Images at Librifly

Dish, c. 1775, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, W. 28.6 cm (11 1/4 in.), diam. 23.5 cm (9 1/4 in

Bishop Saint from an Augustinian altarpiece, 1450/75, Italian, Venice, Venice, Tempera and oil on panel, Panel: 126.2 × 30 cm (49 5/8 × 11 13/16 in.), Painted Surface: 119 × 25.5 cm (46 7/8 × 10 in

The Actor Ichikawa Danjuro V as Issun Tokubei in Act Eight of the Play Natsu Matsuri Naniwa Kagami (Mirror of Osaka in the Summer Festival), Performed at the Morita Theater from the Seventeenth Day of the Seventh Month, 1779, c. 1779, Katsukawa

Cup, 1750/59, Staffordshire, England, Staffordshire, Lead-glazed earthenware (agateware), 7 x 8.3 x 5.7 cm(2 3/4 x 3 1/4 x 2 1/4 in

The Tree Fern, Prize Photo, 1863, Samuel Bourne, English, 1834–1912, England, Albumen silver print, 29.6 × 24.4 cm

Rug, c. 1885, United States, probably New England, United States, Variety of fibers, plain weave, with variety of fibers, yarns, felted, knitted, oblique interlaced and/or woven strips, forming "hooked" pile, 159.5 x 76.2 cm (62 3/4 x 30

Ancylodon parvipinnis, Print, 1700-1880

Cupid and Psyche, 1828, Jean Baptiste Regnault, French, 1754-1829, France, Oil on canvas, 60 1/8 × 77 1/8 in. (152.8 × 196 cm

St. Agnes, 1864/65, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 26.4 × 20.9 cm (image/paper), 44.6 × 35.6 cm (mount

Italian Landscape with Travelers, 1645/50, Jan Both, Dutch, c. 1618-1652, Holland, Oil on canvas, 49.5 × 61 cm (19 1/2 × 24 in

Isleworth, plate 63 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by H. Dawe, England, Etching and engraving in brown on ivory wove paper, 182 × 262 mm (image), 209 × 290 mm

The Actor Segawa Kikunojo III as the Female Fox-Fairy Otatsu-gitsune Disguised as Shizuka Gozen in the Play Kogane Saku Date no Okida, Performed at the Ichimura Theater in the Eleventh Month, 1792, c. 1792, Katsukawa Shun’ei, Japanese,

Al Dolo, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid paper, 299 x 432 mm (image), 303 x 434 mm (plate), 435 x 587 mm (sheet

Chest of Drawers, 1700/30, American, 18th century, Pennsylvania, Pennsylvania, Walnut, tulip, and pine, 105.4 × 101.6 × 59.1 cm (41 1/2 × 40 × 23 1/4 in

Paperweight, c. 1848, Saint-Louis, France, founded 1767, Saint-Louis, Glass, Diam. 7.6 cm (3 in

First Little Night Piece, 1898, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Aquatint from a zinc plate in black on ivory wove paper, 170 × 98 mm (image/plate), 318 × 169 mm (sheet

Bowes Museum, Barnard Castle, 1850/80, James Valentine, Scottish, 1815–1880, Scotland, Albumen print, 13.3 x 20.6 cm (image/paper

Architectural Fitting (Gong), Eastern Zhou dynasty, Spring and Autumn period (770–481 B.C.), 7th century B.C., China, Qishan county, Shaanxi province, China, Bronze

Shawl, 19th century, India, India, Silk, embroidered in eyelet, buttonhole and chain stitches and inset with tiny mirrors, 157.5 x 182.9 cm (62 x 72 in

Shawl, 1865/70, England, Silk and cotton, compound weave, knotted silk fringe, floral and lace pattern, 161.6 × 154.5 cm (63 5/8 × 60 7/8 in

Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series Famous Views of the Eastern Capital (Toto meisho), c. 1831, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 21.2 x 34.5 cm (8

Les Propos de Thomas Vireloque: Matthew has only this in his favor, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 202 × 162 mm (image), 360 × 263 mm (sheet

Portrait of Louis de la Vergne de Tressan, Count of Lyon, Archbishop of Rouen, c. 1728, Pierre-Imbert Drevet (French, 1697-1739), after Jean-Baptiste van Loo (French, 1684-1745), France, Engraving on ivory laid paper, 275 × 204 mm (image),

An Elegant Young Woman in a Garden, c. 1785, Alexandre Moitte, French, 1750-1828, France, Black chalk on ivory laid paper, 192 × 145 mm

