Images at Librifly 2.589.713 / 2.589.715 Entries < previous page Page 3296 / 25898 next page > Beaker with Tarot Cards, c. 1820, Anton Kothgasser, Austrian, 1769-1851, Vienna, Austria, Vienna, Glass, colorless, blown, cut, transparent enamels and gilding, 10.5 x 7.1 cm (4 1/8 x 2 13/16 in Antilope lunata, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was Aleochara, Print, Aleochara asiatica, Aleochara is an unusual genus in the beetle family Staphylinidae, the Rove beetles; larvae of Staphylinidae occur in many assorted ecological roles, most being scavengers, predators or carrion feeders, but Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints, 1898/99, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink on thin laid ivory Japanese paper, laid down on thin wove white Japanese paper, 163 × Centilitre Measure, 1875/1895, Maison Le Seigneur, Deverre, Caen, France, Caen, Pewter, 5.4 × 4.5 cm (2 1/8 × 1 3/4 (incl. handle) in Fragment, 13th century, Italy, Silk, twill weave, brocaded with metal thread Panel, 1630/40, France, Wool, twill weave, fulled, appliquéd with hemp, plain weave, embroidered with wool and silk in cross stitches, embroidered with silk in satin, split, and stem stitches, laid work, couching, and French knots, Buddha Enthroned on a Serpent (Naga), Angkor period, early 13th century, Cambodia/Thailand, Cambodia, Bronze, 22.9 × 10.5 × 7.7 cm (9 × 4 1/8 × 3 in Picnic, 1898, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 220 × 202 mm (image), 382 × 282 mm (sheet Altar Frontal, 18th century, France, Silk, plain weave (weft-faced), embroidered in silk and tarnished silver and gold threads, 81.9 × 184.8 cm (32 1/4 × 72 5/8 in Amulet of the God Bes, Third Intermediate Period–Late Period, Dynasties 21–31 (about 1069–332 BC), Egyptian, Egypt, Faience, 1.5 × .75 × .5 cm (9/16 × 1/4 × 3/16 in Zagu (Seating Mat), late Edo period (1789–1868), 1800/68, Japan, Border, shiten: silk, complex gauze weave self-patterned with areas of plain weave, center and lining: probably hemp, plain weave, 111.9 x 80.1 cm (44 x 31 1/2 in The Martyrdom of Saint Simon of Trent from Schedel Weltchronik (Schedel’s World History), Plate 23 from Woodcuts from Books of the 15th Century, 1493, portfolio assembled 1929, Michel Wolgemut (German, 1434/37–1519) and Wilhelm Pleydenwurff La Cité, Paris, 1900, Donald Shaw MacLaughlan, American, born Canada, 1876-1938, United States, Etching in black on cream wove paper, 140 x 168 mm (image), 144 x 169 mm (sheet Flounce, 1701/25, Belgium, Flanders, Brussels, Flanders, Linen, bobbin part lace, 17.2 × 384.2 cm (6 3/4 × 151 1/4 in Denarius (Coin) Depicting a Female Head, about 48 BC, Roman, Roman Empire, Silver, Diam. 2 cm, 3.46 g Circular Plaque, 1880/87, Made by Théodore Deck, French, 1823-1891, Painted by Paul-Cesar Helleu, French, 1859-1927, France, Tin-glazed earthenware, polychrome enamels, and gilding, Diam. 60.3 cm (23 3/4 in Early Morning, 1878, James McNeill Whistler, American, 1834-1903, United States, Lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper, 165 x 259 mm (image), 276 x 379 mm (sheet Border (Fragment), 1850/75, Belgium, Belgium, Cotton and linen, bobbin part lace of a type known as "Duchesse de Bruges On a Balcony, 1878/79, Mary Cassatt, American, 1844–1926, France, Oil on canvas, 89.9 × 65.2 cm (35 1/2 × 25 5/8 in Sampler, 19th century, Southern Germany, Southern Germany, Wool, plain weave, embroidered with silk, 35.9 x 20.6 cm (14 1/8 x 8 1/8 in Plate, c. 1720/30, Germany, Schleswig, Schleswig, Glass with gilding, Diam. 22.9 cm (9 in Evening Glow at Matsusaki (Matsusaki no sekisho), from the series Eight Fashionabe Views of Edo (Furyu Edo hakkei), c. 1776/81, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, oban, 15 x 10 in Rosita Mauri, 1889, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 222 x 143 mm (image), 237 x 158 mm (plate), 365 x 275 mm (sheet Vignette for an Address, 1752, Gabriel Jacques de Saint-Aubin, French, 1724-1780, France, Etching on ivory wove paper, 84 × 119 mm (image), 