Images at Librifly

Martyrdom of Saint Lawrence, 1520/25, Marcantonio Raimondi (Italian, c.1480-1534), after Baccio Bandinelli (Italian, 1495-1543), Italy, Engraving in black on paper, 437 x 578 mm (plate), 447 x 590 mm (sheet

Title Page: Roman Antiquities outside Rome drawn and etched by Giambat’ta Piranesi, Venetian Architect. Part Two, from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching

Bedcover (Album Patch or Signature Quilt), 1847/48, United States, Pennsylvania, Berks, Lebanon and Montgomery County, United States, Cotton, various plain weaves, most printed, pieced, quilted, inscribed, backed with cotton, plain

Shrubs and Trees in Rocky Landscape, c. 1845, John Ruskin, English, 1819-1900, England, Pen and brown ink, with brush and watercolor, over graphite, on ivory wove paper, 140 × 215 mm

The Wayfarer Resting in the Forest, n.d., Anthoni Waterlo, Dutch, 1609-1690, Holland, Etching on paper, 218 x 287 mm (image), 225 x 292 mm (plate), 269 x 339 mm (sheet

Study for Venice, Crowned by Victory, Receiving Her Subject Peoples, n.d., After Jacopo Negretti, called Palma il Giovane, Italian, c. 1548-1628, Italy, Pen and black and brown ink with brush and brown wash, heightened with lead white

Arachnothera zeylonica, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests of south and southeastern Asia. They are large

Teapot, c. 1750, Staffordshire, England, Staffordshire, Salt-glazed stoneware, polychrome enamels, 12.1 x 14.9 x 8.3 cm (4 15/16 x 5 7/8 x 3 1/4 in

Fragment, late Edo period (1789–1868), 1800/1850, Japan, Single plain compound cloth, silk., 16.2 x 20 cm (6 3/8 x 7 7/8 in

Large Wine Glass, c. 1850/70, Bohemia, Czech Republic, Bohemia, Glass, blown, cut, stained red and engraved, H. 22.9 cm (9 in

Dancing Giant, from Disparates, published as plate 4 in Los Proverbios, 1816–19, published 1864, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and burnished aquatint in brown-black on ivory wove paper, 220 x 319

Christmas Boxes in Camp—Christmas, 1861, published January 4, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 274 x 232 mm (image), 400 x 271 mm

Ara manilata, Print, The red-bellied macaw (Orthopsittaca manilatus), also known as Guacamaya Manilata, is a medium-sized, mostly green South American parrot, a member of a group of large Neotropical parrots known as macaws. It is the largest

Aureus (Coin) Portraying Emperor Aurelian, 272, issued by Aurelian, Roman, minted in Siscia (uncertain), Rome, Gold, Diam. 2.1 cm, 5.72 g

The Prisoner, n.d., Rodolphe Bresdin, French, 1825-1885, France, Pen and black ink, on tan tracing paper, laid down on buff wove paper, 114 × 110 mm

Fragment, 1601/50, Italy, Silk, satin damask weave, 20.3 x 21.9 cm (8 x 8 5/8 in

Keeper’s Cottage, Amwell Magna Fishery, 1880s, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photogravure, plate V from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888), edition

River God, n.d., Unknown artist, possibly Italian, 18th century, Italy, Pen and brown ink, with traces of graphite, on ivory laid paper, 176 × 251 mm

The Little Ford, 1803, Jean Jacques de Boissieu, French, 1736-1810, France, Etching on pale pink paper laid down on ivory wove paper (China paper collé), 146 × 188 mm (image), 226 × 320 mm (sheet

Ritual Head, Mid–/late 19th century, Hemba, Democratic Republic of the Congo, Central Africa, Democratic Republic of the Congo, Wood, animal fur (contemporary facsimile based on period examples), and twine, 33 × 17.8 × 14 cm (13 × 7 ×

Ancillaria glandiformis, Print

Untitled, n.d., Félicien Rops, Belgian, 1833-1898, Belgium, Colored pencil and graphite (recto) and black pencil (verso) on tan laid paper, tipped onto tan wove paper, 327 × 254 mm

Goat’s Foot Spanner for a Crossbow, early 16th century, European, Europe, Iron, L. 35.4 cm (15 1/2 in

Charles I, King of England, 1697, Benoît Audran I (French, 1661-1721), after Adriaen van der Werff (Dutch, 1659-1722), France, Etching with engraving and stipple on cream laid paper, 297 × 173 mm (image), 313 × 184 mm (plate), 374 ×

John Bulls Progress, published June 3, 1793, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 280 × 370 mm (image), 300 × 377 mm (plate), 325 × 420 mm