Scarf End, 19th century, Spain, 59.1 x 30.5 cm (23 1/4 x 12 1/2 in

Court of the Monastery of St Augustine, Bourges, 1888, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in dark brown ink on ivory laid paper, 129 x 219 mm (image, trimmed within plate mark), 133 x 219 mm

Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 5.1 cm (2 in

Buffoon and Two Bathing Women, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 44 x 69 mm (image/sheet, trimmed to plate mark

Fragment, 16th century, Italy, Silk and gilt-metal-strip-wrapped silk, 4:1 satin damask weave with supplementary brocading wefts bound by main warps in weft-float faced 1:4 'S' twill interlacings, 65.2 x 31.1 cm (25 5/8 x 12 1/4 in

Pomona, 1617/18, Attributed to Gian Giacomo Sementi, Italian, 1583–c. 1640, Italy, Black chalk with stumping and black chalk wash on ten sheets of tan laid paper pieced onto secondary support, 1, 768 x 884 mm

Anthus pratensis, Print, The meadow pipit (Anthus pratensis) is a small passerine bird which breeds in much of northwestern Eurasia, from southeastern Greenland and Iceland east to just east of the Ural Mountains in Russia, and south to central

Zischägge, c. 1620, Flemish, Flanders, Steel, H

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by Thomas McLean (English, active 1790-1860), England, Soft ground etching with hand-coloring and aquatint on paper, 197 × 255 mm (image), 215 ×

Panel, 1840s, Possibly England, England, Cotton, plain weave, engraved roller printed, 53.9 × 71.7 cm (21 1/4 × 28 1/4 in

Antoninianus (Coin) Portraying Emperor Valerian, AD 255/257, Roman, minted in Rome, Roman Empire, Billon, Diam. 2.4 cm, 3.18 g

Sleeve Ruffle, 18th century, France, 88.9 × 15.9 cm (35 × 6 1/4 in

Arctomys monax, Print, The groundhog (Marmota monax), also known as a woodchuck, is a rodent of the family Sciuridae, belonging to the group of large ground squirrels known as marmots. It was first scientifically described by Carl Linnaeus in

The Water-Cart, 1877, John Thomson, Scottish, 1837–1921, Scotland, Woodburytype, from the album "Street Life in London

Stomacher, 17th century, England, Silk, weft-faced plain weave, embroidered with silk and metal threads in couched, satin and outline stitches, 35.4 × 21.5 cm (13 7/8 × 8 1/2 in

Border, 1701/25, Northern Europe, Northern Europe, Linen, needle lace on woven tapes, 13.1 x 55.2 cm (5 1/4 x 21 3/4 in

Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6, 1891, Odilon Redon, French, 1840-1916, France, Lithograph on light gray chine, 274 × 226 mm (image), 350 × 269 mm (sheet

Libra, Striking the Balance from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1846, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto (English, 19th century),

Tetradrachm (Coin) Portraying Empress Salonina, AD 254/268, Roman, Alexandria, Billon, Diam. 2.2 cm, 9.61 g

Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7 cm (2 3/4 in

Study, 1864/65, Jean Baptiste Carpeaux, French, 1827-1875, France, Black chalk, over graphite, on ivory laid paper, 205 × 133 mm

Solomon Worshipping the Idol Moloch, c. 1531, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 47 x 77 mm (sheet

The Actor Matsumoto Koshiro IV as Kakogawa Honzo in the Play Kanadehon Chushingura, Performed at the Kawarazaki Theater in the Fifth Month, 1795, c. 1795, Katsukawa Shun’ei, Japanese, 1762-1819, Japan, Color woodblock print, oban, 38.3 x

Fragment (Border), 1601/25, Italy, Linen, needle lace worked on a laid and plaited thread grid, Reticello pattern, 15.3 x 7.3 cm (6 x 2 7/8 in

Nevada Fall, 700 Feet High, Near View, 1860/69, Thomas Houseworth & Co., American, 1828–1915, United States, Albumen print, stereo, No. 1636 from the series "Yosemite Valley

The Hahakigi Chapter from The Tale of Genji (Genji Hahakigi), from a series of Genji parodies, c. 1710, Okumura Masanobu, Japanese, 1686-1764, Japan, Woodblock print, oban, sumizuri-e, 27.3 x 38.2 cm

The Pilot of Tonga, 1856, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), France, Etching, from two plates, one in black and the other in red (brownish), on ivory laid paper, 202 × 143 mm (image), 202

