Images at Librifly

Scarab: Uninscribed, Middle Kingdom (?), Dynasties 11–12 (about 2055–1773 BC), Egyptian, Egypt, Amazonite?, 1.6 × 1 × 0.5 cm (5/8 × 3/8 × 3/16 in

Draped Figure, Standing, 1891, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in dark gray on cream Japanese paper, 219 x 112 mm (image), 319 x 267 mm (sheet

Pietà, 1475/1500, After Cosimo Tura, Italian, c. 1430-1495, Italy, Tempera on panel, 71.7 x 55.2 cm (28 1/4 x 21 3/4 in

Fragment, 1650/1700, Italy, Brocaded silk

Bowl with Phoenix, Goryeo dynasty (918–1392), early 12th century, Korea, Korea, Celadon-glazed stoneware with underglaze incised decoration, H. 8.2 cm (3 1/4 in.), diam. 16.7 cm (6 9/16 in

Visitors to Enoshima, c. 1789, Torii Kiyonaga, Japanese, 1752-1815, Japan, Woodblock print, center sheet of oban triptych, keyblock proof impression, 38.9 x 26.7 cm (15 5/16 x 10 1/2 in

A Toast II, 1893, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on cream laid paper, 300 x 259 mm (image), 318 x 268 mm (plate), 448 x 348 mm (sheet

Alburnus lucidus, Print, 1700-1880

Profile of Light, 1886, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray chine, 339 × 241 mm (image), 446 × 274 mm (sheet

Hilltop View from Yushima Tenjin Shrine (Yushima Tenjin sakaue tenbo), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1856, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 36.2

Model Chalice, c. 1849, Designed by Augustus Welby Northmore Pugin, English, 1812–1852, Manufactured by John Hardman & Company, Birmingham, England, 1838-2008, England, Gilt base metal, enamels, and semiprecious stones, H. 26 cm (10

Bowl, 1800/50, Talavera poblana, Puebla, Mexico, Puebla, Tin-glazed earthenware

Into the Green Recessed Woods They Flew, 1885, Will Hicock Low, American, 1853-1932, United States, Brown and white gouache, with touches of black gouache, on cream wood-pulp laminate board, 429 x 354 mm

The Little Errand Girl, 1893, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 277 × 190 mm (image), 284 × 192 mm (primary support), 359 × 276 mm (secondary support

The Actor Nakamura Nakazo I as Tezuka no Taro Mitsumori Disguised as the Monkey Trainer Tonkichi Tochibei, in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the First Month, 1769, c. 1769, Katsukawa Shunsho 勝川

Storm in Umbria, 1875, Elihu Vedder, American, 1836–1923, Umbria, Oil on canvas, 33 × 114.3 cm (13 × 45 in

Amulet of Pataikos, Late Period, (about 664–332 BC), Egyptian, Egypt, Faience, 2.2 × 1 × 0.8 cm (7/8 × 3/8 × 5/16 in

Adam and Eve at Work, from The Story of Adam and Eve, 1540, Heinrich Aldegrever, German, 1502-c. 1560, Germany, Engraving in black on ivory laid paper, 87 x 65 mm (image/plate/sheet

Hanging Showing Pyramus and Thisbe, 17th century, Northern Germany Schleswig-Holstein, Schleswig-Holstein, Linen and wool, plain weave, tied and free double cloth, 151.8 x 83.9 cm (59 3/4 x 33 in

Bevor (Falling Buff), c. 1500, Spanish, Germany, Steel

Ammonites parkinsoni dubius, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living

Denarius (Coin) Portraying Emperor Augustus, 19/18 BC, Roman, minted in Spain, Italy, Silver, Diam. 2 cm, 3.47 g

Traveler on Horseback, 1848, Charles Émile Jacque, French, 1813-1894, France, Drypoint and roulette on ivory wove paper, 107 × 96 mm (image/plate), 318 × 243 mm (sheet

Sestertius (Coin) Portraying Emperor Severus Alexander, AD 232, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.9 cm, 18.32 g

The Actor Nakayama Tomisaburo I as Lady Tsukuba, Wife of Yoshioki (Shodai Nakayama Tomisaburo no Yoshioki Midai Tsukuba Gozen), 1794, (Kansei 6), Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print,

Saint Nicholas Preaching, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 201 × 281 mm (image/sheet

Armor for the Field and Tourney, c. 1550, Southern German, Germany, Steel and leather, H. 193 cm (76 in

