Images at Librifly

Noda Jewel River in Mutsu Province (Mutsu Noda), from the series Six Jewel Rivers (Mu Tamagawa no uchi), c. 1835/39, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chutanzaku, 36.8 x 12.7 cm (14 1/2 x 5

Heraclitus, the Weeping Philosopher, c. 1630, Spanish, Spain, Oil on canvas, 34 1/2 x 29 1/2 in

The Actor Ichikawa Yaozo II as Ashikaga Motouji Disguised as Katagiri Yashichi in the Play Oyoroi Ebido Shinozuka, Performed at the Nakamura Theater in the Eleventh Month, 1772, c. 1772, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792,

The Animal-Tamer before the Tribunal, 1899, Henri de Toulouse-Lautrec, French, 1864-1901, France, Lithograph on cream wove paper, 248 × 243 mm (image), 379.5 × 280.5 mm (sheet

Country Landscape, n.d., Rodolphe Bresdin, French, 1825-1885, France, Pen and black ink, on cream tracing paper, laid down on ivory wove paper, 85 × 160 mm

Ra: Narihira Requests a Painting from a Former Lover, from the series Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari), c. 1772/73, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock

Hamamatsu: Winter Scene (Hamamatsu, fuyugare no zu), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858,

Rapier, c. 1640, Western European, Europe, western, Steel, wood, and iron, Overall L. 129 cm (50 3/4 in

Dalmatic, Late 15th century, Apparels later due to satin binding, Italy, Silk, warp-float faced 4:1 satin weave with supplementary pile warps forming cut voided velvet, apparels: silk, warp-float faced 7:1 satin weave, appliquéd with

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893, Paul Gauguin, French, 1848-1903, France, Oil on jute canvas, 75 × 53 cm (29 1/2 × 20 7/8 in

General Mortier, the evening before the battle of Waterloo, plate 456, 1835, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on ivory wove paper, 206 × 221 mm (image), 272 × 350 mm (sheet

Peter I of Russia, 1752, Jacobus Houbraken (Dutch, 1698-1780), after Carel de Moor (Dutch, 1656-1738), Holland, Engraving on paper, 266 x 175 mm (image), 271 x 182 mm (plate), 379 x 256 mm (sheet

The Invention of Oil Painting, c. 1591, Théodoor Galle (Flemish, 1571-1633), after Joannes Stradanus (Flemish, 1523-1605), Flanders, Engraving, with plate tone, in black on cream laid paper, 203 × 270 mm (image/sheet, trimmed within

Amulet of the God Re-Horakhty, Third Intermediate Period, Dynasties 21–25 (about 1069–664 BC), Egyptian, Egypt, Faience, 3.8 × 1 × 1.3 cm (1 1/2 × 3/8 × 1/2 in

Panel, Early 18th century, France, Silk and gilt-metal-strip-wrapped silk, satin damask weave with brocading wefts, 102.2 × 50.6 cm (40 1/4 × 19 7/8 in

Mannen Bridge, Fukagawa (Fukagawa Mannenbashi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857, Utagawa Hiroshige 歌川 広重, Japanese, 1797–1858, Japan, Color woodblock print, oban, 33.5 x 22.3 cm (13 3/16

Sestertius (Coin) Portraying Philip the Arab, AD 244/247, Roman, Roman Empire, Bronze, Diam. 3.1 cm, 21.88 g

Bird-Cages, Chelsea, 1887, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting in black ink on cream laid paper, 151 x 229 mm (image, trimmed within plate mark), 156 x 231 mm (sheet

The Tone River at Konodai (Konodai Tonegawa), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban

Untitled, 1855/75, 19th century, Unknown Place, Ambrotype, 8.3 x 7 cm (plate), 9.4 x 8.3 x 1.8 cm (case

Plate Nineteen of 38 from Oeuvres de J. B. Huet, 1796–99, Jean Baptiste Huet, French, 1745-1811, France, Etching on paper, 480 × 350 mm

