Images at Librifly

A Visit to the Salon, 1845, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on white wove paper, 122 × 134 mm (image), 156 × 149 mm (sheet

Fragment, 1600/25, Italy, Cut and uncut velvet

Coverlet, 1830/40, United States, Wool, plain weave double cloth, two loom widths joined, fringed, 218.6 x 180.3 cm (86 x 71 in

Paperweight, c. 1845/60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.9 cm (3 1/8 in

Class Day, at Harvard University, Cambridge, Massachusetts, published July 3, 1858, Winslow Homer (American, 1836-1910), published by Ballou’s Pictorial Drawing Room Companion (American, 1851-1859), United States, Wood engraving on

Fragment, 18th century, Italy, Silk, plain weave with supplementary pile warps forming patterning floats and uncut voided velvet, 28.3 x 11.7 cm (11 1/8 x 4 5/8 in

Fragment, Edo period (1615–1868), 1701/25, Japan, Brocaded fancy satin, silk, 84.1 x 10.5 cm (33 1/4 x 4 1/8 in

The actors Ichikawa Komazo III as Akuhachiro Tokikage and Nakayama Tomisaburo I as Yushide, the sister of Rokurozaemon, in the play Hana to Mimasu Yoshino no Miyuki, performed at the Nakamura Theater in the eleventh month, 1798, 1798, Utagawa

Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 8.3 cm (3 1/4 in

Draped Figure, Reclining, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph from five stones, in black (keystone), blue-green, olive green, yellow-green, yellow, purple-brown, pale ochre, orange-red,

Towel, 19th century, Russia, Linen, plain weave, embroidered in cotton, 243.8 x 38.1 cm (96 x 15 in

Plate Nine from Evenings in Rome, 1763/64, Hubert Robert, French, 1733–1808, France, Etching in black on off-white laid paper, tipped onto tan laid paper, 131 × 87 mm (image), 137 × 94 mm (plate), 141 × 97 mm (primary support) 186 ×

Three Caterpillars, a Moth, and Four Butterflies, after 1644, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 115 × 178 mm (sheet, trimmed within plate mark

Paperweight, Mid 19th century, Saint-Louis, France, founded 1767, France, Glass, Diam. 6.7 cm (2 5/8 in

Well in a Farm Courtyard, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory chine, 80 × 114 mm (image), 85 × 124 mm (sheet

Ballet Dancers, 1885/86, Henri de Toulouse-Lautrec, French, 1864-1901, France, Oil on plaster, transferred to canvas, 60 3/8 × 60 in. (153.5 × 152.5 cm

View of the Piazza della Rotonda, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 392 x 548 mm (image), 412 x 552 mm (plate), 529 x 808 mm (sheet

Armorial Beaker with the Bülow Family Crest, 1821, Decorated by Carl von Scheidt (German, 1791–after 1834), Berlin, Germany, Berlin, Glass, colorless, blown, enameled and gilded, 10.6 × 7.5 cm (4 3/16 × 2 15/16 in

Mise-en-carte (Point-paper), 1760/90, France, Lyon, France, Ink and gouache on hand drawn graph paper, 44.8 × 56.2 cm (17 5/8 × 22 1/8 in

Ribbon, 19th century, France, Provence-Alpes-Côte-d’Azur Région, France, Silk, plain weave with supplementary three-color pile warps forming cut voided velvet, 53.6 × 7.8 cm (21 1/8 × 3 in

To J. Brahms, 1898, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on off-white chine, 246 × 160 mm (image), 339 × 269 mm (sheet

Tetradrachm (Coin) Portraying Emperor Nero, AD 54/68, Roman, minted in Alexandria, Egypt, Egypt, Billon, Diam. 2.4 cm, 12.83 g

Lying-In Hospital, Dublin, published December 1795, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 257 × 380 mm (image), 315 × 425 mm (plate), 420 × 555 mm (sheet

Insertion (Incomplete), 1875/1900 (revival), Italy, Linen, plain weave, cut and drawn thread work in double hem and overcast stitches, darned and overcast bars, embroidered in back, eyelet, and satin stitches, 9.5 x 54.1 cm (3 3/4 x 21 1/4

The Movings, 1822, Louis Léopold Boilly, French, 1761-1845, France, Oil on canvas, 28 3/4 × 36 1/8 in. (73 × 92 cm

The Swineherd, n.d., Allart van Everdingen, Dutch, 1621-1675, Holland, Etching on paper, 127 x 107 mm

