Images at Librifly

Disegni Varii di Polifilo Zancarli, 1628 before, Etching, Plate: 9 1/4 x 5 13/16 in. (23.5 x 14.7 cm), Polifilo Giancarli (active in Venice ca. 1600–1625), Odoardo Fialetti (Italian, Bologna 1573–1637/38 Venice), Vertical panel design with

The Tropic Bird, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a set

The Rooster Accuses Renard of Murdering his Chicken from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Weakfish, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Eight Beggars, 1630, Etching, only state, 3 5/16 x 10 in. (8.4 x 25.4 cm) , Prints, After Jacques Callot (French, Nancy 1592–1635 Nancy), Plate 2 of 4 prints of beggars after Callot. Seven male beggars walking in a landscape in foreground

Two putti above, their legs ending in scrollwork, a bat below, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 7/16 × 2 9/16 in. (16.3 × 6.5 cm), Stefano della Bella (Italian, Florence 1610–1664

Sulking, ca. 1870, Oil on canvas, 12 3/4 x 18 1/4 in. (32.4 x 46.4 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), Two well-known personalities in the art world, the writer Edmond Duranty and model Emma Dobigny, posed for this

Drawings and Prints, Print, A bacchante holding a pitcher in her right hand and carrying in her left hand an oval dish containing three figs, set against a black background inside a rectangular frame, Wall paintings from Herculaneum, Publisher,

A panel of ornamnet with putti, goat and other figures, 1530–60, Engraving, sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian,

The miraculous draught of the fishes, Christ at the right accompanied by apostles in the boat, ca8–52, Etching, sheet: 7 1/2 x 10 5/8 in. (19 x 27 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563

Study of Hands (recto); Study for a Reclining St. Francis (verso), Daniele Crespi (Italian, Busto Arsizio 1597/1600–1630 Milan), ca. 1628–30

Surface Decoration, Grotesque with Strapwork, Aedicula at Center, on Either Side Recessed Balconies, in Frame at Lower Center Moses and the Brazen Serpent from Veelderleij Veranderinghe van grotissen ende Compertimenten...Libro Primo, 1556,

Houdan Cock, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in 1891 in a

Two handled cup, 1646, Etching; only stae, Sheet: 6 9/16 × 3 13/16 in. (16.6 × 9.7 cm), Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London

Kildeer Plover, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50

Study of a Sleeping Dog, mid-17th century, Black chalk, Sheet: 2 13/16 × 4 in. (7.1 × 10.1 cm), Drawings, Attributed to Jan Miel (Flemish, Beveren 1599–1664 Turin

The Launch of a Ship, 17th century, Etching and drypoint; state II, sheet: 5 3/8 x 9 3/4 in. (13.7 x 24.8 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Marching Slingers, 1540–45, Etching, Sheet (trimmed): 10 1/16 × 16 9/16 in. (25.6 × 42.1 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Blessed Aloysius Gonzaga in Ecstasy, ca. 1629, Brush and brown ink; enlarged (probably by Pierre-Jean Mariette) below and at right with strips of ca. 7 mm and completed with brush and grey ink; framing line in pen and black ink, Sheet: 4 1/16

Waking Up, from the series Elles, 1896, Crayon lithograph with scraper printed in olive-gray on wove paper, sheet: 15 15/16 x 20 11/16 in. (40.5 x 52.5 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

La Chasse Chinoise (The Chinese Hunt), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 1/2 x 18 7/8 in. (41.9 x 48 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), Gabriel Huquier (French, Orléans

Russia, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Drawings and Prints, Drawing Ornament & Architecture, Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921, Artist, Léon Bakst, Russian, Grodno

O the Roast Beef of Old England--The Gate of Caiais, March 6, 1749, Etching and engraving; second state of two, plate: 14 15/16 x 18 1/8 in. (38 x 46 cm), Prints

Drawings and Prints, Print, Judith and maidservant with the head of Holofernes, set within an elaborate frame, Artist, Artist, Formerly attributed to, After, Andrea Schiavone (Andrea Meldola), Battista Angolo del Moro, Jacques Androuet Du