Study of a Nude Man, 1645–51, Abraham Bloemaert, Dutch, 1566-1651, Holland, Black chalk on buff laid paper, 136 x 194 mm

Beaker, c. 1730, Bohemia, Czech Republic, Bohemia, Glass with engraved gold leaf decoration, 7.6 × 7 cm (3 × 2 3/4 in

Fête de Saint Marc, Venise, 19th century, Félix Ziem, French, 1821-1911, France, Oil on canvas, 69 × 107.5 cm (27 1/8 × 42 3/8 in

Convobuli and Nest, c. 1863, Jabez Bligh, English, act. 1863-1889, England, Gouache on ivory wove paper, laid down on board, 197 × 310 mm

Fragment, 1838/1855, Designed by Gertrude Rapp (American, 1808–1889), Woven by the Harmony Society (American, founded in Germany, 1785-1916), United States, Silk, satin weave with supplementary patterning warps and pile warps forming cut

Bowl with calligraphic decoration, 10th century, Eastern Iran or Transoxiana (primarily Uzbekistan), Iran, Earthenware, white slip with black slip decoration under a transparent glaze, Di: 26.1 cm, H: 9 cm

Chess Piece: Bishop, 19th century, Wedgwood Manufactory, England, founded 1759, Burslem, Stoneware (jasperware), 6.4 × 3.2 cm (2 1/2 × 1 1/4 in

Fragment, 17th century, Spain, Brocaded silk, plain cloth, 16.5 x 28.9 cm (6 1/2 x 11 3/8 in

The Double Bass Player, c. 1873, Alphonse Legros, French, 1837-1911, France, Etching on ivory Japanese tissue, 300 × 211 mm (plate), 307 × 217 mm (sheet

And I Saw in the Right Hand of Him that Sat on the Throne a Book Written Within and On the Backside, Sealed With Seven Seals, plate 2 of 12, 1899, Odilon Redon, French, 1840-1916, France, Lithograph in black on light gray China paper laid

Holy Family, n.d., Attributed to Johann Boeckhorst (Flemish, 1605-1668), or Abraham Jansz. van Diepenbeeck (Flemish, 1596-1675), or circle of Peter Paul Rubens (Flemish, 1577-1640), Flanders, Pen and brown ink, with graphite, heightened

Fragment, 1575/1600, Italy, cisele solid twill velvet, 34.9 x 22.2 cm (13 3/4 x 8 3/4 in

A Tub for the Whale!, published March 14, 1806, James Gillray (English, 1756-1815), published by Hannah Humphrey (English, c. 1745-1818), England, Hand-colored etching and aquatint on cream wove paper, 232 × 350 mm (image), 245 × 354 mm

Reading the Newspaper, No. 2, c. 1883, Mary Cassatt, American, 1844-1926, United States, Soft ground etching and aquatint on cream laid paper, 135 x 165 mm (image/plate), 236 x 317 mm (sheet

Medallion Insert, 1850/75, Belgium, Possibly Ghent, Belgium, Cotton, bobbin part lace, 16.8 × 10.5 cm (6 5/8 × 4 1/8 in

Panel, 17th century, Italy, Silk and hemp, stripes of warp resist dyed satin weave (chiné) and stripes of satin weave with plain interlacings of secondary binding warps and ground wefts and self-patterned by main warp and ground weft floats,

Fresco in Palazzo Colonna, Rome, n.d., After Gaspard Dughet, French, 1615-1675, France, Black crayon with black chalk over touches of graphite on ivory laid paper, tipped onto ivory laid paper, 530 × 405 mm

Fragment, 1575/1600, Italy, Plain compound cloth, 16.1 x 18.9 cm (6 5/16 x 7 7/16 in

Amulet of the God Anubis, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 4 × 1 × 1.5 cm (1 9/16 × 3/8 × 9/16 in

Antoninianus (Coin) Portraying Emperor Valerian II, AD 259, Roman, minted in Lyons, Roman Empire, Billon, Diam. 2.4 cm, 4.00 g

