Images at Librifly

Three Men Struggling in an Interior, n.d., Jonas Suyderhoef (Dutch, c. 1613-1686), after Gerard ter Borch (Dutch, 1617-1681), The Netherlands, Etching in black on cream laid paper, 286 x 377 mm (image), 288 x 378 mm (sheet), cut within

Ladle, 1757/67, William Hollingshead, American, active 1754–1785, Philadelphia, Philadelphia, Silver, 5.4 × 37.8 × 8.3 cm (2 1/8 × 14 7/8 × 3 5/16 in

Amblynotus, Print

Cover, 1601/25, Italy, Squares and rectangles of: linen, plain weave, cut and drawn work embroidered in back, hem, overcast, square open work stitches and needle lace fillings, and squares of linen, knotted square netting embroidered in

Fisher Building, 343 South Dearborn Street, Chicago, Illinois: Upper Portion of Elevator Grille, 1895/96, Designer: Charles Atwood (American, 1849-1895), Architect: D.H. Burnham & Co. (American, 1891-1912), Chicago, Wrought and cast iron,

Lear Casting out his Daughter Cordelia, 1792, Richard Earlom (British, 1743-1822), after Henry Fuseli (Swiss, active in England, 1741-1825), England, Etched-stipple proof on ivory laid paper, 501 × 634 mm (plate), 556 × 753 mm (sheet

The Actor Sawamura Sojuro III as Sonobe Zaemon in the play Shin Usuyuki Monogatari, performed at the Ichimura Theater in the eighth Month, 1779, c. 1779, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print,

The Flowered-hat Dance (Hanagasa odori), from the series Comic Performances from the Niwaka Festival in the Pleasure Quarters (Seiro niwaka kyogen), c. 1776/81, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10

Bedcover (Flying Geese Quilt), 19th century, United States, Cotton, plain weaves, pieced, some printed, quilted, backed with cotton, plain weave, edged with cotton, plain weave, 224 x 169.5 cm (88 3/8 x 66 3/4 in

Kurodo Bay in Kazusa Province (Kazusa Kurodo no ura), from the series Thirty-six Views of Mount Fuji (Fuji sanjûrokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban

Border, c. 1810, France, Satin and uncut velvet appliqued on white silk gauze

The Garden of Paradise, 1500/20, Workshop of Hieronymus Bosch, Netherlandish, c. 1450-1516, Netherlands, Oil on panel, 27 x 40.6 cm (10 5/8 x 15 15/16 in

The Coronation of the Virgin, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 72 x 49 mm (image/block/sheet

Panel (Furnishing Fabric), c. 1870/80, United States, Cotton, plain weave, printed, 102 x 62.5 cm (40 1/4 x 24 3/4 in

Sampler, 1870, Mexico, México, Cotton, plain weave, embroidered with wool in back, cross, long-armed cross, hem, and stem stitches, 73.8 x 74.2 cm (29 x 29 1/4 in

Sketch of Mont Saint Michel (recto), Buildings Beside Water (verso), c. 1818, John Sell Cotman, English, 1782-1842, England, Graphite (recto and verso) on ivory wove paper, 74 × 138 mm

Intaglio with Head of a Man, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 2.1 × 1.7 cm (13/16 × 11/16 in

Fragment, 1625/75, Italy, Silk, plain compound cloth

The Actors Azuma Tozo III and Otani Tokuji, from a pentaptych of eleven actors celebrating the festival of the shrine of the Soga brothers, 1788, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hosoban, pentaptych (second

Fragment, 17th century, Italy, Silk, cut, stamped velvet against twill weave foundation, 24.4 x 14.5 cm (9 5/8 x 5 3/4 in

Fragment, 1876, United States, Cotton, plain weave, roller printed, 10.5 × 21.5 cm (4 1/4 × 8 1/2 in

Brünnhilde, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on heavy cream wove paper, 379 × 294 mm (image), 522 × 370 mm (irregular sheet

Flying Raven: ex libris, from The Raven (Le Corbeau), 1875, Édouard Manet (French, 1832-1883), written by Edgar Allan Poe (American, 1809-1849), translated and produced by Stéphane Mallarmé (French, 1842-1898), printed by Lefman et Cie.

