Images at Librifly

Pierre Payen-Deslandes, ca. 1658, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 3/8 × 9 1/2 in. (31.4 × 24.1 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Leur maison, from Les Evacués, Artist, Louis-Robert Antral, French, Châlon-sur-Marne 1895–1939 Paris, Antral, Louis-Robert, French, 1895, 1939, 1917

Drawings and Prints, Print, The Prophet Jeremiah, from Prophets and Sibyls, Prophets and Sibyls, Artist, After, Francesco Rosselli, Baccio Baldini, Florence 1448–1508/27 Venice (?), Italian, Florence 1436?–?1487, Rosselli, Francesco,

Minister of Marine, Russia, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888

Wall-mounted Shelf Unit from 'Verscheyden Schrynwerck (...)' ['Plusieurs Menuiseries (...)'], 1658, Engraving, Sheet: 10 15/16 × 7 7/8 in. (27.8 × 20 cm) [cropped within plate mark], after Paul Vredeman de Vries (Netherlandish, Antwerp

African, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

FIBRE, 1922, Gouache and watercolor on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

The Fall of Dagon

Drawings and Prints, Print, Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), Boydell'shakespeare Gallery, Sitter, Subject, Engraver, Publisher, Artist, After, Sarah Siddons, William Shakespeare, James Parker, John & Josiah

The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman

Shield with Greyhound Held by Wild Man, n.d., Engraving, frame size: 16 x 21 in., Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Print, Washington Crossing the Delaware–Evening Previous to the Battle of Trenton, December 25th, 1776, Publisher, Sitter, Lithographed and Published by, Nathaniel Currier, George Washington, American, Roxbury,

Drawings and Prints, Print, Birds of prey (Ouiseux de proie), L'Estampe originale, Album III, Artist, Publisher, Victor Emile Prouvé, André Marty, French, Nancy 1858–1943 Sétif, Algeria, French, born 1857, Prouvé, Victor Emile,

Regensburg, 1652–77, Etching, only state, Sheet: 1 13/16 × 4 13/16 in. (4.6 × 12.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), River landscape on the Danube, with Regensburg castle on the left bank; two boats

Lippincott's: May, 1895, Lithograph, Sheet: 18 13/16 × 12 1/4 in. (47.8 × 31.1 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946

Drawings and Prints, Drawing, A Misty River Landscape, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911, 1924

April, May, June, 1896, Lithograph, Sheet: 19 3/16 × 13 3/4 in. (48.8 × 35 cm), Louis John Rhead (American, born England, 1857–1926

Drawings and Prints, Print, A Game at Put in a Country Alehouse, Artist, Publisher, After, Thomas Rowlandson, George Moutard Woodward, Rudolph Ackermann, British, London 1757–1827 London, British, ca. 1760–1809 London, Rowlandson,

Laughing Fool, ca. 1612, Etching and engraving, sheet: 8 9/16 x 6 7/16 in. (21.8 x 16.3 cm), Prints, Werner van den Valckert (Netherlandish, 1585–1627

Platter, ca. 1840–60, Chinese, probably for American market, Hard-paste porcelain, Overall: 20 1/16 × 22 7/8 in. (51 × 58.1 cm), Ceramics-Porcelain-Export

The Pool of Bethesda (St. John, Chapter 5), February 24, 1772, Etching and engraving, Plate: 16 5/8 x 22 5/16 in. (42.3 x 56.6 cm), Prints, After William Hogarth (British, London 1697–1764 London

Drawings and Prints, Photograph, Card Number 365, Florence Baker, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Pasquino, 1542, Engraving, sheet: 14 3/8 x 10 5/8 in. (36.5 x 27 cm), Prints, Anonymous

Drachenfels and Lowenburg, 1652–77, Etching, second state of two, Sheet: 2 1/4 × 5 3/8 in. (5.7 × 13.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

East Gate, Winchelsea, Sussex (Liber Studiorum, part XIV, plate 67), January 1, 1819, Etching and mezzotint; second state of four, plate: 6 7/8 x 10 1/2 in. (17.5 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Drawings and Prints, Drawing Ornament & Architecture, Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921, Artist, Léon Bakst, Russian,

The Three Heathen Heroines (Drei Gut Haidin), from Heroes and Heroines, 1519, Woodcut; first state of three, Sheet: 7 5/8 × 5 3/16 in. (19.3 × 13.1 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Block cut by Jost de

