Images at Librifly

Large Female Head, c. 1786, Gilles Antoine Demarteau, the Younger (Flemish, c. 1750-1806), after Francois-Andre Vincent (French, 1746-1816), Flanders, Color crayon-manner etching and engraving on ivory laid paper, 533 × 411 mm (plate), 593

The Battle R—L, published June 3, 1816, Attributed to William Heath (English, 1794-1840), published by Thomas Tegg (English, 1776-1845), England, Hand-colored etching on ivory wove paper, 246 × 349 mm (image), 252 × 352 mm (sheet,

Scarab: Falcon Deity, Second Intermediate Period–New Kingdom, Dynasties 15–20 (about 1650–1550 BC), Egyptian, Egypt, Steatite, 1.6 × 1.1 × 1 cm (5/8 × 7/16 × 3/8 in

Assumption of the Virgin, n.d., Charles Joseph Natoire (French, 1700-1777), after Giacinto Calandrucci (Italian, 1646-1707), France, Black chalk and brush and brown and gray wash, with pen and brown ink, heightened with white gouache on

Part of the Remains of Llanphor, near Pembroke, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales, 1773–75, Paul Sandby, English, 1731-1809, England, Etching and aquatint on ivory laid paper, 177 × 252 mm

Antilope dorcas, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Les Andelys, Côte d’Aval, 1886, Paul Signac, French, 1863-1935, France, Oil on canvas, 23 5/8 × 36 1/4 in. (60 × 92 cm

Panel (Pillar Print), 18th century, Manufactured by Stead McAlpin & Co., founded in 1835, England, Cotton, plain weave, roller and block printed, painted, 128 × 57 cm (50 3/8 × 22 3/8 in

The Pilot of Tonga, 1856, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), France, Etching, from two plates, one in black and one in red (brownish), on ivory laid paper, 202 × 144 mm (image), 202 ×

An Eel-Catcher’s Home, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, pl. VI from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200, 20.4 × 28.9 cm (image/paper), 28.6 ×

Figure of Asia, c. 1766, Bow Porcelain Factory, London, England, 1744-1775, Bow, Soft-paste porcelain, polychrome enamels, and gilding, 12.9 × 7.3 × 5.9 cm (5 1/8 × 2 7/8 × 2 15/16 in

Cover for Collection of New Flowers of Taste for the Manufacture of Persian Cloth, Invented and Drawn by Jean Pillement, 1765/70, Johann Heinrich Hess (Germany, born 1746), after Jean-Baptiste Pillement (French, 1728-1808), published by

Disc with Flange, Geometric Period (800–600 BC), Greek, Thessaly, Thessaly, Bronze, 4.6 × 3.7 × 0.4 cm (1 3/4 × 1 1/2 × 3/16 in

Girl, 18th century, Nevers, France, Glass, lampwork (verre de Nevers), metal armature, H. 7.6 cm (3 in

Par-ci, par-là: Phèdre au Théâtre-Francais…, 1857–58, Paul Gavarni, French, 1804-1866, France, Lithograph in black on light gray China paper laid down on ivory wove paper, 201 × 162 mm (image), 230 × 188 mm (chine), 353 × 278 mm

Design: Academic Figure, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), after Charles-Nicholas Cochin, the younger (French, 1715-1790), published by André le Breton (French, 1708-1779), Michel-Antoine David

Handkerchief, 1875/1900, Belgium, Belgium, Linen, plain weave with insertion and edge of cotton, bobbin straight lace of a type known as "Valenciennes" with a square Valenciennes mesh ground, 38.8 × 39.0 cm (15 1/4 × 15 3/8 in

Holy Water Stoup (Bénitier), 19th century, Possibly Flanders, Flanders, Pewter, 19.1 × 8.3 × 4.5 cm (7 1/2 × 3 1/4 × 1 3/4 in

Woman Reaching Over a Wall, study for The Life of Saint Louis, King of France, c. 1878, Alexandre Cabanel, French, 1823-1889, France, Black and red chalk, with touches of stumping, on cream laid paper, 268 × 284 mm

