Images at Librifly

Antennarius hispidus, Print, The shaggy frogfish (Antennarius hispidus), is a marine fish in the family Antennariidae., 1700-1880

Ritual Impersonator of the Deity Xipe Totec, 1450/1500, Aztec (Mexica), Possibly central Veracruz, Mexico, Veracruz, Ceramic and pigment, H. 58.4 cm (23 in

Border, 17th century, Italy, Linen, plain weave, embroidered with silk floss in back, hem and running stitches, 29.3 x 7.1 cm (11 1/2 x 2 3/4 in

Brigand Lying Under a Tree, c. 1785, Raphael Lamar West, American, 1766-1850, United States, Etching in black on ivory laid paper, 412 x 294 mm (plate), 438 x 339 mm (sheet

Three Soldiers and a Dog, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 45 × 29 mm (image/plate), 45 × 29.5 mm (sheet

Tray for a Tea Service, 1768, Sèvres Porcelain Manufactory, French, founded 1740, Sèvres, Soft-paste porcelain, polychrome enamels, and gilding, 5.4 x 35.6 x 25.9 cm (2 1/8 x 14 x 10 3/16 in

Spirit Flask, c. 1650, Workshop of Georg Schwanhardt (German, active mid-17th century), Germany, Nuremberg, Nuremberg, Glass with engraved decoration, 20 × 11.4 cm (7 7/8 × 4 1/2 in

Sampler, 1838, Nancy Vredenburgh (American, active c. 1838), United States, New York, Westchester County, East Chester, Mount Tabor Academy, New York, Linen, plain weave, drawnwork, embroidered with silk floss in cross stitches, 64.7 x

Tiered Offering Mandala of the Goddess of Wealth (Vasudhara), 19th century, Nepal, Nepal, Silver repoussé and gilt copper, 8.9 × 33.0 cm (3 1/2 × 13 in

Plate, 1792, Sèvres Porcelain Manufactory, French, founded 1740, Painted by Etienne Evans (French, active 1752-1806), Sèvres, Soft-paste porcelain, dark blue ground, polychrome enamels, and gilding, Diam. 24.4 cm (9 9/16 in

Firing the Musket, plate nine from The Military Exercises, published 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 61 × 83 mm

Two-Sided Pendant with Adoration and Baptism of Christ, 18th century (?), mount: 19th century, Spanish or Spanish Colonial, Spain, Enameled gold and jet, 6.4 x 5.2 cm (2 1/2 x 2 1/16 in

La Cothurne (Tragic Pose from Le Jeu d’escharpe), modeled 1895 (cast 1900), Agathon Léonard (Agathon van Weydeveldt), French, 1841-1923, Cast by: Susse Frères Editeurs, French, France, Ivory, silvered and gilt copper alloy, H. 37.1 cm

Snuffbox, c. 1898/99, George Unite, Birmingham, England, Birmingham, Silver and silver gilt, 7 × 4.5 cm (2 3/4 × 1 3/4 in

Borders, 18th century, Hungary, Hungary, Linen, bobbin part lace, a: 18 x 181.3 cm (7 1/8 x 71 3/8 in

The Man with the Dog, c. 1882, Édouard Manet, French, 1832-1883, France, Pastel on canvas, prepared with a gray gouache ground, 550 × 350 mm

Battle of Lapiths and Centaurs, n.d., Unknown Artist, Italian, late 16th Century, Italy, Pen and brown ink with brush and brown wash, over black chalk, on tan laid paper laid down on cream laid paper, 444 x 699 mm (max

Scarab: Menkheperra (Thutmose III), Third Intermediate Period, Dynasty 22 (about 945–715 BC), Egyptian, Egypt, Glazed steatite, 1.4 × 1 × 0.5 cm (9/16 × 3/8 × 3/16 in

Panel, Late 19th century, England, Cotton, plain weave, block printed, 108 × 83.2 cm (42 1/2 × 32 3/4 in

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879, Pierre-Auguste Renoir, French, 1841-1919, France, Oil on canvas, 131.2 × 99.2 cm (51 ½ × 39 1/16 in

Two Borders, c. 1890s, France, probably Calais, France, Cotton, linen, and silk, Leavers machine lace, an imitation of a bobbin lace known as "Mechlin

The Courtesan Michinoku of the Tsutaya House with her Kamuro Midare and Shinobu, from the series Kikkaku Hokufu, c. 1774, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, oban, 39.5 x 28.2 cm (15 1/2 x 11

Coverlet, 1820/25, United States, Cotton and wool, plain weave with supplementary patterning wefts ("summer and winter"), edged with cotton and wool, plain weave with gauze crossings and supplementary patterning wefts, main warp fringe, 242.2

Platter, 1750/80, England, Pewter, 43.2 × 55.6 × 4.6 cm (17 × 21 7/8 × 1 13/16 in

