Images at Librifly

Drawings and Prints, Photograph, Card Number 375, Miss Jarbeau, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Les Bacchantes Endormies (The Sleeping Bacchantes), 18th century, Etching and engraving, Sheet: 21 5/8 x 15 11/16 in. (55 x 39.9 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770

Dutch East Indiaman, 1647, Etching; first state of two, Sheet: 5 9/16 × 9 5/16 in. (14.2 × 23.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Dutch East Indiaman; six men on a raft caulking the planks of hull of

Washington Territory, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories'

Drawings and Prints, Print, Christ Deploring Jerusalem, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans,

Drawings and Prints, Print, Benjamin Franklin, Sitter, Publisher, Engraver, Artist, After, Benjamin Franklin, François Buisson, Pierre Alexandre Tardieu, Joseph Siffred Duplessis, American, 1706–1790, French, 1753–1814, French,

Steenie or Redgauntlet Pursued by a Goblin on Horseback, 1829, Unfinished lithograph; first state of three, Image: 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Plate 10: a cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, from 'Nouvelles inventions de Cartouches', ca. 1647, Etching, sheet: 6 x 4 9/16 in. (15.2 x 11.6 cm), Stefano della Bella (Italian, Florence

Drawings and Prints, Print, Mr. Richard Leveridge, Artist, Sitter, Engraver, After, Frans van der Mijn, Richard Leveridge, Andreas van der Mijn, Dutch (born Germany), Dusseldorf 1719–1783 London, British, 1670–1758, British,

[Four plates of ornamental panels], n.d., Etching, 14 7/16 x 11 7/16 x 5/16 in. (36.6 x 29 x 0.8 cm), Books, Cornelis Floris II (Netherlandish, Antwerp before 1514–1575 Antwerp), Johannes van Doetecum the elder (Netherlandish, active

Peace of 1814 and Centennial of the House of Brunswick: A View of the Temple of Concord in Green Park, London, August 1, 1814, ca. 1814, Etching and aquatint with watercolor, Prints, Frederick Calvert (British, active London, 1811–44

Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 7 1/4 × 5 11/16 in. (18.4 ×

A phoenix sat atop a tree, wings open, an assortment of animals below, 1530–60, Engraving, sheet: 7 11/16 x 9 1/16 in. (19.5 x 23 cm), Prints, After Master of the Die (Italian, active Rome, ca. 1530–60), After Raphael (Raffaello Sanzio

Drawings and Prints, Print, Misery, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, 1785, 1785

Drawings and Prints, Photograph, Card Number 96, Violet Cameron, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25), January 1, 1811, Etching, mezzotint and drypoint; fourth state of four (Finberg), plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph

Carrie Perkins, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Drawings and Prints, Print, A partly naked bacchante playing a tambourine, set against a black background inside a rectangular frame, Wall paintings from Herculaneum, Artist, Publisher, Engraved by, Intermediary draughtsman, Vicenzo Feoli,

Standing Bull, from Different Animals, Etching, plate: 4 1/2 x 5 3/8 in. (11.4 x 13.6 cm), Prints, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam

The Marriage Contract, ca. 1761, Red and black chalk over traces of graphite, watercolor and gouache, sheet: 12 1/8 x 17 7/16 in. (30.8 x 44.3 cm), Drawings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris

La Halle aux Blés, Exterior View, ca. 1810, Watercolor over graphite, Sheet: 11 5/8 x 10 5/8 in. (29.5 x 27 cm), Drawings, Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris

Sketch of an Arena, Spain, May 1832, Graphite on wove paper, sheet: 3 3/4 x 5 15/16 in. (9.6 x 15.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Study for a Male Figure in 'Comus–The Measure' (recto); Reclining Male Nude (verso), before 1864, Black chalk, Sheet: 11 7/16 × 8 3/4 in. (29 × 22.2 cm), Drawings, George Richmond (British, Brompton 1809–1896 London), The study of a

Vertical Panel with Scrolling Tendrils Rising from Center, 1517–61, Engraving, Sheet: 2 5/8 × 1 5/8 in. (6.7 × 4.2 cm), Attributed to Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