Death: My Irony Surpasses All Others, 1888, Odilon Redon, French, 1840-1916, France, Transfer lithograph in black ink on thin ivory wove paper, laid down on heavyweight ivory wove plate paper (chine collé), 261 × 197 mm (image), 347 × 452

Aureus (Coin) Portraying Emperor Trajan, 114/15, issued by Trajan, Roman, minted in Rome, Rome, Gold, Diam. 2 cm, 7.36 g

Ceremonial Waist Sash (ikak pinggang), 19th century, Minangkabau people, Indonesia, West Sumatra, Solok village, Sumatra, Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with

The Holy Family, c. 1589, Hendrick Goltzius (Dutch, 1558-1617), after Bartholomaeus Spranger (Flemish, 1546–1611), Netherlands, Engraving in black on laid paper, 271 × 210 mm (image), 286 × 215 mm (plate), 304 × 229 mm (sheet

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by Thomas McLean (English, active 1790-1860), England, Soft ground etching with hand-coloring and aquatint on paper, 197 × 259 mm (image), 215 ×

Burgonet, 1550/60, South German, Southern Germany, Steel and leather, H. 22 cm (8 5/8 in

Amulet of a Ram’s Head, New Kingdom–Later Period? (about 1500–664 BC), Egyptian, Egypt, Glass, 1.6 × 1 × 0.6 cm (5/8 × 3/8 × 1/4 in

Fragment, A.D. 1476/1532, Possibly provincial Inca, Possibly Yauca Valley, south coast, Peru, Peru, Compound cloth, plain, 8.3 × 8.3 cm (3 1/4 × 3 1/4 in

Triptych with Scenes from the Life of Christ, 1350/75, German, Cologne, Germany, Ivory with traces of gold, 25.7 × 17.5 cm (10 1/8 × 6 15/16 in

Bag, 18th century, France, plain weave linen, embroidered in metal strip wrapped on silk core, silk chenille, silk floss, in tent, cross, thread counted and free, running chain, oblique "gobelin" stitches, fancy knitted bottom

Doorway and Vine, 1879–80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper, 232 x 168 mm (plate), 380 x 275 mm (sheet,

Coin Depicting a Parasol, AD 42/43, issued by Herod Agrippa I (AD 37–44), Roman, Palestine, Israel, Bronze, Diam: 1.7 cm, 2.55 g

La Route de Jouy (The Road to Jouy) (Furnishing Fabric), c. 1820, Engraved by Pierre Guillaime Lemeunnie (French, active c. 1820) after Horace Vernet (French, 1789–1863), Manufactured by Favre-Petitpierre et Cie. (French, 1802-1818), France,

The Artist’s Wife and Children, 1665/77, Wallerant Vaillant, Dutch, 1623-1677, Flanders, Mezzotint on paper, 374 × 296 mm

Panel, 1601/25, Italy, Linen, plain weave, drawn work embroidered in darning, hem, overcast, and Russian overcast stitches, 44.4 x 55.8 cm (17 1/2 x 22 in

On lui Fait Toujours des Charges!!, 1827, Denis Auguste Marie Raffet (French, 1804-1860), printed by François le Villain (French, active 19th century), published by Éditeur Chez Frérot (French, active 19th century), France, Lithograph in

Luce Myrès, Front View, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 365 × 259 mm (image), 537 × 382 mm (sheet

Table Carpet (Depicting Scenes from the Life of Christ), 1600/50, Northern or Southern Netherlands, Netherlands, Linen, wool, and silk, slit and double interlocking tapestry weave, 264.8 x 163.2 cm (104 1/4 x 64 1/4 in

Cushion Cover, 17th century, Turkey, Turkey, Linen, plain weave, backed with cotton, plain weave, embroidered with silk floss and silk yarns in laid work and couching, 104.2 x 53.4 cm (41 x 21 in

Paperweight, 19th century, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 7.6 cm (3 in

View of Hashiba in the Eastern Capital (Toto Hashiba no zu), from the series Views of the Eastern Capital (Toto no zu), early 1830s, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock print, oban, 24.8 x 36.4 cm (9 3/4 x 14 5/16

Cover/ Pillow?, 1725/75, France, 57.2 × 51.4 cm (22 1/2 × 20 1/4 in

Ono no Tofu, from the series A Gathering of the Elders of Poetry (Shoshikai bantsuzuki), c. 1820, Totoya Hokkei, Japanese, 1780–1850, Japan, Color woodblock print, shikishiban, surimono, 21.3 x 18.4 cm

