Images at Librifly

Autumn, 1641, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 224 × 177 mm (plate), 256 × 187 mm (sheet

Denarius (Coin) Portraying Emperor Hadrian, AD 134/138, Roman, Roman Empire, Silver, Diam. 1.8 cm, 2.75 g

Fragment (Dress Fabric), 18th century, France, 48.9 × 54.6 cm (19 1/4 × 21 1/2 in

The Death of the Virgin, 1486/90, Hans Klocker, Austrian, active 1474-1502, Austria, Pine with polychromy and gilding, 164.5 × 130.8 × 11.4 cm (64 3/4 × 51 1/2 × 4 1/2 in

Man with an Ax, 1891/93, Paul Gauguin, French, 1848-1903, France, Thinned gouache, with pen and black ink, over pen and brown ink, on cream wove paper (discolored to tan), laid down on cream Japanese paper, 317 × 228 mm

Panel, c. 1815, Printed at the Bannister Hall Print Works (English, active 1799-1840), England, Lancashire, Preston, England, Cotton, plain weave, block printed, 39.4 × 65.4 cm (15 1/2 × 25 3/4 in

Giafar, 1850s, Attributed to Alfred Dedreux, French, 1810-1860, France, Oil on panel, 13 × 18 in. (33 × 45.8 cm

Fragment, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912), Japan, Plain compound cloth silk., 21.9 x 13.3 cm (8 5/8 x 5 1/4 in

Altar of the Heavens, n.d., Dominique Papety, French, 1815-1849, France, Brush and brown ink and wash, heightened with watercolor, on ivory laid paper, 120 × 163 mm

Iskander Comforts the Dying Darius, 1590, Iran, Shiraz, Fars, Iran, Gouache on paper, Page: 30 x 19.5 cm (11 13/16 x 7 11/16 in

Buddha Sheltered by the Serpent King Muchalinda, 11th/12th century, Nepal, Kathmandu Valley, Kathmandu Valley, Schist, 44.2 x 33.5 x 14.5 cm (17 3/8 x 13 3/16 x 5 11/16 in

Shabti, Third Intermediate Period, Dynasties 21–22 (about 1069–715 BC), Egyptian, Egypt, Faience, 13.7 × 4.7 × 3.8 cm (5 3/8 × 1 7/8 × 1 1/2 in

Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 4.5 cm (1 3/4 in

Amulet of a Djed Pillar, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 1.9 × 0.6 × 0.5 cm (3/4 × 1/4 × 3/16 in

Anser caerulescens, Print, 1700-1880

The Public Scribe, 1790, Jean Jacques de Boissieu (French, 1736-1810), after Jacob van Ruisdael (Dutch, 1628/29-1682), France, Etching, drypoint, and roulette on ivory wove paper, 258 × 384 mm (image), 293 × 421 mm (plate), 300 × 427

Ammonites colubrinus, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living coleoids

Desk, 1700/35, American, 18th century, Boston, Boston, Walnut, walnut veneer, and white pine, 110.5 × 91.4 × 51.4 cm (43 1/2 × 36 1/4 × 20 1/4 in

Mosland, Glo, n.d., Attributed to William Ward, English, 1800-1840, England, Mezzotint on paper, 375 × 271 mm (image), 377 × 275 mm(plate), 416 × 308 mm (sheet

Apoderus, Print, Apoderus is a genus of leaf-rolling beetles belonging to the family Attelabidae subfamily Attelabinae

Empress Jito (Jito Tenno), from the series One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi), c. 1763/64, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hosoban, mizu-e, 12 1/4 x 5 1/2

Andromeda and the Sea-Monster, n.d., circle of Charles Le Brun, French, 1619-1690, France, Charcoal, with touches of stumping, heightened with traces of white chalk, on buff laid paper with blue and brown fibers, 532 × 392 mm

Sauceboat, 1760/70, Chelsea Porcelain Manufactory, London, England, c. 1745-1784, Chelsea, Soft-paste porcelain, polychrome enamels, 11.6 × 20.3 × 10.8 cm (4 9/16 × 8 × 4 1/4 in

Min Ziqian (Binshiken), from the series Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami), c. 1842, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Woodblock print, oban, keyblock proof impression, 25.2 x

Bust of Young Man with Hat, n.d., Attributed to Cornelis Visscher, Dutch, c. 1629-1658, Holland, Black chalk on tan laid paper, 113 x 122 mm

Two-Handled Cup and Cover, 1739/40, England, London, Paul de Lamerie, 1688-1751, London, Silver, 35.6 × 33.3 × 21.4 cm (14 × 13 1/8 × 6 7/16 in

Na: Nunobiki Waterfall, from the series Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari), c. 1772/73, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, koban, 22.7 x 15.9 cm (8

