Images at Librifly

Snow at Louveciennes, c. 1870, Camille Pissarro, French, 1830-1903, France, Oil on panel, 32.3 × 47.5 cm (12 3/4 × 18 11/16 in

Nocturne: Furnace, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting, with drypoint cancellation, in black ink on cream laid paper, 167 x 230 mm (plate), 195 x 257 mm (sheet

Sweetmeat Stand, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain with polychrome enamels, 12.1 x 16.5 cm (4 3/4 x 6 1/2 in

Band (from Woman’s Trousers or Robe), 1875/1900, China, 12.1 × 48 cm (4 3/4 × 18 7/8 in

Amulet of Two Back to Back Canine Heads, First Intermediate Period? (about 2160 BC), Egyptian, Egypt, Glazed steatite, 1.9 × 1.9 × 0.6 cm (3/4 × 3/4 × 1/4 in

Conjugal Gaiety, n.d., Nicolas Delaunay (French, 1739-1792), after S. Freudeberg (Swiss, 1745-1801), France, Etching and engraving in black ink on ivory laid paper, laid down on white laid paper, 287 × 326 mm (image/plate), 295 × 337 mm

Untitled, c. 1875, English, 19th century, United Kingdom, Photocollage (albumen prints with watercolor), 24 x 31.2 cm (image), 34.6 x 44 cm (paper

The Heritage of the Wagon (The Children with the Wagon), 1861, Charles François Daubigny, French, 1817-1878, France, Etching on ivory laid paper, 125 × 176 mm (plate), 217 × 295 mm (sheet

Martyrdom of Saint Barnaby, plate fifteen from The Martyrdoms of the Apostles, n.d., Jacques Callot, French, 1592-1635, France, Etching on paper, 70 × 45 mm (image/plate/sheet

Summer, from The Four Seasons, 1570, Pieter van der Heyden (Flemish, c. 1530–after 1584), after Pieter Bruegel, the elder (Flemish, 1525/30–1569), published by Hieronymus Cock (Flemish, c. 1510–1570), Flanders, Engraving with etching

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei), 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock

A Portrait of a Woman, 1650, Jan de Bray, Dutch, c. 1627-1697, Netherlands, Black and red chalk on ivory laid paper, 164 x 128 mm

Smell, plate 38 from Types Parisiens, 1839, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on white wove paper, with letterpress verso, 201 × 229 mm (image), 253 × 358 mm (sheet

Two Washerwomen Crossing a Small Park in Paris, c. 1890, Jean François Raffaëlli, French, 1850-1924, France, Oil on panel, 59.2 × 81 cm (23 5/16 × 31 7/8 in

Mercury rescues the disguised Io after beheading Argus, c. 1690/95, Johann Michael Rottmayr, Austrian, 1654-1730, Austria, Oil on canvas, 32 × 49 1/2 in. (81.3 × 125.2 cm

The Actor Segawa Yujiro I as Matsukaze, Sister of Togashi no Saemon, in the Play Gohiiki Kanjincho (Your Favorite Play Kanjincho [The Subscription List]), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1773, c. 1773,

Portrait of Henning Meyercron, 1693, Cornelia Martinus Vermeulen (Flemish, 1644-1702), after Hyacinthe Rigaud (French, 1659-1743), Flanders, Engraving in black on ivory wove paper, 475 × 345 mm

Display Plate with Judith Holding the Head of Holofernes, 1500/1530, Italian, Deruta, Deruta, Tin-glazed earthenware with copper luster (maiolica), Diameter: 38.7 cm (15 1/4 in.), H: 8.3 cm (3 1/4 in

The Buddha Preaching the Perfection of Wisdom (Prajnaparamita) Sutra, 14th century, Japanese, Japan, Hanging scroll, ink, colors, and gold on silk, 182.8 x 69.8 cm

Ecce Homo, n.d., Unknown artist, Austrian, 18th century, Austria, Pen and brown ink, with brush and gray wash, and black chalk, on blue laid paper, 324 × 220 mm, In the Spring the Wanton Lapwing gets himself another Crest, n.d., George

Theuerdank Received by Ehrenreich, from Teuerdank, plate 22 from Woodcuts from Books of the XVI Century, 1517, Leonhard Beck (German, c.1480-1542), published by Johann Schonsperger the Elder (German, 1455-1521), assembled by Max Geisberg

The Turret Ship, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in black ink on cream laid paper, 126 x 175 mm (image, trimmed within plate mark), 129 x 175 mm (sheet

Parrot and Bells, n.d., Tanaka Shutei, Japanese, 1810-1858, Japan, Color woodblock print, surimono, 24.6 x 18.4 cm

Pitcher, 2nd/3rd century AD, Roman, Levant or Syria, Syria, Glass, blown technique, 17.8 × 7.6 × 7.6 cm (7 × 3 × 3 in

