Images at Librifly 2.589.713 / 2.589.715 Entries < previous page Page 3275 / 25898 next page > Integrity Retiring from Office, published February 24, 1801, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching and aquatint on paper, 237 × 347 mm (image), 255 × 355 mm Mary Hamilton, 1894, published before 1925, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 266 × 111 mm (image), 378 × 281 mm (sheet Statuette of the God Harpocrates, Late Period–Ptolemaic Period (664–30 BC), Egyptian, Egypt, Bronze, 9.1 × 4.6 × 2.3 cm (3 5/8 × 1 3/4 × 7/8 in.) (without base Text Leaf from a Book of Hours, c. 1430, French (possibly Loire Valley), France, Manuscript cutting with decorations in tempera and gold leaf, and gothica textualis inscriptions in Latin in black ink, ruled in red, recto and verso, on Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 6.4 cm (2 1/2 in Cascade of Tivoli, plate thirty-nine from the Ruins of Rome, published February 1, 1798, M. Dubourg, (English, active 1786-1838), published by J. Merigot (Italian, Unknown), England, Hand-colored aquatint on paper, 448 × 330 mm (sheet Dark Peak, 1887, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory Japanese paper, 167 × 90 mm (image), 271 × 185 mm (sheet The Farrier’s Shop, 1865, Charles Émile Jacque, French, 1813-1894, France, Etching, engraving and roulette on ivory laid paper, 128 × 194 mm (image), 178 × 247 mm (plate), 321 × 453 mm (sheet A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Carlo Labruzzi, Italian, 1748-1818, Italy, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, 311 x 531 mm (primary Desk Box, 1730/60, American, 18th century, United States, Mahogany, 14.6 × 46.3 × 36.8 cm (5 3/4 × 18 1/4 × 13 1/2 in Bottle vase, 12th/13th century, Korean, Korea, Glazed stoneware with inlaid decoration, H: 34.0 x diam. 18.5 cm Ôhi (Stole), late Edo period (1789–1868), 1801/25, Japan, 163 x 30 cm (64 1/8 x 11 3/4 in Ulysses and Nausicaa, n.d., Giovanni Battista Cipriani, Italian, 1727-1785, Italy, Pen and black ink with brush and gray wash, on cream laid paper, 259 x 425 mm Parting at the Eastern Capital, Ming dynasty (1369–1644), 15th century, Yao Shou, Chinese, 1423-1495, China, Handscroll, ink and color on paper Coffin and Mummy of Paankhenamun, Third Intermediate Period, Dynasty 22 (about 945–715 BC), Egyptian, Thebes, Cartonnage, gold leaf, pigment, and human remains, 170.2 × 43.2 × 31.7 cm (67 × 17 × 12 1/2 in River and Park Landscape, 1885/90, Henri Rousseau, style of, French, 1844-1910, France, Pen and black inks and lead white gouache, with graphite on tan wove paper, perimeter mounted on cream card, 300 × 250 mm Misaka Pass in Kai Province (Kai Misakagoe), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban Tripod Incense Burner (Censer) with Peony-Leaf Scrolls, Netlike Petals, and Masklike Legs, Northern Song (960–1127) or Jin dynasty (1115–1234), c. 12th century, China, Yaozhou ware, stoneware with underglaze carved and molded decoration, Third Performance: A Bas le progrès!, Mademoiselle Julie, Le Ménage Brésile, for Le Théatre Libre, 1892–93, Henri-Gabriel Ibels (French, 1867-1936), printed by Imprimerie Eugène Verneau (French, 19th century-1906), France, Color Le bézigue, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph with hand-coloring, on tan wove paper, 330 × 268 mm (image), 390 × 283 mm (sheet Arius thalassinus, Print, 1700-1880 Amulet of the Goddess Tawaret (Toeris), Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 7 × 2.2 × 2.2 cm (2 3/4 × 7/8 × 7/8 in Sarcophagus with Judgement of Paris, n.d., Attributed to Pierre Brebiette, French, 1598-c. 1650, France, Red chalk on tan tinted laid paper, laid down on ivory wove paper, 105 × 282 mm Jan van der Does, Baron of Nortwijk, plate three from Quatuor Personae, 1649, Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on