88 × 122 mm (plate), 120 × 150 mm (sheet Arca noe, Print Stater (Coin) Depicting a Sea Turtle, about 650/600 BC, Greek, Greece, Silver, Diam. 2 cm, 12.05 g Architectural Fitting (Gong), Eastern Zhou dynasty, Spring and Autumn period (770–481 B.C.), 7th century B.C., China, Qishan county, Shaanxi province, China, Bronze Oinochoe (Pitcher) in the Shape of a Female Head, about 450 BC, Greek, Athens, Attributed to the Canessa Class, Athens, terracotta, decorated in the red-figure technique, 14 × 6.7 × 8.9 cm (5 1/2 × 2 5/8 × 3 1/2 in Fragment, late Edo period (1789–1868), 1800/25, Japan, Single plain compound cloth, silk & gilt? paper, 2 1/2 strips to m.m., 17.1 x 20.9 (6 3/4 x 8 1/4 in Allegory of Death, c. 1860, Clement-Auguste Andrieux, French, 1829-1880, France, Pen and brown ink with black fabricated chalk, opaque and transparent watercolors, touches of lead white and white chalk, and traces of red fabricated chalk on Anthus flavicollis, Print, Pipit, The pipits are a cosmopolitan genus, Anthus, of small passerine birds with medium to long tails. Along with the wagtails and longclaws, the pipits make up the family Motacillidae. The genus is widespread, Three Pigs Lying in Front of a Shed, 1850, Charles Meryon (French, 1821-1868), after Karel Dujardin (Dutch, c.1622-1678), France, Etching on tan wove chine, 162 × 139 mm (image), 162 × 139 mm (plate Dish, 1750/60, Chelsea Porcelain Manufactory, London, England, c. 1745-1784, Chelsea, Soft-paste porcelain, polychrome enamels, Diam. 28.6 cm (11 1/4 in The Actor Ichikawa Danjuro V as Godai Saburo Masazumi Disguised as Rokuju-rokubu in the Play Sugata no Hana Yuki no Kuronushi, Performed at the Ichimura Theater in the Eleventh Month, 1776, c. 1776, Katsukawa Shunsho 勝川 春章, Japanese, Tetradrachm (Coin) Depicting the Goddess Athena, 190/36 BC, Roman, Roman Empire, Silver, Diam. 2.8 cm, 16.09 g Landscape with Tree in Center, n.d., After Cornelius Massys, Flemish, c. 1511-after 1560, Netherlands, Pen and brown ink on ivory paper, laid down on ivory laid paper, 202 x 297 mm Mist Rising at Sunset in the Catskills, c. 1861, Sanford Robinson Gifford, American, 1823–1880, United States, Oil on canvas, 17.2 × 24.1 cm (6 3/4 × 9 1/2 in Sampler, 19th century, Mexico, México, 60.3 x 34.3 cm(23 3/4 x 13 1/2 in Venus de la Villette, 1893, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on ivory laid paper, 135 x 96 mm (image), 139 x 101 mm (plate), 427 x 344 mm (sheet Paperweight, Mid 19th century, French, France, Glass, Diam. 8.9 cm (3 1/2 in Fragment, 18th century, Turkey, Turkey, Velvet, 116.2 x 51.8 cm (45 3/4 x 20 3/8 in La Liberté Americaine (American Liberty) (Furnishing Fabric), 1783/89, Designed by Jean Baptiste Huet (French, 1745–1811) after Medallions engraved by Augustin Dupré (French, 1748–1833) after others, Manufactured by Oberkampf Manufactory Plate Six, from Book of Ornament, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 132 × 213 mm (image/plate), 233 × 296 mm (sheet Antilope spec., Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was Tetradrachm (Coin) Portraying Alexander the Great as Herakles, 323/317 BC, Greek, minted in Sidon, ancient Phoenicia, Macedonia, Silver, Diam. 2.6 cm, 17.22 g Robert Schumann’s Last Composition, 1895, Henri Fantin-Latour, French, 1836-1904, France, Lithograph in black on light gray chine, 447 × 327 mm (image), 593 × 449 mm (sheet Flowers of All Seasons, mid–17th century, Japanese, Japan, Pair six-panel screens, ink, color, and gold on paper, Ea. 136.5 x 312 cm The River in the Plain, plate 4 from Le Fleuve, 1874, Édouard Manet (French, 1832-1883), written by Charles Cros (French, 1842-1888), printed by Auguste Delâtre (French, 1822-1907) and Cochet (French, 19th century), published by Librairie Emblem of the God Shiva (Linga) with Serpent Base, 12th/13th century, Indonesia, Eastern Java, Eastern Java, Sandstone and andesite, 42.5 × 19 × 23 cm (16 3/4 × 7 1/2 × 9 1/16 in Mii Temple in Omi Province, No. 14 on the Saikoku Pilgrimage Route (Saikoku junrei juyonban Omi