Images at Librifly

The Beggar with the Wooden Leg, plate fourteen from The Beggars, c. 1622, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 137 × 87 mm (plate), 142 × 93 mm (sheet

Panel (Furnishing Fabric), c. 1840, Probably France, France, Wool and cotton, 11:1 satin damask weave self-patterned by areas of twill weaves, 284.3 × 132.8 cm (111 7/8 × 52 1/4 in

Bowl with Medallions of Butterflies, Peonies, Chrysanthemums, Peaches, Plums and Orchids, Qing dynasty (1644–1911), spurious reign mark of Yongzheng (1723–35), overglaze painting perhaps added later, China, Porcelain painted in overglaze

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, 6.4 × 4.5 cm (2 1/2 × 1 3/4 in

Landscape with Two Figures and Castle on Hill, n.d., Attributed to Allart van Everdingen, Dutch, 1621-1675, Holland, Brush and brown wash over black chalk on blue laid paper, laid down on card, 120 x 210 mm

The Freedman, 1862–63, John Quincy Adams Ward, American, 1830–1910, United States, Bronze, 49.9 × 40 × 23.9 cm (19 5/8 × 15 3/4 × 9 3/8 in

Lender in Chilpéric, Full Face, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 373 × 267 mm (image), 551.5 × 419 mm (sheet

Paperweight, 19th century, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 8.4 cm (3 15/16 in

Incense Burner, c. 1830, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, H. 10.8 cm (4 1/4 in

Tokoname-Ware Jar, 14th century, Japan, Stoneware with ash glaze, H. 54 cm, diam. 62 cm

The Grand Duke Fortifies the Port of Livorno, from Life of Ferdinando I de’ Medici, 1616/20, Jacques Callot (French, 1592-1635), after Matteo Rosselli (Italian, 1578-1650), France, Engraving in black on ivory laid paper, 223 × 303 mm

Frontispiece for the Catalogue of the Engravings of Thomas De Leu, 1866, Charles Meryon, French, 1821-1868, France, Etching and engraving with burnishing on ivory laid paper, 129 × 98 mm (image, including stray marks), 153 × 108 mm

Anthypna, Print

Forget Me Not (valentine), c. 1857, George Meek, English, 19th century, England, Collaged elements on cut and embossed (designed) ivory wove paper, with green wove paper insert, 139 × 95 mm (folded sheet

Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.3 cm (2 7/8 in

Oinochoe (Pitcher), mid–4th/early 3rd century BC, Eastern Mediterranean or Italian, Eastern Mediterranean Region, Glass, core-formed technique, 13.7 × 4.5 × 6.6 cm (5 3/8 × 1 3/4 × 2 5/8 in

Entry of Mm. de Vroncourt, Tyllon, and Marimont, from The Combat at the Barrier, 1627, Jacques Callot, French, 1592-1635, France, Etching in black on ivory laid paper, 148 × 227 mm (plate), 160 × 236 mm (sheet

The Triangle Player, Early 17th century, France, Avon or Fontainebleu, Possibly after a model by Guillaume Dupéé (French, 1579-1640), Avon, Tin-glazed earthenware, 22 × 8.9 × 7.5 cm (8 5/8 × 3 1/2 × 2 15/16 in

The Six Immortals of Poetry, Abbreviated, c. 1795, Chokosai Eisho, Japanese, active 1793-1799, Publisher: Yamaguchi-Ya, Japanese, unknown, Japan, Color woodblock print, oban triptych, 36.0 x 75.1 cm

Snuff Bottle with Phoenix Standing by Peonies and a Vase, Qing dynasty (1644–1911), 1850–1900, China, Coral with carved decoration, 6.1 × 4.8 × 1.9 cm (2 3/8 × 1 7/8 × 3/4 in

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print and watercolor (in album), 29.2 × 41.9 cm

Head of God the Father, n.d., Attributed to Daniele Ricciarelli, called Daniele da Volterra, Italian, 1509-1566, Italy, Red chalk on ivory laid paper, laid down on board, 419 x 290 mm