Coin Depicting the Hero Herakles, 300/200 BC, Greek, Ancient Greece, Bronze, Diam. 1.1 cm, 1.33 g

Young Woman Wearing a Hat, c. 1782, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hashira-e, 67.8 x 11.5 cm

Head of a Woman, plate I, 1898, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Etching and drypoint from a zinc plate in bistre on ivory laid paper, 227 × 150 mm (image/plate), 312 × 226 mm (sheet

The Idol, frontispiece from Emile Verhaeren’s Les Soirs, 1887, Odilon Redon, French, 1840-1916, France, Lithograph on paper, 163 × 95 mm (comp.), 248 × 162 mm (sheet

Plaque: Amun is in Luxor, New Kingdom–Third Intermediate Period? Dynasties 18–25 (about 1550–664 BC), Egyptian, Egypt, Carnelian, 1.3 × 1.1 × 0.5 cm (1/2 × 7/16 × 3/16 in

Ritual Cache, 1300/1400, Salado branch of the Mogollon, Southeastern Arizona, United States, Arizona, Wood, stone, plant fibers, cotton, feathers, hide, and pigment, Male figure: h. 64 cm (25 1/4 in.), female figure: h. 36 cm (14 3/16

The Actors Sanogawa Ichimatsu I as Kosoke and Arashi Tominosuke I as Okiku, mid–18th century, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan, Color woodblock print, hosoban, benizuri-e, 12 1/4 x 5 5/8 in

Saint Matthew, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 260.35 x 196.85 mm

Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible, 1831, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet

Paperweight, 19th century, New England Glass Company, American, 1818-1888, New York City, Glass, Diam. 7.3 cm (2 7/8 in

Laigh Kirk Close, 1868, Thomas Annan, Scottish, 1829–1887, Scotland, Photogravure, plate 23 from the book "The Old Closes & Streets of Glasgow" (1900), 22.3 x 17.7 cm (image), 38 x 27.3 cm (paper

Saint Blessing of Healing Child, n.d., After Simone Barabbino (Italian, c. 1585-1664), style of Ercole Graziani, the younger (Italian, 1688-1765), Italy, Black chalk on ivory laid paper, 229 x 145 mm

Portrait of Madame de Poullain, n.d., After Caspar Netscher, Dutch, 1639-1684, Holland, Drawing on paper, 308 x 244 mm

A Fisherman Drinking Beside His Canoe, 1894, Paul Gauguin, French, 1848-1903, France, Wood-block print in brown ink on cream wove Japanese paper, laid down on cream wove Japanese paper, 204 × 140 mm (image/primary/secondary support

The Actor Segawa Kikunojo II as the Courtesan Maizuru in the Play Furisode Kisaragi Soga (Soga of the Long, Hanging Sleeves in the Second Month), Performed at the Ichimura Theater from the Twentieth Day of the Second Month, 1772, c. 1772,

Coin Depicting the Goddess Athena, 300/200 BC, Greek, Ancient Greece, Bronze, Diam. 1.4 cm, 1.88 g

The Man with a Sickle, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream wove Japanese vellum, 233 x 159 mm (image), 310 x 231 mm (sheet

Coverlet, 1853, John Rogers (American, born Irish, active c. 1853), United States, Indiana, Wayne County, Indiana, Cotton and wool, plain weave double cloth, woven on loom with Jacquard attachment, two loom widths joined, fringed, 230.8

Antennarius bigibbus, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and 100 m.They can be found worldwide in tropical and

The Actors Ichimura Tamagashiwa I as Iwaki Hime, Murayama Heiemon III as Katsuta Jiro, and Katsuyama Matagoro as Minamoto no Yoshiie in the play Yoroi Kurabe Oshu Kogane, performed at the Ichimura Theater in the eleventh month, 1716, 1716,

Coin Portraying Julia Domna, AD 193/217, Roman, Roman Empire, Bronze, Diam. 2.4 cm, 6.61 g

Hyacinthe Rigaud, 1698, Gérard Edelinck (French, born Flanders, 1640-1707), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving and etching on paper, 479 × 361 mm (image), 481 × 367 mm (plate), 510 × 402 mm (sheet), The

Ruins of the Coliseum, plate 10 from The Ruins of Rome, 1639/40, Bartholomeus Breenbergh, Dutch, 1598-1657, Holland, Etching in black on ivory laid paper, 104 x 64 mm (plate), 108 x 68 mm (sheet

The Triumph of Love, 1470/90, Attributed to Francesco Rosselli, Italian, 1448-c. 1513, Italy, Engraving in black on paper, 257 x 170 mm