Miidera), from the series The Miracles of Kannon (Kannon reigenki), 1859, Utagawa Kunisada I (Toyokuni III), Japanese, 1786-1864, Utagawa Hiroshige Anemerus, Print The Bridge, from Some Aspects of Paris Life, 1896–97, Pierre Bonnard (French, 1867-1947), printed by Auguste Clot (French, 1858-1936), published by Ambroise Vollard (French, 1867-1939), France, Lithograph on off-white China paper, 270 × The Avenue of the Fountains, 1653/55, Stefano della Bella, Italian, 1610-1664, Italy, Etching on ivory laid paper, 240 x 373 mm (image), 250 x 377 mm (plate), 332 x 450 mm (sheet The Actor Otani Oniji II as Asahina Saburo in the play Hatachiyama Horai Soga, performed at the Ichimura Theater in the first month, 1759, 1759, Torii Kiyosato, Japanese, active c. 1751–64, Japan, Color woodblock print, hosoban, Balance-Beam Scale, A.D. 500/800, Possibly Nazca, South coast, Peru, Peru, Bone with pigment, 14.1 x2.4 cm (5 9/16 x 15/16 in Pallas Athena, plate 6 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 236 × 160 mm (image), 258 × 160 Beaker, c. 1725, Bohemia, Czech Republic, Bohemia, Glass, 12.7 × 9.1 cm (5 × 3 9/16 in Dancer and Her Mother, from the eighth album of L’Estampe originale, 1894, Paul Renouard (French, 1845-1924), published by L’Estampe originale (French, 1893-1895), France, Lithograph in black, with scraping on stone, on ivory wove Spoon Commemorating the London Plague, c. 1665, Wokingham, England, Wokingham, Silver, 17.5 x 5.2 cm (6 7/8 x 2 1/16 in Medallion with Cupid and Swan, Late 18th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 8.1 × 6.8 × 0.6 cm (3 3/16 × 2 11/16 × 1/4 in An Elegant Company, 1632, Pieter Codde, Dutch, 1599-1678, Holland, Oil on panel, 58.8 × 92.7 cm (23 1/8 × 36 1/2 in H.R.H. The Princess Alice, 1861, John Jabez Edwin Mayall, American, 1813-1901, United States, Albumen print, 9 × 5.8 cm (image/paper), 10.5 × 6.2 cm (mount Trouser Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 7.8 × 32.2 cm (3 × 12 5/8 in Drying Clothes (Monohoshi), c. 1790, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock prints, oban triptych, 36.7 x 25.6 cm (right sheet), 36.7 x 26.2 cm (center sheet), 36.1 x 25.1 cm (left sheet Edmée Lescot, from Le Café-Concert, 1893, Henri de Toulouse-Lautrec (French, 1864-1901), printed by Edward Ancourt & Cie (French, 19th-20th c.), published by L’Estampe originale (French, 1893-1895), France, Lithograph on ivory wove Three Caryatids Supporting a Basket, n.d., Unknown Flemish Artist, possibly Philip Fruytiers (Flemish, 1610-1666), or Jacob Jordaens (Flemish, 1593-1678), or Peter Paul Rubens (Flemish, 1577-1640), or Johann Boeckhorst (Flemish, 1605-1668), Folding Lance Rest, late 16th century, Italian, Germany, Iron Men Conversing Outside House Beside Canal, after 1758, After Isaac van Ketweg, Dutch, c. 1732-1787, Holland, Pen and black ink and brush and gray wash, over graphite, on ivory laid paper, 206 × 180 mm Sari, Late 19th century, India, India, Yellow satin with floral design in white and colors, borders of cone pattern, 255.2 x 80.3 cm (100 1/2 x 31 5/8 in Circumcision of the Christ Child (recto), Marriage of the Virgin (verso), c. 1577, Workshop of Paolo Caliari, called Veronese, Italian, 1528-1588, Italy, Black chalk with pen and brown ink, heightened with lead white (partially discolored) Dancing Couple, plate eleven from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 117 x 78 mm (image/sheet L’après-midi d’un faune, 1876, Édouard Manet (French, 1832-1883), poetry by Stéphane Mallarmé (French, 1842-1898), published by Alphonse Derenne (French, born 1836), bookbinding by Jacques Anthoine Legrain (French, born 1907), Antilope oryx, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was Roundel Dagger and Scabbard, 1500/20, German, Saxony, Steel, leather, and iron, L. 39 cm (15 5/16 in Screen of Six Sheets (311 & 312), n.d., Louis Crépy, Jr., French, 18th century, France, Etching on paper, 390 × 196 mm (images), 480 × 630 mm (sheet Architectural Fitting (Gong), Eastern Zhou dynasty, Spring