Images at Librifly

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm

Plate, 1784, Sèvres Porcelain Manufactory, French, founded 1740, Painted by Antoine-Toussaint Cornailles, French, active 1755-1800, Sèvres, Soft-paste porcelain, polychrome enamels, and gilding, Diam. 23.7 cm (9 5/16 in

Le Palais Royal, de Paris, published September 18, 1818, George Cruikshank (English, 1792-1878), published by George Humphrey (English, c. 1773-1831), England, Hand-colored etching on paper, 247 × 350 mm (image), 252 × 356 mm (plate),

Man of Sorrows, 1465/70, German, 15th century, Germany, Woodcut hand-colored with brush and watercolor on cream laid paper, edge-mounted to vellum, laid down on wooden book cover covered in hand-tooled leather with tooled metal hinges, 397 x

Pocket watch, c. 1823, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, shikishiban, surimono, 20.8 x 18.8 cm

Design for Escutcheon, with Skulls and Books, n.d., Unknown Artist, possibly Italian or German, Italy, Black chalk and brush and brown wash on ivory laid paper, 405 x 580 mm

Geyscliffe, c. 1853, Robert Henry Cheney, English, c.1800–1866, England, Albumen print, 17.7 × 22.1 cm (image/paper), 25.4 × 30.4 cm (hinged paper

Wine Glass, c. 1730, Germany, Glass, H. 16.2 cm (6 3/8 in

Miss Schaum, 1808/10, Jacob Eichholtz, American, 1776–1842, United States, Oil on panel, 22.9 × 17.8 cm (9 × 7 in

Antilope sumatrensis, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Bowl, c. 1775, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue, 16.8 x 8.3 cm (6 5/8 x 3 1/4 in

River Scene with Boat (Small plate), 1880, Henri-Emile Lessore, French, 1830-1895, France, Drypoint on cream laid paper, 109 × 138 mm (image/plate), 116 × 143 mm (sheet

Antilopa lanigera, Print, 1838

Dish with Peonies and Leaves, Song dynasty (960–1279), China, Porcelain with underglaze molded decoration, H. 3.5 cm (1 3/8 in.), diam. 17.7 cm (7 in

Portrait of Cardinal Fleury, 1726, François Chereau, the elder (French, 1680-1729), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on paper, 425 × 332 mm

Portfolio Cover for Twelve Views in North Wales, 1776, Paul Sandby, English, 1731-1809, England, Porfolio cover

Taglia Cantoni, Fracasso, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Scarab: Name of Amun-Ra, New Kingdom, Dynasties 18–20 (about 1550–1069 BC), Egyptian, Egypt, Steatite, 1.6 × 1 × 0.6 cm (5/8 × 3/8 × 1/4 in

The Assumption of the Virgin in a Historiated Initial A from an Antiphonary, 15th century, Italian (Lombardy), Italy, Manuscript cutting in tempera and gold leaf on parchment, with gothica textura inscriptions in brownish-black ink, ruled in

Coffee Pot, 1765/70, Derby Porcelain Manufactory, England, 1750-1848, Derby, Soft-paste porcelain, underglaze blue and transfer-printed, 24.8 × 12.1 cm (9 3/4 × 4 3/4 in

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk and gold-leaf-over-lacquered-paper strips, gauze weave with supplementary patterning wefts, label: silk, plain weave, painted with ink, glued to paper, 35.4 × 12.7 cm (14 ×

Study for The Festival, 1871, Sir Edward John Poynter, English, 1836-1919, England, Black chalk with traces of white chalk on gray-brown wove paper, 412 × 293 mm

Scaraboid: Dwarf Figure, New Kingdom, Dynasties 19–20 (about 1295–1069 BC), Egyptian, Egypt, Glazed steatite, 1.3 × 1 × 0.6 cm (1/8 × 3/8 × 1/4 in

Les Propos de Thomas Vireloque: Man the Masterpiece of Creation, 1852, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 190 × 161 mm (image), 278 × 260 mm (sheet

Model of a Bronze Field Cannon, late 17th century, possibly late 18th century, Austrian, Austria, Bronze, iron, and wood, Length of barrel: 70.8 cm (27 7/8 in

Head of Buddha, 3rd/4th century, Present-day Afghanistan or Pakistan, Ancient region of Gandhara, Gandhara, Stucco with pigments, 18.2 × 22. × 16.1 cm (7 1/8 × 9 × 6 in

