Images at Librifly

Model Stooping, 1887/88, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on cream laid paper, 134 x 95 mm (image, trimmed within plate mark), 136 x 95 mm (sheet

Roman Pillar at Igel, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory

Wakasa Province: Fishing Boat Netting Flatfish (Wakasa, gyosen karei ami), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue), 1853, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color woodblock

The Magic Lantern, 1854, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream China paper laid down on ivory wove paper, 139 × 170 mm (image/chine), 252 × 324 mm (sheet

Portrait of a Young Man, January 1, 1799, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 286 x 186 mm (image), 331 x 228 mm (plate), 470 x 342 mm

Oil bottle with Scrollwork, Goryeo dynasty (918–1392), 12th/13th century, Korean, South Korea, Stoneware with underglaze inlaid decoration of black and white clays, H. 4.6 cm (1 13/16 in.), diam. 7.1 cm (2 13/16 in

Centaur Taking Aim at the Clouds, 1895, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray wove paper, 208 × 236 mm (image), 428 × 300 mm (irregular sheet

The Elements of Skating: Attitude is Everything, published November 24, 1805, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching, slightly aquatinted on paper, 240 × 345

Baltic Snaplock Rifle, 1610/50, Polish and Swedish, Poland, Steel, brass, iron, wood, horn, and mother-of-pearl, L. 112 cm (44 1/8 in

San Biagio, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to buff, 210 x 304 mm (image, trimmed within plate mark), 216 x 304 mm

Column-Krater (Mixing Bowl), about 460 BC, Attributed to a Member of the Earlier Mannerist Group, Greek, Athens, Athens, terracotta, decorated in the red-figure technique, 46.5 × 45.6 × 38 cm (18 1/4 × 18 × 15 in

Untitled, plate from Je regardais et je vis…, 1896, Jean de Caldain (French, 19th century), in homage to Odilon Redon (French, 1840-1916), printed/published by Auguste Clot (French, 1858-1936), France, Lithograph in black on light gray

Antilope soemmeringii, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Carpet Fragment, Mamluk period (1250–1517), late 15th/early 16th century, Egypt, Egypt, Wool, plain weave with supplementary wrapping wefts forming cut pile through a technique known as "Sehna knots

Mrs. James Mackie, 1830/40, Samuel Lovett Waldo, American, 1783–1861, William Jewett, American, 1792–1874, United States, Oil on canvas, 92.1 × 73.7 cm (36 1/4 × 29 in

The Actor Ichikawa Danjuro V as a Stone Image of Fudo Myoo in the Play Kitekaeru Nishiki no Wakayaka, Performed at the Nakamura Theater in the Eleventh Month, 1780, c. 1780, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

An Interrupted Embrace, c. 1685, Attributed to Sugimura Jihei, Japanese, active c. 1681-98, Japan, Hand-colored woodblock print, oban, sumizuri-e, 10 5/8 x 14 7/8 in

Mountain Landscape with Two Figures in Foreground, n.d., After Gaspard Dughet, French, 1615-1675, France, Black crayon with black chalk on ivory laid paper, tipped onto ivory laid paper, 532 × 416 mm

Ampullaria fasciata, Print, Ampullaria is an extinct genus of freshwater snails with an operculum, an aquatic gastropod mollusks in the family Ampullariidae

Beggar Man and Beggar Woman Conversing, 1630, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 78 x 67 mm (plate), 82 x 72 mm (sheet

Anatifa laevis, Print, Pelagic gooseneck barnacle, Lepas anatifera (Anatifa laevis

Coffee Pot, Early 19th century, Vienna State Porcelain Manufactory, Austrian, 1744-1864, Vienna, Hard-paste porcelain with grisaille and gilding, H. 14.2 cm (5 19/32 in.), diam. 9.5 cm (3 3/4 in

Coverlet, 1870/76, United States, Pennsylvania, Pennsylvania, Cotton and wool, plain weave with plain interlacings of secondary binding warps and patterning wefts (Beiderwand), woven on loom with Jacquard attachment, full loom width,

The Actor Ichikawa Yaozo III as Kusunoki Uraminosuke Disguised as a Male Fox from Tsukamoto (?), in the Play Kumoi no Hana Yoshino no Wakamusha (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1786 (?), c. 1786, Katsukawa

Red and White Plum Blossoms with Poem Slip, About 1810, Ryuryukyo Shinsai, Japanese, active 1799–1823, Japan, Color woodblock print, surimono, 19.7 x 27.7 cm