A Town on an Estuary at Low Tide, 1868, Watercolor with gum arabic, over graphite, heightened with touches of gouache, Sheet: 17 11/16 x 24 in. (45 x 61 cm), Drawings, Edward Duncan (British, London 1803–1882 London), This light-filled

A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning, a bearded male figure's face is visible behind the group, from the series 'Turns of fantasy'

Two One Half Variant Designs for an Altar and a Chapel, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled construction, sheet: 22 9/16 x 15 7/8 in. (57.3 x 40.4 cm), Drawings, Anonymous, Italian,

Sea Piece with Three Figures to the Right, Engraving; first state of three, Plate: 2 13/16 × 4 1/4 in. (7.2 × 10.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Wheel underneath the Haybarn, Engraving; second state of three, Plate: 3 3/4 × 5 13/16 in. (9.5 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Print, Comforts of Bath, Plate 8, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761,

A Chapel with Figures of Statues en Grisaille of Faith, Hope and Charity and 4 Putti with Symbols of the Passion., 1696–1756, Pen, brown ink and grey wash, 22-1/4 x 15-7/8 in. (56.5 x 40.3 cm), Drawings, Workshop of Giuseppe Galli Bibiena

Redstart, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series of

Drawings and Prints, Print, Racing, Publisher, Artist, Samuel William Fores, Thomas Rowlandson, British, 1761–1838, British, London 1757–1827 London, Fores, Samuel William, Rowlandson, Thomas, 1761, 1757, 1838, 1827, January 1

Allegory of Music, 1649, Oil on canvas, 41 5/8 x 56 3/4 in. (105.7 x 144.1 cm), Paintings, Laurent de La Hyre (French, Paris 1606–1656 Paris), The allegorical figure tunes a theorbo. At her shoulder is a songbird, symbol of natural music,

Seery, Left Field, Indianapolis, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284),

Drawings and Prints, Print, Benjamin Franklin, Artist, Sitter, Engraver, Publisher, After, Joseph Siffred Duplessis, Benjamin Franklin, Pierre Alexandre Tardieu, Antoine Augustin Renouard, French, Carpentras 1725–1802 Versailles,

Jennie Califf, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Drawings and Prints, Drawing Ornament & Architecture, Design for the Costume of a Slave, for the Ballet 'La Tragédie de Salomé', Artist, Léon Bakst, Russian, Grodno 1866–1924 Paris, Bakst, Léon, 1866, 1924, 1912

Costume Design with a Large Headdress and Long Cape, ca. 1620–56 , Brown ink, Sheet: 11 1/8 x 8 3/16 in. (28.3 x 20.8 cm), Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop

The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 21 15/16 x 16 1/4 in. (55.8 x 41.3 cm) borderline (or within), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582

The Three Heathen Heroes (Die Drei Guten Haiden), from Heroes and Heroines, 1516, Woodcut; first state of three (Hollstein), Sheet: 7 5/8 × 5 3/16 in. (19.4 × 13.1 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Block

Here, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50 cards to

Drawings and Prints, Print, Portrait of Cosimo de' Medici in full armour, his left hand resting on a staff, Artist, After, Niccolo della Casa, Baccio Bandinelli, French, active Italy, ca. 1543–48, Italian, Gaiole in Chianti 1493–1560

Design for a Fountain with River Gods and Nymphs, 1511–74, Pen and brown ink, brush and brown wash, over traces of leadpoint, 16-3/4 x 11-1/4 in. (42.5 x 28.5 cm), maximum, arched at the top., Drawings, Giorgio Vasari (Italian, Arezzo

Ophelia: "There's fennel for you, and columbines" (Shakespeare, Hamlet, Act 4, Scene 5), William Wynne Ryland (British, baptized London 1732–1783 London), After Giovanni Battista Cipriani (Italian, Florence 1727–1785 Hammersmith (active

Ibex, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

The Ass, Jealous of the Attention the Dog Is Getting From His Master, Looks to Imitate Him by Jumping at the Master's Neck from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.4 ×

Johnny Murphy, Pugilist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in

Drawings and Prints, Drawing, Classical Amphitheater, Artist, Louis Jean Desprez, French, Auxerre 1743–1804 Stockholm, Desprez, Louis Jean, French, 1743, 1804, ca. 1777–84, 1772, 1782

