Images at Librifly

Paperweight, 19th century, Baccarat, France, founded 1764, France, Glass, Diam. 6.9 cm (2 7/8 in

Memorial Portrait of the Actor Ichikawa Danjuro VIII, 1854, Utagawa School, Japanese, 19th century, Japan, Color woodblock print, oban

This is What Nowadays is Called a Light Work., My God, what’s this!…. an encyclopaedia?, No sir…. it is the novel ‘the mysteries of Paris’ that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon

Anguillula tritici, Print

Various Subjects of Landscape Characteristic of English Landscape Scenery, 1830/32, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Portfolio cover, 305 × 465 mm (volume

Rebels Outside Their Works at Yorktown, Reconnoitring [sic] with Dark Lanterns, published May 17, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 278 x

Views of Reception Rooms in Japan, Entertainments on the Day of the Rat in the Modern Style (Uki-e wakoku keiseki ozashiki imayo ne no hi no asobi no zu), c. 1771/76, Utagawa Toyoharu, Japanese, 1735-1814, Japan, Color woodblock print, oban,

Sudare-gai, hana-gai, sakura-gai, mumeno-gai, nadeshiko-gai, and kinuta-gai, from the illustrated book Gifts from the Ebb Tide (Shiohi no tsuto), 1789, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock

Saucer, 1878, Worcester Royal Porcelain Company, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, H. 2.4 cm (15/16 in.), diam. 12.4 cm (4 7/8 in

Border, 19th century, England or United States, Cotton, plain weave, block printed, 94.5 × 6.7 cm (37 1/8 × 2 5/8 in

The Actor Nakayama Tomisaburo I as the Geisha Yukino (or Oyuki?) in the Play Kabuki no Hana Bandai Soga, Performed at the Ichimura Theater in the Fourth Month, 1781, c. 1781, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

Fire!, plate 35 from Types Parisiens, 1839, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on white wove paper, 181 × 247 mm (image), 260 × 380 mm (sheet

The Meeting of Gautier, Count of Antwerp, and his Daughter, Violante, c. 1787, Giuseppe Cades, Italian, 1750-1799, Italy, Oil on canvas, 14 5/8 x 27 1/2 in. (37.2 x 69.7 cm

Usury, 1851, Charles Rambert, French, c. 1836-1867, France, Zincograph in black on tan wove paper, laid down on ivory wove paper, 446 × 307 mm (image), 489 × 347 mm (sheet

Study from the Nude, Woman Asleep, 1890–94, Theodore Roussel, French, worked in England, 1847-1926, England, Transfer lithograph in black on cream laid paper, 167 × 240 mm (image), 205 × 324 mm (sheet

Coffee Pot, 1881/89, Design attributed to Charles Osborne, American, 1847–1920, Tiffany and Company, American, founded 1837, New York, New York City, Silver, pearls, chalcedony, and ivory, 19.1 × 7.6 × 12.7 cm (7 1/2 × 3 1/8 × 5

The Travels of Doctor Syntax (Furnishing Fabric), c. 1820, After works by Thomas Rowlandson (English, 1756–1827), England, Manchester, Manchester, Cotton, plain weave, probably engraved roller printed, 70.5 x 60.5 cm (27 3/4 x 23 3/4 in

View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 393 x 544 mm (image), 408 x 550 mm (plate), 532 x 815 mm

Plaque: Portrait of William Pitt, c. 1805, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 19.7 × 17.2 × 2.1 cm (7 3/4 × 6 3/4 × 13/16 in

Edward VI, May 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 274 x 184 mm (image), 345 x 256 mm (plate), 458 x 316 mm (sheet

Ice Cream Cooler, 1804, Vienna State Porcelain Manufactory, Austrian, 1744-1864, Vienna, Hard-paste porcelain and enamel decoration, H. 15 11/16 in. (39.8 cm

Amulet of the God Bes, Middle Kingdom (about 1700 BC), Egyptian, Egypt, Carnelian, 2.2 × 1 × 0.5 cm (7/8 × 3/8 × 3/16 in

Two Girls at Gate, n.d., Elizabeth Murray, English, c. 1815-1882, England, Black chalk on gray wove paper, 176 mm × 260 mm

The Actor Nakamura Noshio I as Oiso no Tora (?) in the Play Shida Yuzuriha Horai Soga (?), Performed at the Morita Theater (?) in the First Month, 1775 (?), c. 1775, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock

Coin Depicting the Hero Herakles, about 280 BC, Greek, Ancient Greece, Bronze, Diam. 1.7 cm, 3.70 g

Shinobazu Pond at Ueno (Ueno Shinobazu no ike), from the series Famous Places in Edo (Koto meisho), c. 1832/34, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 22.2 x 36.3 cm (8 7/8 x 14 1/4 in

Study for the Adoration of the Magi, 1612, Jacopo Negretti, called Palma il Giovane, Italian, c. 1548-1628, Italy, Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on

Portrait of J.R. Perronet, 1782, Augustin de Saint-Aubin (French, 1736-1807), after Charles-Nicholas Cochin, the younger (French, 1715-1790), France, Engraving on paper, 449 × 300 mm (plate), 480 × 327 mm (sheet

Insertion, 1850/1900, Probably England, England, Cotton, machine-made net, embroidered with cotton and linen in darning and wave filling stitches, 3.3 × 108.5 cm (1 1/4 × 42 3/4 in

Pitcher, 1833, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Hard-paste porcelain with dark blue ground and gilding, 21.3 x 21.3 cm (8 3/8 x 8 3/8 in

Design for Frontispiece to the Seven Virtues, 1598, Joannes Stradanus, called Giovanni Stradano, Flemish, 1523-1605, Flanders, Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk,

Portrait of Brunet, Printer, 1817, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black (pen and ink and crayon style) on cream laid paper, 169 × 123 mm (image), 195 × 141 mm (sheet

The Abbott and Death, 1651, Wenceslaus Hollar (Czech, 1607-1677), after Hans Holbein the younger (German, c.1497-1543), Bohemia, Etching on ivory wove paper, 73 × 53 mm (sheet, trimmed within plate mark

Title Page, Vignette, and plate one of the first number of Picturesque Views of American Scenery, 1819/21, John Hill (American, 1770-1850), after Joshua Shaw (American, born England, c. 1777-1860), published by Matthew Carey & Son (American,

Fragment, 11th/13th century, Iran, Iran, Silk, 10.2 x 12.7 cm (4 x 5 in

Aglaophenia gaimardii, Print, Aglaophenia is a genus of hydrozoans in the family Aglaopheniidae

Saint John the Baptist, c. 1505, Giulio Campagnola, Italian, c. 1482-1515/18, Italy, Engraving in black on ivory laid paper, 342 x 238 mm (plate), 356 x 247 mm (sheet

Genre Scenes (Fūzoku byōbu), About 1640, Japanese, Japan, Six-fold screen, ink, color, gold and silver on paper, 147.0 cm x 349.0 cm (painting

Sestertius (Coin) Portraying Philip the Arab, AD 244/247, Roman, Roman Empire, Bronze, Diam. 3 cm, 21.81 g

Aramides mangle, Print, The little wood rail (Aramides mangle) is a species of bird in the family Rallidae. It is endemic to Brazil., 1820-1863

As (Coin) Portraying Emperor Marcus Aurelius, AD December 177/December 178, Roman, Roman Empire, Bronze, Diam. 2.6 cm, 11.49 g

Study for Saint Michael Casting Out Lucifer, 1581/83, Francesco Vanni, Italian, 1563-1610, Italy, Black chalk on cream laid paper, 194 x 153 mm (max

Hold Fast, 1813–39, Horace Vernet (French, 1789-1863), printed by Francois Seraphin Delpech (French, 1778-1825), France, Lithograph in black on ivory wove paper, 118 × 176 mm (image), 258 × 337 mm (sheet

The Process of Talbotype (formerly called Calotype) Photogenic Drawing, Communicated to the Royal Society, June 10, 1841, William Henry Fox Talbot, English, 1800–1877, England, Four pages of unbound text (approximately 2500 words), printed

Cover, 17th century, Italy, Linen, plain weave, embroided in Holbein stitch, 42.5 x 93.0 cm (16 3/4 x 36 5/8 in

Close Helmet, 1510/20, South German, Southern Germany, Steel, H. 20.3 cm (8 in

Design: Hands, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

Candelabra (One of a Pair), 1873, Tiffany and Company, American, founded 1837, Chased by Eugene J. Soligny, American, c. 1833–1901, New York, New York City, Silver, 77.4 × 43.2 cm (30 1/2 × 17 in