Male Figure Kneeling, c. 1874, Jules-Élie Delaunay, French, 1828-1891, France, Red chalk on buff wove paper, 287 × 210 mm

Anthus plumatus, Print, Pipit, The pipits are a cosmopolitan genus, Anthus, of small passerine birds with medium to long tails. Along with the wagtails and longclaws, the pipits make up the family Motacillidae. The genus is widespread,

Woodside, 1825/26, J.F.C., American, 19th century, United States, Lithograph on gray chine paper, laid down on cream wove paper, 188 x 251 mm (chine), 327 x 254 mm (sheet

Alauda arborea, Print, The woodlark or wood lark (Lullula arborea) is the only extant species in the lark genus Lullula. It is found across most of Europe, the Middle East, western Asia and the mountains of north Africa. It is mainly resident

Poem by Bun’ya no Yasuhide, from the series Fashionable Six Immortal Poets (Furyu rokkasen), c. 1773/75, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e

Amulet of the God Thoth, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 2.25 × 1 × .5 cm (7/8 × 3/8 × 3/16 in

Bonnet Veil, c. 1820, Mary Chadbourne Keith Norton (American, 1807-1890), United States, probably Maine, South Berwick, United States, Silk, machine-made twist net, embroidered in chain stitches (tambour work), edged with machine-made

View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 388 x 544 mm (image), 410 x 550 mm (plate), 458 x 597 mm

Study for Vignette in Voltaire’s La Pucelle d’Orleans, with Sketches of Heads and Nude Figures, c. 1762, Hubert François Gravelot, French, 1699-1773, France, Pen and brown and gray ink, over graphite and red chalk, on buff laid paper,

The Fates Gathering in the Stars, 1887, Elihu Vedder, American, 1836–1923, United States, Oil on canvas, 113 × 82.6 cm (44 1/2 × 32 1/2 in

Amulet of a Hawk, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 4.4 × 1.3 × 0.6 cm (1 3/4 × 1/2 × 1/4 in

Skirt panel?, Directoire period, 1795/99, France, Silk, plain weave with supplementary patterning warps and self patterning ground weft floats, embroidered with silk threads in satin stitch, outline stitch and French knots, attached silver

Panel, 1860/80, Produced by Mathevon et Bouvard, 1810–1895, France, Lyon, France, Silk and linen, warp-float faced 7:1 satin weave with 1:2 'S' or weft-float faced 1:2 twill interlacings of secondary binding warps and supplementary

Fujieda—No. 23, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 23.7 x

Othello’s Speech to the Senators of Venice, c. 1844, Théodore Chassériau, French, 1819-1856, France, Graphite on ivory wove paper, permeter mounted on cream laid paper, 220 × 290 mm

The Singers, c. 1668, Adriaen van Ostade, Dutch, 1610-1685, Holland, Etching on paper, 219 x 185 mm (image), 243 x 193 mm (plate), 252 x 200 mm (sheet

Woman Feeding Six Pigs, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching and roulette on China paper, 167 × 147 mm (image/plate), 359 × 312 mm (sheet

Three Nude Figures, n.d., Possibly by John Brown (Scottish, 1752-1787), after Correggio (Italian, 1489/94-1534), United Kingdom, Graphite on oval-shaped ivory laid paper, 191 x 163 mm (max

Beaker, c. 1820/30 or later, In the style of Anton Kothgasser, Austrian, 1769-1851, Vienna, Austria, Vienna, Glass, colorless, cut, transparent enamels and gilding, 10.6 x 9.1 cm (4 3/16 x 3 9/16 in

Doll’s Shoes, 19th century, United States, Red leather

Bead Stringers, 1880, James McNeill Whistler, American, 1834-1903, United States, Cancelled copper plate, 229 x 154 mm

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 299 × 226 mm (image/chine), 452 × 349 mm

Knife from a Traveling Set, 1761/63, Augsburg, Germany, Augsburg, Silver and steel blade, H. 22.9 cm (9 in

Shrine Maidens Onami and Ohatsu Dancing at Yushima Tenjin Shrine, c. 1769, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 10 3/4 x 7 3/4 in

Anser segetum, Print, 1700-1880

Amulet of the Eye of the God Horus (Wedjat), New Kingdom, Dynasty 18 (1550 BC–1295 BC), Egyptian, Egypt, Faience, 1.6 × 1.3 × 0.5 cm (5/8 × 1/2 × 3/16 in

Colonel Wilson, of Wilson’s Brigade, and Colonel Ellsworth, of the Fire Zouaves, published May 11, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engravings on paper,

Seymour, 1858/59, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black on ivory laid paper, 135 x 98 mm (plate), 136 x 100 mm (sheet

The Wondrous Fountain, 1810, Johann Baptist Stuntz, Swiss, 1753-1836, Switzerland, Lithograph in black on ivory wove paper, 402 x 282 mm (image), 448 x 298 mm (sheet

