Images at Librifly

Emma Nevada, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Christ Crowned with Thorns from The Passion, n.d., Engraving; fifth state?, Sheet: 7 13/16 × 5 3/4 in. (19.9 × 14.6 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Box with Sleeping Eros, 300–400, Roman or Byzantine, Silver, Overall: 3 9/16 x 9 7/8 x 3 3/4 in. (9.1 x 25.1 x 9.5 cm), Metalwork-Silver, Eros, the god of love, sleeps on a lion's skin with his bow in hand. The sides of this box are

Drawings and Prints, Print, Title Page, from Henry Fielding's Adventures of Joseph Andrews, and his friend Mr Abraham Adams, Adventures of Joseph Andrews, Artist, Publisher, Thomas Rowlandson, James Sibbald, British, London 1757–1827

William Shakespeare, Charles William Sherborn (British, London 1831–1912 London), 1876

Haddock, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Harper's, November, 1894, Lithograph, Sheet: 18 in. × 12 5/8 in. (45.7 × 32.1 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, Figures from Annibale Carracci's The Deposition, Engraver, Artist, After, Alexandre Chaponnier, Annibale Carracci, French, 1753–1805, Italian, Bologna 1560–1609 Rome, Chaponnier, Alexandre, Carracci,

View of the Roman Forum, looking toward the Palatine Hill, from the series 'The Small book of Roman ruins and buildings' (Operum antiquorum romanorum), 1562, Etching, sheet: 5 5/8 x 8 3/8 in. (14.3 x 21.3 cm), After Hieronymus Cock

A horseman facing right in profile asking a young man for directions, a dead horse to left, a group of horsemen to left in the background, from 'Various figures and lands' (Diverse figure e paesi), 1649, Etching, Sheet: 3 7/16 x 6 1/16 in. (8.8

Drawings and Prints, Print, Doubts, from the Illustrated London News, Engraver, Artist, After, William Biscombe Gardner, Edward Frederick Brewtnall, British, 1847–1919, British, London 1846–1902 Chiswick, Middlesex, Gardner,

Center Field, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

River Landscape, 17th century, Black and white chalk, brush and gray wash. Traces of framing line in pen and black ink., sheet: 11 13/16 x 20 11/16 in. (30 x 52.6 cm), Drawings, Anthonie Waterloo (Dutch, Lille 1609–1690 Utrecht

The Cascade Near the Watermill, Engraving; fifth state of five, Sheet: 5 1/2 × 7 15/16 in. (13.9 × 20.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Idle 'Prentice at Play in the Churchyard: Industry and Idleness, plate 3, September 30, 1747, Etching and engraving; first state of two, sheet: 10 1/4 x 13 9/16 in. (26 x 34.5 cm), Prints, William Hogarth (British, London 1697–1764

Design for a container and a base, late 18th–first half 19th century, Graphite, pen and gray ink, gray wash, Sheet: 9 3/8 x 7 11/16 in. (23.8 x 19.5 cm), Anonymous, German, 19th century

Clio, ca. 1540–45, Etching, Sheet (trimmed): 8 11/16 × 6 7/8 in. (22.1 × 17.4 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Order of the Zaehringen Lion, Baden, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series (N44),

The Incurable, April 4, 1784, Hand-colored etching, Sheet: 9 9/16 × 11 7/8 in. (24.3 × 30.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Catbird, from the Birds of America series (N37) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of America' series (N37), issued in 1888 in a set of 50 cards

Spring, 1735–86, Etching and engraving, Sheet (trimmed): 8 3/4 × 9 5/8 in. (22.3 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Lamp, Greek or Roman, Terracotta, Overall: 2 x 3 3/4 in. (5.1 x 9.5 cm), Terracottas

