Images at Librifly

Goblet, Late 18th century, England, Glass, 14 × 8.4 cm (5 1/2 × 3 5/16 in

Lacing in Style, published March 6, 1819, George Cruikshank (English, 1792-1878), after Captain Frederick Marryat (English, 1792-1848), England, Hand-colored etching on paper, 215 × 330 mm (image), 237 × 334 mm (sheet, cut to plate mark

Inhaling Mug, c. 1770, Joseph Henry, English, active 1750-1780, London, England, Pewter (mug), silver (spout), brass (steam hold cover), 25.4 × 9.8 × 14 cm (10 (H. with spout) × 3 7/8 × 5 1/2 in

Cup and Stand, Jin dynasty (1115–1234), China, Cizhou type ware, glazed stoneware with iron-brown spots on saucer, abstract floret in bowl, H. 4.2 cm (1 11/16 in.), diam. 7.6 cm (3 in

The Visitation, from The Fall and Redemption of Man, 1513, Albrecht Altdorfer, German, c.1480-1538, Germany, Woodcut in black on ivory laid paper, 72 x 48 mm (image/block

The Pietà, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75 mm

Evening, 1864, Francis Seymour Haden, English, 1818-1910, England, Etching with drypoint and foul-biting on cream wove paper, 151 × 96 mm (image/plate), 184 × 123 mm (sheet

Amulet of the Apis Bull, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 3.2 × 2.2 × 1 cm (1 1/4 × 7/8 × 3/8 in

Decorated Initial G in Grey with Red, Green and Blue Leaves from a Manuscript, 14th century or modern, c. 1920, European, Europe, Manuscript cutting in tempera and gold leaf on vellum, 62 × 70 mm

Coin Depicting the Goddess Athena, after 322 BC or 220/83 BC, Greek, minted in Athens, Athens, Bronze, Diam. 1.9 cm, 7.80 g

He Falls Head Foremost Into the Abyss, plate 17 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid down on ivory wove paper, 275 × 212 mm (image), 277 × 212 mm (chine), 452 × 347 mm

Scent Bottle, c. 1840/50, Bohemia, Czech Republic, Bohemia, Glass, cut and colored with metal mounts, 9.5 × 4.5 × 3.3 cm (3 3/4 × 1 3/4 × 1 5/16 in

Amphiuma didactylum, Print, Amphiuma is a genus of aquatic salamanders from the United States, the only extant genus within the family Amphiumidae. They are colloquially known as amphiumas.They are also known to fishermen as "conger eels" or

The Resurrection of Christ, 1630/45, Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586–1659), after Peter Paul Rubens (Flemish, 1577–1640), published by Martin van den Enden (Flemish, 1605–1673), Netherlands, Engraving in

Anguillula glutinis, Print

The Theater of Marcellus, from Views of Rome, 1750/59, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on heavy ivory laid paper, 386 x 543 mm (image), 405 x 550 mm (plate), 560 x 718 mm (sheet

View of Yokohama (Yokohama fukei), from the series Famous Places along the Tokaido (Tokaido meisho no uchi), 1860, Utagawa Sadahide, Japanese, 1807-1873, Japan, Color woodblock print, oban

New England Scenery, 1839, Thomas Cole, American, born England, 1801–1848, United States, Oil on canvas, 57.1 × 46.7 cm (22 1/2 × 18 3/8 in

Antilope picta, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Fan, 19th century, India, India, Carved sandalwood, 22.2 cm (8 3/4 in

Plum Trees and Pheasants (Furnishing Fabric), c. 1830/40, Printed at Bannister Hall Print Works (English, 1798-1893), England, Lancashire, Preston, England, Cotton, plain weave, block printed, a: 91.5 × 160.1 cm (36 × 63 in

Alophora, Print, Phasia is a genus of flies in the family Tachinidae

Julia Jackson, 1866/67, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 26.7 × 21.8 cm (image/paper

Sutra Cover, Ming dynasty (1368–1644), c. 1590s, China, Silk and cotton, warp-float faced 3:1 broken twill weave with supplementary patterning wefts some bound in weft-float faced 1:3 'S' twill, 36.2 × 13.7 cm (14 × 5 3/8 in

Fragment of a Bowl, 17th century, Post-Byzantine, Greece, Athens, Istanbul, Ceramic, sgraffito design, 2.9 × 11.4 × 10.8 cm (1 1/8 × 4 1/2 × 4 1/4 in

Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series Eight Views of the Parlor (Zashiki hakkei), c. 1766, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.7 × 21.6 cm (11 1/4

Grotta Ferrata, 1832, Adrian Ludwig Richter, German, 1803-1884, Germany, Etching with engraving in black on ivory wove paper, 213 × 187 mm (image), 280 × 230 mm (plate), 344 × 466 mm (sheet

The Actor Ichikawa Danjuro V as Oboshi Yuranosuke in the Play Kanadehon Chushingura, Performed at the Nakamura Theater in the Fifth Month, 1783, c. 1783, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print,

Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami, 1485 (890 A.H.), Iran, Iran, Opaque watercolor on paper, 28.1 x 34.7 cm (11 1/16 x 13 1/4 in.), left page width: 17.4 cm (6 7/8 in.), right page width: 17.3 cm (6 13/16 in

Alca arctica, Print, The Atlantic puffin, also known as the common puffin, is a species of seabird in the auk family. It is the only puffin native to the Atlantic Ocean; two related species, the tufted puffin and the horned puffin, are found in

Scarab: Titles, Middle Kingdom, Dynasties 11–14 (about 2055–1650 BC), Egyptian, Egypt, Glazed steatite, 2.5 × 1.6 × 1 cm (1 × 5/8 × 3/8 in

Yet She Must Die, plate eleven from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, roulette, and drypoint on paper, 309 × 242 mm (image), 367 × 263 mm (plate), 638 × 445 mm (appro×. sheet

No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung., 1855, Linnaeus Tripe, English, 1822–1902, England, Salted paper print, from the album "Views of Burma" (1856), 26.0 × 34.8 cm (image/paper), 45.6 × 58.3 cm (mount

Soûlarde, plate six from Yvette Guilbert, 1898, printed 1930, Henri de Toulouse-Lautrec (French, 1864-1901), printed by Westminster Press (English, 20th century), published by the Ernest Brown & Phillips (English, 20th century), France,

Two Self-Portraits in Profile, n.d., George Cruikshank, English, 1792-1878, England, Graphite, on ivory wove paper, tipped on cream wove card, 115 × 181 mm

Portrait of Margery Chambers, Aged Ten Weeks, 1890, Theodore Roussel, French, worked in England, 1847-1926, England, Drypoint in light black on cream laid paper, 125 × 88 mm (image), 151 × 100 mm (plate/sheet

Elevation Perspective of l’Hôtel de Ville, Rennes, n.d., Philippe-Nicolas Milcent, French, active c. 1735, France, Hand-colored engraving on paper, 333 × 581 mm

Tray, 1755/56, William Preston, English, active 1745-60, London, England, London, Silver, 6.4 x 56.8 cm (2 1/2 x 22 3/8 in

Denarius (Coin) Portraying Empress Julia Maesa, AD 218, Roman, minted in Antioch, Roman Empire, Silver, Diam. 2 cm, 2.55 g

Female Saint and Thistle, 1891, Odilon Redon, French, 1840-1916, France, Lithograph in black on white China paper laid down on ivory wove paper, 286 × 207 mm (image/chine), 453 × 351 mm (sheet

Profile of a Woman, 1802, Jean Baptiste Joseph Wicar, French, 1762-1834, France, Black chalk, on ivory laid writing paper, 118 × 166 mm

The Death of the Virgin, 18th c., Thomas Worlidge (English, 1700-1766), after Rembrandt van Rijn (Dutch, 1606-1669), England, Etching in black on cream laid paper, 105 × 104 mm (image), 111 × 109 mm (sheet), trimmed within plate mark

Side Chair, 1790/1800, American, 18th/19th century, Baltimore, Baltimore, Mahogany, walnut and ash, 95.9 × 53.3 × 44.5 cm (37 3/4 × 21 × 17 1/2 in

At the Chat Noir, 1893, Louis Auguste Lepère, French, 1849-1918, France, Etching and aquatint on cream laid paper, 113 × 80 mm (image), 163 × 113 mm (plate), 223 × 155 mm (sheet

The Crossing of the Granicus, from The Story of Alexander the Great, 1619, After a design by, and woven at the workshop of, Karel van Mander the Younger (1579–1623), Holland, Delft, Holland, Wool and silk, slit and double interlocking

Goblet with Cover, c. 1730, Germany, Potsdam or Zechlin, Potsdam, Glass, H. 31.8 cm (12 1/2 in

Umezawa Marsh in Sagami Province (Soshu Umezawa hidari), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, oban, 25.7 x 37.8

Title Page from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto (English, 19th century), England, Letterpress in red and black on cream

Chest, 1805/20, American, 19th century, Albany County, New York, Albany County, White pine and painted decoration, 54 × 124.4 × 46.6 cm (21 1/4 × 49 × 18 3/8 in

Near Vichy, 1866/67, Jean François Millet, French, 1814-1875, France, Watercolor and pen and brown iron gall ink over graphite on ivory laid paper, perimeter mounted to cream Japanese paper, 109 × 161 mm

Pilgrimage to the Französisch Bucholz Spa near Berlin, 1779, Daniel Nikolaus Chodowiecki, German, 1726-1801, Germany, Etching and engraving on cream laid paper, 128 × 176 mm (image/plate), 165 × 210 mm (sheet

Coin Portraying Emperor Constantius I, AD 293/305, Roman, Roman Empire, Bronze, Diam. 2.2 cm, 3.92 g

Amulet of a Headrest, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Hematite, 1.7 × 3.6 × 0.9 cm (5/8 × 1 3/8 × 3/8 in

Paperweight, c. 1845–60, Saint-Louis, France, founded 1767, France, Glass, Diam. 8 cm (3 1/8 in

The Bearing of the Cross, from The Large Passion, c. 1498–99, published 1511, Albrecht Dürer, German, 1471-1528, Germany, Woodcut in black on ivory laid paper, 395 x 284 mm (image), 450 x 312 mm (sheet

Sutra Cover, Ming dynasty (1368–1644), c. 1590’s, China, Silk, 4:1 satin damask weave, 34.5 × 12.1 cm (13 5/8 × 4 3/4 in

Illustration from Coronijke van Flaendren, plate 59 from Woodcuts from Books of the XVI Century, 1531, assembled into portfolio 1937, Unknown Artist (German, 16th century), assembled by Max Geisberg (Swiss, 1875-1943), Germany, Woodcut on

Aquila naevioides, Print, 1700-1880

Panel, 17th century, Uzbekistan, Bukhara, Turkey, Linen, plain weave, embroidered in silk (some darning, pieced in center), 77.2 x 64.7 cm (30 3/8 x 25 1/2 in

Kimkhwab Textile, c. 1874, India, Benares, India, 9 x 16 cm (5 3/4 x 6 1/4 in

Christmas Stockings Hanging Over the Fireplace, n.d., William Michael Harnett, American, born Ireland, 1848-1892, United States, Graphite on tan wove paper, 129 x 134 mm

Goblet, Late 18th century, England, Glass, 15.2 × 8.4 cm (6 × 3 5/16 in

Noon, 1830, David Lucas (English, 1802-1881), after John Constable (English, 1776-1837), England, Mezzotint in black ink on ivory wove paper, 190 × 255 mm (plate), 305 × 465 mm (sheet

Standing Male Nude with Hands Clasped in Prayer, c. 1873–77, Sir Edward Burne-Jones, English, 1833-1898, England, Graphite on ivory wove paper, 254 × 178 mm

Les Propos de Thomas Vireloque: Misere et corde, quarrel for tops, 1852–53, Paul Gavarni, French, 1804-1866, France, Lithograph in black on ivory wove paper, 200 × 161 mm (image), 343 × 248 mm (sheet

Sari, Late 19th century, India, India, Fine white silk with gold design, 264.7 x 54 cm (104 1/4 x 21 1/4 in

Tetradrachm (Coin) Portraying Demetrius II Nikator of Syria, 130/129 BC, Reign of Demetrius II Nikator of Syria, 145–139 BC and 129–125 BC, Greek, minted in Tyre, Tyre, Silver, Diam. 2.6 cm, 14.05 g

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

Screen: Africa (Panel Four), c. 1820, France, Block-printed, color on paper, 172.4 × 72.4 cm (67 7/8 × 28 1/2 in

Dish, c. 1765, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, 22.1 x 29.7 cm (8 1/16 x 11 11/16 in

Caricatorial Portrait of Pierre-Jean de Beranger, c. 1856, Etienne Carjat, French, 1828–1906, France, Charcoal, heightened with white gouache, on tan wove paper, laid down on ivory card, 485 × 310 mm

The Actor Ichikawa Danjuro II as Fujiwara no Kanemichi in the play Otomo no Matori, performed at the Nakamura Theater in the third month, 1726, 1726, Tsunekawa Shigenobu, Japanese, active c. 1720-40, Japan, Hand-colored woodblock print,

Vase with Floral Scrolls, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795), China, Porcelain painted in overglaze famille rose enamels, H. 15.1 cm (5 15/16 in.), diam. 6.8 cm (2 11/16 in

Shrine Surround, Qing dynasty(1644–1911), 1750/1800, China, 81.5 × 102.2 cm (32 1/8 × 40 1/4 in

Say Shall I Conquer (valentine), c. 1840, Joseph Addenbrooke, English, 19th century, England, Collaged elements with watercolor on cut and embossed ivory wove paper (lace), 114 × 93 mm (folded sheet

David Spareth Saul at Hachilah, from Illustrations of the Bible, 1835, John Martin, English, 1789-1854, England, Mezzotint in black on ivory wove paper, 190 × 290 mm (image), 268 × 357 mm (plate), 329 × 416 mm (sheet

Bedcover, 17th century, Greece, Ionian Islands or Epirus Province, Greece, Linen, plain weave, embroidered with silk in back, chain, split, and stem stitches, plied warp fringe, four loom widths joined, 266.5 × 163.8 cm (105 × 64 1/2