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk and gold-leaf-over-lacquered-paper strips, plain weave with supplementary patterning wefts bound in weft-float faced 1:3 'Z' twill interlacings, label: silk, plain weave,

Man Mending Scythe, c. 1862, Charles François Daubigny, French, 1817-1878, France, Graphite on ivory wove paper, 105 × 145 mm

Panel, Possibly 15th/16th century, Hispano-Islamic, Probably Spain or Turkey, Spain, Silk and gilt-metal-strip-wrapped silk, stripes of plain weave, plain weave with supplementary patterning warps, and bands of two- and three-color

Denarius (Coin) Depicting the Goddess Roma, 144 BC, Roman, Roman Empire, Silver, Diam. 2.1 cm, 3.90 g

On the Test, c. 1859, Francis Seymour Haden, English, 1818-1910, England, Etching and drypoint on ivory wove paper, 151 × 257 mm (image/plate), 215 × 281 mm (sheet), Works by Friedrich Schiller, 1834–37, Moritz Retzsch (German,

Paperweight, 19th century, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 7.4 cm (2 15/16 in

Bust of a Woman, c. 1771, Louis-Marin Bonnet (French, 1736-1793), after François Boucher (French, 1703-1770), France, Crayon-manner engraving, with etching, in blue, red, and black, from three plates, on paper, 414 × 350 mm (image),

Preface I, plate two from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing (German, 19th century), Germany, Aquatint and etching, with burnishing in plate on ivory China paper, laid down on cream laid paper, 173 x 329

A Lancashire River, 1881, Francis Seymour Haden, English, 1818-1910, England, Etching and drypoint on cream wove paper, 280 × 406 mm (image/plate), 346 × 473 mm (sheet

Martyrdom of Saints Peter and Paul, n.d., after Francesco Mazzola, called Parmigianino, Italian, 1503-1540, Italy, Pen and black ink with brush and gray wash, on tan laid paper, laid down on ivory laid paper, 295 x 457 mm

Fragment, 17th century, Qing dynasty (1644–1911), China, 19 × 10.8 cm (7 1/2 × 4 1/4 in

Alauda cristata, Print, The crested lark (Galerida cristata) is a species of lark distinguished from the other 81 species of lark by the crest of feathers that rise up in territorial or courtship displays and when singing. Common to mainland

Sparrow and bamboo, mid–1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chutanzaku, 36.4 x 12.8 cm (14 3/8 x 5 in

The Courtesan Wakakusa of the Chojiya with Her Attendants Asano and Midori, from the series Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo), 1783/84, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color

Saint Dominic, c. 1514, Lucas van Leyden, Netherlandish, c. 1494-1533, Netherlands, Engraving in black on ivory laid paper, 112 x 72 mm (image/plate), 117 x 78 mm (sheet

Anisoscelis, Print, Anisoscelis is a genus of leaf-footed bugs in the family Coreidae. There are about 12 described species in Anisoscelis

Trees on a Mountainside, 1856, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Cliché-verre on ivory photographic paper, 185 × 154 mm (image), 199 × 164 mm (sheet

Royal Guard, Norman Mounted Light Infantryman and Horse, No. 4, c. 1818, Carle Vernet (French, 1758-1836), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), France, Lithograph in black on ivory wove paper, 265

Teapot, 1715/25, Attributed to Jacob Marius Groen, American, c. 1679–c. 1750, New York, New York, Silver, 16.5 × 19.1 × 10.2 cm (6 1/2 × 7 1/2 × 4 3/8 in.), 543.8 g

A Foreign Camera (Gaikoku shashinkyo no zu), 1860, Utagawa Yoshikazu, Japanese, active c. 1850-70, Japan, Color woodblock print, oban

Fragment, 17th century, Italy, Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced satin weave self-patterned by areas of plain weave with supplementary brocading and supplementary patterning wefts, 21.1 x 22.3 cm (8 3/8 x 8

The Actor Ichikawa Ebizo III as Akushichibyoe Kagekiyo Disguised as a Beggar in the Play Kamuri Kotoba Soga no Yukari, Performed at the Ichimura Theater in the First Month, 1776, c. 1776, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792,

Basin with Stylized Flowers and Sickle-leaf Scrolls, Southern Song (1127–1279) or Yuan dynasty (1271–1368), c. 13th/14th century, China, Yaozhou ware, glazed stoneware with underglaze molded floral scroll, H. 3.1 cm (1 1/4 in.), diam. 8.7

Inferno According to Dante, c. 1470, printed 19th century, Circle of Baccio Baldini (Italian, c. 1436–1487), after Francesco Traini (Italian, active 1321–1345), Italy, Engraving in black on ivory wove paper, 220 × 282 mm (plate), 280

