Images at Librifly

Wynnstay, Seat of Sir Watkin Williams Wynn Bart from a Cottage above the New Bridge over the River Dee, Denbigh Shire, 1776, Paul Sandby, English, 1731-1809, England, Etching and aquatint in sanguine on ivory laid paper, 239 × 315 mm

There Were Struggles and Vain Victories, plate 6 of 8 from Les Origines, 1883, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper, laid down on white wove paper, 291 × 223 mm (image/chine), 533 × 344 mm

Lilies, from an untitled series of Large Flowers, c. 1833/34, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 25.0 x 36.1 cm (9 7/8 x 14 1/4 in

Expulsion of the Jesuits, 1761, Gabriel Jacques de Saint-Aubin, French, 1724-1780, France, Etching, with touches of graphite on ivory laid paper, 179 × 109 mm (sheet, ma×., cut within platemark

Ampullaria fasciata, Print, Ampullaria is an extinct genus of freshwater snails with an operculum, an aquatic gastropod mollusks in the family Ampullariidae

Anolis chlorocyaneus, Print, Anolis is a genus of anoles, iguanian lizards in the family Dactyloidae, native to the Americas. With more than 425 species, it represents the world's most species-rich amniote tetrapod genus, although it has been

Death on a Pale Horse, 1784, after the drawing of 1775, Joseph Haynes (English, 1760-1829), after John Hamilton Mortimer (English, 1740-1779), England, Etching on ivory laid paper, 656 × 476 mm (image), 686 × 477 mm (sheet

Platter, 1730/60, Thomas Bacon, English, active 1730-1760, England, Pewter, 1.6 × 31.5 cm (5/8 × 12 3/8 in

Vase, 2nd century AD, Roman, Levant or Syria, Syria, Glass, mold-blown technique, 7.7 × 3.5 × 3.5 cm (3 × 1 3/8 × 1 3/8 in

Candlestand, 1680/90, London, London, Lacquered and gilded wood, H. 113 cm (44 1/2 in

Mirror with Gilt Bronze Frame, 1560/70, French, probably Paris, Paris, Gilt bronze, mirrored glass, 20.9 × 13.9 cm (8 1/4 × 5 7/16 in

A Lancashire River, 1881, Francis Seymour Haden, English, 1818-1910, England, Etching on cream wove paper, 280 × 405 mm (image/plate), 397 × 567 mm (sheet

Breakfast, plate four from Woman, c. 1886, Albert Besnard, French, 1849-1934, France, Etching in black on cream Japanese paper, 316 × 247 mm (image/plate), 396 × 308 mm (sheet) × 308 mm (sheet

Dish, 1809, London, England, London, Silver, 3 x 26 x 23.3 cm (1 3/16 x 10 1/4 x 9 3/16 in

Christ Carrying the Cross, c. 1490, South German, Germany, Oil on panel, 42 5/8 x 38 9/16 in. (108.4 x 98 cm

The Statues of Memnon, 1857, printed 1862, Francis Frith, English, 1822–1898, England, Albumen print, No. 56 from the album "Egypt, Palestine and Nubia" (1862), 16.5 × 23.2 cm (image/paper), 31.6 × 43.4 cm (mount

Wine Glass, c. 1750, England, Glass, H. 20.2 cm (7 15/16 in

Coin Depicting the Goddess Athena, about 300/200 BC, Greek, Ancient Greece, Bronze, Diam. 1.3 cm, 1.48 g

Peasant Couple Selling Eggs, 1520, Sebald Beham, German, 1500-1550, Germany, Etching in black on ivory laid paper, 53 x 39 mm (image/plate), 54 x 41 mm (sheet

Dish, c. 1765, China, Hard-paste porcelain with polychrome enamels and gilding, Overall: 4.1 × 34.6 × 34.6 cm (1 5/8 × 13 5/8 × 13 5/8 in.) Broken into 5 pieces

Jurojin, from the series A Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase), c. 1795, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, oban, 36.8 x 24.5 cm (14 1/2 x 9 5/8 in

Black Horseman, c. 1651, Stefano della Bella, Italian, 1610-1664, Italy, Etching in black on ivory laid paper, 190 x 190 mm (sheet

Tetradrachm (Coin) Depicting the Goddess Persephone, 310/307 BC, Greek, minted in Syracuse, Sicily, Syracuse, Silver, Diam. 2.8 cm, 17.02 g

Study for ‘The Mirror of Venus’: Kneeling Female Figure, c. 1873–77, Sir Edward Burne-Jones, English, 1833-1898, England, Graphite on ivory wove paper, 253 × 178 mm