The Actor Ichikawa Danjuro V as Kazusa no Akushichibyoe Kagekiyo in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Third Month, 1783, c. 1783, Katsukawa Shunjo, Japanese, died 1787, Japan, Color woodblock print,

D. Christopher Jacob Trew, from Plantae Selectae, n.d., Johann Jacob Haid (German, 1704-1767), after Dominicus van der Smissen (German, 1704-1760), Germany, Mezzotint on paper, 312 x 194 mm (plate), 428 x 265 mm (sheet

Pendant with the Eucharist, or Holy Sacrament, 1650/1700, Spanish, Spain, Gold, enamels, and glass, 4.7 × 4.6 cm (1 7/8 × 1 13/16 in

Ornament with Two Tritons, from Four Vignettes, c. 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 22 x 54 mm (image/sheet, trimmed to plate mark

Ely Cathedral: Prior’s Door, 1893, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm

Nathalie Madoré, 1895, Théophile-Alexandre Steinlen (French, born Switzerland, 1859-1923), printed by Eugène Verneau (French, d. 1906), published by Albert Langen (German, 1869-1909), authored by Abel Hermant (French, 1862-1950),

Antilope sylvatica, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Miner, from the ninth album of L’Estampe originale, 1895, Constantin Emile Meunier (Belgian, 1831-1905), published by L’Estampe originale (French, 1893-1895), Belgium, Transfer lithograph, with scraping, in black on tan laid paper, 345

Death and the Maiden, 1547, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 75 x 48 mm (image/sheet, trimmed to platemark

Fragment, Late 17th century, Italy, Silk, 57.2 x 24.1 cm (22 1/2 x 9 1/2 in

Ananchytes ovata, Print

Cuirassier with Drawn Sword, modeled c. 1875 (cast after 1891), Jean-Louis-Ernest Meissonier, French, 1815-1891, France, Bronze, 49.5 × 62.5 × 21 cm (19 3/4 × 24 5/8 × 8 1/4 in

The Merchant and Death, 1651, Wenceslaus Hollar (Czech, 1607-1677), after Hans Holbein the younger (German, c.1497-1543), Bohemia, Etching on ivory wove paper, 73 × 52 mm (sheet, trimmed within plate mark

Coin Portraying Empress Crispina, AD 177/183, Roman, Roman Empire, Bronze, Diam. 2.6 cm, 11.35 g

Resurrection, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 119 x 75 mm (image/plate), 121 x 77 mm (sheet

Compote and Cover, c. 1850, England, Bristol, Bristol, Glass, H. 35.6 cm (14 in

Pair of Mitten Gauntlets, c. 1500 with 19th century restoration, Spanish, Spain, Steel, L. 25.4 cm (10 in.) (each

Corinthian Capital with Sun God Surya Riding a Chariot (Quadriga), 2nd century, Pakistan, Ancient region of Gandhara, Gandhara, Gray schist, 14.8 × 29 × 10.4 cm (5 13/16 × 11 7/16 × 4 1/16 in

Ammonites dentatus, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living coleoids

Flowers of Autumn and Winter, 19th century, Suzuki Kiitsu, Japanese, 1796-1858, Japan, Six panel screen, ink, colors and gold leaf on paper, 72.4 x 207.6 cm

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk, warp-float faced 4:1 satin weave with supplementary patterning wefts bound in weft-float faced 1:4 satin interlacings, 34.8 × 12 cm (13 3/8 × 4 3/4 in

Tobias and the Angel Raphael, c. 1605, Jacopo Ligozzi, Italian, 1547-1627, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), over black chalk, with gray overpaint, (added by a later hand) on head and

Little London, 1896, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black with stumping, on cream laid paper, 190 x 140 mm (image), 301 x 173 mm (sheet

Illustration from Metamorphosis by Ovidius, plate 72 from Woodcuts from Books of the XVI Century, 1575, assembled into portfolio 1937, Unknown Artist (French, 16th century), assembled by Max Geisberg (Swiss, 1875-1943), France, Woodcut on

Amulet of the God Shu, Saite Period (664–525 BC), Egyptian, Egypt, Faience, 5.7 × 3.8 × 2.2 cm (2 1/4 × 1 1/2 × 7/8 in

Coin Portraying Emperor Elagabalus, AD 218/222, issued by Emperor Elagabalus, Roman, minted in Alexandria, Egypt, Roman Empire, Billon, Diam. 2.4 cm, 11.73 g

Plate, c. 1755, Chelsea Porcelain Manufactory, London, England, c. 1745-1784, Chelsea, Soft-paste porcelain, polychrome enamels, H. 2.9 cm (1 1/8 in.), diam. 24.8 cm (9 3/4 in

