Images at Librifly

Speculum Romanae Magnificentiae: Bacchus, Seated, Drinking from a Vase Presented by a Putto, 16th century, Etching, sheet: 8 7/8 x 13 1/4 in. (22.5 x 33.7 cm), Prints, Anonymous, In the style of Giulio Bonasone (Italian, active Rome and

A Horse Affrighted at a Lion, May 1, 1788, Etching with roulette work; third state of three, sheet: 9 7/8 x 12 in. (25.1 x 30.5 cm), Prints, George Stubbs (British, Liverpool 1724–1806 London

Manet on His Deathbed, ca. 1883, Pastel, 12 3/4 × 18 1/8 in. (32.4 × 46 cm), Drawings, Pierre-Ernest Prins (French, Paris 1838–1913 Paris

The Virgin and Child with Eight Angels in a Landscape, 1511, Woodcut, Sheet: 14 15/16 × 10 3/16 in. (37.9 × 25.8 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Big Elk, Ponca, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued in 1888

A Leaf Out of Nicholas Nickleby with Slight Variations – Nicholas quits the Company – Theatrical Emotion of Mr. Vincent Crummles, John Doyle (Irish, Dublin 1797–1868 London), Daniel O'Connell (Irish, Cahirciveen, Kerry 1775–1847 Genoa),

Drawings and Prints, Print, Smuggling In, or A College Trick, Publisher, Artist, After, Ackermann's Gallery, Heinrich Joseph Schu¨tz, Thomas Rowlandson, London, German, Frankfurt 1760–1822 Frankfurt, British, London 1757–1827

Joachim's Sacrifice Refused by the Priest, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/8 × 2 3/16 in. (8 × 5.6 cm), Prints, Albrecht Altdorfer (German, Regensburg ca.

Plate 7: a triple waterfall, a dead tree to right, a mountain and a herd of cows to right in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1643–48, Etching, Sheet: 5 3/16 x 5 1/8 in.

The Three Fates Clotho, Lachesis, and Atropos, 1558–59, Engraving, Sheet: 5 7/16 x 8 3/4 in. (13.8 x 22.2 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Abel Servien, Engraving; second state of two, sheet: 9 5/16 x 7 3/8 in. (23.6 x 18.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Flask, Tang dynasty (618–907), 9th century, China, Stoneware with splashed glaze (Jun ware), H. 11 1/2 in. (29.2 cm), Ceramics, The dramatic blue splash over the brown glaze on this bottle prefigures the use of copper to create similar

Landscape with Rocks in a River (near Kronau?), 19th–early 20th century, Pen and black ink, and watercolor, sheet: 12 1/16 x 17 in. (30.7 x 43.2 cm), Drawings, Eduard Peithner von Lichtenfels (Austrian, Vienna 1833–1913 Berlin

Maggie M., from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Woman Playing with a Cat, 19th century, Etching printed in red ink on wove paper, sheet: 15 3/4 x 11 5/16 in. (40 x 28.7 cm), Prints, After François Boucher (French, Paris 1703–1770 Paris

Portrait of a Man in Armor with Two Pages, Oil on canvas, 46 x 62 in. (116.8 x 157.5 cm), Paintings, Paris Bordon (Italian, Treviso 1500–1571 Venice), This painting shows a high-ranking officer with two pages, one of whom, an African,

Terracotta vase, Hellenistic, 3rd–2nd century B.C., Greek, Sicilian, Centuripe, Terracotta, H. 15 1/2 in. (39.4 cm), Vases, Four women. A fundamental feature of Greek ceramics and their offshoots is that they could be used. By contrast,

La Chasse au Tigre (The Tiger Chase), 18th century, Etching, engraving, and drypoint, Sheet: 19 7/8 x 14 5/16 in. (50.5 x 36.4 cm) trimmed, Prints, Jean Jacques Flipart (French, 1719–1782), After François Boucher (French, Paris

The First Spring, Engraving; second state of three, Plate: 5 3/16 × 6 3/4 in. (13.2 × 17.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Governor Zulick, Arizona Territory, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co., ca. 1888

Design for an Architectural Structure with a Hunting Theme , Plate 74 from Dietterlin's Architettura, 1598, Etching, sheet: 13 1/2 x 9 3/16 in. (34.3 x 23.3 cm), Wendel Dietterlin, the Elder (German, Pfullendorf 1550/51–ca. 1599 Strasbourg

