Images at Librifly

Burial Procession of Christ, 1678, Engraving, sheet: 18 9/16 x 12 3/16 in. (47.1 x 31 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util, 1645, Etching and burin, Sheet: 3 1/8 × 4 1/2 in. (7.9 × 11.4 cm), Nicolas Cochin (French, Troyes 1610–1686

Visitation (copy in reverse), Engraving; reverse copy, sheet: 14 15/16 x 10 11/16 in. (38 x 27.2 cm), Prints, After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Drawings and Prints, Drawing, Portrait of Madame Paul Meurice, née Palmyre Granger, Artist, Jean Auguste Dominique Ingres, French, Montauban 1780–1867 Paris, Ingres, Jean Auguste Dominique, 1780, 1867, ca. 1845–50, 1840

Mary Anderson, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

From the Actresses series (N57) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1890, Photolithograph, Sheet: 2 7/8 × 1 1/2 in. (7.3 × 3.8 cm), Trade cards from the 'Actresses' series (N57), issued in 1890

Cover for 'Juan Pico de Oro', a man in a pulpit speaking to a crowd of people, José Guadalupe Posada (Mexican, 1851–1913), ca. 1880–1910

Drawings and Prints, Print, Aidat Lake, Voyages pittoresques et romantiques dans l'ancienne France, Artist, Printer, Eugène Isabey, Godefroy Engelmann, French, Paris 1803–1886 Lagny, German (born France), Mulhouse 1788–1839 Mulhouse,

Epic Poetry, ca. 1741, Etching and engraving, Sheet (trimmed): 10 1/4 × 9 5/16 in. (26 × 23.6 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Annie Summerville, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series

Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars', after Tempesta, 1610–50, Etching, Sheet: 11 11/16 × 9 1/16 in. (29.7 × 23 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach), After

Armand Bertin, 1842, Graphite on wove paper, Sheet: 12 5/16 x 9 in. (31.2 x 22.8 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

The Beverley Minster, Yorkshire, England, Perspective View of the West Facade, 1850–59, Pen and ink, sheet: 23 9/16 x 17 7/8 in. (59.8 x 45.4 cm), Charles Wickes (British, active 1850s

Clarification, 1932, Oil on canvas, 27 3/4 x 37 7/8 in. (70.5 x 96.2 cm), Paintings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno), In October 1931, Klee began teaching at the Düsseldorf Academy. He felt

Marine, the Cannon Shot, Graphite, pen and brown ink, gray wash, 13 3/4 x 20 11/16 in. (35 x 52.5 cm), Drawings, Johannes Christiaan Schotel (Dutch, Dordrecht 1787–1838 Dordrecht

Drawings and Prints, Print, Representatives of Athens and Corinth at the Court of Archidamas, King of Sparta, from the History of the Peloponnesian War by Thucydides, Artist, Publisher, Hans Schäufelein, Heinrich Steiner, German, Nuremberg

Elevation and section of a church in gothic style, late 19th–early 20th century, Pen and ink, over graphite, with watercolor, sheet: 17 x 23 in. (43.2 x 58.4 cm), Ernest Geldart (British, London 1848–1929

Drawings and Prints, Title Plate from The Introduction of the Silkworm [Vermis Sericus], Publisher, Artist, After, Philips Galle, Jan van der Straet, called Stradanus, Karel van Mallery, Netherlandish, Haarlem 1537–1612 Antwerp,

Leopard, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

Pontico, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Girl carrying a crucifix and stepping toward a pilaster, seen from behind, ca. 1590–1600, Etching, Sheet (Trimmed): 6 3/8 × 3 1/16 in. (16.2 × 7.7 cm), Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna), After Parmigianino

Portrait Bust of Mademoiselle Marcelle Lender, 1895, Crayon lithograph printed in olive green on wove paper; first state of four (one of two known impressions), Image: 17 3/16 × 13 1/8 in. (43.7 × 33.3 cm), Prints, Henri de Toulouse-Lautrec

A faun sitting on a rock holding a flute in his left hand; a child stands between his knees, ca. 1510–27, Engraving, 6 15/16 x 5 7/16 in. (17.7 x 13.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