Scaraboid: Cow Head with Rosette, New Kingdom, Dynasties 18–20 (about 1550–1069 BC), Egyptian, Egypt, Faience, 1.6 × 1.3 × 0.8 cm (5/8 × 1/2 × 5/16 in

Shono: Driving Rain (Shono hakuu), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock

On the Beach, 1889–90, Georges-William Thornley (French, 1857-1935), after Edgar Degas (French, 1834-1917), printed by Atelier Becquet (French, 19th century), published by Boussod, Valadon, & Company (French, 18th-19th century), France,

Yang Guifei, 1789-92, Katsukawa Shunshō 勝川 春章, Japanese, 1726-1792, Japan, Hanging scroll, ink and colors on silk, 103.2 x 36.4 cm

Fragment, Roman period (30 B.C.–641 A.D.), 4th/5th century, Coptic, Egypt, Egypt, Linen and wool, slit tapestry weave, 30.5 × 24.1 cm (12 × 9 1/2 in

Old Women of Arles, from the Volpini Suite, 1889, printed after 1911, Paul Gauguin (French, 1848-1903), published by Ambroise Vollard (French, 1867-1939), France, Zincograph in black on ivory wove paper (an imitation Japanese vellum), 194

A Young Male Actor on Parade in Autumn Rain, c. 1765/70, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 27.4 x 20.0 cm

Boreas and Orytheia, n.d., Jan Lauwryn Krafft (Flemish, 1694-after 1765), or after Peter Paul Rubens (Flemish, 1577-1640), Flanders, Red chalk on ivory laid paper, 398 × 330 mm

Caricature of a Man Standing by Desk (recto), Sketch of Male Head in Profile (verso), 1855/56, Claude Monet, French, 1840-1926, France, Graphite (recto and verso) on commercially prepared ivory wove card (discolored to tan), 203 × 166 mm

Panel, c. 1775, Designed by Philippe de LaSalle (French, 1723–1803/5), France, Lyon, Lyon, Silk, satin weave with brocading wefts tied in twill weave, 114.3 x 53.3 cm (45 x 21 in

Courtyard of the Quarantine General, Skoulani, Bessarabia, 1839, Denis Auguste Marie Raffet (French, 1804-1860), printed by Auguste Bry (French, 19th century), published by Éditeur Ernest Bourdin (French, active 19th century), France,

Three Little Girls, c. 1870, Narcisse Virgile Diaz de la Peña, French, 1807-1876, France, Oil on panel, 39.4 × 26.7 cm (15 1/2 × 10 1/2 in

Candelabra, 1700/20, England, Glass, 34.9 × 25.4 × 25.4 cm (13 3/4 × 10 × 10 in

Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793/94, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Woodblock print, oban, keyblock proof impression with

Follis (Coin) Portraying Emperor Diocletian, AD 284/305, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.7 cm, 8.42 g

Panel, 1775/1800, France, Silk, warp-float faced satin weave with supplementary patterning wefts tied by supplementary binding warps in plain and twill interlacings (lampas), two loom widths joined, 258.5 × 130.7 cm (101 3/4 × 51 3/8 in

Chateau de Martinsbourg, Mayence, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on

Liberty’s Last Refuge, July 1894, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Lithograph in black on cream wove paper, 333 × 280 mm (image), 548 × 382 mm (sheet

Panel, 1725/75, France, Cotton, plain weave, block printed, glazed, 134.8 × 65.4 cm (53 1/8 × 25 3/4 in

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.6 cm (3 in

Gerard van Schoonhoven, 1628, William Jacobszoon Delff, Dutch, 1580-1638, Netherlands, Engraving in black on ivory paper, 169 x 134 mm (image), 202 x 138 mm (sheet, trimmed within plate mark

The Seine at Port-Marly, Piles of Sand, 1875, Alfred Sisley, French, 1839-1899, France, Oil on canvas, 21 7/16 × 29 in. (54.5 × 73.7 cm

Plate from Illustrations to Popular Songs, 1822, Henry Alken (English, 1785-1851), published by Thomas McLean (English, active 1790-1860), England, Soft ground etching with hand-coloring and aquatint on paper, 200 × 255 mm (image), 210 ×

Kelmscott Manor: In the Tapestry Room, 1896, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm

The Large Thatched Cottages, 1881, Félix Hilaire Buhot, French, 1847-1898, France, Etching and drypoint on ivory laid paper, 139 × 273 mm (plate), 310 × 445 mm (sheet