Teacup, Coffee Cup, and Saucer, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain with purple enamel and gilding, Teacup: H. 4.8 cm (1 7/8 in.), diam. 8.3 cm (3 1/4 in

The Hand-Drum Player, from an untitled series of five musicians, 1780s, Attributed to Kitao Shigemasa, Japanese, 1739-1820, Japan, Color woodblock print, oban, 14 3/4 x 10 7/8 in

Death of a Saint, c. 1580, Unknown Artist, Italian or Spanish, 1575-1600, Spain, Black chalk with brush and brown wash, and incising, heightened with touches of white gouache, on ivory laid paper, pieced and partially laid down on ivory

Amulets of the God Bes and the Goddess Hathor, New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Faience, 1 × 0.6 × 0.2 cm (3/8 × 1/4 × 1/16 in

Saint Philip Baptising the Eunuch, 1853/98, Sir Edward Burne-Jones, English, 1833-1898, England, Graphite and charcoal, with brush and black ink and traces of brush and brown gouache on cream wove paper, laid down on cream board, 813 × 478

Scene of Pillage, plate four from The Miseries of War, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 82 × 187 mm (plate), 91 × 198 mm (sheet

Hunting Scene, n.d., Attributed to Jacob Züberlein, German, 1556-1607, Germany, Pen and black ink, with brush and gray wash, on tan laid paper, laid down on cream laid paper, 111 x 212 mm

Two Men on a Mountain Top, n.d., Giovanni Francesco Grimaldi, Italian, 1606-1680, Italy, Etching on paper, 177 x 278 mm

Akera bullata, Print, Akera bullata is a species of sea snail (or sea slug), a marine opisthobranch gastropod mollusk in the family Akeridae, a family that is related to the sea hares. This species is the only European representative of the genus

Plaque with Triumph of Cybele, 1794, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 16.4 × 21.3 cm (6 7/16 × 8 3/8 in

It is Amazing, and We were Made by God, plate six from Los Proverbios, 1815/24, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and burnished aquatint on ivory wove paper, 218 x 319 mm (image), 245 x 354 mm (plate),

Untitled, c. 1865, Samuel Bourne, English, 1834–1912, England, Albumen print, 28.7 × 23.5 cm (image/paper), 43.3 × 34.5 cm (mount

Fragment, Louis XVI period, 1775/1800, France, Silk, brocaded, 101.6 × 48.9 cm (40 × 19 1/4 in

Portrait of a Man Holding a Book, Turned to the Right, 1758/62, Jean Etienne Liotard, Swiss, 1702-1789, Switzerland, Black and white chalk, with traces of red chalk, on blue laid paper, rubbed on the verso with vermillion and traced with a

Stag and Flower Pattern Frame (side frame section), 1897–99, Theodore Roussel, French, worked in England, 1847-1926, England, Etching and soft ground in yellow-brown metallic and black on ivory laid paper, 108 × 503 mm (image/plate,

Music-Making Angels, n.d., Possibly attributed to Vittorio Maria Bigari (Italian, 1692-1776), or Giacomo Guerrini (Italian, 1718-1793), Italy, Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper, 321 x

Mower, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé), 135

Fragment, 17th century, Italy, Linen, plain weave, embroidered with silk floss in flame stitch, 43.8 x 17.8 cm (17 1/4 x 7 in

Panel, 18th century, Iran, Iran, linen and silk, tapestry stitch, 52.8 × 42 cm (20 3/4 × 16 1/2 in

Chess Piece: Pawn, 19th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 6 × 3.2 cm (2 3/8 × 1 1/4 in

Assumption and Coronation of the Virgin, from The Life of the Virgin, 1510, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on tan laid paper, 293 x 205 mm (image), 431 x 300 mm (sheet

Conway Castle, 1849, Thomas Miles Richardson, the younger, English, 1813-1890, England, Watercolor, over graphite, on ivory wove paper, laid down on cream card, 242 × 156 mm

Untitled, 1898, Jean-Eugène-Auguste Atget, French, 1857–1927, France, Albumen print, 17.6 × 21.4 cm (image/paper

Foreshortened Putto, 1522/30, After Antonio Allegri, called Correggio, Italian, 1489-1534, Italy, Red chalk on buff laid paper, laid down on buff laid paper, 210 x 188 mm

Untitled Valentine (Flowers and Putti), 1850/70, Mullord Brothers, English, 19th century, England, Collaged elements on cut and embossed (designed) ivory wove paper, laid down on blue printed ivory wove paper, 113 × 80 mm (folded sheet

