Images at Librifly

Seated Madonna and Child, 1300/1400 (?), Spanish, Spanish, Painted wood, 52.7 x 17.8 cm (20 3/4 x 7 in

Lady Sarah Bunbury, 1766, Edward Fisher (Irish, 1730-1785), after Sir Joshua Reynolds (English, 1723-1792), Ireland, Mezzotint on ivory laid paper, 597 x 371 mm (plate), 522 x 397 mm (sheet

Ben Arthur, plate 69 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on ivory wove paper, 183 × 263 mm (image), 208 × 290

Horse-Headed Incarnation of God Vishnu (Hayagriva), Pre–Angkor period, 7th/8th century, Cambodia/Vietnam, Cambodia, Sandstone, 30.5 × 9.8 × 7.7 cm (12 × 3 7/8 × 3 in

Picture, 1575/1600, England, Silk and wool, embroidered, 139.7 × 170.2 cm (55 × 67 in

The Institution of the Rosary, c. 1590, Style of Jacopo Sansovino, Italian, 1486–1570, Italy, Bronze, 18.1 × 12.7 × 0.9 cm (7 1/8 × 5 × 5/16 in

The Seceding Mississippi Delegation in Congress, published February 2, 1861, Winslow Homer (American, 1836-1910), after Mathew B. Brady (American, 1823-1896), published by Harper’s Weekly (American, 1857-1916), United States, Wood

Coverlet, 1800, United States, New York, Albany County, Potter’s Hollow, New York, Linen and wool, plain weave with supplementary patterning wefts (overshot), 217 x 185.9 cm (85 1/2 x 73 1/8 in.), Scholar’s Rock or Brushrest, Qing

Antennarius furcipilis, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and 100 m.They can be found worldwide in tropical and

Model Field Cannon with Carriage and Wedge, 1682, Austrian, possibly Dutch, Austria, Bronze and wood

Portrait of Mr. William W. Welch, c. 1837, Sheldon Peck, American, 1797–1868, United States, Oil on canvas, 64.8 × 54.6 cm (25 1/2 × 21 1/2 in

Scrawl, 1856, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Cliché-verre on ivory photographic paper, 146 × 105 mm (image), 287 × 360 mm (sheet

Detail of Horse’s Head, Enlarged to Triple Size, Norman Royal Guard, No. 1, c. 1818, Carle Vernet (French, 1758-1836), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), France, Lithograph in black on ivory

Wood Engraving, Tools, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Jacques Raymond Lucotte, (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French,

Fragment (Bonnet Trim), 1840/50, Probably Europe, Europe, Horsehair, bobbin lace mesh, embroidered with straw in running stitches and knots, 4.3 × 10 cm (1-3/4 × 4 in

Waistcoat Design, 1830s/40s, England or France, England, Paper

Place, plate one from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Ivory chine collé on off-white wove paper, 227 x 332 mm (image), 257 x 347 mm (plate), 450 x 630 mm (sheet

Valance (For Bed), 17th century, Greece, Epirus Province or Ionian Islands, Greece, Linen, plain weave, embroidered with silk in double running, running (pattern darning), split, and stem stitches, attached cut fringe, 359.8 x 76.2 cm

Plate, c. 1886, Designed by Christopher Dresser (English, born Scotland, 1834-1904), Made by Old Hall Earthenware Co., Ltd. (Staffordshire, England, 1861-1866), Hanley, Lead-glazed earthenware with polychrome enamels, Diam. 22.8 cm (9 in

Standing Prophet or Apostle, n.d., after Pellegrino Tibaldi (Italian, 1527-1596), and Perino del Vaga (Italian, 1501-1547), Italy, Black chalk with brush and brown wash, on ivory laid paper, tipped on to ivory wove paper, 285 x 100 mm

Head of Arthur Jerome Eddy, 1898, Auguste Rodin, French, 1840-1917, France, Bronze, H. 47.6 cm (18 3/4 in

Battle of Tippecanoe, 1889, Unknown Artist, published by Kurz and Allison (American, founded in Chicago, 1880), United States, Color lithograph on off-white wove paper, 442 x 635 mm (image, sight), 480 x 655 mm (sheet, sight

The Stoning of Jesus, from The New Testament, 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 70 × 85 mm (plate), 72 × 89 mm (sheet

Portrait Study: Mrs. Philip, No. 4 [Studies of the Philips], 1897, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black, printed over counterproof of lithograph in black, on ivory laid paper, 157 x 124 mm

A Lady Seated, 1893, James McNeill Whistler, American, 1834-1903, United States, Lithograph, in black ink, with scraping and touches of brush and tusche, on grayish ivory China paper, 193 x 172 mm (image), 276 x 223 mm (sheet