Panel, c. 1736/39, France, Silk, plain weave with supplementary brocading wefts, supplementary patterning warps tied by supplementary binding warps, and self-patterned by two-color complementary ground wefts, 85.4 × 55.7 cm (34 5/8 × 21 7/8

Watch Holder, c. 1830, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, 14.3 x 8.1 x 22.2 cm (5 5/8 x 3 3/16 x 8 3/4 in

Old Shepherd Leaning on a Staff, 1524/31, Francesco Mazzola, called Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink with brush and brown wash, over black chalk, on paper, 141 x 118 mm

Study for Title Page, from Punch, Volume 55, 1868, Charles Keene, English, 1823-1891, England, Pen and brown ink, with touches of white gouache, over graphite, on buff laid paper, laid down on ivory wove board, 112 × 176 mm

Sugawara of the Tsuruya dreaming of Daikoku, c. 1778, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 1/4 x 7 3/4 in

The Triumph of Truth Over Heresy, c. 1710, Attributed to François Boitard (French, c. 1670-1720), or Louis Philippe Boitard, the elder (French, active 1738-1763, died 1770), France, Pen and black ink, with brush and pale brown wash, over

At Sea—Signalling a Passing Steamer, published April 8, 1871, Winslow Homer (American, 1836-1910), published by Every Saturday (American, 1866-1874), United States, Wood engraving on paper, 233 x 307 mm (image), 283 x 384 mm (sheet

Bow Fibula, Geometric Period (800–700 BC), Greek, Thessaly, Greece, Bronze, 3.7 × 7.9 × 2.8 cm (1 1/2 × 3 1/8 × 1 1/8 in

Panel, c. 1850, France, Silk, warp-faced plain weave, 49 × 106.8 cm (19 1/4 × 42 1/8 in

The Martyrdom of Saint John the Evangelist (recto), and December Calendar (verso), from Book of Hours, 1496/97, Philippe Pigouchet (French, active 1488-1518), published by Simon Vostre (French, active 1486–1518), France, Metalcut and

Kneeling Mason, February– March 1854, printed 1982, Charles Nègre, French, 1820–1880, France, Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854–1857, 7.5 × 6.5 cm

Head of a Girl Leaning on Her Hand, 1895/1900, Theodore Roussel, French, worked in England, 1847-1926, England, Drypoint in black, with plate tone, on thin gray wove paper, 60 × 56 mm (image), 120 × 81 mm (plate), 129 × 96 mm (sheet

Landscape, published July 1, 1818, Unknown Artist (probably British, 19th century), after J. Young (British, active 19th century), England, Aquatint and etching in black with hand-coloring on cream wove paper, 119 × 252 mm (image), 191 ×

Tankard, c. 1760, Staffordshire, England, Staffordshire, Salt-glazed stoneware, polychrome enamels, 9.8 x 12.1 x 8.9 cm (4 7/8 x 4 3/4 x 3 1/2 in

Bedcover, 1850/1900, Germany, Cotton, areas of plain knitting joined by plain crochet, plain crochet border, 172.5 x 201.5 cm (67 7/8 x 79 3/4 in

Paperweight, 19th century, Baccarat, France, founded 1764, France, Glass, Diam. 6.9 cm (2 7/8 in

The Virgin on the Crescent with a Crown of Stars, 1508, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on cream laid paper, 117 x 75 mm (image/sheet

Meiji Dance Recital, 1880s, Sessei, Japanese, active Meiji period (1868-1912), Japan, Color woodblock print, surimono, 55.5 x 45.6 cm

Plate Four, from Marriage à la Mode, 1745, Simon Francis Ravenet (French, 1706 or 1721-1774), after William Hogarth (English, 1697-1764), France, Etching and engraving in black on ivory laid paper, 354 × 445 mm (image), 387 × 465 mm

Cameo, c. 1870/80, France, Stone, 2.3 × 1.8 cm (7/8 × 11/16 in

Man Reading a Book, 1764, Salomon Gessner, Swiss, 1730-1788, Switzerland, Etching on cream laid paper, 215 x 187 mm (plate), 389 x 280 mm (sheet

