Images at Librifly 2.589.713 / 2.589.715 Entries < previous page Page 3282 / 25898 next page > Frontispiece for Fables and Tales by Hippolyte de Thierry-Faletans, 1868, Rodolphe Bresdin, French, 1825-1885, France, Lithograph (etching transfer) on white wove paper, 230 × 200 mm (image), 360 × 273 mm (sheet Anna Held and Baldy, 1896, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on ivory wove paper, 310 × 240 mm (image), 514 × 399 mm (sheet Frontispiece, from Solimano, published 1620, Jacques Callot, French, 1592-1635, France, Etching and burin on paper, 194 × 135 mm (image/sheet, cut within plate mark The Arrest of Schlomé Fuss, from Au Pied du Sinaï, 1897, published 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on ivory wove paper, 177 × 143 mm (image), 338 × 235 mm (sheet Covered Goblet (Pokal), 1713/20, Germany, Potsdam or Berlin, Germany, Blown and molded glass with engraving and applied medallion, H. 48.3 cm (19 in On account of a knife, plate 34 from The Disasters of War, 1812/15, published 1863, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, drypoint, burin and burnishing on ivory wove paper with gilt edges, 138 x 187 mm Saint Francis in a Historiated Initial P, 1375/99, Italian, Italy, Manuscript cutting in tempera and gold leaf, with incising, on vellum, with inscriptions in black or brown-black ink, verso, 136 x 134 mm Amadina punctulata, Print, 1700-1880 The Rialto, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Cancelled copper plate, 297 x 203 mm Combats and Triumphs, 1550/1572, Etienne Delaune, French, 1518/19-c.1583, France, Engraving on ivory laid paper, 65 × 220 mm The Actor Onoe Matsusuke I as Retired Emperor Sutoku in the Play Kitekaeru Nishiki no Wakayaka, Performed at the Nakamura Theater in the Eleventh Month, 1780, c. 1780, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color Anas sparsa, Print, The African black duck (Anas sparsa) is a species of duck of the genus Anas. It is genetically closest to the mallard group, but shows some peculiarities in its behavior and (as far as they can be discerned) plumage; it is Adam van Noort, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching and engraving in black on ivory laid paper, 239 × 154 mm (image/sheet, trimmed within platemark San Francisco, 1855–56, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), France, Etching and drypoint on grayish ivory paper, 183 × 960 mm (image), 240 × 999 mm (plate), 317 × 1, 031 mm (sheet Decanter, c. 1840/50, Bohemia, Czech Republic, Bohemia, Glass with red flashing, H. 25.4 cm (10 in Pair of Lappets (Joined), 1765/75, Belgium, Flanders, Brussels, Flanders, Linen, bobbin part lace of a type known as "Brussels" with a Droschel, 108.2 × 9.1 cm (42 5/8 × 3 5/8 in Carpet, 18th century, England, Silk and wool, plain weave, embroidered, 104.8 × 205.8 cm (41 1/4 × 81 in Sheet with Stumped Sketch, 1839, Denis Auguste Marie Raffet (French, 1804-1860), printed by Auguste Bry (French, 19th century), published by Éditeur Leconte (French, 19th century), France, Lithograph in black on gray chine laid down on Antilope rupicapra, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was Landscape with Ruined Monuments, from Vedute, 1735/44, Canaletto, Italian, 1697-1768, Italy, Etching in black on ivory laid paper, 141 x 215 mm (image), 147 x 219 mm (plate), 431 x 587 mm (sheet Arca triundulata, Print Panel Depicting Annunciation of Virgin, 1667, Catarina Bremselin, Germany or Switzerland, Germany, Linen, knotted square netting, embroidered in cloth and darning stitches, edged with plain weave, 91.5 x 90.2 cm (36 x 35 1/2 in Untitled (41), c. 1890, edited by Ferdinando Ongania, Italian, 1842–1911, Italy, Photogravure, No. 41 from the portfolio "Calli, Canali e Isole della Laguna Lucien Guitry, from Treize Lithographies, 1898, published before 1906, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 295 × 244 mm (image), 393 × 316 