Saint Maurice and Saint Lazarus, Italy, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), 1811, Etching only; before first state of four, plate: 7 x 10 3/16 in. (17.8 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Great Marbled Godwit, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Reine de Joie, 1892, Color lithograph, reduced from poster, sheet: 6 1/4 x 5 1/2 in. (15.9 x 14 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Marin Cureau de La Chambre, ca. 1656, Engraving; first state of five (Petitjean & Wickert), Sheet: 10 × 7 11/16 in. (25.4 × 19.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Silver Statuette of St. Simon, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,

Vertumnus and Pomona, 1765, Etching and engraving; third state of three (Bocher), Sheet: 14 3/8 × 18 1/2 in. (36.5 × 47 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After François Boucher (French, Paris

Lippincott's, December, 1895, Lithograph, Sheet: 13 9/16 in. × 9 in. (34.5 × 22.8 cm), Joseph J. Gould, Jr. (American, 1880–1935

Bust of Christ Blessing, 17th century, Woodcut on vellum, sheet: 19 11/16 x 14 7/16 in. (50 x 36.6 cm), Prints, Wilhelm Traut (German, died 1662 Frankfurt), After Claude Mellan (French, Abbeville 1598–1688 Paris

Manuscript Illumination with the Presentation of Christ in the Temple in an Initial S, from a Gradual, ca. 1278, Made in Imola, Italy, Italian, Tempera and ink on parchment, Overall: 7 5/16 x 5 7/8 in. (18.6 x 14.9 cm), Manuscripts and

Vase, 1543, Etching, Sheet (trimmed): 11 3/4 × 6 1/16 in. (29.9 × 15.4 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45

How Happy Could I Be With Either, Were t'Other Dear Charmer Away, ca. 1780, Etching, brown ink, Sheet: 9 1/2 × 7 5/8 in. (24.2 × 19.3 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Pendant Design with Pax Standing Before an Arch, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 7/8 × 4 13/16 in. (17.5 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with a

La Botanique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Oregon, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Horizontal Panel with a Bearded Amascaron in a Medallion at Center Surrounded by Tendrils, 1543, Engraving; second state of two (Pauli), Sheet: 2 x 3 in. (5.1 x 7.6 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Panel with the

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Three Trees, after Rembrandt, 1758, Etching, drypoint and roulette; fourth state of six, plate: 8 1/4 x 11 in. (21 x 28 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), Rembrandt (Rembrandt van Rijn)

Drawings and Prints, Print, Fete, Ornament & Architecture, Soror Domin Il, Artist, Anonymous, Italian, 16th century, Anonymous, Italian, 16th century, 1500

The Great Lansquenet or Standard Bearer, 1658, Mezzotint; first state of two, Sheet: 11 x 7 7/8 in. (27.9 x 20 cm), Prints, Prince Rupert of the Rhine (Bohemian, Prague 1619–1682 Westminster), after Pietro Muttoni, called della Vecchia

Conversion of Paul, ca. 1514, Woodcut, Sheet: 11 5/8 × 7 13/16 in. (29.5 × 19.9 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Judith and Holofernes Dining, Engraving, Sheet: 2 × 3 1/16 in. (5.1 × 7.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

'Faith' (after Parmigianino), 16th century, Chiaroscuro woodcut, sheet: 5 1/2 x 3 3/4 in. (14 x 9.5 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Judge Herkinbald (Archambauld) Stabbing His Nephew, 1553, Engraving, Sheet: 4 7/16 × 3 1/16 in. (11.2 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Jean-Baptiste Budes, comte de Guébriant, 1655, Engraving; third state of four (Petitjean & Wickert), Sheet: 11 3/4 × 7 1/2 in. (29.8 × 19 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, A Fresh Breeze, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, August 4, 1789

Visitors to the Salon Exhibition, Admiring the Ceiling (Les Amateurs de plafonds au Salon), August 27, 1824, Etching, colored by hand, sheet: 15 9/16 x 11 1/4 in. (39.5 x 28.6 cm), Prints, etched by Louis Philibert Debucourt (French, Paris