Birch and Oak, from The Park and the Forest, 1841, James Duffield Harding (English, 1798-1863), printed by Charles Joseph Hullmandel (English, 1789–1850), published by Thomas McLean (English, 1788–1875), England, Lithograph in black,

Potpourri Vase with Shepherdess, 1760/65, Chelsea Porcelain Manufactory, London, England, c. 1745-1784, Chelsea, Soft-paste porcelain, polychrome enamels and gilding, 34.6 × 15.4 cm (13 5/8 × 6 1/16 in

Armadillidium zenckeri, Print, Armadillidium is a genus of the small terrestrial crustacean known as the woodlouse. Armadillidium are also commonly known as pill woodlice, leg pebbles, pill bugs, roly-poly, or potato bugs, and are often

Amulet of the God Pataikos, Third Intermediate Period–Late Period, Dynasties 25–31 (about 747–332 BC), Egyptian, Egypt, Faience, 2.5 × 1.6 × 1.3 cm (1 × 5/8 × 1/2 in

Bridget in Love, c. 1755, Pieter Tanjé (Dutch, 1706-1761), after Cornelis Troost (Dutch, 1696-1750), Netherlands, Etching in black on ivory laid paper, 297 x 245 mm (image), 368 x 266 mm (sheet

Woman Bathing her Feet at a Brook, 1658, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching on buff paper, 159 x 79 mm (image/plate), 168 x 87 mm (sheet

Italianate Landscape with Bathers, n.d., Possibly Richard Wilson (English, 1714-1782), or Gaspard Dughet (French, 1615-1675), or John William Taverner (English, 1703-1772), England, Black chalk on blue wove paper, laid down on ivory laid

Battersea Dawn (Cadogan Pier), 1863, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint with foul biting and plate tone in black on cream laid paper, 113 x 151 mm (image/plate), 185 x 229 mm (sheet

The Young Innkeeper, c. 1650, Cornelis Pietersz Bega, Dutch, 1631/32-1664, Netherlands, Etching on cream laid paper, 174 x 156 mm (plate), 182 x 164 mm (sheet

The Cid Campeador spearing another bull, plate eleven from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and burin on ivory laid paper, 216 x

Chimney Ornament, c. 1830, England, Staffordshire, Staffordshire, Glazed earthenware with polychrome enamel decoration, H. 22.2 cm (8 3/4 in

Hotel de Ville, Prague, 1833, Samuel Prout (English, 1783-1852), probably printed by Charles Joseph Hullmandel (English, 1789-1850), probably published by Rudolph Ackermann (English, 1764-1834), England, Lithograph in black on grayish-ivory

Tetradrachm (Coin) Depicting the God Zeus, 359/336 BC, Greek, Neapolis, Silver, Diam. 2.5 cm, 14.15 g

Fragment, 1625/75, Italy, silk, 25.9 x 9.2 cm (10 3/16 x 3 5/8 in

Sheep by a Statue of Pan, plate five from Paysages Dédiés à M. Warelet, 1764, Salomon Gessner, Swiss, 1730-1788, Switzerland, Etching on cream laid paper, 208 x 189 mm (plate), 390 x 273 mm (sheet

Tetradrachm (Coin) Portraying Emperor Aurelian, AD 270, Roman, Alexandria, Billon, Diam. 2 cm, 10.41 g

Tree, Forest of Fontainebleau, c. 1856, Gustave Le Gray, French, 1820–1884, France, Albumen print, 31.8 × 41.6 cm (image/paper), 53.2 × 71.1 cm (mount

Shallow bowl, Late 19th century, Morocco, Morocco, Hard buffware body, thick walls, opaque white slip ground with transparent glaze, H: 9.5 × d. 38.1 cm (3 3/4 × 15 in

Fragment, 1650/1700, Italy, Silk, warp-float faced satin weave, self-patterned by areas of twill interlacings, 31.4 × 23.4 cm (12 3/8 × 9 1/4 in