Study for Illustration for Aline, Queen of Golconda, n.d., Albert Lynch, French, born Peru, 1851-after 1900, France, Black chalk and pen and black ink, with graphite and brush and black and gray wash, on cream wove card, 434 × 313 mm

Garniture for Field and Foot Tourney at the Barriers, c. 1575, Italian, Milan, Milan, Steel with gilding, brass, and leather, H. 177.8 cm (70 in

Agarista, Print

Objects on Wall, study for Couture, The Bird-Catcher, c. 1857, Thomas Couture, French, 1815-1879, France, Black chalk, heightened with white chalk, on blue laid paper, 323 × 457 mm

Leech Fibula (Brooch), Geometric Period (800–700 BC), Greek, Thessaly, Thessaly, Bronze, 4.2 × 5.1 × 2.0 cm (1 5/8 × 2 × 3/4 in

Portrait of Bartolomaeus Spranger with an Allegory of the Death of His Wife, Christina Müller, 1600, Aegidius Sadeler, Flemish, c. 1570-1629, Holland, Engraving with etching in black on ivory laid paper, 293 x 416 mm (image/sheet, trimmed

The Flageolet Player, 1635/40, David Teniers the Younger, Flemish, 1610-1690, Flanders, Oil on panel, 22.3 × 15.8 cm (8 3/4 × 6 1/4 in

Urania, Muse of Astronomy, plate 15 from Parnassus Biceps, 1601, Johann Theodor de Bry (German, 1561-1623), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 220 × 139 mm

Panel, 1550/1600, Turkey, Bursa, Turkey, Silk, 167.6 x 126.5 cm (66 x 49 3/4 in

Panel of Uncut Slip Designs, 1625/75, England, Hemp, plain weave, embroidered with silk in tent stitches, 28.4 × 53.9 cm (11 1/4 × 21 1/4 in

Dessert Dish, c. 1790, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, polychrome enamels and gilding, 21.8 x 29.2 cm (8 9/16 x 11 1/2 in

Slop Bowl, c. 1760, Worcester Porcelain Factory, Worcester, England, founded 1751, Worcester, Soft-paste porcelain, underglaze blue decoration, 7.1 x 14.9 cm (2 13/16 x 5 7/8 in

The Drunkards, 1778, Francisco José de Goya y Lucientes (Spanish, 1746-1828), after Diego Velázquez (Spanish, 1599-1660), Spain, Etching with engraved inscription on ivory laid paper, 287 x 395 mm (image), 318 x 437 mm (plate), 325 x 441

Amulet of the God Imsety (one of the four Sons of Horus), Late Period, Dynasty 25–30 (780–343 BC), Egyptian, Egypt, Glass, 5 × 1.25 × .25 cm (2 × 1/2 × 1/8 in

Bedcover, 19th century, France, Muslin, embroidered with cotton in tambour stitch and drawn work

Setting Up the Bow-Net, 1886, Peter Henry Emerson, English, born Cuba, 1856–1936, England, Platinum print, pl. XVIII from the album "Life and Landscape on the Norfolk Broads" (1886), edition of 200, 26.9 × 22.2 cm (image/paper), 41 ×

Day Appears at Last, …and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24, 1896, Odilon Redon, French, 1840-1916, France, Lithograph in black on cream China paper laid down on ivory wove paper, 265 × 162 mm

Possibly a Sash, 1780s, Italy, Burano, Burano, Linen, needle lace, 172.3 × 10.9 cm (67 7/8 × 4 1/4 in

Miss May Belfort at the Bar Achille, 1895, Henri de Toulouse-Lautrec, French, 1864-1901, France, Color lithograph on cream wove paper, 323 × 268 mm (image), 551 × 442 mm (sheet

Pair of Fingered Gauntlets, c. 1520, Flemish, Flanders, Steel and leather, L. 26.7 cm (10 1/2 in

The Nooning, published August 16, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 231 x 349 mm (image), 280 x 400 mm (sheet