Numatsu, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx. 24 × 18.3 cm

The Willow, n.d., Samuel Palmer, English, 1805-1881, England, Etching in black on paper, 90 × 67 mm (image), 115 × 85 mm (plate), 297 × 212 mm (sheet

Women Crossing Nihonbashi Bridge, c. 1786, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban diptych, 38.7 x 25.6 cm (right sheet), 38.4 x 25.4 cm (left sheet

Alysia, Print, Alysia is a luxury charter Motor yacht owned by Greek businessman Andreas Liveras. She is number 38 on the List of motor yachts by length. She was constructed in steel during 2006 by the Neorion ship-yard for a cost of about 116

Plate Five, from Five Wise and Five Foolish Virgins, 1606, Jan Saenredam, Netherlandish, 1565-1607, Netherlands, Engraving on paper, 265 x 368 mm (sheet, trimmed to platemark

Arguing Prostitutes, 1895, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Lithograph in black on ivory laid paper, 403 × 324 mm (image), 546 × 437 mm (sheet

Mrs. Cleveland II, 1899, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 241 x 153 mm (image), 247 x 157 mm (plate), 377 x 280 mm (sheet

Ugolino and His Sons Starving to Death in the Tower, 1806, Henry Fuseli, Swiss, active in England, 1741-1825, England, Pen and black ink and brush and black, gray, and red wash, over traces of graphite, on grayish-ivory laid paper, 639 ×

Kitchen Scene, 1618/20, Diego Velázquez, Spanish, 1599-1660, Spain, Oil on canvas, 21 7/8 × 41 1/8 in. (55.9 × 104.2 cm

Coin Portaying Emperor Constantius II, AD 337/361, Roman, minted in Aquileia, Roman Empire, Bronze, Diam. 1.7 cm, 3.04 g

Solidus (Coin) of Heraclius and Heraclius Constantine, AD 629/632, Byzantine, minted in Constantinople, Byzantine Empire, Gold, Diam. 2.1 cm, 4.49 g

Waitress at a Seaside Teahouse, late 18th century, Katsukawa Shunko, Japanese, active c. 1770s-1800, Japan, Color woodblock print, hashira-e

Utsusemi, from the series Fifty-four Chapters of the Tale of Genji (Genji monogatari gojuyonjo), 1852, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 25 x 35.9 cm (9 13/16 x 14 1/8 in

Towel or Napkin, 19th century, Turkey, Turkey, Embroidered, 130.8 x 48.6 cm (51 1/2 x 19 1/4 in

The Actor Sanogawa Ichimatsu l as a young man, c. 1742, Torii Kiyoshige, Japanese, active c. 1728-63, Japan, Hand-colored woodblock print, habahiro hashira-e, beni-e, 64.7 x 16.5 cm (25 1/2 x 6 1/2 in

The Doctor and Death, 1651, Wenceslaus Hollar (Czech, 1607-1677), after Hans Holbein the younger (German, c.1497-1543), Bohemia, Etching on ivory wove paper, 71 × 52 mm (sheet, trimmed within plate mark

Plate, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, Diam. 23.5 cm (9 1/4 in

Fragment of a Bowl, 13th/14th century, Byzantine, Greece, Serres or Cyprus, Istanbul, Ceramic, 8.6 × 7.6 × 3.8 cm (3 3/8 × 3 × 1 1/2 in

Paperweight, 19th century, Saint-Louis, France, founded 1767, France, Glass, Diam. 6.7 cm (2 5/8 in

The Sleeping Model or The Sleeper, 1890–97, Theodore Roussel, French, worked in England, 1847-1926, England, Color etching, drypoint, and aquatint, with plate tone, on ivory wove paper, 125 × 169 mm (image), 130 × 178 mm (sheet,

Sestertius (Coin) Portraying Emperor Nero, AD 54/69, Roman, Roman Empire, Bronze, Diam. 3.4 cm, 19.55 g

Standing Roman Warrior Holding Staff, n.d., Possibly style of Raymond de Lafage (French, 1656-1690), or possibly Stefano della Bella (Italian, 1610-1664), Italy, Pen and brown ink with brush and gray wash onivory laid paper, laid down on

A Woman Sitting by the Window (Evening Thou Bringest All), from the first issue of Specimens of Polyautography, 1802, published 1803, Henry Fuseli (Swiss, active in England, 1741-1825), published by Philipp André (German, active London,

