Images at Librifly

The Boating Party, Early to mid 19th century, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, 7 × 14 cm (2 3/4 × 5 1/2 in

Here’s a Greeting for My Little Dear (valentine), 1860/69, Unknown Artist, American, 19th century, United States, Lithograph with hand-coloring on embossed ivory wove paper, 136 x 93 mm (folded sheet

Time Cooperative, 1899, Adolf Hohenstein, Russian, 1854-1928, Russia, Color lithograph on cream wove paper, laid down on linen, 1200 x 880 mm (sheet

Fragment, 17th century, Spain, Silk and silvered- and gilt-metal-strip-wrapped silk (frisé), warp-float faced satin weave with supplementary patterning wefts and supplementary brocading wefts, 45.1 × 24.4 cm (17 3/4 × 9 5/8 in

Inverary Castle and Town, plate 65 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory paper, 180 × 256 mm (image): 209 × 290 mm (plate), 294

Paperweight, Mid 19th century, Baccarat, France, founded 1764, Baccarat, Glass, Diam. 8 cm (3 1/8 in

Ananchytes carinatus, Print

Arachnothera lotenia, Print, Spiderhunter, The spiderhunters are birds of the genus Arachnothera, part of the sunbird family Nectariniidae. The genus contains thirteen species found in the forests of south and southeastern Asia. They are large

Apocryptes bato, Print, Apocryptes bato is a species of mudskipper native to India, Bangladesh and Myanmar where it can be found in tropical rivers, estuaries and coastal waters of the Indian Ocean. This species can reach a length of 26

Attracting her attention, c. 1771, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, hashira-e, 28 5/8 x 5 1/4 in

Tree Peony: Chozan of Chojiya (Chojiya uchi Chozan, Kao), from the series Parodies of Floating-world Beauties as Flowers (Ukiyo bijin hana mitate), c. 1769, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print,

Sestertius (Coin) Portraying Emperor Gordianus, AD 240, Roman, minted in Rome, Roman Empire, Bronze, Diam. 2.9 cm, 15.22 g

Black Marble Bowl, n.d., Giuseppe Grisoni, Italian, born Flanders, 1699-1769, Flanders, Black gouache on ivory laid paper, 93 × 149 mm

Psyche and her Sisters, plate 18 from Cupid and Psyche, 1880, Max Klinger, German, 1857-1920, Germany, Etching and aquatint on paper, 283 x 175 mm

Dish, 1750–1760, Staffordshire, England, Staffordshire, Salt-glazed stoneware, 4.5 x 35.6 x 29.2 cm, (1 3/4 x 14 x 11 1/2 in

Woman’s Sleeve Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Gauze, embroidered, 64.5 × 12.5 cm (25 3/8 × 5 7/8 in

Glass, 16th century, Spain, Andalusia, Spain, Glass, H. 14 cm (5 1/2 in

Young Anglers, plate 32 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by R. Dunkarton, England, Etching and engraving in brown on ivory wove paper, 180 × 263 mm (image), 209 ×

Goat’s Foot Lever, 1530/60, Spanish, Europe, Steel, L. 58.7 cm (23 in

Panel, 19th century, England or France, England, Wool, weft-rib plain weave, possibly roller printed, 167.7 × 69.7 cm (66 × 27 1/2 in

Catherine, Lady Bampfylde, 1779, Thomas Watson (English, 1743-1781), after Sir Joshua Reynolds (English, 1723-1792), England, Mezzotint on laid ivory paper, 599 × 378 mm (image), 638 × 379 mm (plate), 651 × 412 mm (sheet

The Circumcision, 1601, Abraham Bloemaert, Dutch, 1566-1651, Netherlands, Pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card, 277 x 276 mm

Toil and Grime, 1887, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Photoetching, pl. XI from the album "Wild Life on a Tidal Water: The Adventures of a House-Boat and Her Crew" (1890), edition 270/50, 9.4 × 20.1 cm

Three Young Women with Pets, c. 1755, Torii Kiyohiro, Japanese, active c. 1737-76, Japan, Color woodblock print, uncut hosoban triptych, benizuri-e, 31.1 x 43.8 cm (12 1/4 x 17 1/4 in

The Fifth Month (Gogatsu), from the series The Twelve Months (Juni toki), c. 1791, Chobunsai Eishi, Japanese, 1756-1829, Japan, Color woodblock print, chuban, 10 1/8 x 7 1/2 in

Woman with Black Hood in Windblown Leaves, from the series Twelve Scenes of Popular Customs (Fuzoku juni tsui), c. 1783, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, hashira-e, 66.8 x 11.5 cm

Cover, 17th century, Italy, 182.9 x 97.8 cm (72 x 38 1/2 in

Sampler, 1825/75, Mexico, México, Linen, plain weave, cut and drawn-work embroidered with linen and silk floss in Aztec, hem, interlaced loop, Russian overcast, and a variation of the Roman stitch, and embroidered with linen and silk

The Yoroi Ferry (Yoroi no watashi), from the series Exceptional Views of Edo (Koto shokei), c. 1835/39, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 24.1 x 36.8 cm (9 1/2 x 14 1/2 in

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm

Les Invalides du Sentiment:, J’ai longtemps parcouru le Monde…, 1852, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 218 × 185 mm (image), 362 × 268 mm (sheet

The Valley of the Eisak Near Brixen in the Tyrol, 1783/84, John Robert Cozens, English, 1752-1797, England, Brush and black ink, and watercolor, with scraping, on cream wove paper, laid down on ivory wove paper and edge mounted on card,

The Actor Matsumoto Koshiro IV as Izutsu Onnanosuke (?) in the Play Keisei Tsuki no Miyako (?), Performed at the Morita Theater (?) in the Ninth Month, 1775 (?), c. 1775, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color

Head of a Bearded Man (recto) Sketches of Architectural Details (verso), n.d., Unknown Artist, Italian, early 16th century, Italy, Red chalk (recto) Pen and brown ink (verso) on buff laid paper, pieced and laid down on buff laid paper, 243 x

The Fair at Impruneta, 1622, Jacques Callot, French, 1592-1635, France, Etching on two sheets of ivory laid paper, 418 × 668 mm

Portrait of an Old Fisherman, 1878, Gaston La Touche, French, 1854-1913, France, Drypoint and plate tone on ivory laid paper, 218 × 139 mm (image), 239 × 160 mm (plate), 393 × 280 mm (sheet

The Sea off Satta in Suruga Province (Suruga Satta no kaijo), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 34.5 x 23. cm

Scarab, Ptolemaic Period (304–30 BC), Egyptian, Egypt, Stone, 1.5 × 1.25 × 1 cm (9/16 × 1/2 × 3/8 in

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 263 × 215 mm (image), 450 × 346 mm (sheet

King Yu Moving a Mountain to Control the Floods, Qing dynasty (1644–1911), 18th century, Chinese, China, Handscroll, ink and color on silk, 29 × 373 cm

A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

Coin Depicting a Wreath, about 202/133 BC, Greek, Ancient Greece, Bronze, Diam. 1.7 cm, 3.50 g

Flintlock Fowling Gun, c. 1770, Lock: Karl Starek, Austria, Vienna, active 1764-85, Barrel: Giovanni Battista Iocussi. Pistoia, Germany, Walnut and brass

Cardinal Mazarin, c. 1655, Robert Nanteuil (French, 1623-1678), after Pieter van Mol (Flemish, 1599-1650), France, Engraving on paper, 334 × 257 mm (sheet, trimmed to plate

Sports of a Country Fair. Part the Third, 1810, Thomas Rowlandson (English, 1756-1827), published by Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper, 220 × 325 mm (image), 250 × 348 mm (plate): 255 ×

Horses Going to a Fair, plate 3 from Various Subjects Drawn from Life on Stone, 1821, Jean Louis André Théodore Géricault (French, 1791-1824), printed by Charles Joseph Hullmandel (German and English, 1789-1850), published by Rodwell and

Amulet of the God Pataikos wearing Atef Crown, Third Intermediate Period–Late Period, Dynasties 21–31 (about 1069–332 BC), Egyptian, Egypt, Faience, 4.1 × 1.5 × 0.8 cm (1.62 × 0.61 × 0.32 in

Travellers Arriving at an Inn, 1630/40, Pieter de Neyn, Dutch, 1597-1639, Netherlands, Oil on panel, 20.3 x 30.5 cm (8 x 12 in

Woman with a Green Book (Louisa Gallond Cook), 1838, Erastus Salisbury Field, American, 1805–1900, United States, Oil on canvas, 88.9 × 74.3 cm (35 × 29 1/4 in

Madonna Nursing, 1519, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 74 mm (image/plate), 118 x 75 mm (sheet

The Lady Surrey, June 11, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 329 x 222 mm (image), 378 x 264 mm (plate), 460 x 324 mm (sheet

Paperweight, c. 1848–55, George Bacchus & Sons, English, founded 1840, Birmingham, Glass, Diam. 8.6 cm (3 3/8 in

