Images at Librifly

Boar Spear, 1680/1700 with later decoration, Austrian, Austria, Steel, brass, staghorn, leather, wood, and silk velvet, L. 149.9 cm (59 in

Saint Albans Steeplechase, 1837, Charles Hunt (English, 1803-1877), after James Pollard (English, 1797-1867), England, Aquatint on paper

The Sacred Spring on Fortress Mountain (Jogaku reisen), from the series Eight Views of the Ryukyu Islands (Ryukyu hakkei), c. 1832, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 25.1 x 37.5 cm (9

Slender Woman with Vase, 1894, József Rippl-Rónai, Hungarian, 1861–1927, Oil on canvas, 186 × 73 cm (73 1/4 × 28 3/4 in

The Actors Iwai Hanshiro IV as Otatsu-gitsune, Nakamura Nakazo I as Raigo Ajari, Sakata Tojuro III as Kamada Gon-no-kami Masayori, and Ichikawa Yaozo II as Sakon-gitsune (right to left), in the play Nue no Mori Ichiyo no Mato, performed at the

The Bloomers in Hyde Park, or an Extraordinary Exhibition for 1852 from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, 1852, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto

Polyphemus Throwing Boulder at Acis, with Galatea (recto), and Pholyphemus Lifting Boulder (verso), n.d., John William Taverner, English, 1703-1772, England, Black chalk, and brush and gray wash (recto), and black chalk, and brush and

Panel, 1849, England, Spitalfields, Spitalfields, Silk, warp-float faced 7:1 satin weave self-patterned by areas of plain weave and ground weft floats, 72.5 x 67.9 cm (28 1/2 x 26 3/4 in

Whistler in a Hansom Cab, n.d., George Louis Pamella Busson Dumaurier, French, 1834-1896, France, Pen and ink on paper, 220 × 185 mm

Side Chair, 1722/44, American, 18th century, Newport, Rhode Island or Boston, Newport, Maple and reupholstered with 18th century leather, 106.8 × 48.2 × 36.8 cm (42 × 19 × 14 1/2 in

The Waitress Okita of the Naniwaya, c. 1792/93, Katsukawa Shuncho, Japanese, active c. 1780-1801, Japan, Color woodblock print, oban, 38.8 x 25.8 cm

Angel Holding a Flute, c. 1591, Circle of Giuseppe Cesari, called Il Cavalier d’Arpino, Italian, 1568-1640, Italy, Black and red chalk, on buff laid paper, incised, 203 x 137 mm (max

Cameo with Three Graces, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), Diam. 4.1 cm (1 5/8 in

Satyr Family, 1505, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on off-white laid paper, 116 x 70 mm (image/sheet

Le Fleuve, 1874, Édouard Manet (French, 1832-1883), written by Charles Cros (French, 1842-1888), printed by Auguste Delâtre (French, 1822-1907) and Cochet (French, 19th century), published by Librairie de l’eau-forte (French, 19th

Covered Vase, Mid 19th century, Bohemia, Czech Republic, Bohemia, Glass, decorated with ruby flashing and painted gold scroll work, 57.2 × 20.3 cm (22 1/2 × 8 in

Lender Seated, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on ivory wove paper, 354 × 244 mm (image), 514 × 399 mm (sheet

Study for Cosimo I Reorganizing the Tuscan Troops, 1589, Ludovico Buti, Italian, c. 1550-1611, Italy, Pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on tan laid paper, laid down on ivory

Finial, Geometric Period (800–600 BC), Greek, Thessaly, Thessaly, Bronze, 6.4 × 1.8 × 1.9 cm (2 1/2 × 3/4 × 3/4 in

Seated Monk Holding Book, n.d., Probably Domenico Fiasella (Italian, 1589-1669), or possibly Lodovico Carracci (Italian, 1555-1619), Italy, Black and white chalk on tan laid paper, 380 x 250 mm

Cover?, 1750/75, France, 52.7 × 52.1 cm (20 3/4 × 20 1/2 in

Charles Francois Mallet, c. 1809, Angelo Boucheron (French, 1779/80-after 1830), after Jean–Auguste–Dominique Ingres (French, 1780–1867), France, Etching and drypoint on ivory wove paper, 252 × 211 mm (plate), 327 × 280 mm (sheet

The Restaurant at the Exhibition., No clients at all… aren’t these people hungry?, I guess that the hungry ones are eating the snacks they were offered, plate 3 from Le Salon De 1857, 1857, Honoré Victorin Daumier, French, 1808-1879,

Hungarian Target with the Arms of the Von Teuffenbach Family, 1558, Styria, Austria, Hungary, Wood, leather, paint, and gesso, H. 101 cm (39 in