Hermit in Landscape, c. 1866, Odilon Redon, French, 1840-1916, France, Pen and black ink on tan card, 120 × 172 mm

Italian Landscape with Ruins, n.d., Jonas Umbach the Elder, German, 1624-1693, Germany, Etching in black on ivory laid paper, 69 x 92 mm (image/plate), 73 x 95 mm (sheet

Kesa, late Edo period (1789–1868)/ Meiji period (1868–1912), 1850/90, Japan, Heri, yô, and jô: silk, cotton and gold-leaf-over-lacquered paper strip, twill weave with twill interlacings of secondary binding warps and supplementary

Skirt Panel?, Directoire period, 1795/99, France, Silk, plain weave with supplementary patterning warps and self patterning ground weft floats, embroidered with silk threads in satin stitch, outline stitch and French knots, attached silver

Nuihaku (Noh Costume), Momoyama period (1568–1615), 16th century, Japan, Silk, plain weave, patterned with resist dyeing, impressed gold leaf, and embroidered with silk in satin, single satin, surface satin and stem stitches, couching,

Paperweight, c. 1848–55, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 7.6 cm (3 in

Paperweight, c. 1845/60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.9 cm (3 1/8 in

The Dog and the Parrot, 1899, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 319 × 262 mm (image), 546 × 381 mm (sheet

Abandoned, plate five from A Life, 1884, Max Klinger, German, 1857-1920, Germany, Etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper, 274 x 424 mm

Return of the Prodigal Son, 1536/40, Attributed to Andrea Meldolla, called Schiavone, Italian, c. 1510-1563, Italy, Brush and brown wash, over black chalk, on tan laid paper, laid down on ivory laid paper, 119 x 100 mm

House with a Turret, No 22, rue de l’Ecole de Médecine, Paris (called the Turret of Marat), 1861, Charles Meryon (French, 1821-1868), published by Gazette des Beaux-Arts (French, 1859-present), France, Etching on ivory laid paper, 179 ×

St. Jude, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 88 × 44 mm (plate), 90 × 48 mm (sheet

Sestertius (Coin) Portraying Emperor Vespasian, AD 69/79, Roman, Roman Empire, Bronze, Diam. 3.3 cm, 26.03 g

Cover, 1601/75, Italy, Linen, plain weave, embroidered with silk in buttonhole, double running, and satin stitches, edged with silk, bobbin straight lace, 70.3 x 56.3 cm (27 5/8 x 22 1/4 in

The Triumph of Chastity, plate two from The Triumphs of Petrarch, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 142 x 210 mm (image/plate/sheet

The Map, 1890, Mary Cassatt, American, 1844-1926, United States, Drypoint in brown ink on ivory laid paper, 158 x 232 mm (image/plate), 240 x 311 mm (sheet

The Acropolis of Athens, 1845, Théodore Caruelle d’Aligny, French, 1798-1871, France, Etching on ivory China paper, laid down on white wove paper, 325 × 479 mm (image), 435 × 595 mm (plate), 336 × 488 mm (primary support), 496 × 643

Death of the Property Tax!!, published March 1816, George Cruikshank (English, 1792-1878), published by J. Sidebotham (English, active 1802-1820), England, Hand-colored etching on paper, 245 × 348 mm (image), 252 × 350 mm (plate), 255 ×

Scarab: Hieroglyphs, Second Intermediate Period, Dynasty 15 (about 1650–1550 BC), Egyptian, Egypt, Glazed steatite, 1.4 × 1 × 0.5 cm (9/16 × 3/8 × 3/16 in

Standing Figurine, 800/400 B.C., Olmec, Veracruz, Mexico, Mexico, Green hornfels and cinnabar, H. 30.2 cm (11 7/8 in

The Monk in the Cornfield, c. 1646, Rembrandt van Rijn, Dutch, 1606-1669, Netherlands, Etching with drypoint on ivory laid paper, 47 x 66 mm (image/plate);51 x 69 mm (sheet

Grimthorp in the County of Lincoln, plate 23 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with

Day (Truth), 1896/98, Ferdinand Hodler, Swiss, 1853–1918, Switzerland, Oil on canvas, 79 × 41 1/2 in. (200.5 × 105 cm

Oinochoe (Pitcher), end of 4th century BC, Attributed to the Mattinata Painter, Greek, Apulia, Italy, Greece, terracotta, decorated in the red-figure technique, 38.1 × 13.9 × 13.6 cm (15 × 15 1/2 × 5 3/8 in