L'Armoire, 1778, Etching, second state (?), sheet: 19 13/16 x 23 7/8 in. (50.3 x 60.7 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Palati maioris (Palatine Palace, Rome), 1650, Etching; second state of two, Sheet (trimmed to plateline): 2 3/4 × 4 3/16 in. (6.9 × 10.6 cm), Prints, After Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647 Antwerp

Drawings and Prints, Print, Hüttledorf Brewery, A. Brusatti, Artist, Publisher, Gustav Kalhammer, Wiener Werkstätte, Austrian, Vienna 1886–1919/20 (?) Vienna, Kalhammer, Gustav, Wiener Werkstätte, Austrian, 1886, 1919, 1912

The Three Travellers at the Foot of High Rock, Engraving; first state of four, Sheet: 3 7/8 × 5 13/16 in. (9.9 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Percy Stone, Cyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in

Sectioned skull in profile to left with the left side of the cranium removed, 1651, Etching; only state, Plate: 2 11/16 × 2 15/16 in. (6.8 × 7.5 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Sectioned skull in

Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 1/4 x 4 5/16 in. (21 x 10.9 cm),

Captain Zalinski, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Card 1, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen &

La Famille du Fermier, n.d., Etching, before first state, sheet: 15 15/16 x 19 in. (40.5 x 48.2 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Antoine Louis Romanet (French, Paris, 1748–after

Here we make love, 1893–94, Woodcut printed in color on wove paper, 13 3/4 x 8 1/8 in. (34.9 x 20.6 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Fountain base for mosaic wall mural, ca. 1905–15, Made in New York, New York, United States, American, Favrile glass, cement, 24 x 77 x 61 3/4 in. (61 x 195.6 x 156.8 cm), Architecture, Tiffany Studios (1902–32), Tiffany’s work in

Altar with the Resurrection of Christ, plate 2 from: Nouveaux dessins d'autels à la romaine, ca. 1640–82, Etching; first edition, sheet: 8 7/8 x 6 in. (22.6 x 15.2 cm), Jean Le Pautre (French, Paris 1618–1682 Paris

Salome with the Head of John the Baptist, Engraving, Sheet: 1 15/16 × 3 1/16 in. (4.9 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Heligoland, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10), issued in

The Assumption of the Virgin, 1641, Pen and black ink, gray wash, over black chalk or graphite; squared for transfer in graphite or black chalk, sheet: 15 13/16 x 10 1/16 in. (40.1 x 25.6 cm), Drawings, Johann Christophorus Storer (German,

Card 1, from the Girl Baseball Players series (N48, Type 1) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen &

橘草紙散模様打掛, Woman's Overrobe (Uchikake) with Books and Mandarin Orange Branches, Edo period (1615–1868), first half of the 19th century, Japan, Embroidery in silk and metallic thread; appliqué of resist-dyed (shibori) silk

Portrait of Louis XVI, Henri IV, and Louis XII, 1791, Etching and engraving; fourth state of six (Bocher), Sheet: 7 7/16 × 4 13/16 in. (18.9 × 12.2 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Piat Joseph

Mask of a Bald Man with Pointed Ears and a Long, Parted Beard, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 1/2 × 1 5/8 in. (6.3 × 4.1 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with

Thermaru diocletiani Ruinae (Baths of Diocletian), 1651, Etching; second state of two, Sheet (clipped impression): 2 11/16 × 4 1/8 in. (6.8 × 10.5 cm), Prints, After Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647 Antwerp

D.D. Withers, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued in

The Sword of Damocles, 1785–1807, Pen and brown ink, brush and brown wash, 16-5/8 x 23-1/4 in. (42.2 x 59.1 cm), Drawings, Giuseppe Piattoli (Italian, documented Florence, 1785–1807

Colored Pattern Design with Lotusflowers, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Decorative pattern with a repetitive lotusflower motif. The flowers are

Hercules Capturing Cerberus from The Labors of Hercules, 1545, Engraving, Sheet: 2 1/8 x 3 1/16 in. (5.3 x 7.8 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Cœnotaphiorum (4), 1563, Etching; first state of four, sheet: 6 5/8 x 8 1/4 in. (16.8 x 21 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish, active

