880), United States, Color lithograph on off-white wove paper, 448 x 635 mm (image, sight), 480 x 650 mm (sheet, sight

Doune Castle, 1828, Richard Parkes Bonington (English, 1802-1828), after François Alexandre Pernot (French, 1793-1865), England, Lithograph on ivory wove paper, 165 × 232 mm (image), 269 × 342 mm (sheet

‘The Man Sweeping the Interpreter’s Parlour, ’ from Bunyan’s Pilgrim’s progress, 1820–22, William Blake, English, 1757-1827, England, Relief etching and white line engraving on ivory wove paper, 80 × 162 mm (image/block), 122 ×

The Actor Ichikawa Danjuro II as Soga no Goro, c. 1725, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan, Hand-colored woodblock print, hosoban, tan-e, 12 1/4 x 6 in

Feeding the Carp at Kameido, c. 1771, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e

Snuffbox with Scene of St. Michael Triumphing Over the Devil, early 18th century, Continental Europe, Europe, Silver-plated brass, 5.1 × 3.2 cm (2 × 1 1/4 in

Fragment, 1770/80, France, Silk, silvered-metal strips, and silvered-metal-strip-wrapped silk (frisé), plain weave with supplementary patterning warps and supplementary brocading wefts, 54.1 × 54.1 cm (21 1/4 × 21 1/4 in

Grotto of the Sirens, plate thirty from the Ruins of Rome, published February 1, 1798, M. Dubourg, (English, active 1786-1838), published by J. Merigot (Italian, Unknown), England, Hand-colored aquatint on paper, 330 × 448 mm (sheet

The Departure of the Prodigal Son, plate one from The History of the Prodigal Son, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 58 x 97 (image/plate), 59 x 98 mm (sheet

Border, 1700/25, France or Italy, France, Silk, warp-float faced 3:1 broken warp chevron twill weave with supplementary pile warps forming cut and uncut solid velvet, 33.9 × 56.1 cm (13 3/8 × 22 1/8 in

The Stone Bridge at Rouen, 1887, Camille Pissarro, French, 1830-1903, France, Soft ground etching and drypoint in black on tan laid paper, 149 × 196 mm (image/plate), 268 × 362 mm (sheet

Alcedo semitorquata, Print, The half-collared kingfisher (Alcedo semitorquata) is a kingfisher in the subfamily Alcedininae that is found in southern and eastern Africa. It feeds almost exclusively on fish and frequents streams, rivers and larger

Bust of Eva Maatz, c. 1827, Gerhardt Wilhelm von Reutern, German, 1794-1865, Germany, Pen and brown ink on ivory wove paper, 153 x 97 mm

Pair of Footed Goblets, 18th century, Continental Europe, possibly France, Europe, Pewter, 10.2 × 8.3 cm (4 × 3 1/4 in

Paperweight, c. 1845/60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.3 cm (2 7/8 in

Landscape with Trees, n.d., Jean Baptiste Carpeaux, French, 1827-1875, France, Black and white chalk on gray wove paper, 122 × 159 mm

Standing Female Figure, 1200/600 B.C., Tlatilco, Preclassic period, Tlapacoya, Valley of Mexico, Mexico, Central Mexico, Ceramic and pigment, 19.1 × 8.6 cm (7 1/2 × 3 3/8 in

The Piano, 1875–1877, James McNeill Whistler, American, 1834-1903, United States, Drypoint with foul biting, with drypoint cancellation, in black ink on ivory wove paper, 232 x 159 mm (plate), 376 x 236 mm (sheet, sight, bound

Taka Beach, Tajima Province (Tajima Taka no hama) from the series One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei), 1859, Utagawa Hiroshige II (Shigenobu), Japanese, 1826–1869, Japan, Color woodblock print

The Château of Chenonceau, no. 2, 1856, Charles Meryon (French, 1821-1868), after Jacques Androuet du Cerceau (French, c. 1515-1585), printed by Auguste Delâtre (French, 1822-1907), France, Etching on ivory laid paper, 114 × 185 mm