Border, Greco–Roman period (30 B.C.– 641 A.D.), 5th century, Egypt, probably Akhmin, Egypt, Wool and linen, slit tapestry weave, 19.1 × 7.6 cm (7 1/2 × 3 in

Kakegawa, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx. 24 × 18.3 cm

Beaker, Erligang period (about 1600–about1300 BC), China, Bronze, H. 15.5 (6 1/8 in.), diam. 11.0 cm (4 5/16 in

Bottle, 19th century, Austria, Austria, Glass, 9.6 × 15.9 cm (3 3/4 × 6 1/4 in

Foundation Deposit: Calf’s Foreleg (khepesh), New Kingdom? (about 1550–1069 BC), Egyptian, Egypt, Faience, 4.1 × 1.3 × 0.3 cm (1 5/8 × 1/2 × 1/8 in

Panel (Possibly from a Chasuble), c. 1732/33, France, Silk and silvered-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary binding warps tying some supplementary brocading wefts and self-patterning two-color

Old Customs House, Rome, 1807, Jean Jacques de Boissieu (French, 1736-1810), after Jacob van Ruisdael (Dutch, 1628/29-1682), France, Etching on paper, 185 × 301 mm (image), 238 × 346 mm (plate), 248 × 365 mm (sheet

Amulet of the Feathers of Amon, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Granite, 3 × 1.5 × .5 cm (1 3/16 × 9/16 × 3/16 in

Promenade Publique, 1792, Philibert Louis Debucourt, French, 1755-1832, France, Wash manner color aquatint on paper, 467 × 635 mm (plate), 480 × 642 mm (sheet

Study for the Vignette of Lucretius’s De la Nature des Choses, Vol. II, Book IV, c. 1768, Hubert François Gravelot, French, 1699-1773, France, Graphite, with traces of black chalk, on gray laid paper, incised for transfer and perimeter

Southern Barbarians, mid 17th century, Japanese, Japan, Pair of six-panel screens, ink, colors, and gold on paper, Each: 170.4 x 370 cm

Angel Appearing to Hagar and Ishmael, 1780, Etienne Pierre Adrien Gois, French, 1731-1823, France, Pen and gray ink, with brush and gray wash, over red chalk, on cream laid paper, 181 × 115 mm

Ballet at the Paris Opéra, 1877, Edgar Degas, French, 1834-1917, France, Pastel over monotype on cream laid paper, 352 × 706 mm (plate), 359 × 719 mm (sheet

Retrieving the Shuttlecock, c. 1773, Isoda Koryusai, Japanese, 1735-1790, Japan, Color woodblock print, chuban, 10 1/2 x 7 5/8 in., Sampler, 1811, Mary Ann Doe (American, 1798/99-?), United States, New York, New York, Linen and wool,

Kanagawa, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), c. 1806, Katsushika Hokusai 葛飾 北斎, Japanese, 1760-1849, Japan, Color woodblock print, chuban, Approx. 24 × 18.3 cm

Grand Duke Michael, 1860–69, Émile Desmaisons, French, 1812-1880, France, Albumen print, 8.9 × 5.5 cm (image/paper), 10.3 × 6.1 cm (mount

Rifolard opens the ball and executes a bold dancing step forward, which receives widespread praise, plate 5 from Les Banqueteurs, 1848, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on white wove paper, 260 × 207

Sampler, 1801/75, Italy, Cotton, plain weave, embroidered with silk in back, cross, and padded cross stitches, 27.9 x 38.5 cm (11 x 15 1/8 in

The Actor Iwai Hanshiro IV in Street Attire (by Shun’ei) Conversing with Two Women (by Shuncho), c. 1788, Katsukawa Shun’ei, Japanese, 1762-1819, Katsukawa Shuncho, Japanese, active c. 1780-1801, Japan, Color woodblock print, aiban,

Plate Five from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino, 1646, Johanna Sibylla Kusell (Kuslin Kraus) (German, active 1650-1717), after Stefano della Bella (Italian, 1610-1664), Germany, Etching on paper, 100 x 215 mm (sheet