Dalmatic with Apparel and Orphrey Band, 17th century, Spain, Silk and gilt-metal-strip-wrapped silk, plain weave with gilt-metal strip facing wefts and brocading wefts, apparels and orphrey bands: silk, plain weave with gilt-metal strip facing

The Virgin Appearing to St. John, from The Apocalypse, c. 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper discolored to gray, 450 x 312 mm

Half Shawl, 1865/75, France or England, England, Silk, Pusher machine lace, 132.7 × 288.6 cm (52 1/4 × 113 5/8 in

Russians (Roshiajin), from the series People of the Five Nations (Gokakoku no uchi), 1861, Utagawa Kunihisa II, Japanese, 1832–1891, Japan, Color woodblock print, oban

The Actor Matsumoto Koshiro IV and a geisha, from an untitled series of prints showing Actors in private life, c. 1783, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hosoban, 30.5 x 14.2 cm

The Horse Guards, 1850–1900, probably English, 19th century, England, Albumen print, 12.8 × 20.4 cm (image/paper), 20.2 × 27.5 cm (mount

Tobari or Mizuhiki (Temple Banner), Meiji period (1868–1912), 1801/33, Japan, Silver brocade, ginram on navy., 278 x 63.5 cm (109 1/2 x 25 in

If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched Body, plate 4 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an original drawing, in black on ivory wove

Kesa, Edo period (1615–1868), late 18th century, Japan, Japan

Beaker, c. 1830/50, Bohemia, Czech Republic, Bohemia, Glass with polychrome enamels and gilding, 11.4 × 8.4 cm (4 1/2 × 3 5/16 in

Untitled, 1839/60, 19th century, Unknown Place, Daguerreotype, 8.3 x 7 cm (plate), 9.3 x 8.1 x 1.6 cm (case

Mévisto, from Le Café-Concert, 1893, Henri-Gabriel Ibels (French, 1867-1936), printed by Edward Ancourt & Cie (French, 19th-20th century), published by L’Estampe originale (French, 1893-1895), France, Lithograph in dark green on cream

The Actor Nakamura Riko I as the Courtesan Wakamatsu (?) in the Play Gohiiki Kanjincho (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1773 (?), c. 1773, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

Ammonites falcula, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living coleoids

Fire Screen, c. 1855, American, 19th century, New York or Boston, Boston, Rosewood and white pine with needlepoint panel, 170.1 × 108.6 cm (67 × 42 3/4 in

Young Man Holds a Kite for a Child, c. 1774, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 26 1/8 x 4 5/8 in

Seal with Quadruped, Geometric Period (800–600 BC), Greek, Thessaly, Thessaly, Bronze, 2.0 × 3.1 × 1.9 cm (3/4 × 1 1/4 × 3/4 in

The Crucifixion with the Virgin and St. John (recto), God, the Father, Enthroned with the Signs of the Evangelists (verso), 1495/1525, Unknown Artist (French, 16th century), printed by Nicolas Prévost (French, active 16th century),

Amulet of the Theban Triad, Amun, Mut, and Khonsu, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Faience, 4.4 × 2.5 × 0.3 cm (1 3/4 × 1 × 1/8 in

Border (Fragment), 1625/50, Italy, probably Venice, Venice, Linen, needle lace, 16.3 x 15.6 cm (6 3/8 x 6 1/8 in

Swallow-Tailed Butterfly and Twelve Other Insects, after 1644, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 116 × 179 mm (sheet, trimmed within plate mark

Scene of Pillage, plate four from The Miseries of War, 1633, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 82 × 187 mm (plate), 121 × 226 mm (sheet

Poem by Kanke, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), c. 1835/36, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 25.2 x 36.4 cm

Landscape with Bridge, 1817, Achille Etna Michallon (French, 1796-1822), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), France, Lithograph in black on ivory wove paper, 193 × 258 mm (image), 270 × 359 mm

Fragment (From a Chasuble), 1601/50, Italy, Silk, plain weave with supplementary binding wefts and supplementary pile warps forming cut, uncut and voided velvet, 57.8 × 24.1 cm (22 3/4 × 9 1/2 in

Portrait of Pierre Nivelle, Bishop of Luçon, 1861–62, Charles Meryon (French, 1821-1868), after Michel Lasne (French, c.1590-1667), printed by A. Beillet (French, 19th century), France, Etching, from a tin plate, in warm black with