The Actor Arashi Sankatsu as Kanamuraya Osan in the play Soga Hiiki Nihon Sakura, performed at the Nakamura Theater in the third month, 1762, 1762, Torii Kiyomitsu I, Japanese, 1735–1785, Japan, Color woodblock print, hosoban, benizuri-e,

Paperweight, 19th century, Baccarat, France, founded 1764, Lunéville

Fragment, Ottoman Dynasty (1299–1923), 1575/1600, Turkey, Turkey, Silk, lampas technique, 65.6 x 21.1 cm (25 3/4 x 8 3/8 in

Amulet of Thoth, Ptolemaic Period (332–30 BC), Egyptian, Egypt, Faience, 6.25 × 2.75 × 2 cm (2 3/8 × 1 1/8 × 3/4 in

A Quiet Day in the Woods, published June 25, 1870, Winslow Homer (American, 1836-1910), published by Appletons’ Journal (American, 1869-1881), United States, Wood engraving on paper, 156 x 165 mm (image), 276 x 193 mm (sheet

Madame Lavallée and Madame de Valory, 1817, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black on white wove paper, 234 × 195 mm (image), 277 × 230 mm (sheet

Set of Two Wine Glasses, 19th century, Friesland, Friesland, Glass, blown, molded, cut and engraved, 9.2 × 8.3 cm (3 5/8 × 3 1/4 in

Pattern for Ewer, n.d., Giuseppe Grisoni, Italian, born Flanders, 1699-1769, Flanders, Pen and brown ink, with brush and brown watercolor on ivory laid paper, 332 × 258 mm

Coin Depicting an Eagle, about 320/250 BC, Greek, Ancient Greece, Bronze, Diam. 1.1 cm, 1.04 g

Le Troubadour (Furnishing Fabric), 1840, France, Alsace, France, Cotton, plain weave, roller printed, 52 × 82.5 cm (20 1/2 × 32 1/2 in

View of a City (Christ with the Good Samaritan at the Well), 17th century, Sébastien Bourdon, French, 1616-1671, France, Etching on ivory laid paper, 303 × 440 mm (plate), 442 × 590 mm (sheet

Rapier, c. 1620, Western Euroean, Europe, western, Iron, steel, and copper, Overall L. 126 cm (49 5/8 in

Madonna and Child with Angels, c. 1700, Attributed to Johann Carl Loth (German, 1632-1698) or follower of, or possibly Paul von Strudel und Vochberg (Austrian, 1648-1708), or possibly after Giovanni Benedetto Castiglione (Italian, 1609-1664),

Roman Cavalry on the March, after 1675, After Giulio Pippi, called Giulio Romano, Italian, c. 1499-1546, Italy, Pen and brown ink with touches of brush and brown wash and traces of black chalk, on cream laid paper, laid down on cream wove

Insertion, 1725/1775, Probably Hungary, Hungary, Linen, bobbin part lace, 16.7 x 65 8 cm (6 5/8 x 25 7/8 in

Lear Casting out his Daughter Cordelia, 1792, Richard Earlom (British, 1743-1822), after Henry Fuseli (Swiss, active in England, 1741-1825), England, Stipple etching and engraving on ivory laid paper, 501 × 634 mm (plate), 550 × 680 mm

Stole, 1870s/80s, France or England, France, Silk, Pusher machine lace imitation of "Blonde Matte" bobbin lace, 128.1 × 35.9 cm (51 3/8 × 14 1/8 in

Candlestick, 1780/1800, Leeds Pottery, English, founded 1756, Yorkshire, Lead-glazed earthenware (creamware), 25.6 x 8.9 x 8.9 cm (10 1/16 x 3 1/2 x 3 1/2 in

Pierrot, Portrait of the Lady A. C., 1888, Theodore Roussel, French, worked in England, 1847-1926, England, Drypoint in black on cream wove paper, 75 × 80 mm (image), 118 × 94 mm (plate), 122 × 95 mm (sheet, with signature tab

Child with a Biscuit (Jean Renoir), 1898/99, Pierre Auguste Renoir (French, 1841-1919), printed by Auguste Clot (French, 1858-1936), France, Lithograph in black on cream laid paper, 317 × 260 mm (image), 375 × 313 mm (sheet, sight

Statuette of Herakles, 4th/3rd century BC, Etruscan, Etruria, Bronze, 13.7 × 5.1 × 4.1 cm (5 3/8 × 2 × 1 5/8 in

Archway, Brussels, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on cream Japanese paper, 125 x 215 mm (plate), 165 x 248 mm (sheet

Jason, plate 6 from Liber Studiorum, published 1807, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory laid paper, 183 × 258 mm (image),

Little Prince Dito, 1864, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), France, Etching with scraping on ivory laid paper, 162 × 128 mm (image, including stray marks), 169 × 128 mm (plate), 381 × 295 mm