Coverlet, 1872, John Eusebius Schneider (American, born German, active 1823-1903), United States, Missouri, St. Charles County, Hamburg, Missouri, Wool, plain weave double cloth, main warp fringe, woven on loom with Jacquard attachment,

Anas boschas, Print, The mallard (Anas platyrhynchos) is a dabbling duck that breeds throughout the temperate and subtropical Americas, Eurasia, and North Africa and has been introduced to New Zealand, Australia, Peru, Brazil, Uruguay,

Glaive for the Bodyguard of Emperor Maximilian II, 1564, Austrian, Austrian, Steel, iron, gilding, oak, and silk textile (velvet), L. 215.9 cm (85 in

The Actor Ichikawa Monnosuke III as the Sumo Wrestler Shirafuji Genta in the Play Edo no Hana Mimasu Soga, Performed at the Nakamura Theater in the Third Month, 1783, c. 1783, Katsukawa Shunjo, Japanese, died 1787, Japan, Color woodblock

Portrait of Louis Jacques Marie Bizeul, the Breton Archaeologist, 1861, Charles Meryon, French, 1821-1868, France, Etching with engraving on ivory chine, laid down on ivory laid paper, 121 × 105 mm (image), 167 × 118 mm (plate), 161 ×

Milo of Croton, 1764, Charles-François Hutin, French, 1715-1776, France, Etching in black on off-white laid paper, 203 × 139 mm (image), 228 × 155 mm (plate), 234 × 164 mm (sheet

Paperweight, 19th century, Saint-Louis, France, founded 1767, France, Glass, Diam. 5 cm (2 in

Viola Surviving the Shipwreck off the Coast of Illyria, from Twelfth Night, c. 1776, George Romney, English, 1734-1802, England, Black chalk and charcoal on ivory laid paper, edge mounted on ivory laid paper, 297 × 489 mm (primary support),

Goat’s Foot Spanner for a Pellet Crossbow, early 17th century, Western European, possibly Spanish, Europe, Blackened iron, L. 59.4 cm (23 3/8 in

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10, 1888, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory wove paper, 190 × 160 mm (image), 359 × 274 mm

Pair of Presentation Flintlock Pistols in the Eastern Fashion, c. 1825, Gunsmith: Vergnes, (French, active about 1825–45) Marseille, Marseille, Steel, silver, gold, walnut, and flint, L. 51.5 cm (20 1/4 in

Antennarius caudimaculatus, Print, Antennarius is a genus of 11 species of fish in the family Antennariidae. These fish spend most of their lives on the bottom in relatively shallow water between 20 and 100 m.They can be found worldwide in tropical

Fragment (Dress Fabric), 1600/50, Iran (Persia), Iran, silk, 9 × 45.2 cm (3 1/2 × 17 3/4 in

St. Anthony the Hermit, 1521, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 89 x 62 mm (image/sheet, trimmed to plate mark

Poem by Ki no Tsurayuki, from an untitled series of Thirty-Six Immortal Poets, c. 1767/68, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 28.8 x 21.1 cm (11 1/4 x 8 1/4 in

A Blacksmith’s Shop, 1771, Richard Earlom (British, 1743-1822), after Joseph Wright of Derby (British, 1734-1797), England, Mezzotint in black on ivory laid paper, 612 × 434 mm (image), 620 × 440 mm (sheet

Kawasaki: Ferry Boats at Rokugo (Kawasaki, Rokugo no watashibune), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Gyosho Tokaido, c. 1841/44, Utagawa Hiroshige 歌川 広重, Japanese,

Placer Mining, Flume in Brown’s Flat, Tuolumne County, c. 1868, Thomas Houseworth & Co., American, 1828–1915, United States, Albumen print, stereo, No. 970 from the series "Placer Mining

God Krishna Dancing on the Head of the Snake Demon Kaliya (Kaliyadamana), Vijayanagar period, 14th century, India, Tamil Nadu, Tamil Nadu, Bronze, 67.5 × 28.6 × 21.7 cm (26 9/16 × 11 1/4 × 8 9/16 in

Rescue, plate four from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on ivory chine collé on off-white wove paper, 143 x 104 mm (image), 128 x 182 mm (plate), 631 x 452 mm (sheet

Coin Portraying Emperor Constantine II or Emperor Constantius Gallus, AD 317/337 or (Constantine II), AD 351/354 (Constanius Gallus), Roman, Roman Empire, Bronze, Diam. 2.3 cm, 5.37 g

Jesus Before Caiaphas, from The Small Passion, 1624/31, Jacques Callot, French, 1592-1635, France, Etching on ivory laid paper, 76.5 × 57 mm

Paperweight, c. 1848–55, Saint-Louis, France, founded 1767, France, Glass, Diam. 6.4 cm (2 1/2 in