Hilly Landscape with Two Cavaliers and Other Figures in the Foreground, 1632–90, Brush with black and gray wash, 13-1/16 x 22-3/4 in. (33.2 x 57.8 cm), Drawings, Romolo Panfi (Italian, Florence 1632–1690 Carmignano near Florence

Card 508, Conolly, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Sketches, 1834–75, Woodcut on wove paper; second (final) state; posthumous impression, block: 5 9/16 x 3 3/4 in. (14.2 x 9.5 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Drawings and Prints, Photograph, [Actress posing with hands on hips], from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

W.W. Clapp, Boston Morning Journal, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

The Celestial Globe-Southern Hemisphere, 1515, Woodcut, Sheet: 16 3/4 x 17 in. (42.5 x 43.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), This woodcut of the southern sky is based on maps of the stars drawn by an

The Englishman at the Moulin Rouge, 1892, Lithograph printed in six colors on laid paper; second state of two, Image: 18 1/2 × 14 11/16 in. (47 × 37.3 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Plate 31: Civilis Forced to Dismount and Swim Across the River, from The War of the Romans Against the Batavians, 1611, Etching, first state of two, issue 1 (Bartsch), sheet: 7 11/16 x 9 7/16 in. (19.5 x 24 cm), Prints, Antonio Tempesta

The Immaculate Conception, 1627, Oil on canvas, 105 1/2 x 73 in. (268 x 185.4 cm), Paintings, Guido Reni (Italian, Bologna 1575–1642 Bologna), Reni, the most celebrated painter of seventeenth-century Italy, was particularly famous for the

Antique Lidded Urn with Hybrid Male Sphinxes and a Female Mask on the Body, from Vases after the Antique, 1543 or after, Engraving, first or second state, image: 10 3/8 x 7 11/16 in. (26.4 x 19.5 cm) [cropped within plate mark on all sides],

A Costume Design Sketch for a Hat and Three Sketches of Children's Toys, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine

Capitol of Oregon in Salem, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Doll, 1800–15, American, Painted wood, silk, muslin, 20 × 15 in. (50.8 × 38.1 cm), Textiles

Southern Landscape with Resting Wayfarers at a River, 1760–99, Pen and brown ink, brush and grey ink, sheet: 4 13/16 x 7 13/16 in. (12.2 x 19.9 cm), Drawings, Ferdinand Kobell (German, Mannheim 1740–1799 Munich

The Hut of the Carpenter, Engraving; first state of two, Plate: 2 11/16 × 4 7/16 in. (6.8 × 11.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Glazed Tiles with Kufic Inscription, 12th century, Said to be from Syria, Raqqa, Stonepaste; carved, turquoise glaze, H. 67 in. (170.2 cm), Ceramics-Tiles, The six tiles composing this frieze entered the collection in 1910 in a different

Mon. H. Delamarre, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a),

A Butterfly, early 18th–mid 18th century, Pen and black ink and watercolor, over touches of graphite, sheet: 3 1/8 x 3 9/16 in. (7.9 x 9.1 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769 Amsterdam

Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and

Drawings and Prints, Print, Coursing Extraordinary, HB Sketches, No. 542, Artist, Publisher, Subject, Subject, Lithographer, Subject, John Doyle, Thomas McLean, Sir Robert Peel, John Singleton Copley, William Lamb, 2nd Viscount

Thrush, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a set

Oval Watchcase with Birds and Smaller Motifs, ca. 1614–19, Blackwork and engraving, Sheet: 4 1/16 x 2 3/4 in. (10.3 x 7 cm), Jacques Hurtu (French (active 1584–1635)), Part of a series of 6 with goldsmiths designs executed in the blackwork

Christ and the Centurion, 17th century, Pen and brown ink, brown wash, over red and black chalk, heightened with white, 7 15/16 x 10 1/16 in. (20.2 x 25.5 cm), Drawings, Anonymous, French, 17th century

Jean Champlain, 1655, Engraving; first state of four (Petitjean & Wickert), Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Characters, from Jack and the Giant Killer, Plate 8 for a Toy Theater, Publisher, Benjamin Pollock, British, 1857–1937, Pollock, Benjamin, 1857, 1937, 1870–90

Scene with a Feast of Love in a Circle at Center, 1580–1600, Engraving, Sheet: 5 7/16 × 5 9/16 in. (13.8 × 14.1 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In a circle at center, a scene with the Feast of Love in a

Seated Peasant, ca. 1892–96, Oil on canvas, 21 1/2 x 17 3/4 in. (54.6 x 45.1 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), The mood and palette of this pensive figure study relate it to Cézanne's

Pastor, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a set

Bay with Sailing Vessels, 17th century, Etching; state II, sheet: 5 1/4 x 8 1/16 in. (13.4 x 20.5 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Bacchus, Music, Amor, 16th century, Engraving, sheet: 17 3/16 x 11 9/16 in. (43.7 x 29.3 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice

Peasant with Cow and Calf, in the Unterberg near the Berchtesgaden, 1818, Etching; second state, plate: 4 3/16 x 7 5/16 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Francesco Sassetti (1421–1490) and His Son Teodoro, ca. 1488, Tempera on wood, Overall 33 1/4 x 25 1/8 in. (84.5 x 63.8 cm); painted surface 29 7/8 x 20 7/8 in. (75.9 x 53 cm), Paintings, Domenico Ghirlandaio (Domenico Bigordi) (Italian,

Jacob Gaudaur, Oarsman, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in 1887 in a

Leapfrog, mid to late 18th century, Etching, Sheet (trimmed): 9 5/16 × 13 7/16 in. (23.6 × 34.2 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770 Paris

A panel of ornament with a large jar in centre, putti and other figures, 1530–60, Engraving, sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi)

Drawings and Prints, Print, L'Opium), L'Estampe originale, Album VII, Artist, Publisher, Victor Emile Prouvé, André Marty, French, Nancy 1858–1943 Sétif, Algeria, French, born 1857, Prouvé, Victor Emile, Marty, André, French,

Card 429, Miss Carey, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Capitol of Illinois in Springfield, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the

Pietro Aretino, 1649, Etching, only state, Sheet: 9 15/16 × 7 3/16 in. (25.3 × 18.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of Pietro Aretino, bust-length, seated behind a parapet in three-quarter

Winter, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Saints Thomas and James the Lesser, from The Apostles, n.d., Engraving, Sheet: 8 5/16 × 5 11/16 in. (21.1 × 14.5 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Architecture (Arquitraicture), 16th century, Engraving, image: 3 x 2 1/8 in. (7.6 x 5.4 cm), Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Storm Over A Lake, 18th century, Watercolor, Sheet: 13 7/8 × 18 1/8 in. (35.2 × 46 cm), Drawings, Anonymous, British, 18th century, Formerly attributed to John Robert Cozens (British, London 1752–1797 London

Speculum Romanae Magnificentiae: Face of an Egyptian canopic vase, late 16th to early 17th century, Etching, sheet: 18 7/8 x 13 1/16 in. (48 x 33.2 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

Plate 3: Psyche's two sisters are married to kings, with Psyche standing at left, accompanied by another king, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie

Drawings and Prints, Photograph, Card Number 35, Rita Chase, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Photograph, Card Number 755, Miss Perichol, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Mother and Child, probably 1860s, Oil on wood, 12 3/4 x 8 7/8 in. (32.4 x 22.5 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), This small panel, probably done in the 1860s, was evidently well known and admired in Corot's

Saint Vincent, left hand resting on a grill, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Etching completed with engraving, 1 15/16 x 3 1/8 in. (5.0 x 7.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

Cormorant, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards to

A battle on horseback, from 'Peace and War' (Divers desseins tant pour la paix que pour la guerre), ca. 1638–43, Etching, Sheet: 4 1/4 x 9 15/16 in. (10.8 x 25.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Flagellation, from The Passion of Christ, 1597, Engraving, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

Drawings and Prints, Print, Pour les Familles Dispersées, Artist, Théophile-Alexandre Steinlen, French (born Switzerland), Lausanne 1859–1923 Paris, Steinlen, Théophile-Alexandre, 1859, 1923, 1915, 1915

Autumn Grasses, Edo period (1615–1868), first half of the 17th century, Japan, Pair of six-panel folding screens; ink and color on gilt paper, Overall (each screen): 60 5/16 in. x 11 ft. 5 9/16 in. (153.2 x 349.4 cm), Screens, Gardens

Saint Jean Gualbert trampling a monster with two human heads and a serpentine body, a flying demon in background to right, an angel with a cross flying to left, from 'Frontispiece and four scenes from the life of Saint John Gualbert' (Frontispice