Armchair, 1868–70, Made in Newark, New Jersey, United States, American, Rosewood, ash, mother-of-pearl, 44 1/2 x 28 1/2 x 29 3/8 in. (113 x 72.4 x 74.6 cm), Furniture, Attributed to John Jelliff (1813–1893

Landscape with Trees by the Water, n.d., Etching, sheet: 5 3/8 x 5 3/8 in. (13.6 x 13.6 cm), Prints, Goffredo Wals (German, Cologne, born ca. 1590–95, died 1638–40 Calabria

Designs for Two Ewers, a Carafe (two alternate designs), and a Covered Tureen, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Martyrdom of St. Sebastian, ca. 1600, Engraving, Sheet: 21 1/8 × 13 5/16 in. (53.6 × 33.8 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Hans von Aachen (German, Cologne 1552–1616 Prague

'Tu ne diras pas cela, ce soir...', 1902, Color lithograph, sheet: 12 7/8 x 9 13/16 in. (32.7 x 25 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Drawings and Prints, Photograph, Card Number 727, Miss Greenwood, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

[Landscape with Cottage], 1844, Daguerreotype, 16.4 x 21.7 cm (6 7/16 x 8 9/16 in.), Photographs, Marie-Charles-Isidore Choiselat (French, 1815–1858), Stanislas Ratel (French, 1824–1904), In the first decade of photography the

Drawings and Prints, Print, Greetings of the Season from Emily Morris Gallatin, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Tail-piece: Woman's Head (Cul-de-lampe: Buste de femme), Engraving, sheet: 3 3/8 x 3 15/16 in. (8.6 x 10 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Otho, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 7 5/16 x 16 3/4 in. (18.6 x 42.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Scotland, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in

Sheet of Nine Antique Coins, 1825, Lithograph; fourth state of five, Image: 12 3/16 x 8 3/4 in. (31 x 22.2 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Hussein Khan, 1839, Watercolor and gouache, graphite, Sheet: 6 1/2 x 5 1/8 in. (16.5 x 13 cm), Drawings, Moritz Michael Daffinger (Austrian, Vienna 1790–1849 Vienna

Drawings and Prints, Photograph, Card Number 601, Georgie Danning, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

S. Constanza (erroneously callled Temple of Bacchus) (Veduta interna del Sepolcro di S. Constanza, fabbricato da Costantino Magno, ed erroneamente detto il Tempio di Bacco, inoggi Chiesa della medisme Santa), ca. 1756, Etching, Prints,

Speculum Romanae Magnificentiae: Alberini Palace, late 16th century, Engraving, sheet: 12 3/16 x 18 5/16 in. (31 x 46.5 cm), Prints, Anonymous

A Sailboat and Dingy on a River or Pond Watched by Two Figures on the Bank, 1784–88, Etching, Plate: 3 1/8 x 10 in. (8 x 25.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Virgin and Child Under an Arch, Woodcut; second state of two (Hollstein), Sheet: 11 5/8 × 6 7/16 in. (29.5 × 16.4 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg

Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di

Georges de Scudéry, ca. 1654, Engraving; first state of four (Petitjean & Wickert), Sheet: 12 1/8 × 9 3/16 in. (30.8 × 23.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Photograph, Card Number 115, Katherine Cole, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Jos and Lucie Hessel in the Small Salon, Rue de Rivoli, ca. 1900–1905, Oil on cardboard mounted on canvas, 14 1/2 x 22 3/8 in. (36.8 x 56.8 cm), Paintings, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule), After the Natansons were

The Polling, Plate III: Four Prints of an Election, February 20, 1758, Etching and engraving; third state of three, sheet: 16 7/16 x 21 11/16 in. (41.7 x 55.1 cm), Prints

Designs for Componets of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain.,

The Garden of Vertumnus, ca. 1540–45, Engraving, Sheet (trimmed): 13 in. × 13 1/16 in. (33 × 33.2 cm), Prints, Léon Davent (French, active 1540–56), after Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Trojans Bring the Wooden Horse into Their City, 1535–55, Etching, 12 15/16 x 17 9/16 in. (32.9 x 44.6 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), after Luca Penni (Italian, Florence 1500/1504–1557 Paris