The Slanderer, 1851, Charles Rambert (French, active c. 1836-1867, died before 1899), printed by Kaeppelin, published by Blandin, éditeur, France, Lithograph, possibly from a zinc plate, or zincograph, in black crayon, pen and ink,

Stater (Coin) Depicting a Land Tortoise, 404/350 BC, Greek, minted in Aegina, Greece, Silver, Diam. 2 cm, 12.28 g

Jean Baptiste Van Steenberghen, 1668, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 325 × 246 mm (plate), 350 × 266 mm (sheet

Ida Heath at the Bar, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on ivory wove paper, 366 × 260 mm (image), 380 × 281 mm (sheet

Stomacher, 19th century, France, Linen, plain weave, pulled threadwork embroidered with linen yarns in black, buttonhole, interlocking lace, overcast, satin, single faggot, and stem stitches, attached cord of 8-strand, 4-sided braid,

Shipwreck, 19th century, Eugène Isabey, after, French, 1803-1886, France, Oil on canvas, 21 1/4 × 25 11/16 in. (54 × 65.3 cm

Flower Vase, 1810/20, England, Staffordshire, Staffordshire, Lead-glazed earthenware with lustre decoration, H. 20.3 cm (8 in

Fragment, Late 17th century, France, Silk, simple fancy satin

Large Perspective Picture of the Kaomise Performance on the Kabuki Stage (Shibai kyogen butai kaomise o uki-e), c. 1745, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, horizontal o-oban, beni-e, 46.8 x 68.0 cm

Goyu: Motono Plain along the Old Road (Kokaido Motonogahara)—No. 36, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese,

First Intermezzo of the Veglia of theLiberation of Tyrsenus and Arnea, 1617, published 1668, Jacques Callot (French, 1592-1635), after Giulio Parigi (Italian, 1571-1635), France, Etching on paper, 285 × 195 mm (image), 318 × 243 mm

The Martyrdom of Saint Sebastian, 1450–60, Master E. S., German, active c. 1450-1467, Germany, Engraving on paper, 130 x 186 mm (plate), 134 x 191 mm (sheet

The Nine Old Men of Mount Xiang (Kozan kyuro), from the series A Set of Ten Famous Numbers for the Katsushika Circle (Katsushikaren meisu juban), c. 1828, Yashima Gakutei, Japanese, 1786 (?)-1868, Japan, Color woodblock print, shikishiban,

Agrophila, Print, Agriphila is a genus of small moths of the family Crambidae. It was first described by Jacob Hübner in 1825. They are common across temperate Eurasia and in adjacent regions

The Actors Sawamura Sojuro III as Kusunoki Tatewaki Masatsura (right), Onoe Matsusuke I as the Monk Sahei Bozu (center) and Ichikawa Yaozo III as the Prince’s Servant Kusunoki Uraminosuke (left), in the Play Kumoi no Hana Yoshino no Wakamusha,

Cuckoo and Azaleas (Hototogisu, satsuki), c. 1834, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, 10 x 7 1/2 in

Bulb Pot, c. 1785, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (basaltware) with encaustic decoration, 11.9 × 9.1 × 9.5 cm (4 11/16 × 3 9/16 × 3 3/4 in

Antonin Proust, 1889, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on off-white laid paper, 152 x 233 mm (image), 159 x 239 mm (plate), 219 x 346 mm (sheet

Hiratsuka, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx. 24 × 18.3 cm

Geisha Talking to Her Maid, c. 1782, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hashira-e, 61.7 x 12.1 cm

Buddhist Votive Stele, Western Wei dynasty (A.D. 535–557), dated A.D. 551, China, Stone, 339 × 99 × 21.6 cm (133 1/2 × 39 × 8 1/2 in

Fragment from the Base of a Bowl, 13th/14th century, Byzantine, Thessaloniki, Greece, Constantinople, Glazed terracotta, H. 2 cm (3/4 in.), diam.: 6 cm (2 1/4 in

Painted Banner (Thangka) from a Set of Seven Honoring Gayadhara, a Sakya Pandit from India, 19th century, Tibet, Tibet, Pigment on cloth, Image: 43 x 29.5 cm, Overall: 108 x 63.5 cm

Covered Pitcher, 1839, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Hard-paste porcelain and gilding, 21.6 x 17.2 cm (8 1/2 x 6 3/4 in

Canopic Jar of the Overseer of the Builders of Amun, Amenhotep, New Kingdom, Dynasty 18, reign of Amenhotep II (about 1427–1400 BC), Egyptian, Egypt, terracotta and pigment, a (jar):30.7 × 18.4 × 18.4 cm (12 1/8 × 7 1/4× 7 1/4 in