Women Holding Boy who is Reaching Out to Young Man Below, c. 1776, Attributed to Kitao Shigemasa, Japanese, 1739-1820, Japan, Color woodblock print, hashira-e, 28 3/4 x 4 1/2 in

Ammonites gervillii, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living coleoids

Denarius (Coin) Portraying Julia Soaemia, AD 218/222, Roman, minted in Antioch, Roman Empire, Silver, Diam. 2 cm, 2.36 g

The Woodcutter, 1856, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Cliché-verre on ivory photographic paper, 40 × 180 mm (image), 287 × 360 mm (sheet

So you, German, Triumph!, c. 1814, Marie Electrine Stuntz, German, 1797-1847, Germany, Tint lithograph on ivory wove paper, 279 x 328 mm (image), 415 x 473 mm (sheet

Close No. 11 Bridgegate, 1897, James Craig Annan, Scottish, 1864-1946, Scotland, Photogravure, plate 43 from the book "The Old Closes & Streets of Glasgow" (1900), 22.1 x 17.1 cm (image), 37.8 x 27.3 cm (paper

Ceremonial Cloth (tampan), Mid–19th century, Paminggir people, Indonesia, South Sumatra, Lampung area, Lampung Bay, Indonesia, Cotton, plain weave with supplementary patterning wefts, 70.3 x 71 cm (27 5/8 x 28 in

Studies of a Roman Sarcophagus, 1602/03, Peter Paul Rubens, Flemish, 1577-1640, Flanders, Black chalk on cream laid paper, 285 × 420 mm

Panel, 1860/80, Produced by Mathevon et Bouvard (French, 1810–1895), France, Lyon, Lyon, Silk, satin weave with supplementary pile warps forming cut and uncut voided velvet, 161.9 x 55 cm (63 3/4 x 21 5/8 in

Illustration from Livret des Emblemes by Andreas Alciatus, plate 66 from Woodcuts from Books of the XVI Century, 1536, assembled into portfolio 1937, Unknown Artist (French, 16th century), assembled by Max Geisberg (Swiss, 1875-1943), France,

Emperor Freeing the Slave Androcles, 1516/17, Agostino dei Musi, Italian, c. 1490-after 1536, Italy, Engraving in black on ivory laid paper, 402 x 270 mm (image/plate), 404 x 268 mm (sheet

Dupondius (Coin) Portraying Antonia, AD 50/54, Roman, Roman Empire, Bronze, Diam. 2.8 cm, 16.55 g

The Sentinel, 3270 feet, Yosemite Valley, Mariposa County, Cal., 1867, Carleton Watkins, American, 1829–1916, United States, Albumen print, stereo, from the series "Watkins' Pacific Coast

The Advance-Guard, or The Military Sacrifice (The Ambush), 1890, Frederic Remington, American, 1861–1909, New York, Oil on canvas, 87.3 × 123.1 cm (34 3/8 × 48 1/2 in

Still Life Sketch, n.d., William Michael Harnett, American, born Ireland, 1848-1892, United States, Graphite and pen and brown ink on cream laid paper, 202 x 133 mm

Antennarius hispidus, Print, The shaggy frogfish (Antennarius hispidus), is a marine fish in the family Antennariidae., 1700-1880

Rest on the Flight into Egypt, n.d., Simone Cantarini, Italian, 1612-1648, Italy, Etching on ivory laid paper, 223 x 170 mm (image/plate), 224 x 171 mm (sheet

The actor Ichikawa Danjuro VII (Ebizo V) as Shirafuji Genta in the play Sono Uwasa Sakura no Irodoki, from the series Yakusha oiri sakazuki, 1825, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print, oban,

Goblet with Cover, c. 1685, Netherlands, Netherlands, Glass, 27.9 × 8.9 cm (11 × 3 1/2 in