Untitled, 1855, Roger Fenton, English, 1819–1869, England, Salted paper print, plate 28 from the album "Photographs Taken in the Crimea" (1856), 12.9 × 20.6 cm (image/paper), 42.5 × 58.9 cm (mount

Ely Cathedral: Choir from an Engraving, c. 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm

Snuff Bottle with Two Egrets Among Lotuses, Qing dynasty (1644–1911), 1800–1900, China, Grey, brown, and black agate with carged decoration, 6.9 × 4.9 × 2.3 cm (2 3/4 × 1 15/16 × 15/16 in

The Resurrection, 15th century, English, England, Alabaster with some traces of polychromy, 49.5 × 24.1 cm (19 1/2 × 9 1/2 in

Border, 1800/25, France, Linen and horsehair, needle lace of a type known as "Point d'Argentan" with a whipped mesh ground, 8.8 × 87.5 cm (3 1/2 × 34 1/2 in

The Prophet Joel, c. 1570, Giorgio Ghisi (Italian, 1520-1582), after Michelangelo Buonarroti (Italian, 1475-1564), Italy, Engraving on ivory laid paper, 569 x 429 mm (plate), 569 x 440 mm (sheet

Three Working Girls Out for Lunch, 1900, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Drypoint printed à la poupée in brown and green ink on ivory laid paper, 149 × 226 mm (image/plate), 280 × 363 mm

A Glove: Action, 1881, Max Klinger, German, 1857-1920, Germany, Etching and aquatint on ivory chine collé on off-white wove paper, 247 x 188 mm (image), 299 x 210 mm (plate), 631 x 449 mm (sheet

Breastplate, c. 1580/90, Italian, Italy, Steel, Wt. 8 lb. 10 oz

Fibula (leech type), Geometric Period (800–700 BC), Greek, Thessaly, Thessaly, Bronze, 2.3 × 6.4 × 0.5 cm (7/8 × 2 1/2 × 1/4 in

The Young Waltonians, 1840, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Mezzotint on paper, 297 × 420 mm (image), 412 × 496 mm (sheet

Elephant, c. 1820/30, England, Staffordshire, Staffordshire, Lead-glazed earthenware, polychrome enamels, 10.2 x 7.9 cm (4 x 3 1/8 in

Parody of Palace Attendants Burning Maple Leaves to Heat Sake from The Tale of Heike, c. 1750, Okumura Masanobu, Japanese, 1686-1764, Japan, Color woodblock print, oban, benizuri-e, 41.0 x 30.0 cm

Woman’s Shoes, 1770s, England, Leather, silk, satin, weave

Shrine Surround, Qing dynasty(1644–1911), 1800/50, China, 139.7 × 136.8 cm (55 × 53 7/8 in

Death: My irony surpasses all others!, plate 3 of 6, 1889, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on ivory wove paper, 200 × 260 mm (image/chine), 345 × 505 mm (sheet

The Sage Agastya Seated in Meditation on his Water Pot (Kumbha), 15th century, Nepal, Nepal, Gilt bronze, 12.2 x 9.3 x 4.7 cm (4 3/4 x 3 5/8 x 1 7/8 in

Fragment of a Stela Depicting Fowling in the Marshes, First Intermediate Period, Dynasty 10 (about 2186–2061 BC), Egyptian, Saqqara, Sakkara, Limestone with traces of pigment, 20.3 × 35.5 × 7.5 cm (8 × 14 × 3 in

Fragment, 1601/50, Italy, silk damask, 28.5 x 32.2 cm (11 1/4 x 12 1/8 in

End of the Irish Invasion, published January 20, 1797, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching and aquatint on paper, 260 × 375 mm (image), 273 × 385 mm