October, 1628–29, Etching, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

An apostle raising his eyes in prayer, in an oval frame, from Christ, the Virgin, and Thirteen Apostles, 1600–1640, Etching, Sheet: 4 in. × 2 7/8 in. (10.2 × 7.3 cm), Prints, Anonymous, 17th century, After Guido Reni (Italian, Bologna

Mother Carey's Chicken, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in

Meleager Bringing the Boar's Head to Atalanta, 1540–45, Etching, Sheet (trimmed/lunette): 9 5/8 × 17 5/8 in. (24.5 × 44.7 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Rosso Fiorentino (Italian, Florence

The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, by F. Palmer, No. 1, 1847, Illustrations: lithography, 8 3/8 × 11 5/8 in. (21.3 × 29.5 cm), Books, Frances Flora Bond Palmer (American

Drawings and Prints, Print, Mother and Child, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

Drawings and Prints, Print, Migratory Birds on a Moonlit Night, Artist, Theodorus van Hoytema, Dutch, The Hague 1863–1917 The Hague, Hoytema, Theodorus van

Drawings and Prints, Print, Winged genius holding a tableau, standing on a sphere with three bees, Artist, Cherubino Alberti (Zaccaria Mattia), Italian, Borgo Sansepolcro 1553–1615 Rome, Alberti, Cherubino (Zaccaria Mattia), Italian,

Drawings and Prints, Print, Alna Pastoral, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1924

Drawings and Prints, Print; Poster, Lippincott's, March, Publisher, Artist, J. B. Lippincott Company, William L. Carqueville, Philadelphia, American, Chicago, Illinois 1871–1946, Lippincott, J. B., Company, Carqueville, William L.,

Besenbein auf dem Toten Rosse Herzhorn II, 1912, Lithograph, image: 10 13/16 x 14 11/16 inches (27.5 x 37.2 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

The Education (L'Education): in a forest, to right an old satyr instructor holding a wand, teaching a group of children, to the left a merchant of orvietan trying to attract spectators with his act, from 'The lives of satyrs' (La vie des

Plate 18: Orpheus led by Bacchus (Orfeo condotto da Bacco), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage

Francesco I d'Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 1/4 in. (12.2

William E. Quinby, Detroit Free Press, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

Young Woman Knitting, ca. 1883, Oil on canvas, 19 3/4 x 23 5/8 in. (50.2 x 60 cm), Paintings, Berthe Morisot (French, Bourges 1841–1895 Paris), Morisot, who exhibited with the Impressionists between 1874 and 1886, painted a number of

Knight's Lance, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Drawings and Prints, Print, The Celestial Ladder of St. Bonaventura, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553, 1472

Two mules bearing panniers and outfitted with blinders, plumes, and tassels; one mule in three-quarter view and behind it a mule in frontal view; beyond a man mounted on a horse directs mules with a rod, ca. 1641–78, Etching, plate: 6 x 5 1/2

The Bloodstains 1 (Der Blutflecken 1), 1912, Lithograph, image: 9 7/8 x 14 7/8 inches (25.1 x 37.8 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Carved Wood Door for Dining Room, Leighton Hall, ca. 1854, Graphite on tissue paper, sheet: 20 1/4 x 12 in. (51.4 x 30.5 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Sailor, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Speculum Romanae Magnificentiae: Longitudinal Section Showing the Interior of Saint Peter's Basilica as Conceived by Michelangelo (Published in 1569), 1551, 1558–61, Etching with engraving, sheet: 13 1/4 x 18 3/4 in. (33.7 x 47.6 cm), Prints,

Plate 135: Circe Changing Ulysses' Men into Swine (Ulyssis soci a Circe in porcos), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.5 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Fannie Batchelder, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Saint Paul, Etching, sheet: 19 7/8 x 13 9/16 in. (50.5 x 34.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Harper's: April, 1898, Lithograph, Sheet: 16 1/8 × 9 5/8 in. (40.9 × 24.4 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Frontispiece, with Statue of Minerva, ca. 1748, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Mirror Case, 1350–75, Made in possibly Paris, France, French, Elephant ivory, Overall: 4 3/8 x 4 1/8 x 7/16 in. (11.1 x 10.4 x 1.1 cm), Ivories, Mirror cases, which might be considered forerunners of the modern compact, were primarily