Settsu, from the series Fashionable Six Jewel Rivers (Furyu Mu Tamagawa), c. 1772, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, koban, 5 3/4 x 5 1/2 in

Luohan (Arhat), Qing dynasty (1644–1911), 18th century, China, Brass alloy, 10.5 × 6.5 × 7.8 cm (4 1/8 × 2 1/2 × 3 1/8 in

Fragment, Edo period (1615–1868), 1800/25, Japan, Plain compound twill, silk and gilt paper, 2 1/2 strips to m.m., 38 x 24.1 cm (15 x 9 1/2 in

Spoon, 1761/63, Augsburg, Germany, Augsburg, Silver, H. 19.4 cm (7 5/8 in

Antilope canna, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

The Carrière at Nancy, n.d., Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, glued along left margin to cream wove paper, 157 × 506 mm (image), 160 × 509 mm (sheet

Cléo de Mérode, from Treize Lithographies, 1898, published before 1906, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 291 × 240 mm (image), 392 × 317 mm (sheet

Rue Pirouette aux Halles, Paris, 1860, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), after Louis-Marie Laurence (French, 1811-1886), France, Etching and drypoint on ivory laid paper, 153 × 113 mm

Fragment, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century, Japan, Single plain compound cloth, silk & silvered paper, 2 strips to m.m., 18.9 x 19.1 cm (7 7/16 x 7 1/2 in

Antennarius biocellatus, Print, Toadfish, 1700-1880

Two Seated Embracing Couples, n.d., Jean Baptiste Carpeaux, French, 1827-1875, France, Pen and brown ink on ivory laid paper, 206 × 259 mm

Koya Jewel River in Kii Province (Kii Koya), from the series Six Jewel Rivers (Mu Tamagawa no uchi), c. 1835/39, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chutanzaku, 36.6 x 11.7 cm (14 3/8 x 4 9/16

The Infant Krishna Killing the Ogress Putana, 17th century, India, Kerala, Kerala, Wood with traces of red and blue pigments, 73.2 x 35.4 x 24.1 cm (28 7/8 x 14 x 9 1/2 in.) (with base

Friuli Spear, 1480, Italian, Italy, Steel and wood (oak), L. 243.8 cm (96 in

Ammonites bifidus, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living coleoids

Two Women in a Doorway, 1882, Lawrence Carmichael Earle, American, 1845-1921, United States, Watercolor and gouache, over traces of graphite, on cream watercolor paper, laid down on wood-pulp board, 575 x 401 mm

Wine Tasting Table, 19th century, Ireland, Irish Republic, Mahogany and gilt metal, 182.9 x 132.1 x 78.7 cm (72 x 52 x 31 in

Plate, 1831, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste porcelain, polychrome enamels, and gilding, H. 3.2 cm (1 1/4 in.), diam. 23.2 cm (9 1/8 in

Plate, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, Diam. 18.9 cm (7 7/16 in

Amulet of the Goddess Bastet as a Seated Cat, Late Period (?) (about 664–332 BC), Egyptian, Egypt, Faience, 1.4 × 1 × 0.5 cm (9/16 × 3/8 × 3/16 in

Program for La Lépreuse, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on tan wove paper, 494 × 312 mm (image), 500 × 327 mm (sheet

Moldavian Interior, 1859, Rodolphe Bresdin, French, 1825-1885, France, Etching on ivory Japanese paper, 164 × 111 mm (image), 198 × 128 mm (plate), 271 × 175 mm (sheet

Inkstand, 1810/20, Wedgwood Manufactory, England, founded 1759, Burslem, Earthenware (rosso antico), 10.3 × 8.3 cm (4 1/16 × 3 1/4 in

House with a Turret, No 22, rue de l’Ecole de Médecine, Paris (called the Turret of Marat), 1861, Charles Meryon, French, 1821-1868, France, Etching on ivory laid paper, 209 × 130 mm (image), 211 × 130 mm (plate), 310 × 220 mm

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.6 cm (3 in

Larch, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863), printed by Charles Joseph Hullmandel (English, 1789–1850), published by Thomas McLean (English, 1788–1875), England, Lithograph in black, with

The Standard Bearer, c. 1500, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 71 mm (image/sheet

Apothecary Jar (Albarello), c. 1510/20, Italian, Siena, Siena, Tin-glazed earthenware (maiolica), H: 23.9 cm (9 3/8 in.), diameter: 12.1 cm (4 3/4 in