ivory laid paper Saint Quiriaco from Heiligenleben (Lives of the Saints), Plate 8 from Woodcuts from Books of the 15th Century, 1489, portfolio assembled 1929, Unknown Artist (Augsburg, 15th century), printed and published by Johann Schönsperger the Elder Fragment, A.D. 1476/1532, Chuquibamba, Probably south coast, Peru, Peru, Brocaded interlocking tapestry (old card Soriko, from an untitled series of No plays, 1823, Takashima Chiharu, Japanese, 1777-1859, Japan, Color woodblock print, shikishiban, surimono, 22.6 x 19.9 cm Fragment, 1650/1700, Italy, Linen and wool, plain weave with supplementary weft, 19.9 x 7.9 cm (7 13/16 x 3 1/8 in Medium Covered Compote in Log Cabin Pattern on Pedestal, 1875/96, Central Glass Company (1867–1896), Wheeling, West Virginia, United States, Pressed glass Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, 9.5 × 4.8 cm (3 3/4 × 1 7/8 in St. Roch, c. 1532, Master of the Die (Italian, active c. 1530-1560), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on paper, 205 x 140 mm (sheet Ananchytes striata, Print Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, 1 3/4 in Alecturus tricolor, Print, 1700-1880 Alexander N. Fullerton, 1865, James Forbes, Scottish, 1800-after 1870, Scotland, Oil on canvas, 52 3/4 × 39 1/2 in Scarab: Wish Formula (?), New Kingdom–Late Period, Dynasties 19–26 (about 1295–525 BC), Egyptian, Egypt, Steatite, 1.3 × 1 × 0.6 cm (1/2 × 3/8 × 1/4 in Orpheus on the River Styx, n.d., Antoine Coypel, French, 1661-1722, France, Red and black chalks, heightened with white chalk, on tan laid paper, laid down on cream laid card, 173 × 240 mm Hida Province: Basket Ferry (Hida, Kagowatashi), from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue), 1853, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color woodblock print, oban Battle of the Naked Men, 1470/75, Antonio Pollaiuolo, Italian, 1433-1498, Italy, Engraving in black on ivory laid paper, 404 x 589 mm Dagger with Sheath, dated 1624, Scottish, Scotland, Iron, brass, ebony, and leather (sheath), L. 32.5 cm (12 3/4 in Fragment, 17th century, Italy, cisele voided cloth velvet Two-Shot, Superimposed-Charge, Double Wheel-Lock Rifle and Spring Gun, 1594, Southern German, Southern Germany, Steel, iron, copper, wood, and ivory, L. 99.1 cm (39 in Valance, Ming dynasty(1368–1644), 1600/44, China, Gold Ko'ssu strip., 21.8 × 86.6 cm (8 5/8 × 34 1/8 in Agama orbicularis, Print, 1700-1880 The Compleat Angler, 1880s, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate XII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888), edition 109/250, 12.7 × 18.5 Amulet of the Goddess Tawaret (Thoeris), New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Faience, 2.5 × 1.6 × 0.3 cm (1 × 5/8 × 1/8 in Handkerchief, 1782, England, Linen, plain weave, copperplate printed, 69.2 × 73.7 cm (27 1/4 × 29 in Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by Thomas McLean (English, active 1790-1860), England, Soft ground etching with hand-coloring and aquatint on paper, 200 × 255 mm (image), 215 × The Actor Matusmto Koshiro IV as Ise no Saburo Disguised as Mizoro no Sabu in the Play Mure Takamatsu Yuki no Shirahata, Performed at the Ichimura Theater in the Eleventh Month, 1780, c. 1780, Katsukawa Shunjo, Japanese, died 1787, Japan, Architectural Fitting (Gong), Western Zhou dynasty, c.1050–770 B.C., China, Qishan county, Shaanxi province, China, Bronze Desiderius Erasmus, 1630/33, Anthony van Dyck (Flemish, 1599-1641), after Hans Holbein, the Younger (German, 1497-1543), Flanders, Etching in black on ivory laid paper, 243 × 152 mm (image/sheet, trimmed within platemark Amulet of a Heart, Late Period, Dynasty 26–31 (664–332 BC), Egyptian, Egypt, Stone, 2 × 1.25 × .75 cm (2 × 1/2 × 1/4 in Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk and gold-leaf-over-lacquered-paper strips, gauze weave with supplementary patterning wefts, label: silk, plain weave, painted, over paper, 33 × 11.7 cm (13 × 4 5/8 in Prague, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory chine, laid The Garden Porch, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid Japanese vellum, 215 x 162 mm (image), 330 x 240 mm (sheet Strasbourg Cathedral, 1645, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 222 × 182 mm (plate), 227 × 186 mm (sheet Amulet of the God Bes, Third Intermediate Period (about 1069–664 BC), Egyptian, Egypt, Faience, 1.9 × 1 × 0.5 cm (3/4 × 3/8 × 3/16 in Milk Jug, c. 1725/40, Staffordshire, England, Staffordshire, Lead-glazed earthenware (redware), 15.2 x 10.8 x 8.9 cm (6 x 4 1/4 x 3 1/2 in Handkerchief, c. 1876, Manufactured by A. & C. Cramer (German, active about 1876), Germany, Düsseldorf, Düsseldorf, Cotton, plain weave, roller and engraved roller printed, 67.3 × 66.7 cm (26 1/2 × 26 1/4 in Third Future, plate six from Eve and the Future, 1880, Max Klinger, German, 1857-1920, Germany, Etching on light gray wove paper, laid down on ivory wove card, 290 x 201 mm (plate), 373 x 269 mm (sheet Susaki, from the series New Perspective Pictures (Shin uki-e), c. 1810s, Shotei Hokuju, Japanese, active c. 1789-1818, Japan, Color woodblock print, 22.9 x 34.9 cm (9 x 13 3/4 in Fragment, Roman period (30 B.C.– 641 A.D.), 5th/6th century, Coptic, Egypt, Egypt, Linen and wool, slit tapestry weave, 9.5 × 9.5 cm (3 3/4 × 3 3/4 in Sir Henry Guildeford, December 1, 1792, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 383 x 293 mm (image), 453 x 358 mm (plate), 540 x 412 mm The Four Magistrates of Besançon, 1825, Jean–Auguste–Dominique Ingres (French, 1780–1867), printed by Gottfried Engelmann (French, 1788-1839), France, Lithograph in black on ivory wove paper, 190 × 192 mm (image), 200 × 215 mm Panel, 1875/1900, Russia, Fancy compound satin (research card), 236.3 x 54 cm (93 x 21 1/4 in On the River Bure, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, frontispiece from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200, 13.3 × 23.5 cm (image/paper), 28.5 × Amulet of the God Khnum, Ptolemaic Period (332–30 BC), Egyptian, Egypt, Faience, 3 × .75 × 1 cm (1 1/8 × 1/4 × 3/8 in Copernicus, 1867, James Nasmyth, Scottish, 1808-1890, United Kingdom, Black and white chalk, graphite, touches of blue pencil, with scale in pen and brown ink, on gray wove paper with blue fibers, squared in graphite, 330 x 482 mm Arca scapha, Print Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 135 x 268 mm (plate), 340 x 455 mm (sheet The Actor Otani Hiroemon III as Hige no Ikyu in the scene Sukeroku in the play Hitokidori Harutsuge Soga (The Soga Play: Announcement of the Spring Season by the Bush Warbler), c. 1764, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, View of Douai, 1667–70, Adam Frans van der Meulen, Flemish, 1632-1690, Flanders, Graphite, with watercolor, on ivory laid paper, 303 × 414 mm Brush Back, Mid 18th century, Netherlands, Delft, Delft, Tin-glazed earthenware (Delftware) and wood, 13.7 × 7.8 cm (5 3/8 × 3 1/16 in Roman Landscape, 1630, Possibly the school of Claude Lorrain, French, 1600-1682, France, Pen and brown ink, with brush and brown wash, over red chalk, on cream laid paper, 162 × 213 mm Bead Stringers, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on ivory laid paper, 226 x 151 mm (image, trimmed within plate mark), 233 x 151 mm (sheet English officer and soldiers, 1861, Utagawa Yoshikazu, Japanese, active c. 1850–70, Japan, Color woodblock print, oban Box (Needlework), c. 1670s, England, Silk, warp-float faced 7:1 satin weave, embroidered with silk and gilt-metal strips in couching, beaded with glass beads, edged with silk and gilt-metal-strip-wrapped