The Actors Ichimura Uzaemon VIII as Taira no Koremochi and Arashi Koroku I as Makomo no Mae in Shusse Momijigari, performed at the Ichimura Theater in the eleventh month, 1747, 1747, Okumura Masanobu, Japanese, 1686-1764, Japan, Color

Sparrows and Camellia in Snow, c. 1831/33, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Publisher: Samo-Ya Kihei, Japanese, Publisher: Sano-Ya Kihei, Japanese, Japan, Color woodblock print, otanzaku, 38.7 x 17 cm

America’s Tribute, from Life, 1891, Charles Dana Gibson, American, 1867-1944, United States, Lithograph on newsprint, 230 x 375 mm (image), 295 x 470 mm (sheet), Puck’s Pleasant Prospect, from Puck, published May 5, 1886, Joseph

View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 380 x 611 mm (image), 406 x

Black Lion Wharf, 1859, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on ivory laid paper, 150 x 227 mm (plate), 175 x 252 mm (sheet

Wine Glass, 19th century, England, Glass, 10.6 cm (4 3/16 in

Sweetmeat Dish with Cover, c. 1730, Germany, Schleswig, Schleswig, Glass, 17.8 x 8.9 cm (7 x 3 1/2 in

Antilope rupicapra, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

The Wool-Carder, 1855–56, Jean François Millet, French, 1814-1875, France, Etching on bluish-green laid paper hinged on left side to ivory card, 256 × 174 mm (image), 296 × 206 mm (primary support), 355 × 253 mm (secondary support

Hotel de Ville, Brussells, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on

Border, 1880s/90s, France, Linen and horsehair, needle lace of a type known as "Point d'Argentan" with whipped mesh ground, 8.7 × 254.9 cm (3 3/8 × 139 5/8 in

The Actor Bando Sampachi I as Yawata no Saburo (?) in the Play Shuen Soga Omugaeshi (?), Performed at the Ichimura Theater (?) in the Second Month, 1768 (?), c. 1768, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

Portrait of Armand Guéraud of Nantes, Printer and Man of Letters, 1861–62, Charles Meryon, French, 1821-1868, France, Etching, from tin plate, on grayish ivory laid chine, hinged to ivory laid paper, 58 × 47 mm (image), 58 × 47 mm

Allegory of Sea Trade, 18th century, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Red chalk, on ivory laid paper, 315 x 183 mm

Anthus richardi, Print, Richard's pipit (Anthus richardi) is a medium-sized passerine bird which breeds in open grasslands in northern Asia. It is a long-distance migrant moving to open lowlands in the Indian subcontinent and Southeast Asia. It is

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk, gauze weave with supplementary patterning wefts, 34.8 × 12.1 cm (13 3/4 × 4 3/4 in

The Angel of the Ninth Sphere, or Primum Mobile, plate 49 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on tan laid paper, 166 x 96 mm (image), 177 x 100 (plate), 182

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.9 cm (3 1/8 in

The Actor Nakamura Nakazo I in the Role of an Evil Courtier, Probably Prince Takahito, Illegitimate Son of Emperor Takakura, Disguised as Aso no Matsuwaka, in Part One of the Play Iro Moyo Aoyagi Soga (Green Willow Soga of Erotic Design),

Anthidium, Print, Anthidium is a genus of bees often called carder or potter bees, who use conifer resin, plant hairs, mud, or a mix of them to build nests. They are in the family Megachilidae which is cosmopolitan in distribution and made up

Stack of Wheat, 1890/91, Claude Monet, French, 1840-1926, France, Oil on canvas, 65.8 × 92.3 cm (25 15/16 × 36 3/8 in

The Actor Ichikawa Monnosuke II as Mori no Rammaru in The Banquet, the Final Act in Part One of the Play Kanagaki Muromachi Bundan (Muromachi Chronicle in Kana Script), Performed at the Ichimura Theater from the First Day of the Eighth Month,

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 8.6 cm (3 3/8 in

A Bat Flying near a Pine Tree, n.d., Issho, Japanese, active 19th century, Japan, Woodblock print, surimono, 37.0 x 29.3 cm

Antilope dorcas, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Amulet of a Crocodile, New Kingdom–Third Intermediate Period (about 1500–664 BC), Egyptian, Egypt, Steatite, 1.3 × 5.1 × 1.3 cm (1/2 × 2 × 1/2 in

Pheasant and bamboo, 1840s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, aitanzaku, 13 3/4 x 4 1/2 in

Address-Card of the Printseller, Rochoux, c. 1855, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), France, Etching, from two plates, one printed in black and the other in red, on ivory laid paper, 93