Three Figures in a Landscape with a Windmill, c. 1894, Kate Greenaway, English, 1846-1901, England, Graphite on ivory wove paper, 71 × 98 mm

Anthus niger, Print, Pipit, The pipits are a cosmopolitan genus, Anthus, of small passerine birds with medium to long tails. Along with the wagtails and longclaws, the pipits make up the family Motacillidae. The genus is widespread, occurring

Coin Depicting a Head, about AD 161–?, Roman, Roman Empire, Bronze, Diam. 1.7 cm, 1.88 g

Sweetmeat Stand, c. 1770, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue, 16.5 x 22.2 cm (6 1/2 x 8 3/4 in

Fragment (From a Chasuble), 1475/1500, Italy, Silk and gilt-metal-strip-wrapped silk, satin weave with supplementary brocading wefts bound by main warps in a twill interlacing and supplementary pile warps forming cut, voided velvet, 107.6 ×

Scarab: Menkheperra (Thutmose III), Late Period, Dynasties 26–30 (about 664–343 BC), Egyptian, Egypt, Faience, 2.2 × 1.6 × 1 cm (7/8 × 5/8 × 3/8 in

The Castle by the Sea, 1887, Max Klinger (German, 1857-1920), after ArnoldBöcklin (Swiss, 1827-1901), Germany, Etching and aquatint on ivory wove paper, laid down on ivory wove paper, 760 x 557 mm (plate), 879 x 599 mm (sheet

Cooling off at Nakasu (Nakasu no suzumi), from the series A Collection of Contemporary Beauties of the Pleasure Quarters (Tosei yuri bijin awase), c. 1783, Torii Kiyonaga, Japanese, 1752-1815, Japan, Color woodblock print, oban, 38.5 x 26.0

Coin Depicting a Female Head, 223/187 BC, Greek, Ancient Greece, Bronze, Diam. 1.4 cm, 2.58 g

Fragment, Meiji period (1868–1912), 1875/1900, Japan (copy of a Chinese design), Japan, Brocaded plain compound twill, silk, gilt and silvered paper wound on silk? core., 41.6 x 28.3 cm (16 3/8 x 11 1/8 in) (per old card

Border, Directoire period, 1790/99, France, Silk, warp-float faced satin weave with plain interlacings of secondary binding warps, supplementary brocading wefts and self-patterning ground wefts, 670.6 × 18.4 cm (23 7/8 × 7 1/4 in

Entree Dish with Cover from the Hood Service, 1806/07, Paul Storr, English, 1771-1844, London, England, London, Sterling silver, 22.2 x 28.6 x 24.3 cm (8 3/4 x 11 1/4 x 9 1/2 in

Panel, Directoire period, c. 1790, France, Lyon, France, Silk, satin weave with plain and twill interlacing of secondary binding warps and patterning wefts, 92.6 × 54.3 cm (36 3/8 × 21 3/8 in

Panel, 19th century, Greece, Linen, plain weave, embroidered with cotton in cross stitches, 99 x 39.3 cm (39 x 15 1/2 in

Ely Cathedral: South Aisle to East, from Southwest Transept, 1891, Frederick H. Evans, English, 1853–1943, England, Lantern slide, 8.2 × 8.2 cm

Book-Shaped Match Safe, c. 1880, Possibly England, England, Silver, 4.8 × 3.2 cm (1 7/8 × 1 1/4 in

Bottle, 1st century BC, Roman, Levant or Syria, Syria, Glass, blown technique, H. 9.2 cm (3 5/8 in.), diam. 5.1 cm (2 in

Soldier, 18th century, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, H. 11.6 cm (4 9/16 in

Campaign Sketches: Part I, Cover, 1863, Winslow Homer, American, 1836–1910, United States, Color lithograph on tan wove paper (folded), 354 x 277 mm (sheet, folded

Alycaeus caroli, Print, Alycaeus is a genus of small land snails with a gill and an operculum, terrestrial gastropod mollusks in the family Cyclophoridae. It is the type genus of the subfamily Alycaeinae

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm

The Old Louvre, Paris, 1651, 1865, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching on ivory laid paper, 194 × 267 mm (image), 194 × 267 mm (plate), 326 × 450 mm (sheet

The Riverbank at Sukiya in the Eastern Capital (Toto Sukiyagashi), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 36.2 x 24.8

Scene of the Temple of Vesta at Tivoli Facing the Cascades, 1795, Albert Christoph Dies, Austrian, born Germany, 1755–1822, Austria, Etching on ivory wove paper, 240 × 355 mm (image), 280 × 383 mm (plate), 289 × 388 mm (sheet