Late Picquet, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory laid paper, 192 x 155 mm (image), 320 x 203 mm (sheet

Fragment, 13th century, Italy or Spain, Spain, Silk and gilt-membrane-wrapped linen, complementary weft twill weave with inner warps, 22.2 x 12.2 cm (8 3/4 x 4 7/8 in

Ceres Refusing Any Assistance to Psyche, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving

Beauties Parodying the Seven Sages, A Selection of Younger Courtesans (Shichi kenjin yatsushi bijin shinzo zoroe): Mitsuito of the Hyogoya, c. 1793, Chobunsai Eishi, Japanese, 1756-1829, Publisher: Iwato-Ya, Japanese, Unknown, Japan, Color

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with ink (in album), 29.2 × 41.9 cm

Mishima: Morning Mist (Mishima, asagiri), from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan,

Chicago Stock Exchange Building: Elevator Enclosure Grille T-Plates, 1893/94, Adler & Sullivan, American, 1883-1895, Chicago, Copper-plated bronze, Appro×. 41 × 43.2 × 1 cm, Chicago Stock Exchange Building, 30 North La Salle Street,

Christ Taking Leave of His Mother, from The Life of the Virgin, c. 1504, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on tan laid paper, 303 x 210 mm (image), 433 x 300 mm (sheet

Sketches of Heads, c. 1565, After Luca Cambiaso, Italian, 1527-1585, Italy, Pen and brown ink, on tan laid paper, laid down on ivory laid paper, 356 x 258 mm (max

The Actor Nakamura Nakazo I as a Monk, Raigo Ajari, in the Play Nue no Mori Ichiyo no Mato (Forest of the Nue Monster: Target of the Eleventh Month), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1770, c. 1770,

Beaker, c. 1690, Bohemia, Czech Republic, Bohemia, Glass, 7.9 × 6.2 cm (3 1/8 × 2 7/16 in

Norway, 1866, Charles George Lewis, English, 1808-1880, England, Sketchbook

Flora Design for Closet Ceiling (left) and Statue of Apollo Design for Blank Niche (right), for Bateman House, London, c. 1718, James Thornhill, English, 1675-1734, England, Pen and brown ink with brush and brown wash, over graphite, on

September, Massacre of St. Bartholomew from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1841, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto (English, 19th

Bedcover (Cockscomb, Rose Tree and Pineapple Quilt), c. 1840, United States, Cotton, plain weave, appliquéd with cotton, plain weave, printed, backed with cotton, plain weave, quilted, 218.9 x 195.4 cm (85 1/2 x 76 7/8 in

Study: Maud Seated, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint with scraping and roulette in black ink on ivory wove proofing paper, 265 x 183 mm (image), 293 x 224 mm (sheet

Trumpet-Mouthed Flowerpot, Ming dynasty (1368–1644), 15th century, China, Jun ware, stoneware with pale-blue and reddish-purple glaze, H. 24.3 cm (9 9/16 in.), diam. 25.9 cm (10 3/16 in

Jesus with the Pharisees, from The New Testament, 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 71 × 85 mm (plate), 73 × 89 mm (sheet

Mrs. Jens Wolff, 1803/15, Sir Thomas Lawrence, English, 1769-1830, England, Oil on canvas, 50 1/2 × 40 5/16 in. (128.2 × 102.4 cm

Untitled (II 41), c. 1890, edited by Ferdinando Ongania, Italian, 1842–1911, Italy, Photogravure, No. II 41 from the portfolio "Calli, Canali e Isole della Laguna

Plate, c. 1620, Italy, Montelupo, Montelupo Fiorentino, Tin-glazed earthenware, Diam. 32.5 cm (12 13/16 in

Ancula cristata, Print

Country Fair, 1653, Jan van Goyen, Dutch, 1596-1656, Netherlands, Black chalk, with brush and gray wash, on ivory laid paper, 116 x 204 mm

Sword Pommel, early 17th century, European, Europe, Iron, Overall

The Horn of Plenty, from Puck, published May 29, 1889, C. Jay Taylor, American, 1855-1929, United States, Color lithograph on newsprint, 355 x 265 mm

Panel, 1801/25, England, Cotton, plain weave, block printed, 234.2 × 80.2 cm (92 1/4 × 31 1/2 in

Vehicles on the Streets of Tokyo (Tokyo orai kuruma zukushi), 1870, Utagawa Yoshitora, Japanese, active c. 1836-87, Japan, Color woodblock print, oban triptych