Drawings and Prints, Photograph, Card Number 257, Laura Burt, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Print, Celles qui partent, from Les Evacués, Artist, Louis-Robert Antral, French, Châlon-sur-Marne 1895–1939 Paris, Antral, Louis-Robert, French, 1895, 1939, 1917

La Fenaison (Harvest), [1862] reprinted 1921, Cliché-verre (ed. 1921), Image: 8 1/4 × 13 1/2 in. (21 × 34.3 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Terracotta lamp: on discus, eagle, Imperial, late 1st–early 2nd century A.D., Roman, Terracotta; mold-made, Overall: 3 15/16 x 1 15/16in. (10 x 4.9cm), Terracottas, The eagle was the symbol of the Greek Zeus and the Roman Jupiter, the

Duke of Beaufort, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued

Saint Christopher Carrying the Infant Christ, 1513, Woodcut, Sheet: 6 5/8 × 4 13/16 in. (16.8 × 12.2 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Entombment, ca. 1530, Etching, sheet: 12 13/16 x 9 5/16 in. (32.6 x 23.7 cm), Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Drawings and Prints, Print, The Arrow of Deliverance (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, Camden Press, Scribner and Welford, Dalziel Brothers, Arthur Murch, British, London, New York, NY, British, active

Drawings and Prints, Drawing, Greek Vase-Painting (Design for a Wall Decoration), Artist, Anton von Werner, German, Frankfurt 1843–1915 Berlin, Werner, Anton von, 1843, 1915, 1868, 1868

Virgin and Child with St. Mary Magdalen, Etching; second state of four (Bartsch), sheet: 7 3/8 x 5 1/2 in. (18.7 x 14 cm), Prints, Carlo Maratti (Italian, Camerano 1625–1713 Rome

Paysage au Moulin (Windmill Landscape), 18th century, Etching and engraving, Sheet: 19 5/8 x 14 3/4 in. (49.8 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After François Boucher (French, Paris

Harper's: July, 1897, Lithograph, Sheet: 14 in. × 19 3/16 in. (35.6 × 48.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Harper's: July, 1894, Lithograph, Sheet: 18 1/16 × 12 5/8 in. (45.8 × 32 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Two Male Figures in Half-Length Conversing., late 16th century, Red chalk, sheet: 11 7/16 x 11 1/4 in. (29 x 28.6 cm), Drawings, Anonymous, Italian, Bolognese, second half of the 16th century

St. Gervais, Paris, 1887, Etching; trial proof b, plate: 8 1/2 x 5 1/2 in. (21.7 x 13.9 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Recreation: January, 1896, Lithograph, Sheet: 16 7/16 in. × 14 in. (41.8 × 35.5 cm), Prints, Henry Sumner Watson (American, Bordentown, New Jersey 1868–1933

Retreat from the Storm, ca. 1846, Oil on canvas, 18 1/4 x 15 in. (46.4 x 38.1 cm), Paintings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon), The impending storm poses a real threat to this woman and her child, whose subsistence

Drawings and Prints, Print, Angels Mourning over the Dead Christ, Artist, Publisher, Artist, After, Guercino (Giovanni Francesco Barbieri), Theodor van Merlen II, Nicolas Pitau, Italian, Cento 1591–1666 Bologna, Netherlandish, Antwerp

Covered Goblet with Grapes on the Stem, Etching, Sheet: 6 15/16 × 4 1/8 in. (17.7 × 10.4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Speculum Romanae Magnificentiae: Apolinis (Apolinis in uiridario Magni Ducis Etruriae), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Frontispiece, with Statue of Minerva, ca. 1748, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

The Triumph of Time on Fame, from The Triumphs of Petrarch, Engraving, Sheet: 6 15/16 × 9 11/16 in. (17.6 × 24.6 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Katie Stokes, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 6),

Susanna and the Elders, Engraving, Sheet: 1 13/16 × 2 7/8 in. (4.6 × 7.3 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Four Doctors of the Church, ca. 1527–30, Chiaroscuro woodcut in two blocks with grey ink, Sheet: 8 7/8 in. × 7 in. (22.6 × 17.8 cm), Prints, Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484–1551 Siena