Ber See von Albano bei Rom, 1796, Friedrich Wilhelm Gmelin, German, 1760-1820, Germany, Etching on paper

Mug, 1765/75, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue decoration, 13.6 x 8.6 cm (5 7/8 x 3 7/8 in

Mosaic Disk with a Mythological and Historical Scene, 1400/1500, Mixtec, Northern Oaxaca, Mexico, Oaxaca state, Turquoise, earthenware, stucco, spondylus shell, mother of pearl, and iron pyrite, with pigment, Diam. 30.5 cm (12 in

Paperweight, Late 19th century, New England Glass Company, American, 1818-1888, United States, Glass, Diam. 6.4 cm (2 1/2 in

City Canal, 1778, George Hadfield, American, born England, c. 1767-1826, United States, Black chalk and crayon, on ivory laid paper, laid down on ivory laid paper, 319 x 240 mm

Windsor Castle From Across The River, c. 1842/46, William Henry Fox Talbot, English, 1800–1877, England, Waxed calotype paper negative, 17.7 × 22 (image), 18.7 × 22 cm (paper), 30.4 × 30.6 (mount

Feeding Mule, Front, from Die Zweite Thierfolge, 1800, Johann Christian Reinhart, German, 1761-1847, Germany, Etching in black on ivory laid paper, 146 x 108 mm (plate), 174 x 132 mm (sheet

The Palais Royal Gallery’s Walk, 1787, Philibert Louis Debucourt, French, 1755-1832, France, Color aquatint on paper, 382 × 570 mm (plate), 390 × 580 mm (sheet

Kesa, late Edo period (1789–1868), early 19th century, Japan, Silk and gold-leaf-over-lacquered-paper strip, warp-float faced 2:1 'Z' twill weave with weft-float faced 1:2 'S' interlacings of secondary binding warp and supplementary patterning

Paperweight, c. 1848–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 7.3 cm (2 7/8 in

Mercurius, plate six from Der VII Planeten, n.d., Conrad Meyer, Swiss, 1618-1689, Switzerland, Etching in black on ivory laid paper, 69 x 49 mm (sheet

Altar Frontal, 19th century, Germany, Bavaria, Bayern, Silk and metal threads, lace, sequins, rosettes, and beads, damask weave, embroidered, 79 × 161.6 cm (31 1/8 × 63 5/8 in

Napkin, 1699, Possibly Netherlands, Netherlands, Linen, satin weave self-patterned by reversing of faces, 107 x 80.3 cm (42 1/8 x 31 5/8 in

Vase, 2nd/5th century AD, Greco-Roman, Ancient Mediterranean, Glass, blown technique, 24 × 15.2 × 15.2 cm (9 1/2 × 6 × 6 in

The actor Ichikawa Ebizo V as Asahina Tobei, c. 1841, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print, oban

Cain and Abel, 1886, Odilon Redon, French, 1840-1916, France, Etching and drypoint on ivory wove paper, 185 × 121 mm (plate), 308 × 215 mm (sheet

Panel, 1575/1600, Italy, probably Florence, Florence, Silk, plain weave with gilt-metal-strip facing wefts and supplementary pile warps forming cut voided velvet, 61.8 × 47.3 cm (24 3/8 × 18 5/8 in

Shallow Dish with Peony Sprays, Northern Song dynasty, (960–1127), 11th century, China, Ding ware, porcelain with underglaze carved decoration, metal rim, H. 2.3 cm (15/16 in.), diam. 24.9 cm (9 13/16 in

Takashima Ohisa, c. 1793, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock print, oban, 37.4 x 24.9 cm

The Charlatan (recto), and Two Standing Figures (verso), n.d., Géraerd Ter Borch (Dutch, 1617-1681), verso Unknown Artist (Dutch, early 18th century), Netherlands, Pen and brown ink with brush and gray wash, with traces of graphite, over

Amphoriskos (Container for Oil), 5th/early 4th century BC, Eastern Mediterranean, possibly Rhodes, Rhodes, Glass, core-formed technique, 9.7 × 4.9 × 4.9 cm (3 7/8 × 1 7/8 × 1 7/8 in

Sugar Bowl and Lid, c. 1760, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue decoration, H. 11.4 cm (4 1/2 in

The Show (La Parade), 1784/87, Nicolas Antoine Taunay, French, 1755-1830, France, Oil on panel, 37.5 × 43.7 cm (14 3/4 × 17 3/16 in