Downfall, plate twelve from A Life, 1884, Max Klinger, German, 1857-1920, Germany, Etching and drypoint on ivory wove paper, 276 x 228 mm (plate), 300 x 248 mm (sheet

Swiss Sentry at the Louvre, 1819, Jean Louis André Théodore Géricault, French, 1791-1824, France, Lithograph on ivory wove paper (discolored to cream), 397 × 330 mm (image), 491 × 387 mm (sheet

Mail Shirt, first half of 16th century, European, Europe, Steel

The Actor Nakamura Shikan IV as Kumagai Naozane, 1869, Toyohara Kunichika, Japanese, 1835-1900, Japan, Color woodblock print, oban, 35.4 x 24.1 cm (13 15/16 x 9 1/2 in

Woman in Bed—Waking, plate three from Elles, 1896, Henri de Toulouse-Lautrec (French, 1864-1901), published by Gustave Pellet (French, 1859-1919), probably printed by Auguste Clot (French, 1858-1936), France, Color lithograph on ivory

Mustard Pot, 1780/90, Leeds Pottery, English, founded 1756, Yorkshire, Lead-glazed earthenware (creamware), 13 x 9.2 x 7 cm (5 1/8 x 3 5/8 x 2 3/4 in

Female Attendant (Tomb Figurine), Western Han dynasty (206 B.C.–A.D. 9), c. 2nd century B.C., China, probably Shaanxi province, China, Gray earthenware with slip coating and polychrome pigments, 29.8 × 8.4 × 5.7 cm (11 3/4 × 3 5/16 × 2

The Piper, plate 1 from Various Subjects Drawn from Life on Stone, 1821, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Joseph Hullmandel (German and English, 1789-1850), published by Rodwell and Martin,

Virgin of the Immaculate Conception, 1710/20, Antonio Maragliano (and workshop), Italian, 1664–1741, Italy, Wood, 44 in. (111.8 cm

Fragment, Edo period (1615–1868), 1700/25, China, Japan, Fancy compound satin silk and silvered paper, 2 strips to m.m., 32.4 x 20.6 cm (12 3/4 x 8 1/8 in

Earring, New Kingdom, Second Half of Dynasty 18 (about 1400–1295 BC), Egyptian, Egypt, Glass, 2.7 × 2.5 × 0.3 cm (1 1/16 × 1 × 1/8 in

La Marchande de Moutarde (The Mustard Seller), 1858, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper, chine collé, 157 x 89 mm

Border, 1601/25, Italy, Linen, needle lace worked on a laid and plaited thread grid with detached points (with inserts of later date) Reticello pattern, 14.5 x 403.2 cm (5 3/4 x 158 5/8 in

On the Balcony, 1871/72, Berthe Morisot, French, 1841-1895, France, Watercolor, with touches of gouache, over graphite, on off-white wove paper, 206 × 173 mm

Alcyonium digitatum, Print, Alcyonium digitatum or dead man's fingers is a species of soft coral in the Alcyoniidae family. It is found around the coasts of the northern Atlantic Ocean

Sari, 19th century, India, India, Grey with leaf cluster design in gold and silver, 119.4 x 571.5 cm (47 x 225 in

The Actors Matsumoto Koshiro III as Oroku and Bando Hikosaburo II as Fujitaro in the play Shomei Muken no Kane, performed at the Nakamura Theater in the ninth month, 1767, 1767, Torii Kiyomitsu I, Japanese, 1735–1785, Japan, Color woodblock

Head and Torso of a Dancing Figure, 5th–7th century, Japan, Earthenware, 48.3 × 35 × 15.8 cm

Coin Depicting the Goddess Tyche, about 188/166 BC, Greek, Ancient Greece, Bronze, Diam. 1.2 cm, 1.12 g

Fan, 19th century, Italy or Spain, Italy, Carved and gilded mother-of-pearl sticks and guards, painted paper mount, rhinestone rivet, metal loops, gilt ornament on guard with mirror, gilt ornament on guard with stone missing, 28.3 cm 28.3

Beach at Villerville, 1855, Charles François Daubigny, French, 1817-1878, France, Etching on light gray chine laid down on white wove paper, 90 × 200 mm (image), 126 × 217 mm (plate), 267 × 356 mm (sheet

Pillar from Tomb Chamber, Western Han dynasty (206 B.C.–A.D. 9), 1st century B.C., China, probably from Zhengzhou, Henan province, China, Gray earthenware with impressed and carved decoration, 111.5 × 18.0 × 17.5 cm (43 7/8 × 7 1/16 × 6

The Royal Gorge, 1879/92, William Henry Jackson, American, 1843–1942, United States, Albumen print, stereo, 9.3 x 7.5 cm (each image), 10.1 x 17.6 cm (card

