Images at Librifly

The Actor Ichikawa Danjuro V as Kazusa no Gorobei Tadamitsu in the Play Kitekaeru Nishiki no Wakayaka, Performed at the Nakamura Theater in the Eleventh Month, 1780, c. 1780, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

Classical Landscape, Tivoli, 1636, Claude Lorrain, French, 1600-1682, France, Pen and ink on paper, 248 × 278 mm

Adoration of the Magi, 1827, After Bonifazio de’ Pitati, called Bonifazio Veronese, Italian, c. 1487-1553, Italy, Watercolor over graphite, on ivory wove paper, 230 x 314 mm

Panel, 1701/50, France or Germany, France, Silk, cut, uncut, voided velvet with additional patterning wefts of silver foil against twill weave foundation, 217.6 × 66 cm (85 5/8 × 26 in

A Family Meal, 1890s (?), Evert Pieters, Dutch, 1856-1932, Netherlands, Oil on canvas, 41 5/8 x 35 7/16 in. (121 x 90 cm

The Five Virtues, Qing dynasty (1644–1911), 1895, Ren Yi [zi Bonian], Chinese, 1840-1895, China, Hanging scroll, ink and colors on paper, 185.9 × 97.2 cm (73 1/2 × 38 1/4 in

View Near the Schuylkill Falls, Pennsylvania, plate five of the first number of Picturesque Views of American Scenery, 1819/21, John Hill (American, 1770-1850), after Joshua Shaw (American, born England, c. 1777-1860), published by Matthew

The Corner of Cheyne Walk, Chelsea, 1888–89, Theodore Roussel, French, worked in England, 1847-1926, France, Etching on ivory laid paper, 141 × 90 mm (image/sheet, trimmed within plate mark

The Soul of Contentment (Black Bear), Modeled 1886, cast 1886/99, Edward Kemeys, American, 1843–1907, United States, Bronze with black patina, 26.7 × 35.6 × 25.4 cm (10 1/2 × 14 × 10 in

Man Bicycling, 1890s, Etienne-Jules Marey, French, 1830–1904, France, Gelatin silver lantern slide (chronophotograph), 8.5 × 10 cm

Watching the Water Festival from Azuma Bridge, from the series Eight Precincts of the Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei), c. 1782, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 25.0 x 18.6 cm

Panel from a Skirt, 18th century, England or France, England, Silk, plain weave, warp-painted (chiné), 116.8 × 62.5 cm (46 × 24 5/8 in

Internal view of the Atrium of the Portico of Octavia, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 393 x 547 mm (image), 414 x 550 mm (plate), 520 x 800 mm (sheet

Early Morning, Richmond Park, 1859, Francis Seymour Haden, English, 1818-1910, England, Etching on ivory laid paper, 113 × 279 mm (image/plate), 151 × 305 mm (sheet

Breastplate with Associated Skirt for Half-Armor, c. 1580, Northern Italian, Italy, northern, Steel, etched

Coin Portraying Empress Lucilla, AD 164/169, Roman, Roman Empire, Bronze, Diam. 3.2 cm, 21.22 g

Beatrice and Benedict, Act I: Nocturne, from Hector Berlioz’s Opera Beatrice and Benedict (1862), c. 1888, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on off-white China paper laid down on white wove paper, 226 ×

Fragment, c. 1727/30, France, provincial or Lyon, France, Silk, plain weave with supplementary patterning wefts bound in weft-float faced 3:1 twill interlacings, 99.2 × 24.7 cm (39 × 9 3/4 in

Her Majesty, Queen Victoria, December 1866, André-Adolphe-Eugène Disdéri, French, 1819–1889, France, Albumen silver print, 16 × 12.6 cm (image/paper), 39.2 × 28 cm (mount

Llandudno and Conway Bay, 1860/94, Francis Bedford, English, 1816–1894, England, Albumen print, 19.7 × 28.7 cm (image/paper

Ampelis phoenicoptera, Print, 1833-1850

Canopic Jar of the Overseer of the Builders of Amun, Amenhotep, New Kingdom, Dynasty 18, reign of Amenhotep II (about 1427–1400 BC), Egyptian, Egypt, terracotta and pigment, a (jar):31.7 × 19 × 19.6 cm (12 1/5 × 7 1/5 × 7 3/4 in

Decorated Initial O with Flowers from a Choir Book, 14th century or modern, c. 1920, European, Europe, Manuscript cutting in tempera and gold leaf on vellum, 68 × 76 mm

Panel (Furnishing Fabric), 18th century, France, Silk, plain weave, painted, two panels pieced, 130 × 85.3 cm (51 1/8 × 33 5/8 in

A Girl Minding Geese, 1855–56, Jean François Millet, French, 1814-1875, France, Drypoint in brown ink on ivory wove China paper, 143 × 121 mm (image), 263 × 201 mm (sheet

Fragment, 1701/25, Italy, probably Venice, Italy, Simple satin damask, brocaded, 38.9 x 54.2 cm (15 5/16 x 21 5/16 in

Pastoral Life of Saint Geneviève (left panel), c. 1888, Georges-William Thornley (French, 1857-1935), after Pierre Puvis de Chavannes (French, 1824-1898), France, Lithograph on paper, 509 × 300 mm (image), 702 × 503 mm (sheet

Sleeve Ruffle, 18th century, France, 88.9 × 15.9 cm (35 × 6 1/4 in

December, The Winter of Our Discontent from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, 1839, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto (English, 19th century),

The Jockey, 1899, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on grayish-ivory laid China paper, 516 × 361 mm

Young Man on Horseback and Two Women Watching from a Window, c. 1770, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 27 1/8 x 5 in

Plate, Early 19th century, Italy, Naples, Naples, Soft-paste porcelain with polychrome enamels and gilding, Diam. 24.3 cm (9 9/16 in

The Empty Jug, c. 1653, Adriaen van Ostade, Dutch, 1610-1685, Holland, Etching in black on ivory laid paper, 97 x 85 mm (image), 104 x 88 mm (sheet, trimmed within plate mark

Wine Glass, c. 1760/80, England or Netherlands, England, Glass, stipple engraved, 16.7 × 7.8 cm (6 9/16 × 3 1/16 in

Close No. 65 High Street, 1868, Thomas Annan, Scottish, 1829–1887, Scotland, Photogravure, plate 13 from the book "The Old Closes & Streets of Glasgow" (1900), 22.1 x 17.4 cm (image), 38.2 x 27.2 cm (paper

Glories of Mt. Washington, Midwinter, 1895, B. W. Kilburn, American, 1827–1909, United States, Albumen silver print, stereo, 8 x 7.7 cm (each image), 8.8 x 17.8 cm (card

Mairie, Loches, 1888, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in dark brown ink on cream laid paper, 217 x 130 mm (image, trimmed within plate mark), 220 x 130 mm (sheet

H. R. H. Princess Ingeborg of Sweden II, 1900, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on brown wove paper, 275 x 215 mm (image/plate), 420 x 285 mm (sheet

Woman’s Trouser Bands, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, 14.2 × 36.3 cm (5 5/8 × 14 1/4 in

Prince Moskova at Chalons, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, 29.7 × 22 cm (image/paper), 34.4 × 24.8 cm (mount

Helmeted Warrior, n.d., John Hamilton Mortimer (English, 1740-1779), or Robert Ker Porter (English, 1777-1842), or John James Stewart (English, 1779-1849), England, Pen and brown ink, with brush and brown and gray wash, on gray laid paper,

Ruined Buildings near a River Bank, plate 9 from Quatrieme suite de paysages dessinés et grave a l’eau-forte par Moreau (Fourth Series of Landscapes Drawn and Etched by Moreau), c. 1779, Louis Gabriel Moreau, French, 1740-1806, France,

People Crossing an Arched Bridge (Ariwara no Narihira) from the series One Hundred Poems as Explained by the Nurse (Hyakunin isshu uba ga etoki), c. 1835/36, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print,

The Poet Ariwara no Narihira on the bank of the Sumida River, c. 1764, Torii Kiyomitsu I, Japanese, 1735-1785, Japan, Color woodblock print, hosoban, mizu-e, 12 1/2 x 5 5/8 in

Courtier and Lady, c. 1768, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 11 x 8 1/8 in

The Ford: Landscape with Horsemen, 1866, Odilon Redon, French, 1840-1916, France, Etching on mounted cream China paper, 175 × 134 mm (image), 238 × 162 mm (plate

Dish, c. 1750, Chelsea Porcelain Manufactory, London, England, c. 1745-1784, Chelsea, Soft-paste porcelain, polychrome enamels, 2.5 × 28.7 × 23 cm (1 × 11 5/16 × 9 1/16 in

Wine Glass, c. 1795, England or Netherlands, England, Glass, blown and stipple engraved, 17.5 × 6.7 cm (6 7/8 × 2 5/8 in

Nissaka, Kakegawa, Fukuroi, Mitsuke, and Hamamatsu, from the series Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho), c. 1830/35, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan,