Figure of an Aristocratic Lady, A.D. 650/800, Late Classic Maya, Jaina, Campeche or Yucatán, Mexico, Yucatan Peninsula, Ceramic and pigment, H. 20.3 cm (8 in

Line in Front of the Butcher Shop, 1870–71, Édouard Manet (French, 1832-1883), printed by Henri Charles Guérard (French, 1846-1897), France, Etching in warm black on ivory laid paper, 169 × 150 mm (image), 236 × 158 mm (plate), 267 ×

Ara ararauna, Print, The blue-and-yellow macaw (Ara ararauna), also known as the blue-and-gold macaw, is a large South American parrot with mostly blue top parts and light orange underparts, with gradient hues of green on top of its head. It is

View on the River Roseau, Dominica, 1770/80, Agostino Brunias, Italian, active in England 1736-1796, United Kingdom, Oil on canvas, 84.1 x 158 cm (33 1/8 x 62 3/16 in

The Adoration of the Christ Child, c. 1515, Jacob Cornelisz. van Oostsanen and Workshop, Netherlandish, c. 1470/75–by 1533, Netherlands, Oil on panel, 98.5 × 76.3 cm (38 3/4 × 30 1/16 in

Watch and Stand, c. 1830, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, 26.7 x 12.5 cm (10 1/2 x 4 15/16 in

Aix galericulata, Print, The mandarin duck (Aix galericulata) is a perching duck species native to East Asia. It is medium-sized, at 41–49 cm (16–19 in) long with a 65–75 cm (26–30 in) wingspan. It is closely related to the North American

The Bird’s Nest and the Little Girl, 1874, Charles Chaplin, French, 1825-1891, France, Etching on cream Japanese paper, 123 × 86 mm (image), 154 × 111 mm (plate), 222 × 198 mm (sheet

Armadillo maculatus, Print, Nine-banded armadillo skeleton., Three-banded armadillo skeleton on display at the Museum of Osteology. Armadillos (from Spanish "little armoured one") are New World placental mammals in the order Cingulata. The

Amulet of the God Horus, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 3.5 × 1.3 × 1 cm (1 3/8 × 1/2 × 3/8 in

Anthus capensis, Print, Pipit, The pipits are a cosmopolitan genus, Anthus, of small passerine birds with medium to long tails. Along with the wagtails and longclaws, the pipits make up the family Motacillidae. The genus is widespread,

Vessel in the Form of a Squash with Parrot Supports, A.D. 1/200, Colima, Colima, Mexico, Colima, Ceramic and pigment, 23.5 × 34.9 cm (9 1/4 × 13 3/4 in

The Two Mules, from a set of four Italian Landscapes, 1645/50, Jan Both, Dutch, c. 1618-1652, Holland, Etching on paper, 266 x 205 mm

Panel, 18th century, North-Eastern India (modern Indian state of Assam), India, Silk, double cloth, 38 x 101 cm (15 x 39 3/4 in

Kärnthner-Ring No. 2, Zinshaus des J. Ritter von Königswarter, 1860s, Austrian, 19th century, Austria, Albumen print, 25.8 × 33 cm (image/paper), 42.8 × 61.2 cm (album page

Coin Portraying Philip the Arab, AD 244/249, Roman, Roman Empire, Bronze, Diam. 2.9 cm, 18.40 g

Curved Pendant, Shang dynasty (c.1600–1046 B.C.), China, Jade, 4.4 × 11.7 × 0.16 cm (1.7 × 4.6 × 0.06 in

Interior of Le Géant Inflating, 1863, Nadar (Gaspard Félix Tournachon), French, 1820–1910, France, Gelatin silver print, 11 × 8.3 cm (image), 14.7 × 10.6 cm (mount

The Little Nude Model, Reading, 1889/90, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory laid paper, 167 x 179 mm (image), 320 x 205 mm (sheet

Bird Pointed Pendant, Shang or Western Zhou period, 13th/10th century B.C., China, Jade, 7.1 × 1.5 × 0.9 cm (2 13/16 × 9/16 × 3/8 in