Sandwich, May 5, 1882, Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink, over traces of graphite, on cream wove paper, 129 × 181 mm

Goblet, c. 1730, Germany, Schleswig, Schleswig, Glass, 18.3 x 8.4 cm (7 3/16 x 3 5/16 in

Half Shawl, 1855/65, France, probably Bayeux, France, Silk, bobbin straight lace made in vertical strips, 143.8 × 268.6 cm (56 5/8 × 105 3/4 in

Apron, 18th century, Italy, Blue silk, embroidered in conventional leade pattern with lace insets., 55.5 x 92.1 cm (21 3/4 x 36 1/4 in

David Beheading Goliath (recto), Sketch of Draped Female Figure with Right Arm Raised Above Head (verso), n.d. (recto), c. 1621 (verso), Probably Domenico Fiasella (Italian, 1589-1669), or possibly Lodovico Carracci (Italian, 1555-1619),

Seated Man with Raised Arm, n.d., Henry Stacy Marks, English, 1829-1898, England, Pen and brown ink on cream wove paper, 195 × 149 mm

Arctonyx collaris, Print, The hog badger (Arctonyx collaris), also known as the greater hog badger, is a terrestrial mustelid native to Central and Southeast Asia. It is listed as Vulnerable in the IUCN Red List of Threatened Species because the

Denarius (Coin) Depicting the Goddess Roma, 109/108 BC, Roman, Roman Empire, Silver, Diam. 1.9 cm, 3.75 g

Teapot, 1848, Obadiah Rich, American, 1809–1888, Boston, Boston, Silver and wood, H.: 14.4 cm (5 3/4 in.), 492.4 g

Dragon-Handled Amphora, Tang dynasty, (A.D. 618–907), 1st half of 8th century, China, Earthenware with three-color (sancai) lead glazes, H. 38.7 cm (15.2 in.), diam. 17.5 cm (6.9 in

Scene of Witchcraft and Devil Worship, n.d., Attributed to David Teniers the Younger (Flemish, 1610-1690), or Remigio Cantagalina (Italian, 1582-1656), Flanders, Pen and brown ink with brush and brown wash, over traces of black chalk, on

In the Spheres (The breath which leads living creatures is also in the SPHERES), plate 5 of 6 from To Edgar Poe, 1882, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on white wove paper, 273 × 208

The Third Month (Hanamizuki), from the series Fashionable Twelve Months (Furyu juni tsuki), c. 1770/72, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, koban, 5 x 5 1/2 in

Hill Town with Trees in Foreground, n.d., Unknown Artist, Flemish, 17th century, Flanders, Pen and brown ink with brush and brown wash on cream laid paper, 44 × 95 mm

Eve, 1896, Albert Besnard, French, 1849-1934, France, Etching and drypoint in bistre ink on ivory laid paper, 170 × 120 mm (image), 180 × 130 mm (plate), 236 × 181 mm (sheet

Coverlet, 1820/30, United States, Cotton and wool, plain weave with supplementary patterning wefts (overshot), two loom widths joined, 190.5 x 160 cm (75 x 63 in

Pages from the illustrated book Panoramic Views along the Banks of the Sumida River (Ehon Sumidagawa ryogan ichiran), 1801, 1804, or 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, 4 pages from

Friendship Offering (valentine), c. 1850, Unknown Artist, American or English, 19th century, United States, Collaged elements on cut and embossed ivory wove paper (lace), 200 x 132 mm (folded sheet

Thetis Mourning the Body of Achilles, 1780, Henry Fuseli, Swiss, active in England, 1741-1825, England, Brush and brown and brownish-red wash, over graphite, on cream laid paper, 410 × 557 mm

Vinaigrette, 1840/41, Birmingham, England, Birmingham, Silver and silver gilt, 4.5 × 3.8 cm (1 3/4 × 1 1/2 in

Fragment, 1601/35, Italy, Silk, cut, uncut, voided velvet against satin weave foundation, 14.8 × 12.6 cm (5 7/8 × 5 in

Amulet of the God Horus, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Ceramic, 3.2 × 1 × 1 cm (1 1/4 × 3/8 × 3/8 in

Cléo de Mérode, from Treize Lithographies, 1898, published before 1906, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph in black on ivory laid paper, 294 × 242 mm (image), 388 × 314 mm (sheet