The Old Badger from the series New Forms of Thirty-Six Ghosts, 1889, Tsukioka Yoshitoshi, Japanese, 1839–1892, Japan, Color woodblock print

Bowl with Abstract, Geometric Rendering of Blanket on Interior, 1400/1600, Hopi, Jeddito Black-on-yellow, Northeastern Arizona, United States, Arizona, Ceramic and pigment, Diam. 22 cm (8 5/8 in

Peytral and Lower Neck Defense of a Horse Armor, mid–16th century with 19th century etching, Southern German, Augsburg, Steel

John Philip Kemble, c.1795, Martin Archer Shee, Irish, 1769-1850, Ireland, Oil on canvas, 72.7 x 59.7 cm (28 5/8 x 23 1/2 in

Arachnothera jugularis, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests of south and southeastern Asia. They are large

Trouser Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Design of dragons, butterflies, dogs, black and white border, embroidered on gauze., 11.2 × 37.2 cm (4 3/8 × 14 5/8 in

The Steeple in the Village by the Sea, n.d., Anthoni Waterlo, Dutch, 1609-1690, Holland, Etching on paper, 95 x 145 mm (image/plate), 100 x 150 mm (sheet

Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields, 1863, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), published by Rochoux (French, 19th century), France, Etching on ivory laid

Hilly Landscape with Shepherd and Flock, n.d., Follower of Thomas Gainsborough, English, 1727-1788, England, Charcoal with stumping on tan wove paper, 281 × 371 mm

Hagi Temple (Hagidera), from the series Thirteen Views of the Environs of Edo, c. 1837/44, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, ebangire, surimono, 7 1/4 x 20 3/8 in

The Supper after the Masked Ball, c. 1855, Thomas Couture (French, 1815-1879), printed and manufactured by Jules Desfossé (French, 1816-1889), France, Woodcut with painted and stenciled additions on tan wove paper, laid down on fabric, and

Ambassis commersonii, Print, Ambassis is a genus of fish in the family Ambassidae, the Asiatic glassfishes. They are found widely in the Indo-Pacific region, with species in fresh, brackish and coastal marine waters., 1798-1876

The Actor Nakamura Riko I as Lady Manko (Manko Gozen) (?) in the Play Soga Musume Choja (?), Performed at the Nakamura Theater (?) in the First Month, 1784 (?), c. 1784, Katsukawa Shunjo, Japanese, died 1787, Japan, Color woodblock print,

Anser segetum, Print, 1700-1880

Man Riding a Horse through the Air, 1860–70, Nicolas-François Chifflart, French, 1825-1901, France, Charcoal, with stumping and erasing, on tan laid paper, squared in white chalk, and laid down on blue wove paper with blue fibers, 615

Sacrificial Scene, 1489/90, Gian Francesco de’Maineri, Italian, active 1489-1506, Italy, Pen and black ink with brush and gray-and-brown wash, heightened with lead white, partially oxidized, on cream laid paper, edge mounted to cream wove

Left Hand Prosthetic, late 16th century, European, Europe, Steel

Blessed Art Thou Among Women, 1899, Gertrude Käsebier, American, 1852–1934, United States, Photogravure, from "American Pictorial Photography, Series II" (1901), edition 34/150, 23.7 x 14.1 cm (image), 26.4 x 16.4 cm (paper), 28.5 x

Hudibras Triumphant, plate four from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge mounted on cream wove paper, 243 × 337 mm (image), 266 × 347 mm (plate), 269

Bottle, 1st century AD, Roman, Levant or Syria, Syria, Glass, blown technique, H. 17.1 cm (6 3/4 in.), diam. 3.5 cm (1 3/8 in

Tahitian Woman, headpiece for Le sourire, 1899/1900, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin ivory laid Japanese paper, 104 × 187 mm (image), 120 × 201 mm (sheet

Arachnothera asiatica, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests of south and southeastern Asia. They are large

The Fifty, 1771, Jean Michel Moreau, French, 1741-1814, France, Etching with roulette and stipple on cream laid paper, 261 × 189 mm (image), 266 × 196 mm (sheet

Beauties Under a Maple Tree, from the series A Collection of Contemporary Beauties of the Pleasure Quarters (Tosei yuri bijin awase), c. 1784, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, left sheet of oban diptych

Fragment, 1675/1700, Iran (Persia, Isfahan), Iran, Brocaded cloth, ribbed, silk and gold wound on yellow silk core, 47.6 x 55.9 cm (18 3/4 x 22 in

Antennarius leprosus, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and 100 m.They can be found worldwide in tropical and