337 Great Organ, in Music Hall, Boston, Mass, n.d., Bierstadt Brothers, American, active mid 19th century, United States, Albumen print (carte-de-visite), 9.1 x 5.6 cm (image), 10.1 x 6 cm (card

Trouser Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 16 × 33.3 cm (6 3/8 × 13 1/8 in

Scroll Weight, Ming dynasty (1368–1644), 15th/16th century, China, Carved cinnabar lacquer, 36.6 × 2.4 × 3.1 cm (14 7/16 × 15/16 × 1 1/4 in

Center Table, c. 1862, Marquetry top by Joseph Cremer, French, active 1836–1878, Paris, France, Table by unknown artist, American, 19th century, New York, Paris, Rosewood, maple, tulip poplar, white pine, and mother-of-pearl, 137.2

Drury Lane, 1880/81, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting, with drypoint cancellation, in brown ink on ivory laid paper, 162 x 101 mm (plate), 186 x 123 mm (sheet

Thou Shalt Have No Other Gods before Me, from the Ten Commandments, 1516, Hans Baldung Grien, German, c. 1480-1545, Germany, Woodcut in black on ivory laid paper, 134 x 104 mm (image/block), 139 x 110 mm (sheet

Branche de Corail, c. 1780/85, Designed by Philippe de LaSalle (French, 1723–1803/05), France, Silk and silk chenille yarns, plain weave with twill interlacings of secondary binding warp and facing wefts and with plain interlacings of

The Holy Family, n.d., Ludwig Ferdinand Schnorr von Carolsfeld, German, 1788-1853, Germany, Etching on ivory wove paper, 137 x 198 mm (plate), 147 x 206 mm (sheet

Coverlet, 1848, Archibald Davidson (American, born Scottish, active 1832-1848), Produced by Ithaca Carpet Factory, United States, New York, Tompkins County, Ithaca, New York, Cotton and wool, plain weave double cloth, woven on loom with

The Actor Ichikawa Yaozo II as Soga no Juro Sukenari Disguised as the Proefessional Jester Senraku (?) in the Play Soga Moyo Aigo no Wakamatsu (?), Performed at the Nakamura Theater (?) in the Second Month, 1769 (?), c. 1769, Katsukawa Shunsho

Royal Guard, Norman Mounted Soldier and Horse, No. 2, c. 1818, Carle Vernet (French, 1758-1836), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), France, Lithograph in black on ivory wove paper, 300 × 212 mm

Paperweight, 19th century, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 7.6 cm (3 in

Saint Monica from an Augustinian altarpiece, 1450/75, Italian, possibly Venice, Venice, Tempera and oil on panel, Panel: 126.6 × 31.2 cm (49 7/8 × 12 1/4 in.), Painted Surface: 119 × 24.9 cm (46 7/8 × 9 13/16 in

Ring: Udjat Eye, New Kingdom, late Dynasty 18 (about 1325 BC), Egyptian, Egypt, Faience, W. 0.6 cm (1/4 in.), diam. 1.9 cm (3/4 in

The Quays at Dinner-Time, 1887, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photoetching, pl. XIV from the album "Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew" (1890), edition 270/50, 12.2 × 15

Birth of the Buddha, c. 1710, Hanegawa Chincho, Japanese, 1679 (?)-1754, Japan, Hand-colored woodblock print, vertical o-oban, tan-e, 50.8 x 27.1 cm

Mrs. Potter Palmer, 1896, Anders Zorn, Swedish, 1860-1920, Sweden, Etching in black on ivory laid paper, 239 x 160 mm (image/plate), 328 x 256 mm (sheet

Lady Ratcliffe, March 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory laid paper, 288 x 193 mm (image), 350 x 251 mm (sheet, cut within platemark

Illustration from Kosmographie by Sebastian Munster, plate 46 from Woodcuts from Books of the XVI Century, 1564, assembled into portfolio 1937, Unknown Artist (Swiss, 16th century), assembled by Max Geisberg (Swiss, 1875-1943), Switzerland,

Plate, 1813/19, Worcester Porcelain Factory (Flight, Barr & Barr Period), Worcester, England, founded 1751, Worcester, Soft-paste porcelain with polychrome enamels and gilding, 4.8 x 18.9 x 19.7 cm (1 7/8 x 7 7/16 x 7 3/4 in

The Wolf at Bay, n.d., Jean-Baptiste Oudry, French, 1686-1755, France, Etching on ivory laid paper, 371 × 292 mm

Border, 1810/20, France, Lille or England, Midlands, France, Linen, bobbin straight lace, 6.1 × 354.4 cm (2 3/8 × 139 1/2 in

Figure (recto and verso), from Premier livre de figures d’Academies gravées en Partie par les Professeurs de l’ Académie Royale, published 1737, Collin de Vermont (French, 1693-1761), Charles-Nicholas Cochin, the younger (French,