Six Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Characaturas by Leonardo da Vinci from Drawings by Wincelslaus (sic) Hollar, 1786, Etching, Plate: 7 13/16 x 6 5/16 in. (19.8 x 16.1 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da Vinci (Italian,

Mrs. William Astor (Caroline Webster Schermerhorn, 1831–1908), 1890, Oil on canvas, 83 1/2 x 42 1/4 in. (212.1 x 107.3 cm), Paintings, Carolus-Duran (Charles-Auguste-Émile Durant) (French, Lille 1837–1917 Paris), Carolus-Duran was at the

Standing Franciscan Saint in a Niche, 1650–1700, Pen and brown ink, brush and brown and gray washes, highlighted with white gouache, over traces of black chalk. Horizontal ruled lines in black chalk at regular intervals, 7-3/16 x 3 in. (18.3

Walter Gratz, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued in

Madame Boutellier, 1656, Engraving, Sheet: 15 7/16 x 10 5/8 in. (39.2 x 27 cm), Robert Nanteuil (French, Reims 1623–1678 Paris), Part of a bound album containing 92 drawings and prints of anonymous and famous women of Europe

Drawings and Prints, Print, Hill of Oaks, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1920

Sheepshead, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in

The Quack, 1610–85, Etching, Sheet: 5 7/8 × 4 13/16 in. (14.9 × 12.2 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Drawings and Prints, Print, The Pardon, Artist, After, Pascal-Adolphe-Jean Dagnan-Bouveret, Anonymous, French, 19th century, French, Paris 1852–1929 Quincey, Dagnan-Bouveret, Pascal-Adolphe-Jean, Anonymous, French, 19th century,

Armor for Heavy Cavalry, ca. 1600, French, Steel, gold, leather, textile, H. 57 in. (144.8 cm); Wt. 77 lb. 2 oz. (34.98 kg), Armor for Man-3/4 Armor, One of the best-preserved French armors dating from the reign of Henry IV (1589–1610),

The Annunciation, Etching; second state of two, sheet: 15 3/8 x 9 13/16 in. (39 x 25 cm), Prints, Carlo Maratti (Italian, Camerano 1625–1713 Rome

Shanties on the Harlem, 1882, Etching; published state, plate: 4 3/16 x 7 3/4 in. (10.6 x 19.6 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Banknote motifs: band of lathe work ornament and two monograms using the letters U.S., ca. 1824–42, Engraving on chine collé, plate: 2 5/16 x 3 7/8 in. (5.9 x 9.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Walled village on a hill, with church at left and buildings constructed on the downslope at right, trees and hillside in the foreground, 1658, Etching, sheet: 4 13/16 x 6 1/8 in. (12.3 x 15.5 cm), Prints, Karel Dujardin (Dutch, Amsterdam

Wooded landscape, Engraving, Sheet: 8 1/16 x 10 11/16 in. (20.4 x 27.1 cm), Prints, Raphael Sadeler II (Flemish, Antwerp 1584–1632 Munich), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Governor Green, New Jersey, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

The Crucifixion, ca. 1495, Oil on wood, Overall 21 x 15 in. (53.3 x 38.1 cm); painted surface 20 5/8 x 14 3/4 in. (52.5 x 37.5 cm), Paintings, Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges), In this poignant image, the

Drawings and Prints, Print, The Woman in the Cape, Artist, Paul-Albert Besnard, French, Paris 1849–1934 Paris, Besnard, Paul-Albert, 1849, 1934, 1889, 1889

Drawings and Prints, Print, The taking of the Golden Apples, from Perseus and the Golden Apples, Perseus and the Golden Apples, Artist, After, Cherubino Alberti (Zaccaria Mattia), Polidoro da Caravaggio, Italian, Borgo Sansepolcro

Drawings and Prints, Print, The Last Judgment, Artist, Anonymous, Italian, 15th to 16th century, Anonymous, Italian, 15th–16th century, Italian, 1400, 1700, ca. 1500 (possibly a modern impression