silk, plain weave, wooden frame Portrait of the Artist at Age Seventeen, 1892, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray chine, 156 × 126 mm (image), 359 × 270 mm (sheet Henriette de Lorraine, n.d., Cornelis Galle II (Flemish, 1615-1678), after Anthony van Dyck (Flemish, 1599-1641), printed by Ioannes Meyfens (probably Flemish, 17th century), Flanders, Engraving in black on ivory laid paper, 251 × 195 mm The Morning Bath, 1887/90, Edgar Degas, French, 1834-1917, France, Pastel on off-white laid paper mounted on board, 706 × 433 mm The northern wall of the Grand Cañon of the Colorado, near the foot of To-ro-weap valley. The rounded rocks of the foreground are sand-stone, 1872, William H. Bell (American, 1830–1910), commissioned by George Wheeler for the War Department, Medallions Antiques (Antique Medallions) (Furnishing Fabric), c. 1800, Designed by Jean Baptiste Huet (French, 1748–1811) after Rapheal (Italian, 1483-1520), Manufactured by Oberkampf Manufactory (French, 1738–1815), France, Goblet with Cover, c. 1750, Germany, Glass, H. 40.6 cm (16 in Madonna and Child with Saint Anthony of Padua, n.d., Giovanni Battista Pittoni, the younger, Italian, 1687-1767, Italy, Brush and brown ink and wash, over traces of red and black chalk, on ivory laid paper, 292 x 187 mm Returning sails at Takanawa, c. 1820s, Keisai Eisen, Japanese, 1790-1848, Japan, Color woodblock print, shikishiban, surimono, 20.0 x 18.2 cm Vinaigrette, 1836/37, Taylor and Perry, Birmingham, England, Birmingham, Silver and silver gilt, 4.5 × 3.2 cm (1 3/4 × 1 1/4 in Veil with Russian Imperial Family Coat of Arms, 1875/1900, Belgium, Belgium, Cotton, needle lace of a type known as "Point de Gaze Yuhi Hill at Meguro in the Eastern Capital (Toto Meguro Yuhigaoka), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban Paperweight, c. 1845–60, Clichy, France, 1837-1885, Glass, Diam. 6.4 cm (2 1/2 in Old Battersea Bridge, 1879, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on cream Japanese paper, 204 x 297 mm (plate), 289 x 443 mm (sheet Button, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), Diam. 4.5 cm (1 3/4 in Mythological Scene: Triumph of Alexander(?) (recto), n.d., Possibly François Chauveau (French, 1613-1676), or possibly Charles Le Brun (French, 1619-1690), or possibly Sébastien Bourdon (French, 1616-1671), France, Pen and iron gall ink, The Dance Hall, n.d., Pierre François Basan (French, 1723-1797), after Gabriel de Saint-Aubin (French, 1724-1780), France, Etching and engraving in black on cream laid paper, 283 × 352 mm (image), 322 × 368 mm (plate), 581 × 468 mm Courtyard Interior, 1849, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 159 × 201 mm (image), 168 × 208 mm (chine), 182 × 223 mm (plate Fragment, Roman period (30 B.C.– 641 A.D.)/Arab period (641–969), 6th/8th century, Coptic, Egypt, Egypt, Linen and wool, tapestry weave, embroidery, 11.4 cm (4 1/2 in.) diameter Anampses caeruleo-punctatus, Print, Anampses is a genus of wrasses native to the Indian and Pacific Oceans., 1817-1841 Les Quatre Parties du Monde (Four Quarters of the Globe) (Furnishing Fabric), c.1794, Designed by Jean Baptiste Huet (French, 1745-1811) Engraved by Johann Elias Ridinger (Germany, 1698-1767), Manufactured by Christophe Phillipe Oberkampf Saint Luke Painting the Virgin, n.d., Antoine Wiertz (Belgian, 1806-1865), after Quentin Massys (Flemish, 1466-1530), Belgium, Engraving on paper, 222 × 289 mm (plate), 226 × 292 mm (sheet Antoine and Gémier, in Une Faillite, 1893, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 296 × 369 mm (image), 383 × 552.5 mm (sheet Gathering Berries, published July 11, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 230 x 346 mm (image), 285 x 406 mm (sheet 2.589.713 / 2.589.715 Entries < previous page Page 3275 / 25898 next page >