mm (sheet Aglossa, Print, Aglossa is a genus of small moths belonging to the family Pyralidae. It was described by Pierre André Latreille in 1796. They are found mainly in western Eurasia, though some species have been introduced elsewhere Paperweight, c. 1848–60, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 8.3 cm (3 1/4 in Paperweight, Mid 19th century, French, France, Glass, 9.5 × 5.7 × 1.6 cm (3 3/4 × 2 1/4 × 5/8 in Vase, 1882/90, Ott and Brewer, American, 1871–1892, Trenton, Belleek, H.: 23.9 cm (9 3/4 in Coin Portraying Emperor Constantine I, about AD 330, Roman, Roman Empire, Bronze, Diam. 1.9 cm, 2.39 g Mrs. Charles Gifford Dyer (Mary Anthony), 1880, John Singer Sargent, American, 1856–1925, United States, Oil on canvas, 62.2 × 43.8 cm (24 1/2 × 17 1/4 in Biscuit or Sugar Paste Mold, Early to mid 18th century, Russia, Wood, 23.2 x 17.8 x 2 cm (9 1/8 x 7 x 3/4 in Portrait of Raphael, n.d., Paul Pontius, Flemish, 1603-1658, Flanders, Engraving in black on paper, 253 × 179 mm Scarab: Cartouche and Standing King, New Kingdom, Dynasty 18, Reigns of Thutmose III–Amenhotep III (about 1479–1352 BC), Egyptian, Egypt, Faience and gold, 1.3 × 0.6 × 0.5 cm (1/2 × 1/4 × 3/16 in Arctica alle, Print, 1700-1880 Eccentric Dance, 1894, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on ivory wove paper, 176 × 129 mm (image), 181 × 135 mm (sheet The Sea at Bognor, 1895, Theodore Roussel, French, worked in England, 1847-1926, France, Monotype in two tones of blue gray ink on ivory laid paper, 44 × 140 mm (image), 103 × 155 mm (sheet, plate mark only partially visible Russians Drawn from Life (Oroshiajin no sho utsushi), 1861, Utagawa Yoshikazu, Japanese, active c. 1850–70, Japan, Color woodblock print, oban Pair of Flintlock Holster Pistols, c. 1700/25, Austrian, Vienna, Vienna, steel, brass, gilding, walnut, and horn, L. 53.3 cm (21 in Villagers Grinding Corn, page from the Fraser Album, Company School, c. 1820, India, Delhi, India, Opaque watercolor on paper, 31.1 x 21.3 cm (12 1/4 x 8 3/8 in Anatina subrostrata, Print, Anatina is a genus of saltwater clams, marine bivalve mollusks in the family Mactridae Aeginetic Stater (Coin) Depicting a Chimera, 431/400 BC, Greek, minted in Sikyon, Peloponnesus, Sikión, Silver, Diam. 2.5 cm, 11.87 g Fragment, 17th century, Italy, Silk and gold gilt strips wound around silk fiber core, warp-float faced satin weave with supplementary brocading wefts and self-patterned by ground wefts and areas of plain weave backed by twill interlacing, 55.5 Centerpiece, c. 1880, Dominick and Haff, American, active 1872–1928, Retailed by Cowell and Hubbard Co., American, founded 1861, New York, New York, Silver and engraved glass, Diam. of vase: 28.3 × 30 cm (11 1/8 × 11 13/16 in.), 2763 Ewe and Lamb, 1752/54, Bow Porcelain Factory, London, England, 1744-1775, Bow, Soft-paste porcelain, polychrome enamels, 7.9 × 12.7 × 7.6 cm (3 1/8 × 5 × 3 in Two Putti, c. 1590, Follower of Francesco Mazzola, called Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with brush and brown wash, on tan laid paper, laid down on ivory laid paper, 78 x 77 mm (max Pale Grew Her Immortality, For Woe of All These Lovers, 1885, Will Hicock Low, American, 1853-1932, United States, Brown and white gouache on cream wood-pulp laminate board, 276 x 401 mm How Sweet You Are (Valentine), c. 1840, Unknown Artist, American or English, 19th century, United States, Collaged elements on embossed (designed) ivory wove paper, 109 x 74 mm (folded sheet The Sun, plate 44 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 185 x 105 mm (sheet), 180 x 100 mm (plate Sari, 19th century, India, India, Palmette design, in gold with gold bands, 119.38 x 520.7 cm (47 x 205 in Pillow Cover, 17th century, Italy, linen and silk, 42.5 x 36.2 cm (16 3/4 x 14 1/4 in Dagger Sheath with a Young Couple Above, 1532, Heinrich Aldegrever, German, 1502-1561, Germany, Engraving in black on ivory