Flying Putto, n.d., Studio or school of François Boucher, French, 1703-1770, France, Red and black chalk, heightened with touches of white chalk, on buff laid paper, 251 × 202 mm

Martyrdom of a Saint, 1626/32, Workshop of Vicencio Carducho, Italian, 1570-1638, Italy, Watercolor and black chalk, heightened with lead white (discolored), on cream laid paper, laid down on ivory laid paper, 344 x 236 mm

Panel, 1775/1800, Spain, Silk, satin weave with patterning wefts, cut and uncut voided velvet, 99.2 x 55.5 cm (39 x 21 7/8 in

Border (From a Cover), Probably 1701/50, Southern Italy or Sicily, Southern Italy, Linen, plain weave, pulled thread work in single faggot and darning stitches, 60.4 x 12.3 cm (23 3/4 x 4 7/8 in

The New Yoshiwara (Shin Yoshiwara), from the series Famous Places in the Eastern Capital (Toto meisho), c. 1839/42, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, trimmed, 21.7 x 34.3 cm (8 9/16 x

The Courtesan Takigawa of the Ogiya with Her Attendants Onami and Menami, from the series Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo), 1783, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color

Flute, c. 1820/30, England, Glass, 16.5 cm (6 1/2 in

Angel Playing a Flute, c. 1591, Circle of Giuseppe Cesari, called Il Cavalier d’Arpino, Italian, 1568-1640, Italy, Black and red chalk, with traces of pen and brown ink, on buff laid paper, incised, 205 x 136 mm

Wollzeile No. 9, Wohnhaus des Grafen Friedrich Fünfkirchen, 1860s, Austrian, 19th century, Austria, Albumen print, 30.8 × 25.9 cm (image/paper), 61.2 × 42.7 cm (album page

Pont-au-Change, Paris, about 1784, 1855, Charles Meryon (French, 1821-1868), after Victor Jean Nicolle (French, 1754-1826), France, Etching in dark brown on cream wove paper, 131 × 227 mm (image), 136 × 237 mm (plate), 322 × 456 mm

A Candidate. Who do you want?… An upright, conscientious, sober man, an industrialist, a man who doesn’t need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice… a long

My Old Mother-in-Law is Always Ready to Scold without Any Reason, n.d., Manuel Manilla, Mexican, 1830-c. 1900, México, Relief engraving or photo relief etching on violet wove paper, 293 x 192 mm

Young Woman Holding a Fan, c. 1769, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 26 1/2 x 5 in

Tetradrachm (Coin) Portraying Emperor Antiochos VIII Grypos, 104/96 BC, reign of Antiochos VIII Grypos (121–96 BC), Greek, minted in Syria, Syria, Silver, Diam. 3.1 cm, 16.50 g

Sleeve, 19th century, Czech Republic, Czech Republic, Linen, plain weave, embroidered with wool, 33.1 × 42 cm (13 × 16 1/2 in

Tureen with Cover, c. 1880, Designed by Christopher Dresser, English, born Scotland, 1834-1904, Made by Hukin and Heath, Birmingham and London, 1855-1953, Birmingham, England, Birmingham, Electroplated silver and ebony, 20.3 × 31.1 ×

Agama ophiomachus, Print, 1700-1880

Christ with the Cross, c. 1530, Circle of Rosso Fiorentino, Italian, 1494-1540, Italy, Black chalk, on cream laid paper, laid down on tan laid paper, 333 × 175 mm

Illustration from Thierbuch, plate 42 from Woodcuts from Books of the XVI Century, 1563, assembled into portfolio 1937, Attributed to Hans Asper (Swiss, c. 1499-1571), assembled by Max Geisberg (Swiss, 1875-1943), Switzerland, Woodcut on

Bottle, Hellenistic, 2nd/1st century BC, Eastern Mediterranean, Egypt, Glass, core-formed technique, 12.1 × 4.1 × 3.2 cm (4 3/4 × 1 5/8 × 1 1/4 in

Four Studies of a Jockey, 1866, Edgar Degas, French, 1834-1917, France, Brush with black ink, oil paint, and white gouache, on tan wove paper discolored with brown essence, laid down on cream laid board, 453 × 316 mm

Sheet of Sketches, 1829, Denis Auguste Marie Raffet (French, 1804-1860), published by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on tan wove paper, 230 × 299 mm (image), 295 × 451 mm (sheet

In the Spheres (The Breath Which Leads Living Creatures is also in the Spheres), plate five from To Edgar Poe, 1882, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper, laid down on white wove paper, 273 × 208

Zuren, Jan van (1517-1591) publisher, burgomaster of Haarlem, 1590, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving and etching in black on ivory laid paper, 129 x 101 mm (image), 165 x 107 mm (plate/sheet