A Sunset in Ireland, 1863, Francis Seymour Haden, English, 1818-1910, England, Etching and drypoint on ivory laid paper, 138 × 215 mm (image/plate), 220 × 341 mm (sheet

Panel, Empire period, c. 1820, France, Silk, satin weave with plain and twill interlacings of secondary binding warps and complementary ground wefts, 210.4 × 62.5 cm (82 7/8 × 24 5/8 in

The National Barber Shop, Next, n.d., Joseph Keppler, American, 1838-1894, United States, Color lithograph on newsprint, 290 x 470 mm (image), 302 x 475 mm (sheet

The Circuit Rider’s Quilt, c. 1862, United States, Ohio, Miami, Ohio, Appliquéd quilt, dyed and printed cotton plain weave fabrics, cotton thread and metallic braid embroidery, ink signatures, 215 x 241.5 cm (85 3/4 x 95 in

Untitled, c. 1850, Charles Marville, French, 1813–1879, France, Albumen print, from the series "Bois de Boulogne

Li Kui (Kokusenpu Riki, ichimei Ritetsugyu), from the series One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori), c. 1827, Utagawa Kuniyoshi, Japanese, 1797-1861, Japan, Color woodblock

Stone Ewer with Ornate Handle, n.d., Giuseppe Grisoni, Italian, born Flanders, 1699-1769, Flanders, Gouache, heightened with touches of gold paint, over black chalk, on ivory laid paper, 313 × 219 mm

Pair of Mitten Gauntlets, c. 1500/20, Spanish, Spain, Steel and leather, L. 33.0 cm (13 in

Ferdinand of Austria on Horseback, c. 1641, Paulus Pontius (Flemish, 1603–1658) after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 450 × 323 mm (image), 483 × 327 mm (plate), 487 × 332 mm

Views of England, Switzerland, France, Spain, Egypt, etc., n.d., Unknown Place, Sterographs, albumen prints, 8.3 x 16.8 cm (approx. card size

Sporting Crossbow, 1600/30, German, Germany, Wood, steel, ebony, ivory, mother-of-pearl, brass, cord, and fiber weave, 11.4 x 63.5 x 63.5 cm (4 1/2 x 25 x 25 in

The Charmes of the Morning, 1777, Louis-Marin Bonnet, French, 1736-1793, France, Pastel-manner engraving and etching in color, with gold leaf, on ivory laid paper

Antoninianus (Coin) Portraying Emperor Gallienus, AD 260/268, Roman, Roman Empire, Billon, Diam. 1.9 cm, 3.73 g

Farmyard, n.d., Attributed to Adriaen van Ostade, Dutch, 1610-1685, Holland, Pen and brown ink, with brush and brown, black, and blue wash, over graphite, on tan laid paper, laid down on cream laid card, 290 x 203 mm (primary support),

Amulet of a Djed Pillar, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Lapis lazuli, 2.5 × 1.3 × 0.6 cm (1 × 1/2 × 1/4 in

The Actors Nakamura Takesaburo I as Kewaizaka no Shosho and Ichikawa Danjuro II as Soga no Goro dressed as a komuso in the play Bando Ichi Kotobuki Soga, performed at the Nakamura Theater in the first month, 1715, 1715, Torii Kiyomasu I,

The Sickly Cryptogam, 1860, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), France, Etching, with plate tone, in black ink on ivory laid paper, printing à la poupée in red ink, 70 × 59 mm (image), 70 ×

Paperweight, 19th century, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 8 cm (3 1/8 in

Portrait of Wenzel Jamnitzer in his Study, 1572/75, Jost Amman, Swiss, 1539-1591, Switzerland, Engraving in black ink on cream laid paper, 167 x 253 mm (image), 175 x 258 mm (plate), 187 x 275 mm (sheet

Untitled (bridge over Tiber River), c. 1857, Robert MacPherson, Scottish, 1811–1872, Scotland, Albumen print, from "Photographs of Views of Rome" (c. 1857), 22.1 x 37.3 cm (image/paper), 40.7 x 45.5 cm (mount

Scaraboid: Calf (?), New Kingdom, Dynasties 18–20 (about 1550–1069 BC), Egyptian, Egypt, Glazed steatite, 1 × 1.3 × 1 cm (3/8 × 1/2 × 3/8 in

The Hall of Thirty-Three Bays at Fukagawa (Fukagawa Sanjusangendo), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color woodblock print, oban

Gold Box, 1727/60, England, Gold and painted metal, 2 × 7 × 5.6 cm (3/4 × 2 3/4 × 2 3/16 in