Ornament Drawing from Scrapbook of Working Designs, ca. 1760, Gideon Saint (British, London 1729–1799 Kent

Esquimau, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

St. Martin on Horseback, Woodcut, Sheet: 9 3/8 × 6 5/16 in. (23.8 × 16 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Mont Blanc Seen from the Massif, Les Aiguilles Rouges, 1874, Watercolor heightened with gouache over traces of graphite on two sheets of blue-gray wove paper (glued together in a vertical seam at left), sheet: 11 7/16 x 26 1/8 in. (29 x 66.4 cm),

Drawings and Prints, Print, Moses Strikes the Rock (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Sir Edward John Poynter, British, London, New York, NY,

Facade of a Rotunda, 1688–1782, Pen and brown ink, brush and gray wash, Overall: 14 7/16 x 18 7/8 in. (36.7 x 47.9 cm), Drawings, Attributed to Antonio Maria Visentini (Italian, Venice 1688–1782 Venice

A Gallery at the Gymnasium (Une galerie au gymnase), 1900, Color lithograph; third state of three, sheet: 14 x 10 15/16 in. (35.6 x 27.8 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Across Asia on a Bicycle: The Adventures of Two Young American Students on a Journey From Constantinople to Peking, 1894, Commercial relief process, Sheet: 12 in. × 16 15/16 in. (30.5 × 43.1 cm), Albert J. Moores (American, active 1890s

The Pledge of Love, 1786, Etching; first state of three, image: 22 11/16 x 17 5/16 in. (57.6 x 44 cm), trimmed to image, Prints, Jean Mathieu (French, 1732–1806), after Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

From the Girls and Children series (N64) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, 1886, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Hummingbird, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a series

Double-Eagle Pendant, 1st–5th century, Panama, Initial Style, Gold, H. 4 3/8 x W. 6 1/4 x D. 1 1/8 in. (11.1 x 15.9 x 2.8cm), Metal-Ornaments, The bird-form pendants of Central America are perhaps the best known type of Precolumbian gold

FEATHER DUSTER, 1922, Watercolor on paper, 12 3/4 × 10 3/4 in. (32.4 × 27.3 cm), Drawings

Basket of Flowers, 1907, Color lithograph, sheet: 5 9/16 x 3 9/16 in. (14.2 x 9 cm), Prints, Leopoldine Kolbe (Austrian, Vienna 1870–1912 Vienna

Coat of Arms with a Cock, 1543, Engraving, Sheet: 2 3/4 x 1 7/8 in. (7 x 4.8 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Portrait of Simon-Nicolas-Henri Linguet, 1773, Etching and engraving; fourth state of five (Bocher), Sheet: 9 13/16 × 6 5/8 in. (25 × 16.8 cm), Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Ornament designed by Pierre Philippe

Polo, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Drawings and Prints, Print, The Fountain, from the series, Views in Central Park, New York, Part 3, Publisher, Louis Prang & Co., Boston, Massachusetts, Prang, Louis, & Co., American

Portrait of a Lady, ca. 1815–17, Graphite on wove paper, Sheet: 10 7/8 x 7 13/16 in. (27.6 x 19.9 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

The Royal Academy of Arts, August 2, 1773, Mezzotint, 19 7/8 x 28 1/8 in. (50.5 x 71.4 cm), Prints, After Johan Joseph Zoffany (German, near Frankfurt 1733–1810 London), A number of famous members of London’s Royal Academy are seen here

Large Jar, dated A.H. 681/A.D. 1282–83, Made in Iran, Stonepaste; monochrome glazed, modeled, H. 21 1/2 in. (54.6 cm), Ceramics, Alighting birds and leaping quadrupeds in leafy foliage decorate the upper portion of this large, deep blue

Drawings and Prints, Photograph, Card Number 580, Grace Chase, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Saint Mathew, 1726, Etching and engraving, Sheet (trimmed): 13 3/4 × 8 7/16 in. (35 × 21.5 cm), Prints, Louis Jacob (French, Lisieux 1712–1802 Paris), After François Boucher (French, Paris 1703–1770 Paris

The Battle Near Naples, from Der Weisskunig, printed 18th century, Woodcut, Sheet: 8 3/4 × 7 13/16 in. (22.3 × 19.8 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the white king) is a loosely