Apron, 17th century, Italy, Linen, plain weave, pulled thread work with silk floss in two-sided Italian cross stitch, inside waistband gathered by feather, running, and back filling stitches, edged in silk, warp twining with ground weft

Temple of Pola in Istria, plate 21 from Some Views of Triumphal Arches and other monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 115 x 250 mm (image), 125 x 255 mm (plate), 345 x 467 mm

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and burnishing on ivory wove paper with gilt edges, 147 x 193 mm (image), 173 x

Anopheles, Print, Anopheles is a genus of mosquito first described and named by J. W. Meigen in 1818. About 460 species are recognised; while over 100 can transmit human malaria, only 30–40 commonly transmit parasites of the genus Plasmodium,

Yeux clos, 1890, Odilon Redon, French, 1840-1916, France, Lithograph in blue on ivory wove paper, 295 × 230 mm (image), 334 × 259 mm (sheet

Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 7.1 cm (2 13/16 in

Apotomus, Print, Apotominae is a subfamily of beetles in the family Carabidae. It contains the single genus Apotomus with the following species

Box, c. 1730, Bohemia, Czech Republic, Bohemia, Glass panels mounted with brass, 14.6 × 7.3 cm (5 3/4 × 2 7/8 in

Two Geisha Walking under a Cherry Tree, c. 1781, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hashira-e, 65.7 x 11.1 cm

Hounds Finding, published April 8, 1800, James Gillray (English, 1756-1815), after Brownlow North (English, 1778-1829), England, Hand-colored etching on paper, 245 × 345 mm (image), 250 × 350 mm (plate), 285 × 400 mm (sheet

Halberd for the Bodyguard of Archduke of Inner Austria (Later Emperor) Ferdinand II, 1596, Austrian, Austria, Steel, iron, and wood, L. 208.3 cm (82 in

Edging, 1875/1900, Eastern Mediterranean, probably Cyprus, Eastern Mediterranean Region, Silk, needle lace, 2.2 × 19.7 cm (7/8 × 7 3/4 in

Antoninianus (Coin) Portraying Emperor Gallienus, AD 260/268, Roman, minted in Rome, Roman Empire, Billon, Diam. 2.1 cm, 3.14 g

Salt Cellar, 1625/75, Belgium, Belgium, Ivory, 10.5 × 8.6 × 3.2 cm (4 1/8 × 3 3/8 × 1 1/4 in

Queen Victoria on Horseback, 1853, Thomas Thornycroft, English, 1815-1885, England, Bronze, 54.6 × 17.8 cm (21 1/2 × 7 in

A Smoking Club, n.d., Unknown Artist, after Henry William Bunbury (English, 1750-1811), England, Engraving with stipple on paper, 343 × 454 mm (image), 383 × 498 mm (plate/sheet

Love Me (Valentine), 1860/70, Unknown Artist, American or English, 19th century, United States, Collaged elements on embossed (designed) and coated ivory paper, 102 x 72 mm (folded sheet), Below Chestnut Street Bridge, Philadelphia, 1884,

Sponge Box, 1847, Possibly Eliaser Efraim Denekamp, Dutch, active c. 1837-c. 1865, Possibly Schoonhoven, Netherlands, Netherlands, Silver, 3.8 x 3.8 cm (1 1/2 x 1 1/2 in

Model of a River Boat, Middle Kingdom, Dynasty 11–12 (about 2046–1794 BC), Egyptian, Egypt, Wood and pigment, 63.5 × 114.3 × 17.1 cm (25 × 45 × 6 3/4 in

Basin, Mid 18th century, Mark of I. L., Germany, Pewter, 3.8 x 23.5 cm (1 1/2 x 9 1/4 in

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk, warp-float faced 4:1 satin weave with supplementary patterning wefts bound in weft-float faced 1:4 satin interlacings, 36.5 × 14.2 cm (14 3/8 × 5 5/8 in

Double-sided Relief Plaque Depicting a Lion and Birds, Ptolemaic Period or earlier (about 305–30 BC), Egyptian, Egypt, Limestone and pigment, 19.4 × 19.1 × 1.3 cm (7 5/8 × 7 1/2 × 1/2 in

No. 19: Karuizawa, from the series Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi), c. 1835/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 25.3 x 36.2 cm (9 15/16 x 14

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by Thomas McLean (English, active 1790-1860), England, Soft ground etching with hand-coloring and aquatint on paper, 200 × 257 mm (image), 212 ×