Shabti, Third Intermediate Period, Dynasties 21–22 (about 1069–715 BC), Egyptian, Egypt, Faience, 13.7 × 4.7 × 3.8 cm (5 3/8 × 1 7/8 × 1 1/2 in

Amulet of Bes, Late Period–Ptolemaic Period (664–30 BC), Egyptian, Egypt, Faience, 7 × 2.5 × 1.5 cm (2 3/4 × 1 × 9/16 in

Allegorical Figure of America, 1770/80, Derby Porcelain Manufactory, England, 1750-1848, Derby, Soft-paste porcelain with polychrome enamels and gilding, H. 25.1 cm (9 7/8 in.), base diam. 12 cm (4 3/4 in

Marine Dabblers, plate 29 from Liber Studiorum, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove paper, 177 × 161 mm

Forest, Valley and Distant Hills, n.d., Karl Schutz, Austrian, 1745-1800, Austria, Pen and brown ink, with brush and gray wash, oncream laid paper, tipped onto ivory laid paper, 237 × 391 mm

Temple of Clitumnus between Foligno and Spoleto, plate 26 from Some Views of Triumphal Arches and other monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 134 x 266 mm (plate), 343 x 462 mm

Fragment (Dress Fabric), 1750/1800, France, 20.3 × 41.3 cm (8 × 16 1/4 in

Anous leucocapillus, Print, Anous is a genus of seabirds in family Laridae which also contains the gulls, terns and skimmers. The genus contains five species., 1820-1860

Out of Study Window, 1859, Francis Seymour Haden, English, 1818-1910, England, Etching with drypoint on cream Japanese paper, 108 × 257 mm (image/plate), 250 × 383 mm (sheet

Herdsmen, Cattle and Sheep Passing Two Maidens, with Ruined Castle on Hill Above, n.d., Follower of Claes Pietersz. Berchem (Dutch, 1620-1683), or School of Karel Dujardin (Dutch, c. 1622-1678), Netherlands, Black chalk, with brush and gray

Lamb Bound to Shephard’s Crook (recto), Seated Academic Male Nude, From Back, Turning Right (verso), n.d., School of Giovanni Battista Piazzetta, Italian, 1682-1754, Italy, Black and white chalk (recto), and black chalk (verso), on brown

Bickom (Anvil), 15th century (?), European, Europe, Iron

The Shop and the Shay from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853 (top left), 1842, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto (English, 19th century), England,

Amulet of the Goddess Isis, Ptolemaic Period (?) (332–30 BC), Egyptian, Egypt, Faience, 0.6 × 1 × 1.3 cm (1/4 × 3/8 × 1/2 in

Coin Depicting a Double Cornucopia, Hasmonaean Dynasty (135–76 B.C), reign of Alexander Jannaeus (103–76 BC), Palestinian or Judean, Israel, Bronze, Diam. 1.6 cm, 2.24 g

The Lake in the Bois de Boulogne, 1889, Berthe Morisot, French, 1841-1895, France, Drypoint in black on cream laid paper, 159 × 119 mm (image), 159 × 119 mm (plate), 356 × 279 mm (sheet

Lady with Vase, 1865, Baron Frederic Leighton, English, 1830-1896, England, Black and white pastel on blue wove paper, 254 × 192 mm

Half Shawl, 1855/65, Belgium, Brussels, Belgium, Linen, needle lace of a type known as "Point de Gaze" applied to cotton, machine-made net, 142.2 × 294.9 cm (56 × 116 in

Sangi Takamura, from the series One Hundred Poems as Explained by the Wet Nurse (Hyakunin isshu uba ga etoki), 1835/36, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 26.2 x 37.5 cm

Antilope bubalis, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Paperweight, 19th century, Saint-Louis, France, founded 1767, Münzthal, Glass, Diam. 10.8 cm (4 5/16 in

On the Bank of the Seine at Portejoie, c. 1865, Charles François Daubigny, French, 1817-1878, France, Oil on panel, 38.1 × 67 cm (15 × 26 3/8 in

Martyrdom of Saint Thaddeus, plate twelve from The Martyrdoms of the Apostles, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 72 × 47 mm

Hairdressing Room (Kamibeya), from the series Ten Kinds of Incense in the Pleasure Quarters (Seiro jisshu ko), c. 1793/94, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, chuban, 24.9 x 18.4 cm

Fragment, 1601/50, Italy, Silk, cut, voided velvet with additional patterning wefts of cut gold foil against plain weave foundation, 50 x 49.4 cm (19 5/8 x 19 3/8 in