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, 2 3/4 in

Paperweight, c. 1845/60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.6 cm (3 in

Coin Depicting the God Apollo, about 133 BC, Greek, Ancient Greece, Bronze, Diam. 1.5 cm, 3.93 g

Sultane Reine, plate 29 from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French, 1716-1809, France, Etching on ivory laid paper, 195 × 131 mm (image), 204 × 135 mm (plate), 262 × 208 mm (sheet

Cap, 1825/50, Possibly United States, Cotton, machine-made twist net, embroidered with cotton and linen in chain stitches (tambour work), 30.4 x 21 cm (12 x 8 1/4 in

Orphrey, 16th century, Italy, 70.5 x 23.5 cm (27 3/4 x 9 1/4 in

Fragment, 1325/75, Italy, Silk and gilt-animal-substrate-wrapped silk, plain weave with supplementary brocading wefts, 15.8 x 15.8 cm (6 1/4 x 6 1/4 in

Wine Glass, Early 18th century, Bohemia, Czech Republic, Bohemia, Glass with engraved gold leaf decoration, 17.6 × 7.9 cm (6 15/16 × 3 1/8 in

Bottle-Shaped Vase with Lotus Flowers and Stylized Scrolls, Goryeo dynasty (918–1392), 14th century, Korea, Korea, Celadon-glazed stoneware with underglaze inlaid decoration of black and white clays, H. 34.3 cm (13 1/2 in.), diam. 18.cm (7

Deaf Bull, c. 1880, Laton Alton Huffman, American, 1854–1931, United States, Gelatin silver print, 13.8 x 9.8 cm (image/paper

Prunted Beaker (Roemer), c. 1610, Dutch, Flemish, or German (Rhenish), Netherlands, Green glass, gilding, H. 22.5 × 12.4 cm (8 7/84 7/8 in

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.8 cm (3 1/16 in

Apogon bifasciatus, Print, Apogon is a large genus of fish in the family Apogonidae, the cardinalfishes. They are among the most common fish on coral reefs.Over 200 species have been classified in genus Apogon as members of several subgenera.Some

Intelligence was Mine! I Became the Buddha, plate 12 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid down on ivory wove paper, 316 × 219 mm (image/chine), 569 × 400 mm (sheet

Panel, 1725/50, England or France, England, Silk, plain weave with supplementary patterning warps, 106.3 × 55.4 cm (41 7/8 × 21 7/8 in

Rustam slaying jackal, from the Shahnama of Firdausi, Ilkhanid dynasty (1256–1353), dated 1341, Iran, Shiraz, Iran, Ink and opaque watercolor on paper, Image: 30 x 25.3 cm (11 13/16 x 9 15/16 in.), Paper: 37.1 x 30.2 cm (14 5/8 x 11 7/8

Panel, 1701/25, England, Wool, plain leave, embroidered with wool in chain stitch and French knots, 41.7 × 89.6 cm (16 3/8 × 35 1/4 in

Tsuchiyama—No. 50, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblcok print, oban, 23.8 x

Pontus Fürstenberg and his Wife (standing near Hasselberg’s Frog), 1895, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 279 x 198 mm (image/plate), 365 x 280 mm (sheet

The Actor Iwai Hanshiro IV in an Unidentified Role, c. 1792, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, 30.7 x 15.1 cm (12 1/16 x 5 15/16 in

Denarius (Coin) Depicting the Mask of Pan, 48 BC, Roman, minted in Rome, Italy, Silver, Diam. 2 cm, 3.76 g

Boy with Dog, c. 1760, Chelsea Porcelain Manufactory, London, England, c. 1745-1784, Chelsea, Soft-paste porcelain, polychrome enamels and gilding, 34.6 × 15.4 cm (13 5/8 × 6 1/16 in

Fragment, 1750/1800, Japan, Plain compound (or brocaded) satin, silk and gilt paper, 2 strips to m.m., 25.7 x 20.6 cm (10 1/8 x 8 1/8 in) (per old card

Pursuit of the French Through Leipzig, 1813, John Augustus Atkinson (English, 1775-1832), published by Robert Bowyer (English, 1758-1834), England, Hand-colored aquatint on paper, 222 × 320 mm (image), 331 × 457 mm (sheet

The Actor Sawamura Sojuro III as the Spirit of the Courtesan Takao in the Play Takao Daimyojin Momiji no Tamagaki, Performed at the Nakamura Theater in the Seventh Month, 1787, c. 1787, Katsukawa Shunko I, Japanese, 1743-1812, Japan, Color