and Autumn period (770–481 B.C.), 7th century B.C., China, Qishan county, Shaanxi province, China, Bronze Headband, A.D. 800/1100, Provincial Wari, Possibly central coast, Peru, Peru, Cotton and wool (camelid), outer band of single interlocking tapestry weave, inner band of two-color complementary weft weave, joined in wool (camelid), Scarab: Amun-Re, New Kingdom–Late Period, Dynasties 18–26 (about 1550–525 BC), Egyptian, Egypt, Steatite, 1.3 × 1 × 0.6 cm (1/2 × 3/8 × 1/4 in Plaque: Geometric design/hunting scene, Second Intermediate Period–early New Kingdom (about 1650–1295 BC), Egyptian, Egypt, Steatite?, 2.2 × 1.6 × 0.6 cm (7/8 × 5/8 × 1/4 in Long Shawl, 1850/75, France, England, Norwich, or Scotland, Paisley, Norwich, Wool and silk, stripes of 1:1 plain gauze weave and stripes of warp-float faced 3:1 'S' twill weave, block printed, attached silk fringe, 360.1 x 91.4 cm (141 Scarab, New Kingdom, Dynasties 18–20 (about 1550–1069 BC), Egyptian, Egypt, Faience, 6 × 3.8 × 1.9 cm (2 3/8 × 1 1/2 × 3/4 in Amulet of the Goddess Tawaret (Thoeris), New Kingdom, Dynasty 18 (about 1550–1295 BC), Egyptian, Egypt, Faience, 3.3 × 1.3 × 0.3 cm (1 5/16 × 1/2 × 1/8 in Standing Figure of a Woman, c. 1715, Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Woodblock print, o-oban, sumizuri-e, 57.8 x 31.3 cm (22 3/4 x 12 1/2 in Columbine, c. 1754, Fürstenberg Porcelain Factory, German, founded 1747, after Simon Feilner, active 1733-1770, Fürstenberg, Hard-paste porcelain with polychrome enamel decoration, H. 19.1 cm (7 1/2 in Paperweight, 19th century, Clichy, France, 1837-1885, France, Glass, Diam. 6.3 cm (2 1/2 in Fragment (Border), 19th century, Russia, Cotton, plain weave, embroidered with silk floss in back, Bosnian, chained border, double running, hem, satin, and single faggot stitches, 39.7 x 117 cm (15 5/8 x 46 in Panel, 17th century, Italy, Silk and gilt-metal strip, plain weave with supplementary patterning wefts bound in plain interlacings, two selvages present, 99.5 x 53.5 cm (39 1/8 x 21 in The Medici Collar, 1897, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on buff laid paper, 185 x 112 mm (image), 324 x 245 mm (sheet St. Simon, n.d., Conte Anton Maria Zanetti, Italian, 1680–1767, Italy, Chiaroscuro woodcut in black and green on ivory laid paper, 171 x 100 mm (image/sheet, trimmed to block Tetradrachm (Coin) Portraying King Mithradates VI of Pontus and Bithynia, 90/89 BC, reign of Mithradates VI of Pontus and Bithynia (120–63 BC), Greek, Kingdom of Pontus (now northern Turkey), Greece, Silver, Diam. 3.1 cm, 16.87 g Antliarrhinus, Print Coverlet, 1843, James Cunningham (American, born Scottish, c. 1797-after 1865), United States, New York, Oneida County, New Hartford, New York, Cotton and wool, plain weave double cloth, woven on loom with Jacquard attachment, two loom Mrs. Herbert Duckworth, April 1867, Julia Margaret Cameron, English, 1815–1879, England, Albumen print, 34.2 × 26.3 cm (13 1/2 × 10 3/8 in Denarius (Coin) Portraying Plautilla, AD 202/05, issued by Septimius Severus, Roman, minted in Rome, Rome, Silver, Diam. 1.9 cm, 3.62 g Rear View of the Temple of Pola in Istria. 1. Rear view of another temple, plate 22 from Some Views of Triumphal Arches and other Monuments, 1748, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on ivory laid paper, 111 x 250 The Chapel, n.d., Allart van Everdingen, Dutch, 1621-1675, Holland, Etching on paper, 130 x 112 mm Lot and His Daughters, 1748, Joseph Marie Vien, I (French, 1716-1809), after Jean François de Troy (French, 1679-1752), France, Engraving on ivory laid paper, 274 × 379 mm (image), 330 × 413 mm (plate), 417 × 557 mm (sheet Scarab: Falcon and Hieroglyphs, New Kingdom–Late Period, Dynasties 18–26 (about 1550–525 BC), Egyptian, Egypt, Glazed steatite, 1.6 × 1 × 0.6 cm (5/8 × 3/8 × 1/4 in Cloak Pin (Knob or Tieback), 1810/30, England, Copper, transfer printed and polychrome enamel, gilt bronze, and iron, Diam. 4.8 cm (1 7/8 in 2.589.713 / 2.589.715 Entries < previous page Page 3296 / 25898 next page >