Fifteen Nude Children Dancing, 1535, Engraving, Sheet: 2 1/16 × 6 1/2 in. (5.3 × 16.5 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 7/16 × 8

Speculum Romanae Magnificentiae: Sepulchre of Lupus, 1551, Engraving, sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm), Prints, Anonymous

Arrowhead, Classical, ca. 480–330 B.C., Greek, Cypriot, Bronze, Other: 3 7/8in. (9.8cm), Bronzes

Portrait of a Man, 1793, Conté crayon heightened with white chalk, Diameter: 9 3/4 in. (24.8 cm), Drawings, Louis Lafitte (French, Paris 1770–1828 Paris), Lafitte won first place in the prix de Rome of 1791 and was awarded study as a

Drawings and Prints, Print, Fashion (Mode), Artist, Publisher, Otto Friedr. Carl Lendecke, Wiener Werkstätte, Austrian, Lemberg (Lviv) 1886–1918 Vienna, Lendecke, Otto Friedr. Carl, Wiener Werkstätte, Austrian, 1886, 1918, 1912,

Rock Ptarmigan, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards

The daughters of Aglaura (Mercury and Herse), ca. 1646, Etching, only state, Plate: 3 7/16 x 4 1/16 in. (8.7 x 10.2 cm), Prints, After Adam Elsheimer (German, Frankfurt 1578–1610 Rome), Mercury and Herse; the seven daughters of Aglaura

Shrimps!, [March 25, 1782], reissued 1790, Stipple engraving, printed in brown ink; third state, Sheet: 10 5/16 x 7 in. (26.2 x 17.8 cm), Prints, after William Hogarth (British, London 1697–1764 London

Boreas and Orithyia, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 7/8 x 2 3/16 in. (4.8 x 5.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), 1703, Etching, plate: 8 1/4 x 11 5/8 in. (21 x 29.5 cm), Luca Carlevaris (Italian,

The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), September 29, 1797, Stipple engraving; published state, image: 16 7/8 x 23 1/16 in. (42.9 x 58.5 cm),

Portrait of a Man, ca. 1710, Ivory, Oval, 3 x 2 1/4 in. (76 x 59 mm), Miniatures, Rosalba Carriera (Italian, Venice 1673–1757 Venice

Terrour or Fright (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm),

Drawings and Prints, Drawing, The Door of a Grotto, Artist, William Marlow, British, Southwark, London 1740/41–1813 Twickenham, London, Marlow, William, British, 1740, 1813, ca. 1765–66

Saint Anthony, a staff in his right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3-1/4 x 1-7/8 in. (8.3 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Emperor Norfolk, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50

Satyr family, on the move, 18th Century, Etching, sheet: 4 7/16 x 5 11/16 in. (11.2 x 14.4 cm), Prints, Salomon Gessner (Swiss, Zurich 1730–1788 Zurich

Battersea Reach, Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire), 1863

Drawings and Prints, Photograph, Card Number 512, Iolanthe Faulkner, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Catherine, Princess of Portugal, 1661, Etching, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Photograph, Card Number 605, Belle Urquehardt, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Christ as the Savior holding a globe, from 'Christ and the Apostles', ca. 1548–50, Etching, sheet: 8 1/4 x 4 1/2 in. (21 x 11.5 cm), Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice

Drawings and Prints, Print, A man, possibly a scholar or philosopher, from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna; plate 64 of the series, Artist, After, Jusepe de Ribera (called Lo Spagnoletto), Anton

Pyramus and Thisbe, 1518, Woodcut, Sheet: 4 3/4 × 3 13/16 in. (12 × 9.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Combats et Triomphes, n.d., Engraving, fourth and final state, sheet: 2 5/8 x 8 11/16 in. (6.7 x 22 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Margaret Cohn, from the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Two Fauns Carrying a Child, ca. 1500–1600, Engraving, 5 7/8 x 6 7/8 in. (14.9 x 17.4 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna