Images at Librifly


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Speculum Romanae Magnificentiae: Marcus Aurelius, 16th century, Engraving, sheet: 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Marcantonio Raimondi (Italian, Argini (?)
Drawings and Prints, Print, Christ in Limbo, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German, Nuremberg ca.
Massachusetts, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series
Miss Rita Hart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued
The Viceroy's Boat, Tomb of Huy, New Kingdom, Dynasty 18, ca. 1353–1327 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, Facsimile H. 111.3 cm (43 12/16); w. 111.3 cm (43 12/16 in), Charles K. Wilkinson ca, 1926-1927, This
Admiral, Mexico, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888 in a set of
Medor and Angelica from Lodovico Ariosto's 'Orlando Furioso' or Venus and Adonis embracing, set within a landscape, ca. 1510–27, Engraving, Sheet: 10 7/16 × 6 15/16 in. (26.5 × 17.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?)
Laurence Sterne, alias Tristram Shandy: 'And When Death Himself Knocked at My Door', 1769, Etching, Plate: 16 7/16 × 12 1/4 in. (41.7 × 31.1 cm), Prints, Thomas Patch (British, Exeter 1725–1782 Florence
Drawings and Prints, Print, Guard, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827 London, Angelo, Henry, Rowlandson, Thomas, 1756,
The Dutch Door (Holley House, Cos Cob), 1915, Etching, Plate: 8 7/16 x 9 15/16 in. (21.4 x 25.2 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York
Battle of the Amalekites (Bataille des Amalecites), Amalekites on horseback gallop towards the left, pursued by the Israelites, a dead man to right, a dead horse to left, ca. 1645–52, Etching; second state of two, Sheet: 6 9/16 x 12 11/16
Capitol of Minnesota in St. Paul, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General
Broadway Circus and Olympic Theatre, Broadway between Howard and Grand Streets, New York, 1821, Watercolor and ink, sheet: 14 3/8 x 12 in. (36.5 x 30.5 cm), Drawings, Anonymous, American, 19th century
English Society, 1897, Lithograph, Sheet: 19 13/16 × 12 1/2 in. (50.3 × 31.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York
Drawings and Prints, Print, Black Snake Ledge, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1912
Saint Philip, book in his left hand, staff resting on his left arm, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, sheet: 3 1/4 x 1 7/8 in. (8.2 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', 1530–60, Engraving, Sheet: 10 1/16 × 7 5/16 in. (25.6 × 18.5 cm), Prints, Master of the Die (Italian, active
Caracol, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.
Bust of woman with wide open mouth and up-turned nose, wearing large flat turban with cloth hanging down behind in profile to right, 1665, Etching; only state, Plate: 2 5/8 × 1 15/16 in. (6.7 × 4.9 cm), Prints, After Leonardo da Vinci
Drawings and Prints, Print, A ball, scene from the Mexican Revolution, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1911, 1906
Drawings and Prints, Print, Saint Luke Painting the Virgin, Artist, After, Raphael Sadeler I, Bartholomeus Spranger, Netherlandish, Antwerp 1560–1628 Venice (?), Netherlandish, Antwerp 1546–1611 Prague, Sadeler, Raphael, I,
Drawings and Prints, Print, Biondina (The Woman with Cats / La Femme aux chats), L'Estampe originale, Album VII, Artist, Publisher, Charles Haslewood Shannon, André Marty, British, Lincolnshire 1863–1937 Richmond, French, born 1857,
Drawings and Prints, Print, The Prophet Jonah, from Prophets and Sibyls, Prophets and Sibyls, Artist, After, Francesco Rosselli, Baccio Baldini, Florence 1448–1508/27 Venice (?), Italian, Florence 1436?–?1487, Rosselli, Francesco,
Camels in a Landscape, mid 19th century, Lithograph, Sheet: 13/16 × 1 7/16 in. (2 × 3.6 cm), Prints, Victor Adam (French, 1801–1866
Forty-one Insects, including moths and butterflies, 1625–77, Etching; only state, Plate: 13 5/16 × 8 1/2 in. (33.8 × 21.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Forty-one Insects, including moths and
Speculum Romanae Magnificentiae: Wooden Framework to Support Arches in a Building, 16th century, Engraving, sheet: 15 9/16 x 21 7/16 in. (39.5 x 54.5 cm), Prints, Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80
The Mystery of Masonry Brought to Light by the Gormagons, [first published December 1724] later reissue, Etching and engraving; third state of three, sheet: 9 9/16 x 13 3/4 in. (24.3 x 34.9 cm), Prints, William Hogarth (British, London
Charitas and the Acts of Charity, from a Series of Tazza Designs, ca. 1588, Engraving, Sheet: 5 1/8 × 4 7/8 in. (13 × 12.4 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In the central medallion, the figure of Charitas,
Tracks of the Armies (from Confederate War Etchings), 1861–63, Etching, Image: 4 13/16 x 6 5/8 in. (12.2 x 16.8 cm), Prints, Adalbert John Volck (American (born Germany), Augsburg 1828–1912 Baltimore, Maryland
Blackberry, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote
Drawings and Prints, Print, Outlines of Figures, Animals, and Carriages, Outlines, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, March 8
Sibyl seated before an open book upon which she rests her left hand, she twists her face away from the book and holds a vessel in her right hand, Etching, sheet: 8 7/8 x 6 9/16 in. (22.5 x 16.7 cm), Prints, Antonio Fantuzzi (Italian, active
Terracotta pelike (jar), Classical, mid-5th century B.C., Greek, Attic, Terracotta; red-figure, H. 16 1/2 in. (41.9 cm), Vases, Obverse, Apollo and his sister, Artemis, pouring libation at altar, Reverse, two women. Dressing in a long
The Banded Aracari Toucan, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in
St. George, early 16th century, Engraving, sheet: 15 15/16 x 12 in. (40.5 x 30.5 cm), Prints, Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520
Drawings and Prints, Print, The River, Outlines, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827,
Ilma Converse, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued
Salon des cent, 1897, Lithograph, Sheet: 23 7/8 in. × 16 in. (60.6 × 40.7 cm), Louis John Rhead (American, born England, 1857–1926
Drawings and Prints, Print, Zéphir, caricature of the male ballerina Auguste Vestris, Artist, Anonymous, 19th century, Anonymous, 19th century, 1800, 1900, [ca. 1816 or after], 1816
元 團鳳紋繡片, Panel with Phoenixes and Flowers, Yuan dynasty (1271–1368), 14th century, China, Silk and metallic thread embroidery on silk gauze, Overall: 56 3/8 x 53 in. (143.2 x 134.6 cm), Textiles-Embroidered, A marvelous
The Lost Sheep (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It
The Industrious 'Prentice Performing the Duty of a Christian: IIndustry and Idleness, plate 2, September 30, 1747, Etching and engraving; first state of two, sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm), Prints, William Hogarth (British,
Drawings and Prints, Print, The Grand Monarck Discovered in a Pot de Chambre, or The Fugitives Turning Tail, Artist, Subject, Publisher, Thomas Rowlandson, Marie Antoinette, Queen of France, Louis XVI, King of France, Samuel William
Count Lehndorff, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued
A Moth, early 18th–mid 18th century, Pen and black ink and watercolor, over touches of graphite, sheet: 3 1/8 x 3 9/16 in. (7.9 x 9.1 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769 Amsterdam
Plate 17: Ocyrhoe Changed into a Horse (Ocyroe vaticinata in equam), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 11/16 in. (10.5 × 11.9 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome
Cœnotaphiorum (11), 1563, Etching; first state of four, sheet: 6 11/16 x 8 3/8 in. (17 x 21.2 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,
Charity, from L'Amico di fanciulli (Children's Friend), 1788, Etching and engraving; fourth state, sheet: 5 7/8 x 3 7/16 in. (15 x 8.8 cm), Prints, After Johann Heinrich Ramberg (German, Hanover 1763–1840 Hanover
Leopold de Rothschild, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),
President of the Argentine Republic, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in
Plate 19: Jacob Killing Absalom, from The Battles of the Old Testament, ca. 1590–ca. 1610, Etching, Sheet: 7 7/8 × 11 1/8 in. (20 × 28.2 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome
Interior with Pink Wallpaper II, from the series Landscapes and Interiors, 1899, Color lithograph; second state of two, sheet: 15 7/16 x 12 3/16 in. (39.2 x 31 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule
Drawings and Prints, Print, The Salamander (La Salamandre), L'Estampe originale, Album IX, Artist, Publisher, Pierre Roche (pseudonym of Fernand Massignon), André Marty, 1855–1922, French, born 1857, Roche Pierre, Marty, André,
New Mexico, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),
At the Milliner's, 1881, Pastel on five pieces of wove paper, backed with paper, and laid down on canvas, 27 1/4 x 27 1/4 in. (69.2 x 69.2 cm), Pastels & Oil Sketches on Paper, Edgar Degas (French, Paris 1834–1917 Paris), Two customers in
Drawings and Prints, Drawing, Design for the Spire of the Church of Our Lady in Copenhagen, Artist, Vincents Lerche, Danish, Copenhagen 1666–1742 Copenhagen, Lerche, Vincents, Danish, 1666, 1742, ca. 1738–42, 1733, 1748
Drawings and Prints, Print, Bathing at Talloires (Bagnade a Taillores) (The Swim), l'Estampe Originale, Album VIII, Artist, Publisher, Paul-Albert Besnard, André Marty, French, Paris 1849–1934 Paris, French, born 1857, Besnard,
Strolling Actresses Dressing in a Barn, 1738, Etching and engraving; second state of four, sheet: 15 7/8 x 22 7/16 in. (40.3 x 57 cm), Prints, William Hogarth (British, London 1697–1764 London
Mlle. De Eau, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),
A Rake's Progress, Plate 1, June 25, 1735, Etching and engraving; third state of three, plate: 14 1/8 x 16 1/4 in. (35.8 x 41.2 cm), Prints, William Hogarth (British, London 1697–1764 London
Portrait of a Bearded Man in Black, Oil on wood, 6 3/4 x 6 1/4 in. (17.1 x 15.9 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons), In the eighteenth century this exceptionally
Holy Family with Two Flying Angels., ca. 1640, Black chalk, Sheet: 11 13/16 x 8 1/8 in. (30 x 20.6 cm), Drawings, Baldassarre Franceschini (il Volterrano) (Italian, Volterra 1611–1690 Florence
Pendant Shaped like a Beetle with a Couple and a Young Man Playing an Instrument, 1619, Blackwork and engraving, Plate: 4 3/16 x 3 1/16 in. (10.7 x 7.8 cm), Jean Toutin (French, Chateaudun 1578–1644 Charenton), Jean I Toutin often combined
Drawings and Prints, Print, Three Fair Ladies (Geisha Girls with Fans), Artist, Mortimer Menpes, Australian, Port Adelaide 1855–1938 Pangbourne, England, Menpes, Mortimer, 1855, 1938, 1887–88, 1887
Huntress, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards
Drawings and Prints, Print, An Old Maid In Search of a Flea, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, September 25, 1794
Lotus Pattern Frame, 1897–99, Etching and softground, Sheet: 8 11/16 × 21 5/8 in. (22 × 55 cm), Prints
Drawings and Prints, Drawing, Fan Design with Cats and Sunflowers, Artist, Henri-Charles Guérard, French, Paris 1846–1897 Paris, Guérard, Henri-Charles, 1846, 1897, ca. 1885–90, 1880, 1895
Drawings and Prints, Drawings Ephemera, Tattoo Design for a Butterfly, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor
The Landscape with the Wooden Bridge, Engraving; third state of four, Plate: 6 1/2 × 7 5/8 in. (16.5 × 19.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam
Drawings and Prints, Print, Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni, Artist, After, Engraved by, Guido Reni, Gian Battista Bolognini, Italian, Bologna 1575–1642 Bologna,
Eyes Left, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50
Life in Camp, Part 1: A Shell is Coming, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from the series 'The Roman Ruins' (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus), 1551, Etching and engraving,
Philip from the Martyrdom of the Twelve Apostles, Woodblock, Image: 6 1/2 × 4 15/16 in. (16.5 × 12.5 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar
Flower Girl, 18th century, Etching, Sheet (trimmed): 11 9/16 × 9 1/8 in. (29.4 × 23.2 cm), Prints, Attributed to François Boucher (French, Paris 1703–1770 Paris