The Vermillion Cliff, a typical plateau edge, as seen from Jacobs Pool, Arizona. From its top a plateau stretches to the right, and from its base another to the left. Their difference of level is 1.500 feet, and the step is too steep for

The Straw Yard, plate 7 from Liber Studiorum, Published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory paper, 182 ×

Fragment, 1601/25, Louis XIII period, France, Silk, satin damask weave

Fragment (Border), 18th century, Iran (Persia, Isfahan), Iran, Brocaded compound cloth, 3.9 x 22 cm (1 1/2 x 8 1/2 in

Boswell’s Tour of the Hebrides: Frontispiece, 1786, Thomas Rowlandson, English, 1756-1827, England, Etching on paper, 275 × 380 mm (sheet

Coin Depicting the God Apollo, 4th century BC, Greek, Ancient Greece, Bronze, Diam. 1.8 cm, 3.08 g

Coverlet, 1825/30, United States, Pennsylvania, Pennsylvania, Cotton and wool, point twill weave (multiple shaft), warp and weft fringe, one loom width (half of a coverlet), 212.3 × 95.2 cm (83 1/2 × 37 1/2 in

Fragment, 1575/1600, Italy, Silk, plain weave with supplementary patterning wefts bound in plain weave by main warps, 30.8 x 19.2 cm (12 1/8 x 7 1/2 in

The Infant Christ as Redeemer, c. 1515, Lucas Cranach the Elder, German, 1472-1553, Germany, Woodcut in black on tan laid paper, 245 x 170 mm (image/block/sheet

Dogs Attacking a Bull, 1789, Joseph Georg Wintter, German, 1751-1789, Germany, Pen and brown ink, over traces of graphite, on ivory laid paper, 222 x 320 mm

Windmill and Lock, plate 27 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove paper, 178 ×

Border, 1760s, Italy, Burano, Italy, Linen, needle lace, 9.1 x 269.1 cm (3 5/8 x 106 in

Ponte del Piovan, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in dark brown ink on cream laid paper, 229 x 153 mm (image, trimmed within plate mark), 237 x 153 mm (sheet

Entombment, 1500/05, German (Cologne?), Paris, Tempera on panel, 19 x 27 9/16 in. (48.3 x 70 cm

The Large Tree, from Upright Italian Landscapes, 1638/52, Jan Both, Dutch, c. 1618-1652, Holland, Etching on paper, 260 x 206 mm (plate), 266 x 211 mm (sheet

Abraham Casting out Hagar and Ishmael, 1637, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on paper, 127 x 96 mm (image/plate), 129 x 98 mm (sheet

Untitled (St. Mary’s, Scilly, Hugh Town), 1860s, Scilly Islands, Albumen print, stereo, 7.9 x 7.5 cm (each image), 8.7 x 17.8 cm (card

The Source of the Arveron, plate 60 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 188 × 269 mm (image), 256 × 292 mm

Yes or No, 1865, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 25.2 × 20 cm (image/paper), 30.2 × 25.3 cm (mount

The Actor Nakamura Nakazo I as Kudo Sukestune (?) in the Play Kokimazete Takao Soga (?), Performed at the Ichimura Theater (?) in the Second Month, 1778, c. 1778, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock

Fragment (Dress Fabric), 1500/50, Italy, Venice, Venice, Silk, warp-float faced 3:1 broken warp chevron twill weave with supplementary pile warps forming cut pile-on-pile solid velvet, 32.4 x 54 cm (12 3/4 x 21 1/4 in

Stacks of Wheat, 1891, Claude Monet, French, 1840–1926, France, Black chalk, with frottage and stumping, on cream laid paper (discolored to tan), laid down on cardboard, 182 × 254 mm (primary/secondary supports

Screen: Asia (Panel Three), c. 1820, France, Block-printed, color on paper, 172.4 × 72.4 cm (67 7/8 × 28 1/2 in

Four Cuirassiers on an Incline, 1818, Johann Christoph Erhard, German, 1795-1822, Germany, Lithograph on ivory wove paper, 205 x 264 mm

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diameter: 2 3/4 in

Fragment, Roman period (30B.C.–641 A.D.)/ Sassanid period (621–629 A.D.)/ Arab period (641–669 A.D.), 6th/8th century, Coptic, Egypt, Egypt, Linen and wool, tapestry weave, 15.2 × 11.4 cm (6 × 4 1/4 in