Bottle, 4th century AD or later, Roman, Levant or Syria, Syria, Glass, blown technique, 16.2 × 7 × 7 cm (6 3/8 × 2 3/4 × 2 3/4 in

Vessel, A.D. 600/800, Late Classic Maya, Mexico or Guatemala, México, Ceramic and pigment, 13 x 16.2 cm (5 1/8 x 6 3/8 in

A Symphony, 1878, Leslie Ward, called Spy, English, 1851-1922, England, Colored lithograph on paper, 307 × 185 mm

La Chine (Color Version), 1896–97, Theodore Roussel, French, worked in England, 1847-1926, England, Etching, softground, acquatint and drypoint in black on ivory laid paper, 250 × 163 mm (image, trimmed within plate mark), 268 × 189

Nihonbashi, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx. 24 × 18.3 cm

Master Miller, 1844, David Octavius Hill (Scottish, 1802–1870) and, Robert Adamson (Scottish, 1821–1848), Scotland, Salted paper print, 20.4 x 15.4 cm (image/paper), 37.3 x 26.7 cm (mount

Junction of Severn and Wye, plate 28 from Liber Studiorum, published June 1811, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving on ivory paper, 180 × 273 mm (image), 208 × 289 mm (plate), 296.5 × 443 mm

Manfred and Astarte, from Robert Schumann’s Overture to Manfred (1848-49), 1879, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on off-white China paper laid down on white wove paper, 247 × 312 mm (image), 338 × 452

Aix sponsa, Print, The wood duck or Carolina duck (Aix sponsa) is a species of perching duck found in North America. It is one of the most colorful North American waterfowl., 1700-1880

Study for the Death of Saint Peter Martyr, c. 1571, Circle of Giorgio Vasari, Italian, 1511-1574, Italy, Pen and brown ink with brush and brown wash, over traces of black chalk, on cream laid paper, laid down on ivory laid paper, 208 x 130

God Triton, 2nd/3rd century, Pakistan, Ancient region of Gandhara, Gandhara, Schist, 18.1 × 16.3 × 7 cm (7 1/8 × 6 3/8 × 2 3/4 in

Tarquin and Lucretia, 1764, Charles-François Hutin, French, 1715-1776, France, Etching in black on off-white laid paper, 118 × 164 mm (image), 122 × 169 mm (plate), 164 × 208 mm (sheet

Carriage Clock, c. 1725, Johann Gottlieb Graupner, German, 18th century, Dresden, Germany, Dresden, Silver, gilding, leather, velvet, and crystal, 11.4 × 6.4 cm (4 1/2 × 2 1/2 in

The Young Shepherd, second plate, c. 1855, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Cliché-verre on ivory photographic paper, 333 × 253 mm (image), 365 × 282 mm (sheet

Paperweight, c. 1845/60, Baccarat, France, founded 1764, France, Glass, Diam. 4.5 cm (1 3/4 in

Flintlock Hand Mortar Gun, 1740, German, Germany, Steel, brass, iron, and walnut, L. 61 cm (24 in

Diana and Endymion, 1690/95, Johann Michael Rottmayr, Austrian, 1654-1730, Austria, Oil on canvas, 32 × 49 1/2 in. (81.3 × 125.2 cm

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10, 1888, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper, laid down on ivory wove paper, 190 ×

Pair of Spurs, early 17th century, Western European, Western Europe, Iron, L. 16.5 cm (6 1/2 in.), W. 9.5 cm (3 1/4 in

Angelica Resting Under a Tree, from Orlando Furioso, 1810/13, Felice Giani, Italian, 1758-1823, Italy, Pen and brown ink, and brush and brown and gray wash, over graphite, on ivory wove paper, 347 x 515 mm

Wrapping Cloth (pojagi), Choson dynasty (1392–1910), 19th century, Korea, Korea, Silk, eighty-one pieced squares, outer edge, and backing, ribbons of plain gauze weave self-patterned by areas of plain weave, squares joined with silk in

The Actor Segawa Kikunojo II as Shizuka Gozen (?), c. 1767, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hosoban, benizuri-e, 31.1 x 13.6 cm

Wine Cooler (one of a pair), 1873, Tiffany and Company, American, founded 1837, Chasing by Eugene J. Soligny, American, c. 1833–1901, New York, New York City, Silver, H.: 35 cm (13 3/8 in

Haneda Ferry and Benten Shrine (Haneda no watashi Benten no yashiro), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color woodblock print, oban