Two Carved Stone Ornamental Panels, 1845–70, IPen and ink and brush and wash, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Drawings and Prints, Photograph, Card Number 122, Pauline Hall, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Print, The Martyrdom of Saint Cristina di Bolsena with God the Father above, Artist, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553–1615 Rome, Alberti, Cherubino (Zaccaria Mattia), Italian, 1553,

Le Père Claude de Lingendes, 1661, Engraving, sheet: 8 7/8 x 5 7/8 in. (22.5 x 14.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, Plate 6: Nero with his head turned slightly to the right, from 'The Twelve Caesars', The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San

Portrait of Bacon Morritt, 1772, Etching and drypiont, sheet: 4 1/16 x 3 1/4 in. (10.3 x 8.3 cm), Prints, William Doughty (British, York 1757–1782 Lisbon), After Lewis Vaslet (British, 1742–1808 Bath

Drawings and Prints, Photograph, Card Number 326, Empire Group, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Frieze with Half-Length Female Figure Holding Two Horns at Center, ca. 1590, Engraving, Sheet: 1 9/16 × 6 13/16 in. (3.9 × 17.3 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with a half-length female figure on top

Drawings and Prints, Photograph, Card Number 723, Estelle Williams, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Design for a Brooch with Two Heart-Shaped Pieces, 1580–1600, Engraving and blackwork, Sheet (trimmed): 3 3/8 × 1 1/16 in. (8.6 × 2.7 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Brooch design formed from two

Dutch Canal, Rijswijk, second half 19th century, Watercolor over traces of black chalk, Drawings, Jacob Maris (Dutch, The Hague 1837–1899 Karlsbad

Speculum Romanae Magnificentiae: Cornice, 16th century, Engraving, sheet: 5 5/16 x 6 1/2 in. (13.5 x 16.5 cm), Prints, Anonymous

Drawings and Prints, Print, The Virgin and Child at a table with the young John the Baptist, after Reni, Artist, Publisher, After, Guido Reni, Anonymous, 17th century, Anthony Bonenfant, Italian, Bologna 1575–1642 Bologna, Flemish,

The Invasion, Plate 1: France, March 8, 1756, Etching and engraving; third state of three, plate: 12 1/2 x 15 1/2 in. (31.7 x 39.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Jupiter and Antiope, 1540–45, Etching, Sheet (trimmed): 6 3/4 × 10 1/4 in. (17.1 × 26 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Drawings and Prints, Print, Four Saints Adoring Christ Crucified on the Sacred Heart, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1505

Broadsheet relating to the execution of a murderer named Dionisio Silverio, a firing squad in the upper section, José Guadalupe Posada (Mexican, 1851–1913), ca.1903

Curlew, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50 cards to

Drawings and Prints, Print, The Moss Trees, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, ca. 1915

Drawings and Prints, Print Ornament & Architecture, Plate 3: Vase with a satyr's mask and garlands, from Antique Vases (Vasa a Polydoro Caravagino), Antique Vases, Artist, Artist, Publisher, After, Cherubino Alberti (Zaccaria Mattia),

Hercules with his club in center fighting a centaur, other men fighting centaurs to left and right, from 'The labors of Hercules', 1542, Engraving, Sheet: 2 x 3 1/8 in. (5.1 x 7.9 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550

Silenus Carried, 1543, Etching, Sheet (trimmed): 8 3/8 × 11 13/16 in. (21.2 × 30 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

La sainte Face couronnee d'epines, (grand format), Etching, second state, sheet: 20 x 13 3/4 in. (50.8 x 35 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Drawings and Prints, Photograph, Card Number 128, Sadie Young, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Ducks in the Marshes, 1862, Cliché-verre, sheet: 4 7/8 x 7 3/4 in. (12.4 x 19.7 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Christ and the Adulterous Woman, Engraving, Sheet: 2 3/8 × 3 1/4 in. (6.1 × 8.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Francesco I d'Este Receiving the Affection of the People, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 3/8 in. (12.3 × 16.2 cm), Prints, Bartolomeo

Ambroise Thomas assistant à une répétition de Françoise de Rimini, from Le Rire, No. 66, 8 February 1896, 1896, Lithograph, Image: 10 5/8 × 8 9/16 in. (27 × 21.8 cm), Prints, after Henri de Toulouse-Lautrec (French, Albi 1864–1901

The Hamlet on the Montainous Ground, Engraving; fourth state of four, Sheet: 4 1/8 × 4 3/16 in. (10.4 × 10.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Drawings and Prints, Photograph, Card Number 644, Hattie Robins, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Castle Garden Landing for Emigrants, Barge Office, Battery, 1850–1900, Wood engraving, hand colored, 11 x 8 9/16 in. (28 x 21.7 cm), Prints

Ground Plan for a Catafalque for a Duke de Berri, probably Charles, Duke de Berri, Grandson of Louis XIV, and 3rd son of Louis, the Dauphin (1685-1714), 1696–1756, Pen, brown ink and grey wash, 20-5/8 x 14-1/8 in. (52.4 x 35.9 cm),

A Rake's Progress, Plate 4, June 25, 1735, Etching and engraving; first state of three, sheet: 14 x 15 7/8 in. (35.5 x 40.3 cm), Prints, William Hogarth (British, London 1697–1764 London

The Three Windmills (Les Trois Moulins) after a painting in the collection of the Duc de Praslin, 1772, Etching and engraving, Sheet: 6 7/8 x 8 7/16 in. (17.4 x 21.4 cm), Prints, Balthasar Anton Dunker (Swiss, Saalstratsund 1746–1807 Bern),

Speculum Romanae Magnificentiae: Festival of Dionysius, 1549, Engraving, sheet: 13 1/4 x 16 11/16 in. (33.6 x 42.4 cm), Prints, Anonymous

Woman of Virginia, ca. 1643, Etching; only state, Plate: 3 11/16 × 2 3/8 in. (9.3 × 6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Adapted from Theodore de Bry's engravings after John Shite in Thomas Harriot's 'A

Elevation of a Catafalque: the Central Part Comprised of a Series of Steps to Top; with Statues and Central Cartouche with a Figural Scene: a Figure Kneeling before Virgin and Child (?), 1696–1756, Pen and brown ink, 20-1/4 x 14-1/2 in. (51.4 x

Ornamental Foliage with the Left Half of a Mask, mid-16th century, Engraving, 2nd state, Prints, Anonymous, Italian, 16th century, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara) by Bartsch

Broadsheet with a ballad about a man who stands outside his lover's window and sings to her, José Guadalupe Posada (Mexican, 1851–1913), ca.1905

The Nun, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), A young nun is kneeling before an altar in a

Design for Interior Wall Decoration, 1700–1780, Pen and brown ink, brush and gray wash, with ruled and compass construction, sheet: 10 9/16 x 21 5/8 in. (26.9 x 54.9 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Drawings and Prints, Print, The Flight into Egypt; the holy family walking with the young John the Baptist, trees behind them, in an octagonal frame, after Reni, Artist, After, Engraved by, Guido Reni, Claude Augustin Duflos le Jeune,

Drawings and Prints, Print, The Virgin seated with the infant Christ sleeping in her lap, Saint Elizabeth at right, an oval composition, after Reni, Artist, Publisher, Artist, After, Engraved by, Guido Reni, John Boydell, Robert

Drawings and Prints, Drawing, Long-haired Woman in Front of Tall Rosebushes (Chapter Heading, Thomas Malory, Le Morte d'Arthur, J. M. Dent, 1893–4, Part IX, book xiii, chapter viii, p. 700, and Part XII, book xxi, chapter viii, p.

Harper's: October, 1897, Lithograph, Sheet: 19 7/16 × 14 5/16 in. (49.3 × 36.4 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, Winter, Artist, Publisher, After, Gilles Rousselet, Grégoire Huret, Pierre Mariette, French, Paris 1614–1686 Paris, French, Lyon 1606–1670 Paris, French, 1596–1657, Rousselet, Gilles, Huret,

White-Faced Black Spanish Cock, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20),

Frederick the Wise of Saxony Adoring St Bartholomew, ca. 1508–9, Engraving, Sheet: 7 1/4 × 5 7/8 in. (18.4 × 15 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Jesus again before Caiaphas, 1625–77, Etching, only state, Sheet: 3 7/16 × 2 3/8 in. (8.8 × 6 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Caiaphus wears papal garb and sits on a throne surmounted