Old Knight, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid down on ivory wove paper, 296 × 235 mm (image/chine), 532 × 349 mm (sheet

Dance of Cupids, 1517/20, Marcantonio Raimondi, Italian, c. 1480-1534, Italy, Engraving printed in black on paper, 110 × 166 mm (image/sheet

Beauty Adjusting Her Hairpin, c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, 64.5 x 11.4 cm (26 3/8 x 4 1/2 in

Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 5.2 cm (2 1/16 in

Aplidium ficus, Print, Aplidium is a genus of colonial sea squirts, tunicates in the family Polyclinidae. There are about 188 species in the genus found in shallow waters around the world

Fragment, late 14th century, Italy, Silk, warp-float faced 2:1 twill weave with plain interlacings of secondary binding warps and supplementary patterning wefts, 41.4 x 15.8 cm (16 1/4 x 6 1/4 in

Winged Beast (Tomb Figure), Western Han dynasty (206 B.C.–9 A.D.), China, Gray earthenware, slip-coated with polychrome pigments, 22.2 × 43.8 cm (14 7/8 × 27 1/2 in

Horseman in Snow, from the series A True Mirror of Japanese and Chinese Poems (Shiika shashin kyo), c. 1833/34, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, vertical nagaban, 50.3 x 22.5 cm

Ecce Homo, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 72 x 48 mm (image/block

Cover (Furnishing Fabric), Qing dynasty (1644–1911), 1875/1900, China, Floral design on yellow ground., 162.3 × 90.8 cm (63 7/8 × 35 3/4 in

Lake Hakone in Sagami Province (Soshu Hakone Kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 10 1/16 x 14 3/4

Landscape with Saint John on Patmos, 1640, Nicolas Poussin, French, 1594–1665, France, Oil on canvas, 100.3 × 136.4 cm (39 1/2 × 53 5/8 in

Arita-Ware Apothecary Bottle, 1670/80, Japan, Porcelain with underglaze blue decoration, 47.3 x 31.2 cm (18 5/8 x 12 1/4 in

Parasol Cover, 1860s/80s, Malta, Malta, Silk, bobbin straight lace (in bands), Diam. 66 cm (26 in

Sleeve band, Qing dynasty (1644–1911), 19th century, Han-Chinese, China, Couched and embroidered sleeve-bands from a robe, cut and framed as a three-panel folding desk screen. Two lower halves joined to form central frame, top halves form

Triumph of Caesar, 1599, Andrea Andreani (Italian, 1558/59–1629), after Andrea Mantegna (Italian, 1431–1506), Italy, Chiaroscuro woodcut from four blocks in black, light and medium brownish gray and dark gray on off-white laid paper, 383

Coin Depicting the God Dionysos, 300/200 BC, Greek, Ancient Greece, Bronze, Diam. 1.4 cm, 2.71 g

Sunday, Lyme Regis, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on cream laid paper, 196 x 122 mm (image), 248 x 182 mm (sheet

Nature’s Gems, c. 1844, Edwin Whitefield, American, 1816-1892, United States, Lithograph heightened with gold paint and watercolor on cream wove paper, 199 x 156 mm

Coin Depicting Pegasus, about 400/310 BC, Greek, minted in Skepsis, Troad, Ancient Greece, Bronze, Diam. 1.4 cm, 2.06 g

The Meeting of Joachim and Anne, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 73 x 48 mm (image/block/sheet

Souvenir of Coney Island, 1880, Robert Frederick Blum, American, 1857-1903, United States, Etching on cream wove paper, 69 x 72 mm (image/plate), 331 x 240 mm (sheet

Tetradrachm (Coin) Depicting the Goddess Tyche, 80/79 BC, Greco-Roman, Arados, Phoenicia, Aradus, Silver, Diam. 2.8 cm, 13.49 g

The Actors Anegawa Daikichi as Sankatsu and Bando Hikosaburo II as Hanshichi in the play Soga Mannen Bashira, performed at the Ichimura Theater in the sixth month, 1760, 1760, Torii Kiyomitsu I, Japanese, 1735–1785, Japan, Color woodblock

The Devil Sowing, 1848/52, Jean François Millet, French, 1814-1875, France, Graphite on ivory laid paper, faded to cream, 135 × 209 mm

Unfinished Sketch of Lady Haden, 1895, James McNeill Whistler, American, 1834-1903, United States, Lithograph, in black ink, with scraping, on cream wove Japanese vellum, 300 x 200 mm (image), 364 x 255 mm (sheet