The Road to Calvary, from the Passion, 1509, Lucas Cranach the Elder, German, 1472-1553, Germany, Woodcut in black on cream laid paper, 245 x 167 mm (image/sheet trimmed within block

Entree Dish with Cover from the Hood Service, 1806/07, Paul Storr, English, 1771-1844, London, England, London, Sterling silver, 22.2 x 28.6 x 24.3 cm (8 3/4 x 11 1/4 x 9 1/2 in

Fragment, 1575/1600, Italy, Silk, cut, uncut, and voided velvet against plain weave foundation, 18 x 12.7 cm (7 1/16 x 5 in

Nihon Bridge in Snow (Nihonbashi setchu), from the series Famous Places in the Eastern Capital (Toto meisho), c. 1842/44, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 23.5 x 37.5 cm (9 1/4 x 14

Casket Containing a Sugar Box and two Tea Caddies, c. 1760, England, Birmingham, Birmingham, Glass, metal mounts, enameled copper, Overall: 15.2 × 21.6 × 12.1 cm (6 × 8 1/2 × 4 3/4 in

Beatrice, 1897, Odilon Redon, French, 1840-1916, France, Lithograph in yellow, blue, and green on light gray China paper laid down on cream wove paper, 334 × 296 mm (image/chine), 567 × 430 mm (sheet

Egoyomi with Rabbits, 1867, Soshu, Japanese, active 19th century, Japan, Color woodblock print, surimono, 24.9 x 18.3 cm

The First of the Herring, 1887, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photoetching, pl. XXVII from the album "Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew" (1890), edition 270/500, 9 ×

Campaign Ribbon, 1863, United States, Silk, plain weave, printed, two selvages present, 23.1 x 4.9 cm (9 1/4 x 2 in

Boy with a Dog, c. 1822, Pierre-Paul Prud’hon, French, 1758-1823, France, Lithograph on ivory chine, laid down on cream wove paper, 203 × 146 mm (image), 220 × 163 mm (primary support), 354 × 267 mm (secondary support

Spice Box, 1761/63, Augsburg, Germany, Augsburg, Silver, 2.5 × 5.1 × 4.5 cm (1 × 2 × 1 3/4 in

Scarab: Antelope with Foliage (sw.t-plant) Motif, Second Intermediate Period – early New Kingdom, Dynasties 15–18 (about 1650–1295 BC), Egyptian, Egypt, Glazed steatite, 1.3 × 1 × 0.6 cm (1/2 × 3/8 × 1/4 in

Statue of a Young Boy, 1st century AD, Roman, Italy, Marble, 58 × 24.5 × 18.9 cm (22 7/8 × 9 5/8 × 7 1/2 in

The Actor Otani Hiroji III as Abe no Muneto Disguised as a Peddler of Buckwheat Noodles, in the Play Otokoyama Yunzei Kurabe, Performed at the Ichimura Theater in the Eleventh Month, 1768, c. 1768, Katsukawa Shunsho 勝川 春章, Japanese,

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 6.4 cm (2 1/2 in

Fragment, early 17th century, Italy, Silk, warp-float faced 7:1 satin weave with supplementary pile warps forming cut and uncut voided velvet, 22.5 x 10.8 cm (8 7/8 x 4 1/4 in

Kitchen Still Life, c. 1640, Paolo Antonio Barbieri, attributed to, Italian, 1603–1649, Italy, Oil on canvas, 26 1/8 × 31 3/16 in. (66.3 × 79.2 cm

Coin Portraying Emperor Vespasian, AD 76, Roman, Roman Empire, Bronze, Diam. 3.4 cm, 21.48 g

Jaguar Standing, 1830/50, Antoine Louis Barye, French, 1795-1875, France, Watercolor, with black crayon, touches of gouache, and wiping, on cream laid paper, laid down on Japanese paper, 250 × 335 mm

Count William of Holland V, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper