Images at Librifly

Springtime, c. 1860, Théodore Rousseau, French, 1812-1867, France, Oil on panel, 42.2 × 54 cm (15 5/8 × 21 1/4 in

Wine, Cheese, and Fruit, 1857, John F. Francis, American, 1808–1886, Pennsylvania, Oil on canvas, 63.5 × 76.2 cm (25 × 30 in

The Traveler in the Mountains, 1870/79, Rodolphe Bresdin, French, 1825-1885, France, Pen and black ink with brush and gray wash, on tan embossed card, 167 × 139 mm

Mount Nachi in Kii Province, No. 1 on the Saikoku Pilgrimage Route (Saikoku junrei ichiban Kishu Nachisan), from the series The Miracles of Kannon (Kannon reigenki), 1858, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Utagawa

The Prophet Elie Arriving at the House of Sareptas’ Widow, 1604, Jan Saenredam (Netherlandish, 1565-1607), after Abraham Bloemaert (Dutch, 1566-1651), Holland, Engraving on paper, 422 x 318 mm (image/plate), 441 x 321 mm (sheet

Jan Lutma, Goldsmith, 1656, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching and drypoint in black on buff laid paper, 197 x 149 mm (image/plate), 205 x 153 mm (sheet

Panel, c. 1830, France, Cotton, plain weave, block printed, 214.3 × 81.3 cm (84 3/8 × 32 in

Delaware Water Gap, 1830, Asher B. Durand, American, 1796-1886, United States, Engraving on off-white wove paper, 146 x 190 mm

Antennarius multiocellatus, Print, The longlure frogfish (Antennarius multiocellatus) is a species of frogfish in the genus Antennarius found in the western Atlantic from Bermuda and the Bahamas, south along the coasts of Central and South

Panel, c. 1870/80, France, 54.6 × 200.7 cm (21 1/2 × 79 in

Low Tide at Susaki, A Set of Five (Shiohi goban no uchi), c. 1828/30, Utagawa Kuniyoshi, Japanese, 1797–1861, Japan, Color woodblock prints, shikishiban pentaptych, surimono, 21.2 x 91.8 cm (8 5/16 x 36 1/8 in

Cockney Sportsmen Finding a Hare, published November 12, 1800, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 235 × 336 mm (image), 250 × 350 mm (plate),

Denarius (Coin) Depicting the Goddess Roma, 104 BC, Roman, Roman Empire, Silver, Diam. 2 cm, 3.80 g

Arca striatella, Print

Amulet of a Heart, New Kingdom, Dynasty 18 (about 1350 BC), Egyptian, Egypt, Glass, 1.6 × 1.6 × 0.3 cm (5/8 × 5/8 × 1/8 in

Angel Holding Flowers and Scourge, c. 1756, Attributed to Stefano Pozzi (Italian, 1699-1768), after Gian Lorenzo Bernini (Italian, 1598-1680), Italy, Black chalk, heightened with white chalk, on blue laid paper, tipped onto cream wove

Towing a Barge in the Snow, from the album The Silver World, 1790, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Woodblock print, oban, 38.6 x 26.1 cm

Morita Kan’ya Vll in the Role of Yura Hyogonosuke Nobutada, c. 1794, Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print, hosoban, 31.8 x 14.9 cm

Sacrifice to Priapus, the larger plate, 1499/1501, Jacopo de’ Barbari, Italian, 1460/70-before July 1516, Italy, Engraving, on paper, 226 x 165 mm

Study, c. 1842, Jean–Auguste–Dominique Ingres, French, 1780–1867, France, Graphite on cream wove paper, laid down on white wove paper, hinged on gray laid paper with blue fibers, 270 × 185 mm

Sensitive Plant, 1870, Timothy O’Sullivan, American, born Ireland, 1840–1882, United States, Albumen print, stereo, 7.6 x 9 cm (each image), 10 x 17.7 cm (card

Crucifixion of Saint Andrew, n.d., Attributed to Domenico Pozzi, Italian, 1744-1796, Italy, Pen and brown ink, with brush and brown wash, over black chalk on ivory laid paper (lower left corner cut out), 415 x 265 mm

A Bishop from Breuiarium iuxta ritu predicatorum, plate 83 from Woodcuts from Books of the XVI Century, 1514, assembled into portfolio 1937, Unknown Artist (Italian, 16th century), assembled by Max Geisberg (Swiss, 1875-1943), Italy,

Bonnet Veil, 1850s, France, Bayeux or Chantilly, France, Silk, bobbin straight lace (made in horizontal strips), 42.6 × 88.5 cm (16 3/4 × 34 7/8 in

In Höllenthal, c. 1818, Johann Christoph Erhard, German, 1795-1822, Germany, Etching on tan wove paper, 336 x 278 mm

Rectangular Pillow with Quatrefoil Medallion, Tang dynasty (618–907), first half of 8th century, China, Earthenware with three-color (sancai) lead glazes, 5.0 × 11.0 × 9.1 cm (2 × 4 5/16 × 3 9/16 in

Wrapping Cloth, Pojagi, 19th century, Korea, Korea, Silk, plain weave, pieced, attached ribbon and cord, 116.2 x 115.7 cm (45 3/4 x 45 1/2 in

Landscape, Ming dynasty (1369–1644), Wen Boren ( 文伯仁， attributed ), Chinese, 1502-1575, China, Hanging scroll, ink on paper, 102.4 × 30.5 cm (40 1/4 × 12 in.) painting, 238.4 × 52.3 cm (including mount), L: 62 cm (with rolling

Bevor (Falling Buff) and Gorget Plate, c. 1490, Spanish, Europe, Steel

Ruby-Ground Medallion Bowl, Qing dynasty (1644–1911), Daoguang reign mark and period (1821–1850), China, Porcelain painted in underglaze blue and overglaze enamels, H. 6.5 cm (2 9/16 in.), diam. 14.8 cm (5 13/16 in

St. Stephen, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 156 × 102 mm (sheet trimmed to plate mark

Coin Depicting the Goddess Athena, 200/133 BC, Greek, Ancient Greece, Bronze, Diam. 1.7 cm, 6.07 g

Colonel Lamont I (Whole length), 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 223 x 148 mm (image/plate), 306 x 214 mm (sheet

Poem by Kakinomoto no Hitomaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), c. 1835/36, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 37.6 x 25.7 cm

Chair Seat, c. 1888, Designed by Thomas Wardle (English, 1831–1909), Printed at Hencroft Dye Works, England, Staffordshire, Leek, England, Cotton, twill weave weave with supplementary pile wefts forming cut solid (velveteen), block

A Ferry on the Sumida River, c. 1787, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, center sheet of oban triptych, 38.6 x 25.5 cm

Standing Female Figure, c. A.D. 200, Nayarit, Nayarit, Mexico, Nayarit state, Ceramic and pigment, H. 42.6 cm (16 3/4 in

Moroccan Family, 1862, Mariano José María Bernardo Fortuny y Carbó, Spanish, 1838-1874, Spain, Etching on paper, 236 x 140 mm

Making Decent, i.e. Broad-Bottomites Getting into the Grand Costume, published February 20, 1806, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on cream wove paper,

Courtesan entertaining Daikoku and Fukurokuju, no. 10 from a series of 12 prints, c. 1708, Okumura Masanobu, Japanese, 1686-1764, Japan, Woodblock print, oban, sumizuri-e, 26.7 x 37.9 cm

The Actor Nakamura Nakazo I as Hachiman Taro Yoshiie (?) in the Play Oshu Adachi ga Hara (?), Performed at the Nakamura Theater (?) in the Fourth Month, 1775 (?), c. 1775, Katsukawa Shunko I, Japanese, 1743-1812, Japan, Color woodblock print,

Model Field Cannon with Carriage, c. 1740, German, Germany, Bronze, wood, and iron, Length: 61.4 cm (24 1/16 in

Dragon Pendant with Small Blade, Shang period, 13th–11th century B.C., China, Jade, 5.2 × 1.9 cm (2 1/16 × 3/4 in

Tea, c. 1890, Mary Cassatt, American, 1844-1926, United States, Etching on ivory laid paper, 179 x 156 mm (image/plate), 309 x 239 mm (sheet

Ballock Dagger, c. 1500, North European, possibly Flemish, Northern Europe, Ivy root and steel, L. 33 cm (13 in

Portrait of Justice Stephen Field, 1890, Max Rosenthal, American, 1833-1918, United States, Etching in black on cream wove paper, 172 x 124 mm (image), 200 x 150 mm (plate), 320 x 249 mm (sheet

Vinaigrette, 1886/87, George Unite, Birmingham, England, Birmingham, Silver and silver gilt, 3.2 × 2.3 cm (1 1/4 × 7/8 in

A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma), c. 1769, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan,

Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Compound twill and silk, 18.7 × 21.9 cm (7 3/8 × 8 5/8 in) (per old card

The Miser and the Miscarriage, 1528/30, Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 79 x 51 mm (image/plate/sheet

Memorial Portrait of the Actor Onoe Kikugoro III, 1849, Attributed to Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print, oban