Rooster, umbrella, and morning glories, 1830s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, otanzaku, 38.5 x 17.2 cm (15 1/8 x 6 3/4 in

Wheellock Spanner with Powder Measure and Screwdriver, 17th century, German, Germany, Iron, L. 17.8 cm (7 in

The Mouth of the Apponagansett, 1883, Robert Swain Gifford, American, 1840-1905, United States, Etching on cream China paper, 196 x 283 mm (image), 201 x 288 mm (plate), 364 x 496 mm (sheet

Little Putney Bridge, 1879, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in black ink on ivory laid paper, 132 x 208 mm (plate), 204 x 316 mm (sheet

The Letter, 1890/91, Mary Cassatt (American, 1844-1926), printed with Leroy (French, active 1876-1900), United States, Color aquatint with drypoint, from three plates, on off-white laid paper, 345 x 211 mm (image/plate), 437 x 297 mm

Comb Rashomon (Sashigushi Rashomon), no. 3 from a series of 12 prints depicting parodies of plays, c. 1716–35, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, oban, sumizuri-e, 27.2 x 38.6 cm

The Market at Gisors, Rue Cappeville, c. 1894, Camille Pissarro, French, 1830-1903, France, Color etching on ivory laid China paper, 204 × 142 mm (image/plate), 274 × 202 mm (sheet

Woman Reclining on Her Bed, c. 1885, Edgar Degas, French, 1834-1917, France, Monotype in black ink on ivory laid paper, 199 × 415 mm (image/plate), 222 × 419 mm (sheet

As (Coin) Depicting the God Janus, 225/217 BC, Roman, minted in Rome, Italy, Bronze, Diam. 6.3 cm, 261.10 g

Denarius (Coin) Portraying Emperor Antoninus Pius, AD 138/161, Roman, minted in Rome, Roman Empire, Silver, Diam. 2 cm, 2.94 g

Franciscan Saints in Adoration, n.d., Unknown Artist, Italian, late 16th century, Italy, Pen and brown ink with brush and pale brown wash, over traces of black chalk, on tan laid paper, laid down on cream wove card, 87 x 209 mm (max

The Doorway, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching in black ink on ivory Asian laid paper, 291 x 201 mm (plate), 295 x 207 mm (sheet

Artillery Encampment, Camp de Châlons, 1857, Gustave Le Gray, French, 1820–1884, France, Albumen print, from the album "Souvenirs du Camp de Châlons

The actor Segawa Tomisaburo II as Prince Korehito in the guise of the maid Wakakusa of the Otomo family, 1794, Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print, center sheet of hosoban triptych (right:

Butchers’ Guild Vessel in the Form of a Bull, c. 1750, Lindau, Germany, Lindau, Pewter, 26.7 x 11.4 x 22.5 cm (10 1/2 x 4 1/2 x 8 7/8 in

Dagger-Blade (ge), Shang dynasty (c.1600–1046 BC), 13th–11th century B.C., China, Jade, 25.7 × 5.9 × 0.5 cm (10 1/8 × 2 5/16 × 3/16 in

Lender and Auguez in La Chanson de Fortunio, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on ivory wove paper, 372 × 232 mm (image), 516 × 401 mm (sheet

Meeting in the Woods of Boulogne, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, n.d., Heinrich Guttenberg (German, 1749-1818), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François Prault

Plate from l’Assommoir (singer onstage with prompter), 1878, Gaston La Touche, French, 1854-1913, France, Drypoint and plate tone on ivory laid paper, 264 × 205 mm (image), 290 × 232 mm (plate), 407 × 317 mm (sheet

Vinaigrette, 1816/17, John Shaw, Birmingham, England, Birmingham, Silver gilt, 3.8 × 2.5 cm (1 1/2 × 1 in

Teacup, Coffee Cup, and Saucer, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain with purple enamel and gilding, Teacup: H. 4.5 cm (1 3/4 in.), diam. 8.3 cm (3 1/4 in

Standing Buddha, Pagan period, 11th/12th century, Burma (now Myanmar), Burma, Bronze inlaid with silver, 47.4 × 21.5 × 10.1 cm (18 11/16 × 8 1/2 × 4 in

Esula Minor from Herbarium, Plate 46 from Woodcuts from Books of the 15th Century, 1491, portfolio assembled 1929, Unknown Artist (Vicenza, late 15th century), printed and published by Leonardus Achates (Swiss, active Italy, 1472-1491),

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 8 cm (3 3/16 in

The Actor Nakamura Nakazo I as an Itinerant Monk in the Play Hikitsurete Yagoe Taiheiki, Performed at the Morita Theater in the Eleventh Month, 1776, c. 1776, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print,

True Image of a Giant Elephant (Taizo shasei), 1863, Utagawa Yoshikata, Japanese, active c. 1841–64, Japan, Color woodblock print, oban triptych