The Abuses of the Law, Plate 7, n.d., Engraving, sheet: 7 1/16 x 9 in. (18 x 22.8 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

William Fenner, Rector of Rochford, 1656, Etching, only state, Sheet: 8 3/16 × 5 3/8 in. (20.8 × 13.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait, half-length, standing to right in an arched opening,

Drawings and Prints, Print, The Triumph of Two Roman Emperors (left-hand side) with soldiers on horseback and men, women, and children fleeing, Artist, After, Cherubino Alberti (Zaccaria Mattia), Polidoro da Caravaggio, Italian, Borgo

Drawings and Prints, Print, Ecce Homo / Man of Sorrows, Artist, Hans Schäufelein, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, Schäufelein, Hans, German, 1480, 1540, 1500, 1540

Marguerite-Thérèse (Margot) Berard (1874–1956), 1879, Oil on canvas, 16 1/8 x 12 3/4 in. (41 x 32.4 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), Renoir depicts the five-year-old daughter of his devoted

Cattle and Shepherds in a Southern Mountainous Landscape, mid-17th century, Graphite, brown wash, over red chalk. Framing line in pen and brown ink, sheet: 5 11/16 x 7 5/16 in. (14.5 x 18.5 cm), Drawings, Karel Dujardin (Dutch, Amsterdam

Sixth scene, the heavens, from 'The marriage of the gods' (Le nozze degli Dei), 1637, Etching, Sheet: 7 15/16 x 11 5/16 in. (20.2 x 28.7 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence

Harper's, June, 1895, Lithograph, Sheet: 18 1/4 × 12 13/16 in. (46.4 × 32.6 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Portrait of Crébillon, 1770, Etching and engraving; third state of three (Bocher), Sheet: 10 1/2 × 7 3/8 in. (26.7 × 18.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Jean Le Moine, active ca. 1523–1530

Design for a Pendant with the Alphabet, 1609, Engraving and blackwork, Plate: 5 5/16 x 3 11/16 in. (13.5 x 9.4 cm), Master P.R.K (Dutch, ca. 1609–1617), Design for a pendant in fine goldsmiths work. The pendant is hanging from a ribbon and

Design for a Processional Float, 17th century, Pen and brown ink, brush and blue wash, over lead on cream paper (recto). Stylus-ruled line along bottom edge. Ruled framing outline in black ink; pen and brown inks (verso). Fragments of framing

Pleasures of Occupation, Etching and engraving, Sheet: 4 5/16 x 6 5/16 in. (11 x 16 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Guatemala, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in

Scotch Claymore, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in

Ceres Seeking Her Daughter or Ceres and Stillio, 1625–77, Etching, only state, sheet: 11 5/16 x 9 1/8 in. (28.7 x 23.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Hendrick Goudt (Dutch, The Hague 1583–1648

Drawings and Prints, John Everett Millais, Esq., A.R.A., The Drawing Room Portrait Gallery of Eminent Personages, Photographer, Sitter, Engraver, After, John and Charles Watkins, Sir John Everett Millais, Daniel John Pound, British,

Christ before Herod, from The Small Passion, 1509, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Drawings and Prints, Print, The Virgin seated with the Christ Child on her lap embracing her, St Joseph seen through an archway at right, after Reni, Artist, After, Guido Reni, Anonymous, 17th century, Italian, Bologna 1575–1642 Bologna,

Design for the Decoration of a Lunette with a Large Central Cartouche, 1498–1561, Pen and brown ink with pale grey washes, 12-1/2 x 21-1/2 in. (31.8 x 54.6 cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice

A Tabernacle Containing a Papal Escutcheon Supported by Angels, ca. 1538–40, Pen and brown ink, over traces of leadpoint or soft black chalk and stylus-ruling, 17-7/8 x 13-9/16 in. (45.4 x 34.4 cm), Drawings, Giulio Romano (Italian, Rome

The Two Barrels before a Hut, Engraving; first state of four, 8 1/8 in. (20.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Victor Hugo (three-quarter view), 1885, Drypoint on laid paper; second state of eight, Image: 7 5/8 x 5 7/16 in. (19.4 x 13.8 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon), The author of Notre-Dame de Paris(1831) and Les