Two Fighting Lions, c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 3/8 x 5 5/8 in

Two Girls in Regional Costume, n.d., François Hippolyte Lalaisse, French, 1810-1884, France, Oil paint, over graphite, on tan wove paper (discolored), prepared with a textured oil ground, 179 × 265 mm

Young Woman and Hotei, c. 1741, Ishikawa Toyonobu, Japanese, 1711-1785, Japan, Hand-colored woodblock print, wide hashira-e, sumizuri-e, 70.9 x 15.9 cm (27 3/4 x 6 1/4 in

Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist’s Pencil, Read before the Royal Society, January 31, 1839, William Henry Fox Talbot,

Rightly or wrongly, plate two from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, lavis, burin, drypoint, and burnishing on ivory wove paper with gilt edges, 139 x

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (recto), Half-Length Sketch of a Woman (verso), 1881, Pierre Auguste Renoir, French, 1841-1919, France, Black chalk (recto and verso) on cream laid paper

Ammonites refractus, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living coleoids

Alcedo ispida, Print, The common kingfisher (Alcedo atthis) also known as the Eurasian kingfisher, and river kingfisher, is a small kingfisher with seven subspecies recognized within its wide distribution across Eurasia and North Africa. It is

Le Réveil, 1891, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 137 x 100 mm (image/plate), 308 x 219 mm (sheet

Close Helmet for Foot Tournament at the Barriers, 1591, Anton Peffenhauser (German, c. 1525—1603), Augsburg, Augsburg, Steel, brass, gilding, and leather, H. 35.6 cm (14 in

Saint in a Historiated Initial from a Choirbook, c. 1430, Italian (Venice), Cristoforo Cortese (Italian, flourished c. 1399-before 1445), Italy, Manuscript cutting in tempera and gold leaf, with incising, and with gothica textualis

Untitled Valentine (Flowers), c. 1840, Unknown Artist, English, 19th century, England, Watercolor and collaged elements on cut and embossed ivory wove paper (lace), 173 × 112 mm (folded sheet

(Facsimile?) Black-naped oriole and clematis, 1840s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, aitanzaku, 13 1/2 x 4 5/8 in

Anemonia sulcata, Print, Anemonia sulcata, or Mediterranean snakelocks sea anemone, is a species of sea anemone in the family Actiniidae from the Mediterranean Sea. Whether it should be recognized as a valid species of its own or is better

Antilope grimmia, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Panel, 18th century, Netherlands, Netherlands, Cotton, plain weave, printed, a: 106 x 90.2 cm (41 3/4 x 35 1/2 in

Antilope gnu, Print, The black wildebeest or white-tailed gnu (Connochaetes gnou) is one of the two closely related wildebeest species. It is a member of the genus Connochaetes and family Bovidae. It was first described in 1780 by Eberhard August

Sailboats on Canal near Spaarendam, 1751, Attributed to Jan de Beyer (Swiss, 1698-1790), or Pieter de Molijn (Dutch, 1595-1661), Switzerland, Pen and gray ink with brush and gray wash over graphite, on ivory laid paper, tipped onto cream

Geometry, n.d., Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 75 × 54 mm (image/sheet, cut within platemark

Fragment, 17th century, Italy, Silk, warp-faced plain weave with supplementary patterning wefts and supplementary brocading wefts, 42 × 288.3 cm (16 1/2 × 11 1/4 in

Welcome to the Prince of Wales, published October 20, 1860, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 400 x 266 mm

Alpine Landscape, n.d., Alexandre Calame, Swiss, 1810-1864, Switzerland, Etching on paper, 259 x 209 mm (image), 275 x 220 mm (plate), 357 x 273 mm (sheet

Seated Woman in Profile to Right, n.d., Possibly Domenico Fiasella, Italian, 1589-1669, Italy, Black chalk on tan laid paper, laid down on gray laid paper, 357 x 256 mm

Follis (Coin) Portraying Emperor Licinius, AD 314/315, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.2 cm, 3.67 g

Crossing the Bridge at Sano, c. 1774, Kitao Shigemasa, Japanese, 1739-1820, Japan, Color woodblock print, koban, 8 3/4 x 6 1/4 in

Husbands Always Make Me Laugh: Really my son-in-law, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 190 × 159 mm (image), 353 × 263 mm (sheet), Untitled, 1866, Georgina Cowper, attributed,

The Virgin, the Holy Women, and Saints John, James and Joseph of Arimathea, with Christ on the Way to Calvary, n.d., Antonio Carracci, Italian, 1583-1618, Italy, Pen and brown ink, with brush and blue wash, heightened with lead white