Pierre de Montarsis, 1692, Gérard Edelinck (French, born Flanders, 1640-1707), after Charles-Antoine Coypel (French, 1694-1752), France, Engraving on paper, 344 × 286 mm (image), 422 × 348 mm (sheet

Jousting Armor, c. 1560, Northern Italian, Italy, northern, Steel, H. 160 cm (64 in

Madame Du Barry, c. 1771, Jean-Baptiste-André Gautier D’Agoty, French, 1740-1786, France, Mezzotint in black on cream laid paper, 402 × 314 mm (image/plate), 445 × 352 mm (sheet

Handkerchief, 1850/75, Probably Belgium, Belgium, Linen, plain weave, embroidered in padded overcast and padded satin stitches, edged with mixed lace known as "Brussels application lace:" bobbin lace applied to machine-made net, 52.2 × 50.9

Portrait of Félix Bracquémond, 1865, Édouard Manet, French, 1832-1883, France, Lift-ground etching with plate tone in black on cream laid paper, 160 × 104 mm (image), 169 × 112 mm (plate), 304 × 222 mm (sheet

The Creation of Adam, c. 1642, Giovanni Benedetto Castiglione, Italian, 1609-1664, Italy, Monotype in black ink on ivory laid paper, 303 × 203 mm

Under a Peach Tree, c. 1766, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, left sheet of chuban diptych, 11 x 8 1/8 in

New England Factory Life—Bell Time, published July 25, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 354 mm (image), 297 x 421 mm (sheet

Saint Paul and Three Other Standing Figures, 18th century, Attributed to Count Antonio Maria Zanetti the Elder (Italian, 1679-1767), after Francesco Mazzola, called Il Parmigianino (Italian, 1503-1540), Italy, Pen and brown ink with brush and

Coffee or Tea Service, 1870/73, Webster Manufacturing Company, American, 1859–1873, Brooklyn, N.Y., Brooklyn, Silver, Coffeepot: H.: 29.8 cm (11 3/4 in.), Sugar basin: H.: 22.9 cm (9 in.), Milk pot: H.: 5.3 cm (6 in

Sampler, 1820s, United States, Maryland, Baltimore, United States, Linen, plain weave, appliquéd with silk, satin weave, painted, embroidered with silk, silk chenille, and wool in cross, overcast, satin, split, stem, and tent

Salt, 19th century, Possibly Europe, Europe, Glass, 4.3 cm (1 11/16 in

Saint Agatha, About 1500, Vergós workshop, Spanish, documented 1439–1503, Spain, Oil and gold on panel, Panel: 175.8 × 93.3 cm (69 1/4 × 36 3/4 in.), Painted Surface: 167 × 84.5 cm (65 3/4 × 33 1/4 in

Rain at Azuma Bridge below Kinryuzan Temple in Asakusa (Asakusa Kinryuzan shita Azuma Bashi uchu bo), from the series Famous Views of the Eastern Capital (Toto meisho), c. 1835/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan,

Jacob and Rachel, 1581, Agostino Carracci (Italian, 1557-1602), after Denys Calvaert (Flemish, 1540-1619), Italy, Engraving on ivory laid paper, 391 x 289 mm (image/sheet, cut within plate mark

Fragment, 1525/75, Italy, Silk, satin weave with twill interlacings of secondary binding warps and patterning wefts, 44.5 x 55.1 cm (17 1/2 x 21 3/4 in

Bodhisattva, Tang dynasty (618–906), c. 725/50, China, Limestone with traces of polychromy, 157.5 cm (62 in

The Opening of the Fifth and Sixth Seals, from The Apocalypse, c. 1496–98, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on tan laid paper, 394 x 282 mm (image), 433 x 302 mm (sheet

Cléombrote and Léonidas, c. 1795, Baron François-Xavier Fabre, French, 1766-1837, France, Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid

Plaque with Sacrifice to Ceres, Possibly mid–19th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 29.2 × 11 cm (11 1/2 × 4 5/16 in

Furisode, Meiji period (1868–1912), c. 1890, Japan, Silk, plain weave (shioze), resist dyed (tsutsugaki and hikizome) and painted with pigment and silver, embroidered with silk and gold-leaf-over-lacquered-, 169 x 127.5 cm (66 x 50 1/4 in

Antilope depressicornis, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species

Panel, 19th century, Indonesia or Greek Islands, Greece, Linen, plain weave, embroidered with cotton in cross stitches, 312.4 x 50.1 cm (123 x 19 3/4 in

Cover, 18th century, Turkey, Turkey, Linen, plain weave with needlework in silk, 3 stripes of five design units each of floral branches with leaves are joined through bobbin lace, linen., 227.3 x 114.3 cm (89 1/2 x 45 in

Tailpiece, plate 9 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an original drawing, in black on ivory wove paper, 211 × 147 mm (plate), 447 × 316 mm (sheet