Lake of Uri and Brunnen, from Picturesque Selections, 1859, James Duffield Harding, (English, 1798-1863), Published by W. Kent and Co., England, Lithograph on paper, 381 × 274 mm (image, primary support), 560 × 430 mm (secondary support

Apogon imberbis, Print, The cardinalfish (Apogon imberbis), also known as the Mediterranean cardinalfish or king of the mullets, is a species in the family of Apogonidae (cardinalfishes). It is widely distributed in the Mediterranean and along

Door, c. 1750, Design attributed to Giovanni Domenico Tiepolo (Italian, 1727–1804), Italy, Venice, Italy, Wood, gessoed and lacquered with polychrome decoration and gilding, 279.4 × 139.7 cm (110 × 55 in

Close Helmet, c. 1510/15, Domenico dei Barini, called Negroli, Italian, Milan, 1492—c. 1516, Milan, Steel, H. 25.4 cm (10 in

The Temptation of the Magdalene, c. 1616/17, Jacob Jordaens, Flemish, 1593-1678, Flanders, Oil on panel, 49 11/16 × 38 1/4 in. (126.2 × 96.8 cm

Cupid with Bandaged Eyes, 1540/45, Léon Davent (French, fl. 1540-1560), after Rosso Fiorentino (Italian, 1494-1540), after Francesco Primaticcio (Italian, 1504-1570), after Giulio Pippi, called Giulio Romano (Italian, c. 1499-1546),

Title Page, from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French, 1716-1809, France, Etching on ivory laid paper, 201 × 132 mm (image/plate), 255 × 189 mm (sheet

The Goose, 1889, Berthe Morisot, French, 1841-1895, France, Drypoint on cream laid paper, 144 × 112 mm (image), 151 × 119 mm (plate), 354 × 277 mm (sheet

The Genius of Salvator Rosa, 1662, Salvator Rosa, Italian, 1615-1673, Italy, Etching and drypoint on ivory laid paper, 460 x 275 mm (plate), 580 x 436 mm (sheet

Vinaigrette, 1825/26, John Bettridge, Birmingham, England, Birmingham, Silver, silver gilt, and agate, 2.9 × 2.5 cm (1 1/8 × 1 in

Judith with the Head of Holofernes, n.d., Marco San Martino, Italian, 1615/25-1680/1700, Italy, Engraving in black on ivory laid paper, 192 x 150 mm (image/plate), 212 x 163 mm (sheet

Portrait of Mrs. William W. Welch, c. 1837, Sheldon Peck, American, 1797–1868, United States, Oil on canvas, 65.4 × 55.3 cm (25 3/4 × 21 3/4 in

Young Man with Umbrella Knocking on Gate in Snow, c. 1774, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 26 1/8 x 4 5/8 in

A Bell was Sounding in the Tower, from The Juror, 1887, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper collé, laid down on white wove paper, 205 × 155 mm (image/chine), 446 × 318 mm (sheet

Follis (Coin) Portraying Emperor Diocletian, AD 298/299, Roman, minted in Carthage, Roman Empire, Bronze, Diam. 2.9 cm, 10.17 g

My Aim is Your Heart (valentine), n.d., Unknown Artist, American, 19th century, United States, Collaged elements and gold paint on cut and embossed ivory wove paper (lace, folded) with black wove paper insert, 178 x 118 mm (folded sheet

The Rock called Dovedale Church, In the distance, n.d., W.Woodward, English, active mid-19th century, England, Albumen print, stereo, 7.5 × 7 cm (each image), 8.4 × 17.4 cm (card

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk, warp-float faced 4:1 satin weave with supplementary patterning wefts bound in 1:4 weft-float faced satin interlacings, label: silk, plain weave, painted with ink, over board,

View in the Grand Cañon of the Colorado River, 1872, William H. Bell (American, 1830–1910), commissioned by George Wheeler for the War Department, Corps of Engineers, U.S. Army, United States, Albumen print, stereo, No. 12 from the