Chef des Huissiers, plate fourteen from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French, 1716-1809, France, Etching on ivory laid paper, 195 × 131 mm (image), 204 × 136 mm (plate), 264 × 204 mm (sheet

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on yellow-cream China paper laid down on ivory wove paper, 312 × 213 mm (image), 313 × 219 mm (chine),

Old Woman Mending at the Window, 1881, Max Liebermann, German, 1847-1935, Germany, Pen and black ink over graphite and blue crayon on cream laid paper, 311 x 256 mm

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.9 cm (3 1/8 in

Mass, Camp de Châlons, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons

Leaving the Theater, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph in black on cream wove paper, 315 × 263 mm (image), 472 × 351 mm (sheet

He who does not like thee will defame thee in jest, plate 17 from Los Proverbios, 1815/24, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and burnished aquatint on ivory wove paper, 218 × 323 mm (image), 245 × 352

Body Cast from Pompeii, 1880, Giorgio Sommer, Italian, 1834–1914, Italy, Albumen print, 27 x 37.5 cm (image/paper), 39.9 x 50.3 cm (mount

Tetradrachm (Coin) Portraying Philetairos of Pergamon, 241/197 BC, Issued by Attalos I Soter, Reign of Philetairos of Pergamon, 282–263 BC, Greek, minted in Pergamon, Mysia, Asia Minor (now Turkey), Pergamon, Silver, Diam. 2.8 cm, 16.39

Aureus (Coin) Portraying Emperor Vespasian, 75/79, issued by Vespasian, Roman, minted in Rome, Rome, Gold, Diam. 2 cm, 7.37 g

Funeral of the Virgin, n.d., Peter Cornelius (German, 1783-1867), after Ludovico Carracci (Italian, 1555-1619), Germany, Graphite on ivory wove paper, 320 x 179 mm

Alima gracilis, Print

Ballock Dagger, 1450/1500, German, Germany, Steel, silver, and wood, L. 36.8 cm (14 1/2 in

Witch Riding Backwards on a Goat, 1500/02, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 115 x 72 mm (image/sheet

How Wearily, Oh, How Wearily Drags Life (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving with hand-coloring on ivory card, 61 x 65 mm (card

Seated Saint John the Baptist, 1560/70, School of Luca Cambiaso, Italian, 1527-1585, Italy, Pen and brown ink with brush and brown and gray wash, with traces of graphite, on cream laid paper, laid down on cream wove paper, 301 x 220 mm

The Garden of Love, Left Half, with Seated Woman, c. 1631, Christoffel Jegher (Flemish, 1596-1652/53), after Peter Paul Rubens (Flemish, 1577-1640), Germany, Woodcut on ivory laid paper, 456 x 590 mm

Head of a Buffalo, from Die Zweite Thierfolge, 1800, Johann Christian Reinhart, German, 1761-1847, Germany, Etching in black on ivory laid paper, 147 x 106 mm (plate), 177 x 132 mm (sheet

Sketch for a Ceiling Fresco, c. 1740, Giovanni Domenico Ferretti da Imola, Italian, 1692-1768, Oil on canvas, 25 5/8 × 19 15/16 in. (65 × 50.8 cm

Rape of Lucretia, 1795, Giuseppe Cades, Italian, 1750-1799, Italy, Pen and black ink with brush and brown wash, over black chalk, on ivory laid paper, 435 x 276 mm

Handkerchief, 1825/75, France, Linen, plain weave, pulled thread work in diagonal drawn filling stitches, embroidered with cotton in back, buttonhole, eyelet, hem, padded overcast, and padded satin stitches, French knots, edged in cotton

Paperweight, c. 1846–55, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 8.6 cm (3 3/8 in

Parasol Cover, 1850/75, France, probably Bayeux, Bayeux, Silk, bobbin straight lace (made in sections), 73.8 × 73.8 cm (29 × 29 in

Amputation, published October 17, 1793, Thomas Rowlandson (English, 1756-1827), Published by S.W. Fores (English, 1761-1838), England, Hand-colored etching on ivory wove paper, 300 × 400 mm (image), 317 × 420 mm (sheet

Courtesan Washing her Hands, c. 1784, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hashira-e, 69.8 x 11.9 cm

In the Snow at Tsukahara on Sado Island (Sashu Tsukahara setchu), from the series Concise Illustrated Biography of the Great Priest [Nichiren] (Koso go ichidai ryakuzu), c. 1830/35, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color

Coin Depicting the Hero Herakles, 4th century BC, Greek, Ancient Greece, Bronze, Diam. 1.6 cm, 3.14 g