Parody of Matsukaze dancing beneath Yukihira’s robe, c. 1771, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 26 3/8 x 4 5/8 in

Man’s Cape (Akhnif), Mid–19th century, Ait Ouaouzguite Confederation, Siroua Mountains, Morocco, Morocco, Wool and cotton: slit tapestry weave, embroidered with wool and cotton in heavy chain, herring bone, interlacing and stem stitches,

Apollo and the Cumean Sybil, c. 1780, After Salvator Rosa, Italian, 1615-1673, Carlo Antonini ?, c.1740, c.1784, Italy, Etching on ivory laid paper, 335 x 218 mm

Amulet of the Goddess Taweret (Thoeris), Third Intermediate Period–Late Period, Dynasties 21–31 (about 1069–332 BC), Egyptian, Egypt, Faience, 1.9 × 0.6 × 0.6 cm (3/4 × 1/4 × 1/4 in

The Washerwomen, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching and aquatint on cream laid paper, 381 × 262 mm (plate), 439 × 310 mm (sheet

Fragment from the Base of a Bowl, 13th/14th century, Byzantine, Constantinople or vicinity, Salonika, Glazed terracotta, H. 5.5 cm (2 1/4 in.), w. at widest point: 9 cm (3 1/2 in

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 236 × 295 mm (image), 267 × 349 mm (sheet

Head of a Tahitian with Profile of Second Head to His Right, 1891/93, Paul Gauguin, French, 1848-1903, France, Black and red chalk, selectively stumped, on cream wove paper, 352 × 369 mm

Charger with the Arms of O’Hara, 1763, China, Jingdezhen, Hard-paste porcelain with polychrome enamels and gilding, 4.6 x 37.5 cm (1 13/16 x 14 3/4 in

Fragment, 1601/25, Spain, brocaded silk, 22.9 x 19.1 cm (9 x 7 1/2 in

Attack on a Convoy, n.d., Cornelis Visscher (Dutch, c. 1629-1658), after Pieter van Laer (Netherlandish, 1592/95-1642), Holland, Engraving on paper

An Impossible Feat by Imaginary Men, no. 8 from a series of 12 prints, c. 1708, Okumura Masanobu, Japanese, 1686-1764, Japan, Woodblock print, oban, sumizuri-e, 26.6 x 38.2 cm

Raffaelle’s Villa Medici, Rome, 1774, John Downman, English, 1750-1824, England, Pen and black ink and brush and watercolor, over traces of graphite, on ivory laid paper, 260 × 362 mm

Mishima Pass in Kai Province (Koshu Mishimagoe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Publisher: Hibino Yohachi, Japanese, unknown, Japan,

Star-Shaped Tile with Phoenix, Ilkhanid dynasty (1256–1353), late 13th century, Iran, possibly Takht-i Sulayman, Iran, Fritware with molded decoration, in-glaze painting in blue and turquoise, and overglaze painting in luster, 21.2 × 21.8

Dying Man Being Consoled by Christ on the Cross, Virgin and Saints, n.d., Gottfried Bernhard Goetz, German, 1708-1774, Germany, Pen and brown ink, with brush and gray and black wash, later additions in pen and black ink and heightened with

Head of a Woman with Face Upturned, c. 1873–77, Sir Edward Burne-Jones, English, 1833-1898, England, Graphite on ivory wove paper, 253 × 178 mm

The Small Birds, 1850, Charles François Daubigny, French, 1817-1878, France, Etching on ivory Japanese paper, 150 × 102 mm (image), 192 × 132 mm (plate), 393 × 262 mm (sheet

The Fox and the Rooster from Fabulae et Vita (Fables and Life), Plate 25 from Woodcuts from Books of the 15th Century, c. 1500, portfolio assembled 1929, Unknown Artist (Basle, late 15th century), printed and published by Michael Furter

Shipbuilder’s Yard, Liverpool, 1875, James McNeill Whistler, American, 1834-1903, United States, Drypoint with foul biting, with drypoint cancellation, in black ink on ivory wove paper, 275 x 152 mm (plate), 375 x 237 mm (sheet, sight,

Louis XIV, 1669, Robert Nanteuil, French, 1623-1678, France, Engraving in black on paper, 498 × 422 mm (image), 502 × 427 mm (plate/sheet

Saint Thomas, 1515/27, Marco Dente da Ravenna (Italian, about 1486–1527), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving, on ivory laid paper, 212 x 142 mm (primary support), 441 x 282 mm (secondary