Drawings and Prints, Print, Study of a Giant, Artist, After, Bartolomeo Coriolano, Guido Reni, Italian, Bologna ca. 1599–ca. 1676 Bologna (?), Italian, Bologna 1575–1642 Bologna, Coriolano, Bartolomeo, Reni, Guido, Italian, 1599,

A figure supporting a tablet with a representation of a herm of Diana of Ephesus, from the series 'Figurine', ca. 1656–1657, Etching, Sheet: 10 13/16 x 7 15/16 in. (27.4 x 20.1 cm), Prints, Salvator Rosa (Italian, Arenella (Naples)

Drawings and Prints, Print, The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni, Artist, After, Guido Reni, Anonymous, 17th century, Italian, Bologna 1575–1642 Bologna, Reni, Guido, Anonymous,

St. Catherine, ca. 1505, Woodcut, Sheet: 9 7/16 × 6 7/16 in. (23.9 × 16.3 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Emma Carson, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Maud, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses and

The Visitation, 15th century, Engraving, Sheet: 6 3/16 x 4 11/16 in. (15.7 x 12 cm), Prints, Master ES (German, active ca. 1450–67

Bacchic revel with Silenus riding a goat in the centre, ca. 1540–43, Etching with plate tone, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Order of the Golden Spur, Holy See, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30),

The First Spring, Etching; second state of two, sheet: 4 15/16 x 6 3/4 in. (12.5 x 17.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Harper's: September, 1894, Lithograph, Sheet: 16 3/8 × 10 11/16 in. (41.6 × 27.1 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

French Judith, an illustration from Pierre Le Moyne's 'La Gallerie des femmes fortes', 1647, Etching and engraving with watercolor and gold paint, painted by hand; first state of two, Sheet: 14 5/16 × 9 7/16 in. (36.3 × 24 cm), Prints,

Seven Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Salon de 1850-51. Landscape along the shores of the river Oullins, 1850–51, Wood engraving, sheet: 5 13/16 x 7 in. (14.7 x 17.8 cm), Prints, after Charles-François Daubigny (French, Paris 1817–1878 Paris

Drawings and Prints, Print, A Farmer Slaughtering a Hog, from Hymmelwagen auff dem, wer wol lebt..., Artist, Author, Publisher, Hans Schäufelein, Hans von Leonrodt, Silvan Otmar, German, Nuremberg ca. 1480–ca. 1540 Nördlingen,

Stela at Copan, 1843, Sepia wash over graphite, 22-7/16 x 16-1/16 in. (57.1 x 40.8 cm), Drawings, Frederick Catherwood (British, London 1799–1854 died at sea, near Liverpool

Tiger, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

The Pérussis Altarpiece, 1480, Oil and gold on wood, Three panels, each 54 1/2 x 23 in. (138.4 x 58.4 cm), Paintings, Circle of Nicolas Froment, The subject of this large altarpiece, the adoration of the empty cross on Golgatha, is unusual.

Pendant Design with a Peace-Goddess Flanked by Two Warriors, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 15/16 × 4 7/8 in. (17.6 × 12.4 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical

Drawings and Prints, Print, Rural Sports: Balloon Hunting, Artist, Publisher, Thomas Rowlandson, Thomas Tegg, British, London 1757–1827 London, Rowlandson, Thomas, Tegg, Thomas, British, 1757, 1776, 1827, 1846, October 25, 1811

Hoboken, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Drawings and Prints, Print, Labor, Artist, After, Maerten de Vos, Raphael Sadeler I, Netherlandish, Antwerp 1532–1603 Antwerp, Netherlandish, Antwerp 1560–1628 Venice (?), Vos, Maerten de, Sadeler, Raphael, I, 1532, 1560, 1603,

Susanna, 1583, Engraving; first state of two, Oval sheet: 7 1/4 × 55 7/8 in. (18.4 × 142 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Edward England, Marooned, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main' series

The Brussels Packet, 1625–77, Etching; first state of two, Plate: 5 13/16 × 9 3/8 in. (14.8 × 23.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Brussels packet with passengers on board sailing at centre foreground,

Plate 2: three fragments of friezes; on top, a grotesque head of a man, a skull of a ram at bottom left and a chimera at bottom right, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), ca. 1638–43, Etching, Sheet:

Drawings and Prints, Print, Fete, Ornament & Architecture, Catafalque of Philip II, King of Spain, in Antwerp Cathedral, December 8, 1598, Artist, Publisher, Anonymous, Netherlandish, 16th century, Adrian Huberti, Netherlandish,

Drawings and Prints, Print, El Mundo al Reves, Publisher, Juan Llorens, Spanish, active Barcelona, 19th century, Llorens, Juan, Spanish, 1800, 1900, 1861

Drawings and Prints, Print, Reading, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, ca. 1914

Study of a Covered Wagon, ca. 1646–49, Black chalk, pen and brown and black ink, brown wash; framing line in black chalk or graphite, by a later hand, Sheet: 5 1/4 × 6 5/16 in. (13.4 × 16.1 cm), Drawings, Isaac van Ostade (Dutch, Haarlem

Drawings and Prints, Print, The Virgin in half length looking down, ten stars surrounding her head, after Reni, Artist, Artist, After, Intermediary draughtsman, Engraved by, Guido Reni, Giovita Garavaglia, Giovita Garavaglia, Italian,

The Virgin and Child accompanied by saints, ca. 1550, Etching, sheet: 7 1/2 x 5 1/2 in. (19 x 14 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Portrait of Nicolas Trigault in Chinese Costume, 1617, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper, 17 9/16 x 9 3/4 in. (44.6 x 24.8 cm), Drawings, Peter Paul Rubens (Flemish, Siegen

Drawings and Prints, Print, Cain murdering Abel (plate 2 from The Story of Cain and Abel), Publisher, Artist, After, Claes Jansz. Visscher, Michiel Coxie (I), Johann Sadeler I, Dutch, Amsterdam 1586–1652 Amsterdam, Netherlandish,

Drawings and Prints, Print, Female personification of Hope looking up with hands held together and left shoulder exposed, in an oval frame, after Reni, Artist, Artist, After, Engraved by, Intermediary draughtsman, Guido Reni, Giovanni

The Punishment Inflicted on Lemuel Gulliver, December 1726, Etching and engraving; first state of two, sheet: 8 1/4 x 12 5/16 in. (21 x 31.3 cm), Prints, William Hogarth (British, London 1697–1764 London

St. Martin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Print, A Dasher! Or the Road to Ruin in the West, Artist, Publisher, Artist, After, Thomas Rowlandson, Rudolph Ackermann, George Moutard Woodward, British, London 1757–1827 London, British, ca. 1760–1809 London,

Drawings and Prints, Photograph, Card Number 149, Mrs. Cleveland, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Emperor Ferdinand I, 16th century, Engraving; first state, Sheet: 8 1/16 x 5 1/4 in. (20.5 x 13.3 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Male head in profile to left with muscles exposed, 1660, Etching; only state, 3 3/16 x 2 1/4 in. (8.1 x 5.7 cm) (trimmed to plate line), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Male head in profile to left with

President of Uruguay, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set

Smell (Odor), from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 3/4 × 7 7/8 in. (9.6 × 20 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the personification of Odor (Smell) shown as a female figure smelling a

Elias Howe, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's Inventors'

Drawings and Prints, Print Ornament & Architecture, Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from Barberinae aulae fornix, Barberinae aulae fornix, Artist, Publisher, Dedicatee, Artist, After, Pietro da Cortona (Pietro

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890

La Sainte Famille (The Holy Family), 19th century, Etching, Sheet: 6 7/8 × 5 3/8 in. (17.4 × 13.6 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

The Church Tower, Portsmouth, 1921, Etching with plate tone, Image: 8 5/16 x 6 in. (21.1 x 15.3 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

The Dancing Class, ca. 1870, Oil on wood, 7 3/4 x 10 5/8 in. (19.7 x 27 cm), Paintings, Edgar Degas (French, Paris 1834–1917 Paris), This is Degas's first depiction of a dance class. Because the artist did not yet have privileges to go

The Man of Sorrows at the Column, 1523, Etching, sheet: 6 5/16 x 4 5/8 in. (16 x 11.8 cm), Prints, Nikolaus Hogenberg (Netherlandish, Munich ca. 1500–1539 Mechelen