Panel, 1700/25, France, Silk and gilt-metal-strip-wrapped silk (filé and frisé), warp-float faced satin weave with supplementary brocading wefts bound in weft-float faced twill intelacings, 84.7 × 51 cm (33 3/8 × 20 1/8 in

Arch of Drusus at the Porta S. Sebastiano in Rome, plate 8 from Some Views of Triumphal Arches and other monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 132 x 265 mm (plate), 348 x 465 mm

The Flagellation, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75

A Boy Sitting on a Banked Vessel, November 8, 1809, Cornelius Varley (English, 1781-1873), published by John Varley (English, 1778-1842) and Cornelius Varley, England, Pen lithograph on cream wove paper, 232 × 320 mm

Amadina prasina, Print, Amadina is a genus of estrildid finches. Established by William John Swainson in 1827, 1700-1880

Philibert-Emmanuel de Beaumanoir de Lavardin, 1660, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 348 × 265 mm (plate), 357 × 271 mm (sheet

A Courtesan Reading a Letter, 1820/25, Chôbunsai Eishi, Japanese, 1756-1829, Japan, Hanging scroll, ink and color on silk, 87.5 x 31.1 cm, Shiva as Lord of the Dance (Nataraja), Chola period, about 10th/11th century, India, Tamil Nadu,

Bedcover, 1855, Sarah J. Harden (American, active c. 1855), United States, Ohio, Ohio, Cotton, plain weave, appliquéd with cotton, plain weave and cotton, plain weave, roller printed, quilted, edged with cotton, plain weave, 217.8 x

Poetic Couplet in Seal Script, Qing dynasty (1644–1911), 18th century, Wang Shu, Chinese, born 1743, China, Pair of hanging scrolls, ink on paper, Each scroll: 51 × 14.5 in

Design: Proportions of the Farnese Hercules, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French,

Fragment (From an Orphrey Band), 15th century, Germany, Cologne, Cologne, Silk, linen, and gilt-animal-substrate-wrapped linen, bands of four color complementary weft, weft-float faced 1:2 'S' twill weave with inner warps and bands of

At Shottery Brook, 1892, James Leon Williams (American, 1852–1920), published by Charles Scribner’s Sons (American, founded 19th century), United States, Photogravure, a loose plate from the book "The Homes and Haunts of Shakespeare

Deposition, 1863, Jean Baptiste Carpeaux (French, 1827-1875), after Dirck van Baburen (Netherlandish, c.1590-1624), France, Black, red and white chalk on gray laid paper, 224 × 135 mm

Beneath the Wing of Shadow the Black Creature was Biting Energetically, plate 4 of 6, 1891, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on ivory wove paper, 225 × 172 mm (image/chine), 445 ×

Monk, Sui Dynasty (589–618 A.D.), China, Limestone with traces of polychromy, H. (without base) 35 in., h. (with base) 42 1/2 in., diam. 9 1/4 in

Offering to Lares, 1810, Vincenzo Camuccini (Italian, 1771-1844), printed by Alois Senefelder (German, 1771-1834), Italy, Lithograph on paper, 208 x 335 mm (image), 240 x 365 mm (sheet

Octodrachm (Coin) Portraying Arsinoe II, 261 BC, Issued by Ptolemy II, Reign of Arsinoe II, Queen of Egypt, 276–270 BC, Greco-Egyptian, Egypt, Gold, Diam. 2.9 cm, 27.87 g

Alurnus, Print

Queen Jane Seymour, March 26, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 521 x 283 mm (image), 540 x 310 mm (plate), 540 x 401(sheet

Aristide Bruant, from Le Café-Concert, 1893, Henri de Toulouse-Lautrec (French, 1864-1901), printed by Edward Ancourt & Cie (French, 19th-20th c.), published by L’Estampe originale (French, 1893-1895), France, Lithograph on cream wove

Argynnis, Print, Argynnis, one of several groups known as fritillaries, is the genus of butterflies in the family Nymphalidae commonly found in Europe and Asia. The taxon Speyeria is now considered a subgenus of Argynnis

Relief Plaque Depicting Hieroglyphic Signs, Early Ptolemaic Period (about 300 BC), Egyptian, Egypt, Stone, 23.4 × 14 × 2.5 cm (9 3/8 × 5 1/2 × 1 in

Lagoon—Noon, 1879/80, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint in dark brown on ivory laid paper, 125 x 202 mm (sheet

Sayoginu of the Yotsumeya, from the series Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo), c. 1777, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, oban, 15 x 10 in