Virgin and Child, 1500/1550, Flemish, Flanders, Wood, traces of gesso, H. 46.4 cm (18 1/4 in

Fishing Boats off an Estuary, 1633, Jan van Goyen, Dutch, 1596-1656, Netherlands, Oil on panel, 36 × 57.8 cm (14 1/8 × 22 3/4 in

Medicine Box, c. 1850, Possibly England, England, Silver, silver gilt, and brass, 6.4 × 3.2 cm (2 1/2 × 1 1/4 in

Fireman’s Coat, Meiji period (1868–1912), 1875/1900, Japan, Cotton, plain weave, quilted (sashiko), painted, 95.9 x 124.14 cm (37 x 48 7/8 in

Fragment of a Cameo Portraying Emperor Tiberius, Cameo: Roman, AD 14/37, Frame: Probably French, early 16th century, Roman, France, Cameo: sardonyx, Frame: gold, enamel, and pearl, 8 × 4.8 × 1 cm (3 3/16 × 1 7/8 × 3/8 in

Arachnothera frenata, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests of south and southeastern Asia. They are large

Caught, n.d., Horace Vernet (French, 1789-1863), printed by Francois Seraphin Delpech (French, 1778-1825), France, Lithograph in black on ivory wove paper, 152 × 210 mm (image), 323 × 455 mm (sheet

Amulet of a Headrest, Late Period–Ptolemaic Period (7th –1st century BC), Egyptian, Egypt, Hematite, 3.5 × 5.7 × 2.2 cm (1 3/8 × 2 1/4 × 7/8 in

The Actor Ichikawa Yaozo II as Hiranoya Tokubei (?) in the Play Wada Sakamori Eiga Kagami (?), Performed at the Nakamura Theater (?) in the Third Month, 1773 (?), c. 1773, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

The Actors Iwai Hanshiro IV as Okaru and Onoe Kikugoro I (?) as Yuranosuke, late 18th century, Katsukawa Shunko I, Japanese, 1743–1812, Japan, Color woodblock print, hosoban, 30.7 x 14 cm (12 1/16 x 5 1/2 in

Anser magellanicus, Print, 1886

Mountain Landscape in the Mist (Muchu no sansui), c. 1830/44, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Japan, Color woodblock print

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk and gold-leaf-over-lacquered-paper strip, plain weave with supplementary patterning wefts bound in weft-float faced 1:3 'Z' twill interlacings, 34 × 11.8 cm (13 3/8 × 4 5/8 in

Florence Leyland, 1874, James McNeill Whistler, American, 1834-1903, United States, Drypoint with foul biting in black ink on ivory laid paper, 214 x 139 mm (plate), 272 x 179 mm (sheet

Martyrdom of Saint Simon, plate ten from The Martyrdoms of the Apostles, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 72 × 46 mm

A Reed-Cutter at Work, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, pl. XXV from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200, 28.3 × 20.7 cm (image/paper), 41.1 ×

Bill (Ronca), 16th century, Italian, Italy, Steel, wood, silk, and brass, Blade and socket L. 85.4 cm (33 5/8 in

St. Peter, n.d., Master E. S., German, active c. 1450-1467, Germany, Engraving in black on paper, 147 x 85 mm (sheet trimmed within plate mark

View from the North Westminster Church, n.d., Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on paper, 214 × 234 mm

Panel, 16th century, Italy, Florence, Florence, Linen, plain weave, block printed, 69.8 × 56.8 cm (27 1/2 × 22 3/8 in

Foundation Deposit: Bound Ox, Late Period, Dynasty 25–30 (780–343 BC), Egyptian, Egypt, Glass, 2.5 × 4 × .25 cm (1 × 1 9/16 × 1/8 in

Village Fair: Harlequin and Quack, 1800, Thomas Rowlandson, English, 1756-1827, England, Watercolor on cream wove paper, 206 × 280 mm

Coin Depicting the God Asklepios, about 200/133 BC, Greek, Greece, Bronze, Diam. 1.5 cm, 2.25 g

The Races at Longchamp, 1866, Édouard Manet, French, 1832-1883, France, Oil on canvas, 44.0 × 84.2 cm (17 5/16 × 33 1/8 in

Drachm (Coin) Depicting the Gorgon Medusa, 411/356 BC, Greek, minted in Neapolis, ancient Macedon, Greece, Neapolis, Silver, Diam. 1.5 cm, 3.71 g