The Descent from the Cross: A Sketch, 1642, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching and drypoint on white laid paper, 150 x 117 mm (plate), 151 x 118 mm (sheet

Bell Pull, 1825/75, England, 146.1 × 13.4 cm(57 1/2 × 5 1/4 in

Sleeping Girl, c. 1750, Pietro Antonio Rotari, Italian, 1707-1762, Italy, Soft pastel on paper, 400 x 302 mm

Paperweight, 19th century, Saint-Louis, France, founded 1767, Münzthal, Glass, Diameter: 4 in

The Actors Nakamura Riko I as Tanbaya Otsuma and Ichikawa Yaozo III as Furuteya Hachirobei, in the joruri Sakamachi Yoi no Yotsutsuji, performed at the Nakamura Theater in the third month, 1785, 1785, Torii Kiyonaga, Japanese, 1752-1815,

Wine Glass, c. 1750, England, Glass, 17.8 × 9.2 cm (7 × 3 5/8 in

Ribbon, c. 1850/60, France, 58.5 × 6.5 cm (23 1/4 × 2 3/4 in

Wheel-Lock Spanner and Turnscrew, early 17th century, Austrian, Austria, Iron, fretted and engraved, L. 24.3 cm (9 9/16 in

Ammonites decipiens, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living coleoids

Yellow House, Lannion, 1893, James McNeill Whistler, Printed by Henry Belfond, American, 1834-1903, United States, Transfer lithograph, with scraping, from six stones in black (keystone), greenish gray, brown, green, yellow, and gray

Peasants, August 1811, Ferdinand, French, 19th century, France, Lithograph in black, with another lithograph, verso, on greenish-ivory wove paper, 184 × 145 mm (image), 217 × 154 mm (sheet

Crozier, 14th century, with 15th century German and other later metal fittings, Italian, Italy, Ivory with traces of gilding and polychromy, gilt bronze, H: 154.6 cm (60 7/8 in

Apogon coccineus, Print, Ruby cardinalfish, 1835

In Memory of Robert Schumann, 1873, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on off-white China paper laid down on white wove paper, 305 × 189 mm (image/chine), 501 × 374 mm (sheet

Basket, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue, polychrome enamels and gilding, 18.1 x 22.8 cm (7 1/8 x 9 in

Forget Me Not! (valentine), c. 1840, Unknown Artist, English, 19th century, England, Lithograph in brown ink with hand-coloring on cut and embossed cream wove paper (lace), 176 × 116 mm (folded sheet

Lime-Kiln, from Cabinet Reynst, 1655–59, Cornelis Visscher (Dutch, c. 1629-1658), after Pieter van Laer (Netherlandish, 1592-1642), Netherlands, Engraving and etching in black on ivory laid paper, 325 x 390 mm

Aquila malayensis, Print, 1700-1880

Untitled Valentine (Blue and White Vase with Flowers), c. 1850, George Kershaw, English, 19th century, England, Collaged elements with watercolor on embossed ivory wove paper, 180 × 114 mm (folded sheet

Cyclades: the Porticos of Philip, Port of Dhílos, Rinea (or Greater Dhílos) and Tínos, 1846, Théodore Caruelle d’Aligny, French, 1798-1871, France, Etching on ivory China paper, laid down on white wove paper, 331 × 485 mm (image),

Going to Open the Budget, 1796, Unknown Artist (English, late 18th century), after George Moutard Woodward (English, c. 1760-1809), published by S.W. Fores (English, 1761-1838), England, Etching in black, with hand-colored additions, on

Scarab: Confronted Cobras with Falcon, Second Intermediate Period, Dynasty 15 (about 1650–1550 BC), Egyptian, Egypt, Glazed steatite, 1.6 × 1.3 × 0.6 cm (5/8 × 1/2 × 1/4 in

Amulet of the God Thoth, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 3.8 × 1.3 × 1 cm (1 1/2 × 1/2 × 3/8 in

Matrona Belgica primaria (Belgian Matron of the First Rank) from Gynaeceum, sive Theatrum Mulierum, plate 53 from Woodcuts from Books of the XVI Century, 1586, assembled into portfolio 1937, Jost Amman (Swiss, 1539-1591), assembled by Max

The Actor Ichikawa Ebizo III as Akushichibyoe Kagekiyo (?) in the Play Wada Sakamori Eiga Kagami (?), Performed at the Nakamura Theater (?) in the Third Month, 1773 (?), c. 1773, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan,

Alauda calandrella, Print, Alauda is a genus of larks found across much of Europe, Asia and in the mountains of north Africa, and one of the species (the Raso lark) endemic to the islet of Raso in the Cape Verde Islands. Further, at least two

The Holy Ghost and Angels, 1720/39, Giovanni Domenico Ferretti, Italian, 1692-1768, Italy, Brush and gray wash, over black chalk, on ivory laid paper, 261 x 210 mm