Border, 1775/1800, France, Linen, needle lace of a type known as "Point d'Argentan" with buttonholed mesh ground, 8 × 330.8 cm (3 1/8 × 209 in

The Tooth Puller (plate 15), 1843, Charles Émile Jacque, French, 1813-1894, France, Lithograph in black on ivory wove paper, 250 × 194 mm (image), 352 × 235 mm (sheet

Panel, 19th century, Iran, Iran, 27.5 x 29.4 cm (10 13/16 x 11 5/8 in

Yvette Guilbert, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph, with letterpress, on ivory laid paper, 251 × 200 mm (image), 385 × 385 mm (sheet, folded, appro

Man on Bended Knee, Pulling on Rope, c. 1604, Bernardino Poccetti, Italian, 1548-1612, Italy, Black chalk on cream laid paper, 305 x 212 mm (max

Out for a Walk, from the series A Collection of Contemporary Beauties of the Pleasure Quarters (Tosei yuri bijin awase), c. 1783, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, 36.1 x 24.5 cm

Bust of a Female Figurine, Mauryan period, 3rd/2nd century B.C., India, Uttar Pradesh, Mathura, Mathura, Hand-modeled gray terracotta, 9 x 6.1 x 3.9 cm (3 1/2 x 2 3/8 x 1 1/2 in

Genji Drawn in Different Styles: View of Akashi Bay (Kakiwake Genji, Akashi ura no kei), 1869, Toyohara Kunichika, Japanese, 1835-1900, Japan, Color woodblock print, oban triptych

Margate, Outer View of the Pier, Coast of Kent, and from Fort Cliffs, published June 1, 1805, John Raphael Smith (English, 1751-1812), acquaint by Thomas Sutherland (English, c. 1785-1838), published by Charles Richards (English, active

Whistler Sketching at Moulsey Lock, 1861, Edwin Edwards, English, 1823-1879, England, Etching with drypoint in black on cream Japanese paper, laid down on ivory laid paper (chine collé), 118 × 165 mm (image/plate), 240 × 330 mm (sheet

Painted Banner (Thangka) of Green Tara Surrounded by Twenty Manifestations, 18th century, Tibet, Tibet, Pigment on cloth, 53.8 x 34.8 cm

The Actor Yamashina Shirojuro as Nagoya Sanzaemon (Yamashina Shirojuro no Nagoya Sanzaemon), 1794, (Kansei 6), Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print, hosoban, nishiki-e, 31.7 x 15.0 cm

Untitled, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons

Cambronne at Waterloo (Furnishing Fabric), 1820/25, Manufactured by Hartmann et Fils, France, Alsace, Munster, France, Cotton, plain weave, engraved roller printed, 48.9 × 85.3 cm (19 1/4 × 33 5/8 in

A New Mode of Presenting Two Addresses at Once, published February 1818, Charles WIlliams (English, active 1797-1830), published by S. W. Fores (English, active 1785-1825), England, Hand-colored etching on ivory laid paper, 250 × 356 mm

Forget Me Not (valentine), 1860/69, David Mossman, English, 1825-1901, England, Gold paint and collaged elements on cut and embossed ivory wove paper, 97 × 66 mm (folded sheet

A Dutch Abbess and Her Nymphs Sketched at Amsterdam, published April 4, 1796, Thomas Rowlandson (English, 1756-1827), published by S.W. Fores (English, 1761-1838), England, Hand-colored etching on ivory wove paper, 300 × 250 mm

Wine Glass, Mid to late 19th century, Bohemia, Czech Republic, Bohemia, Glass, blown, cut, stained red and engraved, 14.0 × 8.3 cm (5 1/2 × 3 1/4 in

The Actor Sawamura Sojuro I as Furukoori Shinzaemon disguised as Shimada Kanzaemon in the play Ima wa Mukashi Omokage Soga, performed at the Ichimura Theater in the fifth month, 1737, 1737, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?),

Juno in Hades from P. Ouidij Nasonis poete ingeniosissimi Metamorphoseos Libri, plate 87 from Woodcuts from Books of the XVI Century, 1527, assembled into portfolio 1937, Unknown Artist (Italian, 16th century), assembled by Max Geisberg (Swiss,

Oath of Louis XVI at his Investiture, 1779, Jean Michel Moreau, French, 1741-1814, France, Etching on off-white laid paper, 519 × 799 mm (image/sheet), cut within platemark

Overton Bridge/Over the River Dee, on the Confines of Denbigh and Flintshire, 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint in sanguine on ivory laid paper, 239 × 315 mm (plate), 320 × 463 mm (sheet