Takigawa of the Ogiya (Ogiya uchi Takigawa, Onami, Menami, Kisagawa, Hanamichi, Himekawa, Kumegawa), 1793, Kitagawa Utamaro 喜多川 歌麿, Japanese, 1753 (?)-1806, Japan, Color woodblock print, oban, 37.1 x 25.2 cm

Wall Panel: Birds and Flowers, 1800/25, France, Hand-painted paper, 284.5 × 53.3 cm (112 × 21 in

Border, 1601/25, Italy, Linen, plain weave, pulled thread work embroidered with silk in back, double running, and two-sided Italian cross stitch, edged with silk and linen fringe of oblique twill interlacing with two-color supplementary weft

County Election, 1854, John Sartain (English, 1808-1897), after George Caleb Bingham (American, 1811-1879), England, Engraving hand-colored with watercolor on cream chine laid down on cream wove plate paper, 556 × 762 mm (image), 708 × 938

Roman Conquest, n.d., Follower of Girolamo Sellari, called Girolamo da Carpi, Italian, 1501-1556, Italy, Pen and brown ink, over black chalk, on ivory laid paper, 320 x 542 mm

Vinaigrette, c. 1840, Possibly France, France, Gold, 3.4 × 2.3 cm (1 1/3 × 7/8 in

Side Table, c. 1745, England, Mahogany table with marble top, 75.6 × 102.2 × 51.4 cm (29 3/4 × 40 1/4 × 20 1/4 in

Square, 19th century, Ukraine, Ukraine, Linen, drawn work and embroidered, 38.8 x 100.3 cm (15 1/4 x 39 1/2 in

Morale is Affected by the Austrians!, 1833, Denis Auguste Marie Raffet (French, 1804-1860), printed by Chez Gihaut Frères (French, 19th century), France, Lithograph in black on ivory wove paper, 182 × 196 mm (image), 397 × 283 mm (sheet

The Actors Tamazawa Saijiro I as Ushiwakamaru, Segawa Kikunojo I as Oroku, and Otani Oniji I as Matano Goro in the play Sazareishi Suehiro Genji, performed at the Nakamura Theater in the first month, 1744, 1744, Torii Kiyomasu II, Japanese,

Statuette of the Goddess Maat, New Kingdom, Dynasty 18 or earlier (1623–1293 BC), Egyptian, Egypt, Ceramic, 6.4 × 3.2 × 3 cm (2 1/2 × 1 1/4 × 1 3/16 in

Juno and the Peacock, 1780, Angelica Kauffmann, Swiss, 1741-1807, Switzerland, Etching and aquatint on ivory laid paper, 205 x 167 mm (plate), 234 x 189 mm (sheet

Amulet of the God Shu, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 1.75 × 1 × 1 cm (5/8 × 3/8 × 3/8 in

Untitled (church with pointed spire), n.d., Hendee, American, 19th century, United States, Albumen print, 8.1 x 5.5 cm (image), 10 x 6.2 cm (card

Paperweight, c. 1845–60, Baccarat, France, founded 1764, Baccarat, Glass, 11.1 × 8.3 cm (4 3/8 × 3 1/4 in

Teapot, c. 1780, England, probably Leeds, Leeds, Lead-glazed earthenware, 11.1 x 17.8 x 10.8 cm (4 3/8 x 7 x 4 1/4 in

Muguette, 1892, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Lithograph (pen & ink and crayon) in black on cream chine laid down on ivory wove paper, 258 × 184 mm (image), 266 × 187 mm (primary support), 357

Band, Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Forty-four pairs and eight odd pieces of embroidered sleeve, ankle bands, etc. on gauze., 12.6 × 29.3 cm (5 × 11 1/2 in

The Pillar of Salt, published April 11, 1805, Thomas Rowlandson, English, 1756-1827, England, Hand-colored etching on ivory wove paper, 370 × 260 mm (image), 420 × 310 mm (sheet, trimmed to platemark