Drawings and Prints, Photograph, Madame Decca, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Drawings and Prints, Print, The Mandolin Player (Mandoliniste), L'Estampe originale, Album III, Artist, Publisher, Henri Patrice Dillon, André Marty, French, 1851–1909, French, born 1857, Dillon, Henri Patrice, Marty, André,

Drawings and Prints, Print, Tom Jones Refused Admittance by the Nobleman's Porter, from The History of Tom Jones, a Foundling by Henry Fielding, The History of Tom Jones, a Foundling, Artist, Thomas Rowlandson, British, London 1757–1827

Three Worthy Christians: Charlemagne, King Arthur, and Geoffrey of Bouillon, ca. 1516, Etching; second state of two, sheet: 5 7/8 x 8 11/16 in. (15 x 22 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg), After Hans

Satisfactio Christi, from Allegories of the Christian Faith, from Christian and Profane Allegories, Engraving, sheet: 9 9/16 x 7 1/2 in. (24.3 x 19 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Drawings and Prints, Print, Dukes Place Lovers, Artist, Publisher, Artist, Publisher, After, George Moutard Woodward, Henry Wigstead, Thomas Rowlandson, Samuel Hooper, British, ca. 1760–1809 London, British, 1745?–1800 Margate,

Drawings and Prints, Print, Ornament & Architecture, Fete, Plate 5a: Marie de Medici as Berecynthia, from Caspar Barlaeus, Medicea Hospes, Publisher, Author, Artist, After, Joan and Cornelius Blaeu, Caspar Barlaeus, Claes Moeyaert,

Crucifixion, also called Christ, January–March 1894, Woodcut on heavy, cream laid paper, Image: 13 3/4 × 5 3/4 in. (35 × 14.6 cm), Prints, Émile Bernard (French, Lille 1868–1941 Paris

Drawings and Prints, Print, William Shakespeare, Wivell's Inquiry into the History of the Shakespeare Portraits, Engraver, Publisher, Artist, Sitter, After, Charles Picart, Abraham Wivell I, Martin Droeshout the Younger, William

Drawings and Prints, Print, Plate 3: miracle that took place in the hacienda of the Lecheria, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1890–1910, 1885, 1895

Judith her sword raised in her right hand, placing the head of Holofernes in the sack with her left, ca. 1542–45, Etching, sheet: 6 5/16 x 3 3/8 in. (16 x 8.5 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca.

Drawings and Prints, Sheet of Twelve Crucified Christs, Artist, Anonymous, German, 19th century, Anonymous, German, 19th century, 1800, 1899

The Wheat Reaper, 1853, woodcut on chine collé, block: 5 5/16 x 2 15/16 in. (13.5 x 7.5 cm), Prints, Designed by Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Jacques-Adrien Lavieille (French, 1818–1862

Wyoming, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Stephen Decatur, 1835, Engraving on chine collé; second state of three, plate: 9 5/8 x 6 9/16 in. (24.5 x 16.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Thomas Sully

A woman wearing an ornate turban with a veil, seen from behind and turned three-quarters to the right, an oval composition, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), 1650, Etching; second state of

Five satyrs and two nymphs, 1650, Etching, only state, Plate: 2 13/16 × 3 15/16 in. (7.1 × 10 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Adam Elsheimer (German, Frankfurt 1578–1610 Rome), Five satyrs and

Human Misery, from the Volpini Suite: Dessins lithographiques, 1889, zincograph, on simili-Japan paper; second edition, 11 9/16 x 9 5/16 in. (29.4 x 23.7 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas

Plate 24: The Advance Guard of the New Roman Troops Turned Back, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 5/16 × 8 1/16 in. (16.1 × 20.5

Appleby & Johnson, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a),

Fifth Interlude: Vulcan (Intermedio quinto di Volcano), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608, 1608, Etching, sheet: 7 9/16 x 10 7/16 in. (19.2 x 26.5 cm), Remigio Cantagallina

Christ Nailed to the Cross, from The Little Passion (copy), n.d., Woodcut from a series of 19 prints, Prints, Johannes Mommaert, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Lovers, 17th century, Etching, sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Anonymous, Italian, 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Pendant Design with a Male Diety with a Shield Flanked by Two Reclining Men, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 3/4 × 4 13/16 in. (17.2 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581