The Interior, 1778, Jean Honoré Fragonard, French, 1732-1806, France, Etching on paper, 235 × 172 mm (image), 238 × 177 mm (plate/sheet

Coin Portraying Emperor Constantine I, AD 331/334, Roman, minted in Cyzicus, Asia Minor (now Turkey), Roman Empire, Bronze, Diam. 1.8 cm, 2.18 g

The Ox-Cart, from Upright Italian Landscapes, 1638/52, Jan Both, Dutch, c. 1618-1652, Holland, Etching on paper, 268 x 210 mm

Goddess of Abundance Enthroned on Lion and Lustrated by Elephants, 7th/8th century, India, Kashmir or Pakistan, India, Chlorite, 24.3 x 14.5 x 3.7 cm (9 5/8 x 5 3/4 x 1 7/16 in

Portrait of Edmond de Goncourt, 1882, Felix Bracquemond, French, 1833–1914, France, Etching on cream wove paper, 460 × 320 mm (image), 597 × 412 mm (sheet

Storyteller Figure, A.D. 100/800, Jalisco, Ameca Valley, Jalisco, Mexico, Jalisco state, Ceramic and pigment, 55.9 × 55.9 cm (22 × 22 in

Virgin and Child by the Window, n.d., Barthel Beham, German, 1502-1540, Germany, Engraving in black on cream laid paper, 105 × 84 mm (plate), 108 × 87 (sheet

Blue Ribbon (Furnishing Fabric), 1760/64, France, Jouy-en-Josas, France, Cotton and linen, plain weave, block printed, glazed (original), a: 91.3 × 15.2 cm (36 × 6 in

Portrait of Corot, n.d., Etienne Gabriel Bocourt (French, 1821–after 1882), after Jean-Baptiste-Camille Corot (French, 1796-1875), France, Etching and drypoint on cream laid paper, 231 × 175 mm (image), 333 × 239 mm (sheet

Neptune and Triton, n.d., Unknown Artist, German, late 16th century, Germany, Black crayon on tan laid paper, tipped onto buff wood-pulp laminate board, 365 x 205 mm

Amulet of the God Shu, Third Intermediate–Late Period (about 1070–332 BC), Egyptian, Egypt, Faience, 2.5 × 1.9 × 1.3 cm (1 × 3/4 × 1/2 in

Amulet of the God Anubis, Late Period, Dynasties 26–31 (664–332 BC), Egyptian, Egypt, Faience, 5.4 × 1.6 × 2.5 cm (2 1/8 × 5/8 × 1 in

Well Spring Carafe, 1847, Designed by Richard Redgrave, English, 1804-1888, Made by John Fell Christy, Stangate Glass Works (Lambeth, England, active 1840/50), Commissioned by Henry Cole (English, 1808-1882) for Felix Summerly’s Art

Cyrus Defeats Spargapises, from The Story of Cyrus, c. 1670, Adapted from designs by Michiel Coxie (1499–1592), Woven at the workshop of Albert Auwercx (1629–1709), Flanders, Brussels, Flanders, Wool and silk, slit and double

Cap, 1875/1900, Probably France, France, Cotton, machine-made net, appliquéd with plain weave and embroidered in buttonhole, darning, eyelet, overcast, and satin stitches, laid work and darned wheels, 29.1 × 13 cm (11 1/2 × 5 1/8 in

The Oxcart, Illustration from Fables by Lachambaudie, 1851, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory wove paper, 145 × 97 mm (image), 244 × 160 mm (sheet

Partisan, early 17th century, French, France, Steel, wood (oak), and iron, L. 251.5 cm (99 in

The Eiraku-an teahouse in Kyoto, c. 1768/69, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, chuban, 26.3 x 20.2 cm (10 1/4 x 7 7/8 in

Le Silence, 1842/43, Auguste Préault, French, 1809-1879, France, Plaster, Diameter: 40 cm (15 3/4 in

Jug, 6th century AD, Byzantine, Eastern Mediterranean, probably Syria, Syria, Glass, mold-blown technique, 14.3 × 7.9 × 6.8 cm (5 5/8 × 3 1/8 × 2 5/8 in