Shawl, 1825/50, England, Cotton and wool, twill weave, block printed, attached knotted fringe, 109.9 × 108.6 cm (43 1/4 × 42 3/4 in

Woman’s Vest, Qing dynasty (1644–1911), 1875/1900, Manchu, China, Silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches, laid work,

Band, 19th century, Austria, Austria, Silk, plain weave, embroidered, 66.1 × 8.9 cm (26 × 3 1/2 in

Scarab: Criosphinx and Ma’at with Name of Amun-Ra, New Kingdom–Late Period, Dynasties 18–26 (about 1550–525 BC), Egyptian, Egypt, Faience, 1 × 0.6 × 0.5 cm (3/8 × 1/4 × 3/16 in

Coin Portraying the Radiate Bust of an Emperor, 3rd century AD, Roman, Roman Empire, Bronze, Diam. 1.2 cm, 1.06 g

Valance, 18th century, Qing dynasty (1644–1911), China, Silk, figured weave, painted, 82 × 402.9 cm (32 1/4 × 158 1/2 in

Peat Bog, Scotland, plate 45 from Liber Studiorum, Published April 23, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by G. Clint (English, 1770-1854), England, Etching and mezzotint on ivory wove paper, 177 × 261 mm

Fragment, 1750/75, France, Silk, cut, uncut, and voided velvet with additional patterning weft floats of silver foil tied at intervals against twill weave foundation, 23.5 × 14.2 cm (9 1/4 × 5 5/8 in

Fragment, 17th century, Europe, Europe, Linen, compound weave (ie. Beiderwand or Lampas 2:1), 30.2 × 18.1 cm (11 7/8 × 7 1/8 in

Susano-o no Mikoto Killing the Eight-headed Dragon, 1748, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan, Color woodblock print, hosoban, 31.9 x 4.7 cm

The Good Education, 1749, Jacques Philippe Le Bas (French, 1707-1783), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Engraving in black on cream laid paper, 253 × 311 mm (image), 295 × 330 mm (plate), 462 × 618 mm

David, c. 1880, Odilon Redon, French, 1840-1916, France, Etching and drypoint on ivory laid paper, 120 × 66 mm (plate), 236 × 153 mm (sheet

Italienne (Gaëta), 1856/57, Edgar Degas, French, 1834–1917, France, Graphite, with stumping, on blue wove paper with blue fibers, perimeter-mounted on cream wove paper wrapped around millboard (touch of red chalk), 456 × 310 mm

The Playmates, published November 1869, Winslow Homer (American, 1836-1910), published by Our Young Folks (American, 1865-1873), United States, Wood engraving on paper, 94 x 94 mm (image), 215 x 143 mm (sheet

Kagero: Akushichibei Kagekiyo, from the series Japanese and Chinese Comparisons for the Chapters of Genji (Wakan nazorae Genji), 1855, Utagawa Kuniyoshi, Japanese, 1797–1861, Japan, Color woodblock print, oban

Beaker, c. 1730, Bohemia, Czech Republic, Bohemia, Glass with engraved gold leaf decoration, 8.9 × 7 cm (3 1/2 × 2 3/4 in

Hemidrachm (Coin) Depicting the God Zeus Amarios, 222/146 BC, Greek, minted in Mantineia, Mantíneia, Silver, Diam. 1.6 cm, 2.42 g

Mounted Peasant with a Child in Her Arms, plate six from The Six Large Views of Rome and the Campagna, 1654, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 291 x 263 mm (image), 292 x 261 mm (sheet

Portrait of a Lady, c. 1787, Joseph Siffred Duplessis, French, 1725-1802, France, Oil on canvas, 28 3/4 × 23 1/4 in. (73 × 59 cm

Paperweight, 19th century, Baccarat, France, founded 1764, France, Glass, Diam. 7.1 cm (2 13/16 in

Paperweight, c. 1848–55, George Bacchus & Sons, English, founded 1840, Birmingham, Glass, Diam. 8.9 cm (3 1/2 in