Hercules Raping Jole from The Labors of Hercules, 1544, Engraving, Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Marriage A-la-Mode, Plate IV, April 1, 1745, Etching and engraving; third state of three, Plate: 15 1/4 x 18 1/2 in. (38.7 x 47 cm), Prints, After William Hogarth (British, London 1697–1764 London

Johannes Gutenberg, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's

Mr. Manton, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued in

Drawings and Prints, Drawing, A Group of Roman Bandits with Their Families and Companions after a Robbery, Artist, Dietrich Wilhelm Lindau, German, Dresden 1799–1862 Rome, Lindau, Dietrich Wilhelm, German, 1799, 1862, 1824, 1824

F.F. Ives, Cyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in 1888

'Jocund Day Stands Tip Toe on the Misty Mountain Tops' (Shakespeare, Romeo and Juliet, Act 3, Scene 5), ca. 1830, Graphite, Sheet: 16 11/16 × 10 7/8 in. (42.4 × 27.7 cm), Drawings, George Richmond (British, Brompton 1809–1896 London),

Plate 9: a cow ascending a bank, a peasant woman leading two cows across a bridge in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 1/4 x 3 7/8 in. (8.3 x 9.8 cm), Prints, Stefano della

Harper's, November, 1895, Lithograph, Sheet: 16 5/16 × 11 3/4 in. (41.4 × 29.8 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

The Prospect of Bermingham, from Ravenshurst (neere London-road) on the South-east part of towne (Birmingham), 1625–77, Etching, image: 3 11/16 x 7 1/4 in. (9.4 x 18.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

The World, Cage of Fools, 16th century, Engraving, Prints, Anonymous, Italian, 16th century

Lippincott's: March, 1896, Lithograph, Sheet: 18 1/16 × 11 7/16 in. (45.8 × 29.1 cm), Prints, Joseph J. Gould, Jr. (American, 1880–1935

M'lle Oqueralli, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Siam, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of 50

Plaque: Warrior and Attendants, 16th–17th century, Nigeria, Court of Benin, Edo peoples, Brass, H. 18 3/4 in. (47.6 cm), Metal-Sculpture, During the sixteenth and seventeenth centuries, a remarkable series of works were created to adorn

People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I), Printed 1883–84, Woodcut; restrike, Plate: 18 1/8 × 23 9/16 in. (46.1 × 59.8 cm), Prints, Hans Burgkmair (German, Augsburg

Harper's: Christmas, 1897, Lithograph, Sheet: 18 13/16 × 13 3/16 in. (47.8 × 33.5 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Pancratium, 1738–70, Watercolor and gouache, with traces of black chalk on vellum, Sheet: 18 9/16 x 14 13/16 in. (47.2 x 37.6 cm), Drawings, Georg Dionysius Ehret (German, Heidelberg 1708–1770 London), Born in Heidelberg, Ehret settled

Drawings and Prints, Print, A Concert at Cleopatra's, from L'Illustration Européenne, Artist, Robert François Richard Brend'amour, Antoine Calbert, German, born Aix-en-Chapelle 1831, active 1880–88, French, 1860–1944 Paris,

May, 1628–29, Etching, Prints, After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen

Design for the Verso of a Cross-Shaped Pendant Above a Pair of Oval Ornaments and Axe-Shaped Ornaments, before 1573, Engraving and blackwork; first state of two (New Hollstein), Sheet: 5 13/16 × 3 15/16 in. (14.8 × 10 cm), Jan Collaert I

Drawings and Prints, Print, Hatpin Ballad (Hutnadelballade), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian, 1885,

Portrait of Joseph Carreras, 1735, Mezzotint, sheet: 11 9/16 x 9 13/16 in. (29.4 x 25 cm), Prints, Engraved and published by John Faber, the Younger (British, ca. 1695–1756), After Sir Godfrey Kneller (German, Lübeck 1646–1723 London

Exemplar Virtutum, from the Allegorical Scenes from the Life of Christ, n.d., Engraving, sheet: 10 1/2 x 7 3/4 in. (26.6 x 19.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Two putti sleeping in a landscape, after Reni, 1637, Etching, Sheet: 7 1/4 × 9 13/16 in. (18.4 × 25 cm), Prints, Anonymous, Italian, 17th century, After Guido Reni (Italian, Bologna 1575–1642 Bologna