Peonies and Butterfly, from an untitled series of large flowers, c. 1833/34, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan, Color woodblock print, oban, 25.4 x 37.7 cm (9 3/4 x

No. 4: Chinese boys playing a raffle game, from the series Children Say ‘This is Japan!’ and Imitate the Games They See in Picturebooks (Yodo iu koitsu wa Nippon, ezoshi o mite yori sono gai ni asobu), c. 1791, Torii Kiyonaga, Japanese,

Sketches of Swine and an Ox, n.d., Charles François Daubigny, French, 1817-1878, France, Graphite on ivory wove paper, 125 × 201 mm

Amulet of the God Pataikos, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 3.5 × 1.6 × 1.3 cm (1 3/8 × 5/8 × 1/2 in

Captive Pegasus, 1889, Odilon Redon, French, 1840-1916, France, Transfer lithograph on mounted ivory China paper, 339 × 296 mm (image

Pyxis (Container for Personal Objects), About 450/440 BC, Greek, Athens, Attributed to the Euaion Painter, Greece, terracotta, decorated in the red-figure technique, H. 13.2 cm (5 1/4), diam. 10.5 cm (4 1/8 in

Architectural Details: Base, Capital, and Mask, c. 1515, or later, Giovanni Antonio da Brescia, Italian, c. 1460-c. 1520, Italy, Engraving in dark brown on ivory laid paper, 141 x 108 mm

Allegorical Figure of Summer Flanked by Pomona and Ceres, c. 1630, Possibly Pierre Brèbiette (French, c. 1598-c. 1650), after Paolo Farinati (Italian, 1524-1606), France, Red chalk on cream laid paper, 134 × 150 mm

Doll’s Shoes, 19th century, United States, Blue leather

Coverlet, 1880, Sarah Scott (American, active c. 1880), United States, Southern Illinois, Illinois, Cotton and wool, plain weave with supplementary patterning wefts (overshot), two loom widths joined, 213.6 x 167.7 cm (84 x 66 in

King Street, City, 1868, Thomas Annan, Scottish, 1829–1887, Scotland, Photogravure, plate 22 from the book "The Old Closes & Streets of Glasgow" (1900), 18.4 x 24.2 cm (image), 28 x 37.7 cm (paper

Landscape, n.d., William Henry Stothard Scott of Brighton (English, 1783-1850), or Joseph Powell (English, 1780-1834), or an unknown artist (British, 19th century), England, Brush and brown wash, with graphite, on ivory wove paper, tipped

Diligence, from the Virtues, 1552, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 104 x 62 mm (image/plate

Miniature Vase with Wire Strands and Variegated Materials, Tang dynasty (618–907), China, Earthenware with three-color (sancai) lead glazes, 15.6 × 8.6 × 3.5 cm (6 1/8 × 3 3/8 × 1 3/8 in

Histamenon (Coin) of Romanus III Argyrus with Christ Enthroned, 1028/34, Byzantine, minted in Constantinople (now Istanbul), Constantinople, Gold, Diam. 2.5 cm, 4.40 g

Side Chair, 1760/80, American, 18th century, Boston, Boston, Mahogany, white pine, and red gum, 94.6 × 57.8 × 47.6 cm (37 1/4 × 22 3/4 × 18 in

Panel, Louis XVI period, 1750/75, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, Lyon, Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts

Fish Pendant, Shang or Western Zhou period, 13th/10th century B.C., China, Jade, 3 1/16 × 7/8 × 1/8 in

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 6.4 cm (2 1/2 in

Ôhi (Stole), Meiji period (1868–1912), 1875/1900, Japan, Silk and gold-leaf-over-lacquered-paper strips, warp-float faced 2:1 'Z' twill weave with supplementary brocading wefts bound in 1:2 and 5:1 'S' twill interlacings, patches: silk and

The Cascade, from the series Set of Landscapes, n.d., Herman Naijwincx, Dutch, 1623-after 1651, Netherlands, Etching on ivory laid paper

Interior view of the Colosseum, from Views of Rome, 1766, published 1807–35, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 454 x 693 mm (image), 461 x 697 mm (plate), 492 x 722 mm (sheet

Cranequin (Winder) for a Crossbow, 1570/80 with a mid–17th century decoration, German, Nuremberg, Nuremberg, Steel, iron with gilding, wood, and cord, L. (open) 61 cm (24 in

Shaffron, 1540/70, Northern Italian, Milan, Milan, Steel and leather, Wt. 4 lb. 7 oz

The Andalusian dance, 1825/26, Formerly attributed to Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Lithographic crayon on ivory laid paper, 180 x 180 mm (image), 245 x 290 mm (sheet