La Piana, 1868, Edward Lear, English, 1812-1888, England, Watercolor and pen and brush and brown ink, over graphite, on ivory wove paper, 324 × 537 mm

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk, warp-float faced 4:1 satin weave self-patterned by areas of weft-float faced 1:4 'Z' twill weave, label: silk, plain weave, painted with ink, over paper, 35.1 × 12.1 cm (13

Coverlet, 1825/40, United States, Cotton and wool, plain weave double cloth with main warp and extended ground weft fringe, two loom widths joined, 219.5 x 195 cm (86 5/8 x 76 3/4 in

Am. River and Canon from Cape Horn, River below Railroad 1, 400 feet. 57 miles from Sacramento, 1864/69, printed 1870, Alfred A. Hart, American, 1816–1908, United States, Albumen print, stereo, No. 44 from the series "Watkins' Pacific

Arremon palmarum, Print, Arremon is a genus of neotropical birds in the Passerellidae family. With the exception of the green-striped brush finch and the Guerrero brush finch, which is endemic to Mexico, all species are found in South America,

Mary Underwood, Olive Underwood and Susan Underwood, 1839/60, American, 19th century, United States, Daguerreotype, 8.3 x 10.8 cm (plate), 9 x 11.9 x 1.4 cm (case

Courtesan Admiring Morning Glories while Cleaning Her Teeth, c. 1775, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 28 1/4 x 4 3/4 in

A Subiaco, from Malerisch Radierte Prospekte aus Italien, 1792, Johann Christian Reinhart, German, 1761-1847, Germany, Etching on ivory laid paper, 350 × 265 mm (image), 378 × 281 mm (plate), 500 × 375 mm (sheet

Tapestry (Four Servants), c. 1650, After a design by Jacob Jordaens (1593–1678), Woven at the workshop of Jan van Leefdael (1603–1668), Flanders, Brussels, Flanders, Wool and silk, slit and double interlocking tapestry weave, 351.2 ×

Gants de Suède, 1890, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid paper, 216 x 102 mm (image), 257 x 206 mm (sheet

Sestertius (Coin) Portraying Emperor Gordianus, AD 238/244, Roman, Roman Empire, Bronze, Diam. 2.9 cm, 17.84 g

The Present Time, After 1879, Thomas Stevens (English, 1828–1888), England, Coventry, England, Silk, plain weave with supplementary brocading wefts, 14.8 × 4.8 cm (5 7/8 × 1 7/8 in

Etui, c. 1770, Vienna, Austria, Vienna, Hard-paste porcelain, polychrome enamels, and gilding, L. 12.4 cm (4 7/8 in

Dish, Mid–2nd/early 1st century BC, Hellenistic or early Roman, eastern Mediterranean, Eastern Mediterranean Region, Glass, mosaic glass technique, H. 3.2 cm (1 1/4 in.), diam. 13.3 cm (5 1/4 in

Bowl with Peony Flowers, Qing dynasty (1644–1911), Yongzheng reign mark and period (1723–1735), China, Porcelain painted in overglaze enamels, H. 6.2 cm (2 7/16 in.), diam. 13.3 cm (5 1/4 in

Fragment, 17th century, Italy, Italy

Young Shepherds and Old Man with a Monkey, from Scherzi, 1735–40, Giambattista Tiepolo, Italian, 1696-1770, Italy, Etching printed in black on paper, 225 x 176 mm (plate), 392 x 268 mm (sheet

Kohl Jar, Middle Kingdom, Dynasty 11–12 (about 2055–1773 BC), Egyptian, Egypt, Egyptian alabaster, a (jar): 4.82 × 3.8 × 3.9 cm (1 7/8 × 1 1/2 × 1 1/2 in

Deep Pot, c. 2000–1000 B.C., Japan, Earthenware, 42.5 × 32.2 × 32 cm (16 3/4 × 12 5/8 × 12 5/8 in