Denarius (Coin) Depicting the God Jupiter, about 87 BC, Roman, Roman Empire, Silver, Diam. 1.8 cm, 3.54 g

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print,

Girl with Bowl, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in gray on purple wove Japanese vellum, 136 x 67 mm (image), 303 x 222 mm (sheet

Portrait of an Artist, 1644, Follower of Frans Hals, Dutch, 1582/83-1666, Holland, Oil on canvas, 82.6 × 64.8 cm (32 1/2 × 25 1/2 in

Anoplochilus, Print

The Slaying of Red Comyn by Robert the Bruce, 1810–16, Henry Fuseli, Swiss, active in England, 1741-1825, England, Pen and brown iron gall ink, with brush and brown and gray wash, over chalk (recto), and black chalk (verso), on tan laid

Types of Mojave Indians. This tribe inhabits the region of the lower Colorado, or western Arizona.Physically, they are the finest specimens in all the West, many of the males attaining to the height of 6 feet, 1871, Timothy O’Sullivan

Evening Landscape, 1850, Charles Émile Jacque, French, 1813-1894, France, Etching and roulette on China paper, 100 × 183 mm (image), 109 × 189 mm (chine), 119 × 200 mm (plate), 301 × 425 mm (sheet

On the Street, plate nine from A Life, 1884, Max Klinger (German, 1857-1920), printed by Otto Felsing (German, 19th century), Germany, Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper, 345 x 196 mm

The Actor Tamazawa Saijiro in an unidentified role, c. 1740, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan, Hand-colored woodblock print, hosoban, urushi-e, 33.4 x 15.7 cm (13 1/8 x 6 1/4 in

Ornamental Design for Knife Handle with Water, from the Four Elements, c. 1590, Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

The Month of June/The Sign of Cancer, from The Grotesque Months, c. 1726, After a design by Claude III Audran (1658–1734), 1708–09, Woven at the Manufacture Royale des Gobelins, France, Paris, Paris, Wool and silk, slit and double

Bedcover (North Carolina Lily Quilt), c.1850, United States, 251.5 x 237.5 cm (99 x 93 1/2 in

Dish, c. 1725, Qing dynasty (1644–1911), Yongzhen period (1723–1735), China, Hard-paste porcelain and polychrome enamels, Diam. 21.6 cm (8 1/2 in

Denarius (Coin) Depicting the Goddess Roma, 109/108 BC, Roman, Roman Empire, Silver, Diam. 1.9 cm, 4.02 g

Portrait of a Beauty, 17th century, India, India, Opaque watercolor and gold on paper, Image: 22.4 x 16.6 cm (8 13/16 x 6 1/2 in.), Outermost Border: 41.8 x 26.7 (16 3/8 x 10 1/2 in.), Paper: 44 x 28.6 cm (17 3/8 x 11 1/4 in

Picquet House, Cathcart’s Hill, from General Bosquet’s Quarters, 1855, Roger Fenton, English, 1819–1869, England, Salted paper print, from the album "Photographic Pictures of the Seat of War in the Crimea" (1856), 12.5 × 25.6 cm

The Actor Ichikawa Danjuro V as Momonoi Wakasanosuke Yasuchika (?) in the Play Kanadehon Chushingura (?), Performed at the Nakamura Theater (?) in the Fifth Month, 1771 (?), c. 1771, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan,

Fragment, 1801/25, United States, Sample of stripe and check patterns of blue, white and tan, 49.2 x 28.9 cm (19 3/8 x 11 3/8 in

German Luxury, published January 22, 1800, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching on paper, 230 × 310 mm (image), 240 × 320 mm (sheet), Palemon and Lavinia,

Walking Elephant with Floral Caparison, 17th century, India, Deccan, Deccan, Ivory, 10.3 × 14 × 5.8 cm (4 × 5 1/2 × 2 1/4 in

May-Day in the Country, published April 30, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 350 mm (image), 287 x 409 mm (sheet

Hotei Balances a Young Man on His Arm, c. early 1770s, Masunobu, Japanese, active c. 1764-72, Japan, Color woodblock print, hashira-e, 25 x 4 5/8 in

The Actor Sanogawa Mangiku I, c. 1731, Torii Kiyomasu II, Japanese, 1706 (?)–1763 (?), Japan, Hand-colored woodblock print, hosoban, urushi-e, 32.7 x 15.6 cm