laid paper, 158 × 34 mm (image/plate/sheet Tiger Resting, c. 1830, Pierre Andrieu, French, 1821-1892, France, Oil on canvas, 20.3 × 38.1 cm (8 × 15 in I’m Not Going in There Anymore!, I Think There are Crayfish Down There…, plate one from Les Baigneurs, 1839/42, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black, with additions in pen and iron gall ink, on cream Souvenir Handkerchief Commemorating Visit of His Royal Highness Prince of Wales to America, 1860, 1860, United States, Cotton, plain weave, copperplate printed, 43.8 x 39.2 cm (17 1/4 x 15 7/16 in The Actors Fujita Hananojo and Ichikawa Danjuro II, c. 1714, Attributed to Torii Kiyonobu I, Japanese, 1664–1729, Japan, Hand-colored woodblock print, hosoban, tan-e, 29.6 x 14.5 cm Count Robert de Montesquiou, No. 2, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black with scraping, on grayish ivory China paper, 227 x 96 mm (image), 356 x 265 mm (sheet Border, Roman period (30 B.C.– 641 A.D.), 3th/4th century, Coptic, Egypt, Egypt, Linen and wool, slit tapestry weave, 28.6 × 7.6 cm (11 1/4 × 3 in Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.6 cm (3 in Landscape with Birch Trees, 1878, Alphonse Legros (French, 1837-1911), printed by Lemercier et Compagnie (French, 19th century), France, Lithograph in black on ivory China paper, laid down on ivory wove paper, 439 × 311 mm (image), 440 × Fragment (From an Orphrey Band), 14th century, Possibly After work by Naddo Ceccharelli (Italian, active 14th century), Italy, Sienna, Italy, Linen, plain weave, embroidered with silk and gilt- and silvered-metal-strip-wrapped silk in Nubian Woman, 1825/30, Jules-Robert Auguste, French, 1789-1850, France, Oil on panel, 34.5 × 26 cm (15 × 10 3/8 in Sketch of a Blacksmith, 1895, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory Japanese paper, 107 x 82 mm (image), 255 x 205 mm (sheet Courtesan, 1750/75, Japanese, 17th century, Japan, Hanging scroll, ink and color on paper, 77.2 x 30.2 cm (30 3/8 x 11 7/8 in.), including mount and knobs: 164.4 x 48 cm (64 3/4 x 18 15/16 in Burning Autumn Maple Leaves, 1765, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.0 x 20.0 cm (11 x 7 7/8 in Pinning the Hat, 1898, Pierre Auguste Renoir (French, 1841-1919), printed by Auguste Clot (French, 1858-1936), France, Lithograph from five stones in black, orange, salmon, yellow and green on ivory laid paper, 769 × 625 mm Paperweight, c. 1848–55, George Bacchus & Sons, English, founded 1840, Birmingham, Glass, Diam. 8.9 cm (3 1/2 in River Scene, n.d., Probably David Cox, the elder, English, 1783-1859, England, Graphite on buff wove paper, laid down on buff wove paper, 203 × 278 mm Scarab: Hieroglyphs (nsw-bity, Dd, anx, nb), Middle Kingdom, Dynasties 12–14 (about 1985–1650 BC), Egyptian, Egypt, Steatite, 1.6 × 1.1 × 0.6 cm (5/8 × 7/16 × 1/4 in Overview of Shell with Medici Coat of Arms, n.d., Giuseppe Grisoni, Italian, born Flanders, 1699-1769, Flanders, Gouache, heightened with touches of gold paint, on ivory laid paper, 212 × 156 mm Coin Portraying Emperor Constantine II, before AD 337, Roman, Roman Empire, Bronze, Diam. 1.4 cm, 1.87 g Love’s Melancholy, 1866, Constant Mayer, American, born France, 1832–1911, United States, Oil on canvas, 51.4 × 35.6 cm (20 1/4 × 14 in Fragment, Fatimid period (969–1171), Egypt, Egypt, Linen and silk, tapestry weave, 7.3 × 12.5 cm (5 × 2 7/8 in Study for Mercury, 1613/14, Giacomo Cavedone, Italian, 1577-1660, Italy, Black chalk, heightened with white chalk, on tan laid paper, laid down on brownish-gray laid paper, 420 x 260 mm Alcyonella fungosa, Print Les-Parents-Terribles series: It’s Pretty, But…, 1852, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 192 × 165 mm (image), 359 × 269 mm (sheet Shawl, Late 18th century, India, Kashmir, India, Wool, double interlocking 2:2 'S' twill tapestry weave, main warp fringe, 124.4 x 127.6 cm (49 x 50 1/4 in Daoist Immortals Spying