Beaker, c. 1815/20, Austria, Vienna, Anton Kothgasser (Austrian, 1769-1851), Vienna, Glass, 12.2 x 7 cm (4 13/16 x 2 3/4 in

Cope, 1490/1517, with later restoration, England, Silk cut and voided velvet, linen appliqué, silk and gilt metallic thread embroidery, and metal spangles, 160.7 × 291.2 cm (64 1/4 × 114 5/8 in

Camille Pissarro, A Self-Portrait, c. 1890, Camille Pissarro, French, 1830-1903, France, Etching with drypoint in black on cream laid paper, 186 × 177 mm (image/plate), 365 × 262 mm (sheet

Vessel, Old Kingdom, Dynasty 5–8 (about 2494–2160 BC), Egyptian, Egypt, Calcite, 7.9 × 8.3 × 8.3 cm (3 1/8 × 3 1/4 × 3 1/4 in

Kain Sarong (Skirt), 1893, Indonesia, Java, Java, Batik dyed, 182.7 x 102 cm (71 7/8 x 40 1/8 in

The First Whisper of Love, c. 1889, John Douglas Miller (English, 1860-1903), after William Bouguereau (French, 1825-1905), England, Watercolor on ivory wove paper, 572 × 399 mm

Study for Cupid, c. 1873–77, Sir Edward Burne-Jones, English, 1833-1898, England, Graphite on ivory wove paper, 252 × 178 mm

Naples with Vesuvius, n.d., Unknown Artist, British, 19th century, United Kingdom, Gouache on ivory wove paper, 251 x 357 mm

Screen: Summer (Panel Six), c. 1820, France, Block-printed, color on paper, 172.4 × 72.4 cm (67 7/8 × 28 1/2 in

Fan, Empire period, 19th century, France, Gold spangled gauze mount, pierced bone sticks decorated with silver and piqué, rhinestone rivet, 23.5 cm (9 1/4 in

Cushion Cover, 17th century, Turkey, Bursa, Turkey, 116.8 x 63.5 cm (46 x 25 in

Lovers Dressing Beside a Window, 1765, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, surimono, 27.8 x 20.8 cm (10 7/8 x 8 1/8 in

Arachnothera pectoralis, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests of south and southeastern Asia. They are large

View of Miyanoshita Hot Springs in Hakone, Soshu, from the series Hot Springs, A Diptych (Onsen niban tsuzuki), c. 1820s, Keisai Eisen, Japanese, 1790-1848, Japan, Color woodblock print with metallic pigments, shikishiban, surimono, 21.2

Antilope cervicapra, Print, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was described and

The Visitor, from the third album of L’Estampe originale, 1893, Albert Besnard (French, 1849-1934), published by L’Estampe originale (French, 1893-1895), France, Lithograph on tan wove paper, 355 × 460 mm (image), 413 × 584 mm (sheet

Coin Depicting the God Apollo, 2nd/1st century BC, Greek, Ancient Greece, Bronze, Diam. 2.4 cm, 8.72 g

France (Furansukoku), from the Countries of Europe (Yoroppa-shu no uchi), 1862, Utagawa Yoshikazu, Japanese, active c. 1850–70, Japan, Color woodblock print, oban

The Actors Ichikawa Komazo II as Chunagon Yukihira (right), and Iwai Hanshiro IV as Murasame (left), in the Play Kuni no Hana Ono no Itsumoji, Performed at the Nakamura Theater in the Eleventh Month, 1771, c. 1771, Ippitsusai Buncho, Japanese,

Fragment, Early 17th century, Italy, Dark brown satin ground, cut velvet pattern, 16.2 x 19.4 cm (6 3/8 x 7 5/8 in

The Circumcision in the Stable, 1654, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on ivory laid paper, 96 x 145 mm (image/sheet, cut within platemark

Birds on Red Plum, Qing dynasty (1644–1911), 1892, Ren Yi [Ren Bonian], Chinese, 1840-1895, China, Hanging scroll, ink and colors on paper, 187.3 × 97.5 cm (73 3/4 × 38 3/8 in

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm

Punch Pot, 1755/65, England, Staffordshire, Staffordshire, Salt-glazed stoneware, polychrome enamels, 20.3 x 31.8 cm (8 x 12 1/2 in

A Japanese Madonna, 1900, Helen Hyde, American, 1868-1919, United States, Color woodcut on paper, 368 x 95 mm (image/block), 427 x 188 mm (sheet

Plates One and Two, from L’Ouverture de la Campagne des Ultras contre la XIXe siecle, n.d., Unknown Artist, French, 19th century, France, Two etchings, with watercolor, on cream wove paper, 67 × 205 mm (both images), 179 × 256 mm