Tree Study, Forest of Fontainebleau, ca. 1856, Albumen silver print from glass negative, 31.8 x 41.4 cm. (12 1/2 x 16 5/16 in.), Photographs, Gustave Le Gray (French, 1820–1884), Le Gray returned to the Forest of Fontainebleau in the
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811, Etching, aquatint and mezzotint; fourth state of six (Finberg), plate: 7 1/16 x 10 3/8 in. (17.9 x 26.4 cm), Prints, Turner distilled his ideas about
Broadsheet relating to Don Luis Mejia with Afan, a corrida (ballad) in the bottom section, ? José Guadalupe Posada (Mexican, 1851–1913), 1907
A Man O'War Lying at Anchor, early 19th century, Pen and brown ink, watercolor; framing line in graphite, Sheet: 17 11/16 × 24 13/16 in. (45 × 63 cm), Drawings, Johannes Christiaan Schotel (Dutch, Dordrecht 1787–1838 Dordrecht
Winter Scene at the Blockhouse in Amsterdam, 17th century, Etching, sheet: 5 3/8 x 9 3/4 in. (13.7 x 24.7 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam
Geminiano Caldarostaro crying out and holding a tub, with a tasseled hat, ca. 1597–1601, Engraving, image: 12 5/8 x 8 1/8 in. (32 x 20.6 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome
Eva Shaler, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,
Drawings and Prints, Print, Christ giving the keys of the church to Saint Peter who kneels before him, after Guido Reni, Artist, After, Gian Battista Bolognini, Guido Reni, Italian, Bologna 1611–1688 Bologna, Italian, Bologna 1575–1642
The Agony in the Garden, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht
Drawings and Prints, Drawing, River Landscape with Rapids, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911, 1924
The Idle 'Prentice Executed at Tyburn (Industry and Idleness, plate 11), September 30, 1747, Etching and engraving; third state of three, sheet: 10 3/8 x 15 3/4 in. (26.4 x 40 cm), Prints, William Hogarth (British, London 1697–1764 London
Nine Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London
Four Lithographed Bookcovers, One for Our Antipodes, 1845–70, Color lithography, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London
Drawings and Prints, Print, A Farmer and his Patron, from Hymmelwagen auff dem, wer wol lebt..., Artist, Author, Publisher, Hans Schäufelein, Hans von Leonrodt, Silvan Otmar, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German,
Drawings and Prints, Print, The Virgin as Master Dolorosa and Simeon, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein,
Vertical Panel with a Candelabrum Supported by Two Half-Length Female Figures, 1520–40, Engraving, Sheet: 3 1/8 × 1 in. (8 × 2.6 cm), Barthel Beham (German, Nuremberg ca. 1502–1540 Italy
Head of a Woman, 1748–69, Crayon manner engraving printed in brown ink; first state of two, Sheet (trimmed): 14 5/8 × 10 11/16 in. (37.2 × 27.1 cm), Prints, Jean Charles François (French, Nancy 1717–1769 Paris), François Boucher
'Jamais plus nous ne connaitrons le gout si apre de ses baisers!...', 1902, Lithograph, contours only, sheet: 12 11/16 x 9 15/16 in. (32.2 x 25.3 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon
Temperance (Die Mesikait), from The Seven Virtues, Woodcut; second state of three (Hollstein), Sheet: 12 1/16 × 7 9/16 in. (30.6 × 19.2 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg
The Triumph of Bacchus, 16th century, Engraving, sheet: 7 3/4 x 10 3/8 in. (19.7 x 26.4 cm) trimmed to oval, Prints, Anonymous, Italian?, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome
Hercules in Bed with Omphale, 1540–56, Engraving, Sheet (trimmed): 8 11/16 × 16 1/4 in. (22 × 41.2 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris
Prince Friedrich of Schwarzenberg, 1847, Watercolor and gouache, graphite, Sheet: 7 1/16 x 6 1/8 in. (18 x 15.5 cm), Drawings, Josef Kriehuber (Austrian, Vienna 1800–1876 Vienna
Cross sections of the Chapel at Chateau d'Anet, 1607, Engraving, Sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy
Drawings and Prints, Print, New Inventions of Modern Times [Nova Reperta], The Discovery of Guaicum as a Cure for Veneral Infection, plate 6, Artist, Publisher, After, Jan van der Straet, called Stradanus, Jan Collaert I, Philips Galle,

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