Untitled (II 58), c. 1890, edited by Ferdinando Ongania, Italian, 1842–1911, Italy, Photogravure, No. II 58 from the portfolio "Calli, Canali e Isole della Laguna

Jar (Guan), Style of Shang dynasty (c. 1600–1050 B.C.), China, Earthenware with incised and applied decoration, H. 14.0 cm (5 1/2 in.), diam. 15.0 cm (6 in

Christ and the Apostles, c. 1625, Johannn Mathias Kager, German, 1566–1634, Germany, Pen and black ink on ivory laid paper, 282 × 200 mm

Standing Court Official, Style of Tang Dynasty (618–907) with later painted detail, China, Earthenware with painted decoration, 65.8 × 19.0 × 15.9 cm (25 15/16 × 7 1/2 × 6 1/4 in

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 7.6 cm (3 in

Draped Male Figure (sketchbook #2614), c. 1873–77, Sir Edward Burne-Jones, English, 1833-1898, England, Graphite on ivory wove paper, 254 × 178 mm

Edward Stanley, Earl of Derby, November 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 272 x 191 mm (image), 339 x 253 mm (plate), 403

Female Lancers, or A Scene in St. James’s Street, published January, 1819, Isaac Robert Cruikshank (English, 1789-1856), published by E. Brooks (English, 1830-1817), England, Hand-colored etching on paper, 221 × 314 mm (image), 240 ×

Woman and Child before Walled Town with Tower, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on gray wove paper, 273 mm × 190 mm

Panel, 1625/75, Italy, Silk and gold gilt strip wound around a silk fiber core, satin weave with supplementary brocading wefts and self-patterned by reversing of faces, 74.6 x 53.3 cm (29 3/8 x 21 in

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with ink (in album), 29.2 × 41.9 cm

Teapot, 1760/70, Staffordshire, England, Staffordshire, Lead-glazed earthenware (creamware), 14.6 x 18.1 x 11.4 cm (5 3/4 x 7 1/8 x 4 1.2 in

Prince Visiting an Ascetic during a Hunt, 1625/50, India, Kashmir, India, Opaque watercolor, gold, and ink on paper, Image: 26.5 x 15.2 cm (10 3/8 x 6 in.), Border: 29.3 x 18 cm (11 1/2 x 7 1/8 in.), Paper: 40.8 x 26.5 cm (16 1/16 x 10 3/8

Coverlet, 1842, William Craig, Sr. (American, 1800–1880), United States, Indiana, Decatur County, Greensburg, Indiana, Cotton and wool, plain weave double cloth, woven on loom with Jacquard attachment, two loom widths joined, fringed,

Christ Among His Tormentors, 1894–98, Henri de Groux, Belgian, 1867-1930, Belgium, Pastel over lithograph in black ink with additions in crayon and graphite on cream wove Canson & Montgolfier paper, 581 × 747 mm

Parody of a daimyo procession, c. 1805/07, Utagawa Toyohiro, Japanese, 1773-1828, Japan, Color woodblock print, 1 of 12 sheets (see 1928.391-402), 24.2 x 9.7 cm

Frogs and yellow rose, 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, otanzaku, 37.8 x 17 cm (15 x 6 3/4 in

Dish Cross, 1768, Richard Mills, English, active 1755-68, London, English, London, Silver, 9.5 x 32.1 x 7 cm (3 3/4 x 12 5/8 x 2 3/4 in

Amadina polyzona, Print, Amadina is a genus of estrildid finches. Established by William John Swainson in 1827, 1700-1880

Illustration from Kunst des Messens (The Art of Measurement), plate eight from Woodcuts from Books of the XVI Century, 1531, assembled into portfolio 1937, Attributed to Monogrammist H.H. (German, active 1539-1559), assembled by Max Geisberg

Dalecarlian Peasant Woman, 1891, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on white wove paper, 132 x 93 mm (image), 141 x 101 mm (plate), 290 x 225 mm (sheet

Sestertius (Coin) Portraying Emperor Maximinus, AD 235/236, Roman, minted in Rome, Roman Empire, Bronze, Diam. 3.1 cm, 25.56 g

‘The Beautiful Virgin of Regensburg’ with the Child on a Throne, Surrounded by Angels with Musical Instruments, 1519/20, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 60 × 40 mm (image

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12, 1899, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid down on ivory wove paper, 300 × 229 mm (image/chine), 453 ×

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 8 cm (3 1/8 in

Fragment from an Orphrey, 1360s, Italy, Florence, Florence, Linen, plain weave, underlaid with linen, plain weave, embroidered with silk, gilt- and silvered-metal-strip-wrapped silk in split and surface satin stitches, laid work,