Panel, 1875/1900, Russia, Brocaded plain compound cloth (research card), 254 x 101.6 cm (100 x 40 in

Venus Reprimanding Her Son, from The Story of Psyche, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520),

Marie Jeanne Baptiste, Duchess de Savoye, 1678, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 394 × 252 mm (plate), 491 × 334 mm (sheet

Nymph and Satyr, n.d., Ciro Ferri, Italian, 1634-1689, Italy, Black chalk on ivory laid paper, 181 x 213 mm

Coin Depicting a Sphinx, 301/109 BC (?), Greek, possibly minted in Chios, Ionia, Ancient Greece, Bronze, Diam. 1.1 cm, 1.35 g

The Union Club, published January 21, 1801, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 283 × 440 mm (image), 304 × 445 mm (plate), 318 × 464 mm

True Reform of Parliament, published June 14, 1809, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 288 × 404 mm (image), 300 × 415 mm (plate), 315 × 435

Coin Depicting the Hero Herakles, 336/323 BC, Greek, Ancient Greece, Bronze, Diam. 1.1 cm, 1.42 g

Sketches of Two Satyrs, n.d., Jean Baptiste Carpeaux, French, 1827-1875, France, Red chalk, with touches of red crayon, over graphite, on ivory laid paper, 275 × 172 mm

Tetradrachm (Coin) Depicting the God Zeus, Reign of Phillip II (359–336 BC), Greek, minted in Pella, ancient Macedon, Greece, Pella, Silver, Diam. 2.6 cm, 14.47 g

Heirloom Textile, 15th century, India, Coromandel Coast (?), Found in the Toraja area of Sulawesi, Indonesia, India, Cotton, plain woven, block printed and resist-dyed, two loom widths joined, all selvages present, 267.3 x 187.96 cm (105

Design: Proportions of the Antinoüs Statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French,

Insertion (For a Cover), 1601/25, Italy, Linen, needle lace worked on a laid and plaited thread grid, Reticello pattern, 11.3 x 65 cm (4 1/2 x 25 5/8 in

Last Poppies, 1897, Theodore Roussel, French, worked in England, 1847-1926, England, Etching and softground in black on ivory wove paper, 78 × 67 mm (image, trimmed within plate mark), 82 × 67 mm (sheet, with signature tab

Autumn Maples at Takinogawa River (Takinogawa momiji), from the album The Eternal Waterfall (Tokiwa no taki), 1833, Totoya Hokkei, Japanese, 1780–1850, Japan, Color woodblock print, double-page illustration from album, 23.7 x 34.4 cm

I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black and green from same stone on ivory China paper laid down on ivory wove paper, 266 × 182 mm

An Old House at Bourges, 1860, Charles Meryon, French, 1821-1868, France, Etching and drypoint on ivory laid paper, 230 × 133 mm (image), 242 × 137 mm (plate), 350 × 226 mm (sheet

Snow at Akabane Bridge in Shiba (Shiba Akabane no yuki), from the series Famous Places in the Eastern Capital (Toto meisho), c. 1832/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 25 x 37.8 cm

Coin Depicting the Hero Herakles, 336/323 BC, Greek, Ancient Greece, Bronze, Diam. 1.8 cm, 5.81 g

Plate, c. 1830/60, Baccarat Glassworks, French, founded 1764, France, Glass, pressed and cut, 2 × 17.8 cm (3/4 × 7 in

One of the Advantages of a Low Carriage, published June 1, 1801, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 250 × 355 mm (image), 257 × 360 mm (plate),

Anartia, Print, Anartia is a genus of butterflies in family Nymphalidae, and subfamily Nymphalinae, found in tropical and subtropical areas in the Americas. The butterflies are known as peacocks, although the common European peacock (Inachis io)

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656, Stefano della Bella, Italian, 1610-1664, Italy, Etching and engraving on ivory laid paper, 303 x 272 mm (image), 309 x 275 mm (sheet, trimmed within plate

Fragment, 14th century, Italy, Silk, gilt-animal-substrate-wrapped linen, warp-float faced 2:1 'S' twill weave with supplementary patterning weft and brocading wefts tied by secondary binding warps in plain and twill interlacings, 20.5 x 57.4

Vase of Flowers, May 1857, Pierre Auguste Renoir, French, 1841–1919, France, Graphite on white wove paper, 173 × 103 mm