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 8.2 cm (3 1/4 in

Wall Hanging Composed of Five Panels, 1801/50, Uzbekistan, Bukhara, Uzbekistan, silk and cotton, warp-resist-dyed (warp ikat), plain weave, 171.45 x 144.15 cm (67 1/2 x 56 3/4 in

Pomander, 1625/1675, German or Dutch, Netherlands, Silver gilt and enamel, 4.8 × 2.3 cm (1 7/8 × 7/8 in

Drachm (Coin) Portraying King Orodes I, 57/37 BC, Persian, Parthia, Khorasan, Silver, Diam. 1.9 cm, 3.93 g

Mummy Mask, Late Ptolemaic Period-early Roman Period, 1st century BC, Egyptian, Egypt, Cartonnage, gold leaf, and pigment, 46 × 33.3 × 28 cm (18 1/8 × 13 1/8 × 11 in

Harem Scene, n.d., Francesco Guardi, Italian, 1712-1793, Italy, Pen and brown and black ink, brush and gray wash, red chalk with red chalk wash on buff laid paper, 364 x 241 mm

Snuff Bottle with Mock Lion Mask Handles, Qing dynasty (1644–1911), 1730–1790, China, Imperial yellow glass, 7.6 × 3.2 × 1.4 cm (3 × 1 1/4 × 5/8 in

Bowl with Mandarin Ducks among Leaves and Cattails, Northern Song dynasty, (960–1127), 11th century, China, Ding ware, porcelain with underglaze carved and incised decoration, metal rim, H. 6.6 cm (2 5/8 in.), diam. 23.7 cm (9 5/16 in

Panel in Japanese Style, 19th century, Produced by Tassinari et Chatel, founded 1680, France, Lyon, Lyon, Silk and cotton, warp-float faced 7:1 satin weave with weft-float faced 1:3 'Z' twill interlacings of secondary binding warps,

St. John the Evangelist, n.d., Conte Anton Maria Zanetti, Italian, 1680–1767, Italy, Chiaroscuro woodcut in tan and black on off-white laid paper, 169 x 100 mm (image/sheet, trimmed to block

Cover, 19th century, Russia, Linen, plain weave, embroidered in Roumaninan stitch, 190.5 x 266.7 cm (75 x 105 in

Fragment, c. 1740, France (provincial) or Northern Italy, France, Silk, plain weave with supplementary brocading wefts and self-patterned by two-color complementary ground wefts, 54.7 × 50.1 cm (21 1/2 × 19 3/4 in

Returning Sails at Yabase (Yabase no kihan), from the series Eight Views of Omi (Omi hakkei no uchi), c. 1834, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 10 x 14 5/8 in

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm

Statuette of the God Amun-Re, Third Intermediate Period, Dynasty 21–25 (about 1069–664 BC), Egyptian, Egypt, Bronze, 11.1 × 2.2 × 3.2 cm (4 3/4 × 7/8 × 1 1/4 in

Shawl, 1860s, Probably France, France, Silk, Pusher machine lace, 285.1 × 94.7 cm (110 1/4 × 37 1/4 in

Kotatsu Dojoji, no. 5 from a series of 12 prints depicting parodies of plays, c. 1716/35, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, oban, sumizuri-e, 27.2 x 38.6 cm

Alima tetracanthura, Print

Coin Depicting the God Dionysos, 183/149 BC, Greek, Ancient Greece, Bronze, Diam. 2.2 cm, 5.19 g

A Prosperous American Merchant Building in Yokohama (Yokohama asanban shokan hanei no zu), 1871, Utagawa Hiroshige III, Japanese, 1842-1894, Japan, Color woodblock print, oban triptych

Two Composition Sketches of Collapsing Figure Supported by Two Other Figures (recto), Compositional Sketch of Kneeling Figure Accompanied by Two Other Figures, 1637/1689, Attributed to Baldassare Franceschini, called Il Volterrano, Italian,

Alexander Before Highpriest, n.d., Jacques Stella, French, 1596-1657, France, Pen and gray ink, with brush and gray wash, over traces of graphite, on cream laid paper, 162 × 201 mm

Sash, 1801/50, Iran or Turkey, Iran, Silk embroidery worked nearly solidly in chain stitch and drawn stitch. Fine white cotton cloth. Borders around all sides of circular spiral medallions and panels filled by bute, tulips, and floral sprays.,

Denarius (Coin) Depicting the God Quirinus, 60 BC, issued by the Roman Republic, C. Memmius (moneyer), Roman, minted in Rome, Rome, Silver, Diam. 2.1 cm, 4.03 g

Panel, 18th century, Queen Anne period, England, Linen, plain weave, embroidered in polychrome silk yarns in chain and running stitches, 222.5 × 44 cm (87 1/2 × 17 3/8 in