Couch Cover, 19th century, Italy, Sardinia, Sardinia, Hemp and wool, plain weave, 231.1 × 185.4 cm (91 × 73 in

Dad’s Coming!, published November 1, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 233 x 348 mm (image), 276 x 396 mm (sheet

Pages from Vol. 1 and 2 of Picture Book of Spring Brocades (Ehon haru no nishiki), 1771, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, double-page illustration from book, 18 x 27.5 cm (7 1/16 x 10 13/16

Recital on a verandah overlooking Sumida River, c. 1790/95, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock print, oban pentaptych, each sheet approx. 38.7 x 25.4 cm (15 1/4 x 10 in

Orphrey, 17th century, Italy, 91.4x 18.9 cm (36 x 7 7/16 in

Aramus scolopaceus, Print, 1700-1880

Mucius Scaevola Putting His Hand in the Flame before Porsenna, n.d., After Polidoro Caldara, called Polidoro da Caravaggio, Italian, c. 1499-c. 1543, Italy, Pen and brown ink with brush and brown wash, on brown laid paper, laid down on tan

Paperweight, Mid 19th century, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.9 cm (3 1/8 in

Woman’s Robe, 1840s/60s, Uzbekistan, Bukhara, Uzbekistan, Silk and cotton, plain weave, warp-resist-dyed (ikat), edged with silk twined embroidery, 134 × 167.5 cm (52 13/16 × 54 in

Head of a Young Woman Asleep, 1787/95, Jean-Baptiste Lucien (French, c. 1748-1806), after Jean-Baptiste Greuze (French, 1725-1805), published by François Étienne Joubert (French, 1787-1836), France, Crayon-manner engraving in red-brown on

Forêt de Compiègne, 1885, Berthe Morisot, French, 1841-1895, France, Oil on canvas, 21 3/8 × 25 1/2 in. (54.2 × 64.8 cm

Vis a Vis, Accidents in Quadrille Dancing, published April 15, 1817, George Cruikshank (English, 1792-1878), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 205 × 245 mm (image), 212 × 250 mm

The Bridal Pair and Death, 1651, Wenceslaus Hollar (Czech, 1607-1677), after Hans Holbein the younger (German, c.1497-1543), Bohemia, Etching on ivory wove paper, 71 × 53 mm (sheet, trimmed within plate mark

Teapot, 1750/70, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 13 x x 17.2 x 9.2 cm (5 1/8 x 6 3/4 x 3 5/8 in

Temptation, plate four from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing (German, 19th century), Germany, Aquatint and etching, with roulette on ivory China paper, laid down on cream laid paper, 473 x 225 mm

Amulet of the White Crown of Upper Egypt, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 3.5 × 1.75 × 1 cm (1 3/8 × 11/16 × 3/8 in

Bodhisattva, Five Dynasties Period, Later Zhou dynasty, c. 952, China, probably from the Cisheng Si (Cisheng temple), Henan province, China, Ink and colors on primed mud-wall construction, 84.5 × 57.2 cm (33 1/4 × 22 1/2 in

Rice Paddies at Ono in Suruga Province (Sunshu Ono shinden), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 26.5 x

Coin Portraying Emperor Antoninus Pius, AD 138/161, Roman, minted in Alexandria, Egypt, Egypt, Billon, Diam. 2.3 cm, 12.86 g

Border, 1675/1700, Belgium, Flanders, Flanders, Linen, bobbin part lace, 6.3 × 226 cm (2 1/2 × 89 1/8 in

Buckle, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 6.8 × 2.9 × 0.5 cm (2 11/16 × 1 1/8 × 1/5 in

Pantalone, from Three Italian Comedians, 1618–20, Jacques Callot, French, 1592-1635, France, Engraving on paper, 215 × 146 mm (image), 226 × 148 mm (sheet

Paperweight, Mid 19th century, European, possibly English, England, Glass, Diam. 8.3 cm (3 1/4 in

Fragment, 17th century, Italy, Silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced satin weave self-patterned by areas of plain weave with supplementary brocading wefts, 36.5 x 25 cm (14 3/8 x 9 7/8 in

Shoe Buckle, 1784/85, Edward Fennel, English, active 1780-91, London, England, Silver, 6 × 4.5 cm (2 3/8 × 1 3/4 in

The Occupation of the Battery at Port Arthur (Ryojunko hodai nottori no zu), 1895, Ogata Gekko, Japanese, 1859-1920, Japan, Color woodblock print, oban triptych

Sampler, 1766, Germany, Linen, plain weave, embroidered with silk, 81.6 x 26 cm (32 1/8 x 10 1/4 in