The Beheading of Saint John the Baptist, 1490/1500, Master of Palanquinos, Spanish, active c. 1470–1500, Spain, Tempera and oil on panel, 42 7/8 x 29 in. (109 x 73.7 cm

Aureus (Coin) Portraying Emperor Marcus Aurelius, 167 (December)/168 (December), issued by Marcus Aurelius and Lucius Verus, Roman, minted in Rome, Italy, Gold, Diam. 2 cm, 7.26 g

Horse in a Wood, 1846, Charles Émile Jacque, French, 1813-1894, France, Etching on cream China paper laid down on ivory wove paper, 84 × 120 mm (image), 104 × 145 mm (chine), 121 × 168 mm (plate), 242 × 317 mm (sheet

Kesa, Meiji period (1868–1912), late 19th century, Japan, 226.1 x 118.8 cm (89 x 46 3/4 in

Landscape with a Vine-Yard, in the Middle a Chariot Loaded with Poles, c. 1559, Hanns Lautensack, German, 1524-1560/66, Germany, Etching on cream laid paper, 205 × 300 mm

Study for an arch of Pont Notre-Dame, Paris, 1853, Charles Meryon, French, 1821-1868, France, Graphite, with touches of pen and brown ink on cream wove tracing paper (discolored to tan), tipped onto buff wove paper, 126 × 170 mm

Scarab: Hieroglyphs (Red Crown, nfr- and nb-Signs: Trigramme of Amun), New Kingdom, Dynasties 18–19 (about 1550–1186 BC), Egyptian, Egypt, Faience, 1.3 × 1 × 0.6 cm (1/2 × 3/8 × 1/4 in

Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 7.3 cm (2 7/8 in

Dancing Couple, plate four from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 117 x 78 mm (image/plate/sheet

Untitled, 1854, Édouard Baldus, French, born Germany, 1813–1889, France, Waxed paper negative, 34 × 44.5 cm (image/paper

Paperweight, 1851, Paris, Paris, Glass, Diam. 7.3 cm (2 7/8 in

Animal Locomotion, Plate 319, 1887, Eadweard Muybridge, English, active United States, 1830–1904, England, Collotype, from "Animal Locomotion

Self-Portrait, 1649, Cornelis Visscher, Dutch, c. 1629-1658, Holland, Etching and engraving in black on ivory laid paper, 136 x 90 mm (image), 139 x 93 mm (plate), 145 x 100 mm (sheet

Plate Nine from Drawings of Several Movements by Soldiers, 1644, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 56 x 123 mm (image), 61 x 125 mm (plate), 67 x 132 mm (sheet

Amulet of the God Bes, Third Intermediate Period, Dynasties 21–25 (about 1069–664 BC), Egyptian, Egypt, Faience, 4 × 1.5 × .75 cm (1 9/16 × 9/16 × 1/4 in

The Compound of the Tenman Shrine at Kameido in the Snow (Kameido Tenmangu keidai no yuki), from the series Famous Places in the Eastern Capital (Toto meisho), c. 1832/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color

Landscape, Willow Trees, c. 1845, Charles Émile Jacque, French, 1813-1894, France, Etching on light gray China paper laid down on ivory wove paper, 74 × 133 mm (image), 85 × 149 mm (chine), 88 × 150 mm (plate), 240 × 323 mm (sheet

Panel (Possibly shawl or bedspread), 19th century, France or England, France, Cotton, plain weave, block printed, 270.5 × 227.4 cm (106 1/2 × 89 1/2 in

Jug, 1775/80, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue, H. 20.6 cm (8 1/8 in

Horses Exercising, plate 6 from Various Subjects Drawn from Life on Stone, 1821, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Joseph Hullmandel (German and English, 1789-1850), published by Rodwell and Martin,

Herd Coming through an Arch of Rock, 1740, Christian Wilhelm Ernst Dietrich, German, 1712-1774, Germany, Etching in black on paper, 91 x 148 mm (plate), 142 x 197 mm (sheet

Moon Jar, Joseon dynasty (1392–1910), 17th century, Korea, Korea, Glazed porcelain, with repairs in gold powder, H. 33.0 cm (13 in.), diam. 32.5 cm (12 13/16 in

Study for Arrangement in Black, No. 2: Portrait of Mrs. Huth (recto), Study (verso), c. 1872, James McNeill Whistler, American, 1834-1903, United States, Pastel (recto), and black chalk with touches of pink and white pastel (verso), on

Bedcover, c.1720, England, Cotton, plain weave, embroidered with silk floss and silk yarns in back, cross, herringbone, individual satin, satin, star, and stem stitches, laid work, couching, and French knots;, 155.9 × 147.8 cm (61 3/8

Panel, Empire period, 1804/14, France, Silk and cotton, warp-float faced satin weave with supplementary pile warps forming cut and uncut, voided velvet, 86.1 × 54.9 cm (33 7/8 × 21 5/8 in