on a Young Beauty, c. 1768, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, Untitled (Drawing room at Broadlands), 1859, English, England, Albumen print, from the Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.6 cm (3 in Liberty, 1890, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on gray laid paper, 222 × 153 mm (image), 282 × 216 mm (sheet Jules Hardouin Mansart, 1704, Gérard Edelinck (French, born Flanders, 1640-1707), after Hyacinthe Rigaud y Ros (French, 1659-1743), France, Engraving on paper, 508 × 375 mm (plate), 565 × 440 mm (sheet), San Francisco, 1855–56, Algerian Jewess, 1833, Eugène Delacroix, French, 1798-1863, France, Etching on white laid paper, 200 × 155 mm (image), 213 × 173 mm (plate), 553 × 360 mm (sheet Bust Portrait of a Young Man, 1620/25, Simon Vouet, French, 1590-1649, France, Black and red chalk, with stumping, on tan laid paper, 142 × 119 mm Amulet of the God Bes, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 2 × .5 × .25 cm (3/4 × 3/16 × 1/8 in Virgin and Child Enthroned with Saints Peter, Paul, John the Baptist, and Dominic and a Dominican Supplicant, 1325/35, Attributed to Ugolino di Nerio, Italian, active 1317-1339/49, Italy, Tempera on panel, 37.2 × 23.2 cm (14 5/8 × 9 1/8 Study of a Groom, c. 1760, Jean-Baptiste Greuze, French, 1725-1805, France, Black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper, 507 × 294 mm The Hanged, n.d., Richard Parkes Bonington, English, 1802-1828, England, Lithograph on paper, 139 × 162 mm (image), 233 × 270 mm (sheet The Boat Studio, from The Boat Trip, 1861, Charles François Daubigny, French, 1817-1878, France, Etching on ivory laid paper, 101 × 132 mm (image), 130 × 177 mm (plate), 220 × 299 mm (sheet Panel, 19th century, China, Cut velvet, 159 × 35.9 cm (62 5/8 × 14 1/8 in Portrait of Titian, 1843, Johann August Eduard Mandel (German, 1810-1882), after Titian (Italian, c. 1488-1576), Germany, Engraving in black on paper, 308 x 247 mm (image), 408 x 310 mm (plate), 452 x 347 mm (sheet The Florentine Duomo, 1869–70, Jean-Baptiste-Camille Corot, French, 1796-1875, France, Etching on ivory laid paper, 230 × 150 mm (image), 240 × 158 mm (plate), 312 × 195 mm (sheet Roman Baths at Treves, from Picturesque Selections, 1860, James Duffield Harding, (English, 1798-1863), Published by W. Kent and Co., England, Lithograph on paper, 278 × 384 mm (image, primary support), 430 × 560 mm (secondary support Flounce (Used as Quilling), 1760s, Italy, Burano, Italy, Linen, needle lace, a: 808.4 x 11.2 cm (318 1/4 x 4 3/8 in Paperweight, c. 1845–60, Clichy, France, 1837-1885, Clichy, Glass, Diam. 6.7 cm (2 5/8 in Ammonites parkinsoni coronatus, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living A Low Class Prostitute (Gun [teppo]), from the series Five Shades of Ink in the Northern Quarter (Hokkoku goshiki-zumi), c. 1794/95, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock print, oban, 37.9 x 25.1 Medallion with Portrait of Thomas Bentley, c. 1775, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 18.1 × 14.8 × 2.7 cm (7 1/8 × 5 7/8 × 1 1/16 in An Arabian Horse, plate 8 from Various Subjects Drawn from Life on Stone, 1821, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Joseph Hullmandel (German and English, 1789-1850), published by Rodwell and Martin, Wooded Landscape with Gypsies Gathered Round a Fire, 1753/54, Thomas Gainsborough, English, 1727-1788, United Kingdom, Etching on ivory wove paper, 471 x 419 mm (image), 505 x 450 mm (sheet Bag, 19th century, France, Small round opaque and transparent glass beads worked into crochet ground, silk ribbon heading, 13.7 × 7.4 cm (5 3/8 × 2 7/8 in Coverlet, 1892/93, United States, Cotton and wool, plain weave double cloth with extended ground weft fringe, attached plain weave with extended ground weft fringe, 201.9 x 210.8 cm (79 1/2 x 83 in 2.589.713 / 2.589.715 Entries < previous page Page 3282 / 25898 next page >