The Age of Gold, 1608, Johann Theodor de Bry (German, 1561-1623), after Abraham Bloemaert (Dutch, 1566-1651), Germany, Engraving in black on cream laid paper, 163 x 167 mm (plate), 166 x 168 mm (sheet

The Actors Nakajima Mihoemon II as Fujiwara no Shihei, Minister of the Left (center, in the carriage), Ichikawa Ebizo III as Matsuo-maru (center, kneeling on the ground), Ichikawa Yaozo II as Sakura-maru (right), and Ichimura Uzaemon IX as

Amulet of the God Nefertem, Third Intermediate Period, Dynasty 21–25 (1070–656 BC), Egyptian, Egypt, Faience, 11.5 × 2 × 3 cm (4 1/2 × 3/4 × 1 3/16 in

Bouquet with Daffodils, from Collection of Different Bouquets of Flowers, Invented and Drawn by Jean Pillement and Engraved by P. C. Canot, published July 4, 1760, Pierre-Charles Canot (French, 1710-1777), after Jean-Baptiste Pillement

Arctophila, Print

Christ and the Apostles (recto), Sketch of a Nativity Scene (verso), n.d., Unknown Artist, Italian, Late 16th century, Italy, Black chalk heightened with white chalk (recto), and black chalk (verso), on blue laid paper, 250 x 195 mm

Portrait of Isidoro Maiquez, c. 1807, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Oil on canvas, 82.3 × 63.3 cm (32 3/8 × 24 7/8 in

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, Diam. 7.4 cm (2 15/16 in

The Actor Nakamura Nakazo I as Osada no Taro in the play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), c. 1768, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print, hosoban, 30.5 x 14.4 cm (12 x

Wishes, plate three from A Glove, 1881, Max Klinger, German, 1857-1920, Germany, Etching on paper, 283 x 106 mm (image), 319 x 138 mm (plate), 482 x 323 mm (sheet

Sultane Blanche, plate 25 from Caravanne du Sultan à la Mecque, 1748, Joseph Marie Vien, French, 1716-1809, France, Etching on ivory laid paper, 127 × 199 mm (image), 135 × 203 mm (plate), 207 × 266 mm (sheet

Fragments, 1750/75, France, Silk, cut, uncut, and voided velvet with additional patterning wefts of gold foil against satin weave, a: 21.8 × 17.7 cm (8 5/8 × 7 in

The Actor Matsumoto Koshiro III as Kikuchi Hyogo Narikage in the Play Katakiuchi Chuko Kagami, Performed at the Nakamura Theater in the Sixth Month, 1770, c. 1770, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock

December, Christmas Bustle from George Cruikshank’s Steel Etchings to The Comic Almanacks: 1835-1853, 1840, printed c. 1880, George Cruikshank (English, 1792-1878), published by Pickering & Chatto (English, 19th century), England, Steel

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios, 1815/24, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching with aquatint and drypoint in black on ivory wove paper, 212 x 315 mm (image),

Château de Verneuil, Touraine, 1888, James McNeill Whistler, American, 1834-1903, United States, Etching with foul biting in black ink on cream Japanese paper, 176 x 122 mm (image, trimmed within plate mark), 179 x 122 mm (sheet

Anas boschas, Print, The mallard (Anas platyrhynchos) is a dabbling duck that breeds throughout the temperate and subtropical Americas, Eurasia, and North Africa and has been introduced to New Zealand, Australia, Peru, Brazil, Uruguay,

Ceiling Design with Peacock Motif, 1876, Louis H. Sullivan, American, 1856-1924, United States, Ink on paper, 40 × 73 cm (15 3/4 × 28 3/4 in

Fragment of Spatula (Si), Shang dynasty ( about 1600–1045 BC), 13th/11th century BC, China, Bone, 16.3 × 8.6 × 2.1 cm (6 7/16 × 3 3/8 × 13/16 in

Watch-Tower, Corner of Spring and Varick Streets, New York, published February 28, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 350 x 233 mm