Images at Librifly

Armadillo, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Blackwork Design for Goldsmithwork with Satyr and Monkey, ca. 1582–1616, Engraving and blackwork, Sheet: 1 1/16 × 1 1/2 in. (2.7 × 3.8 cm), Attributed to Mathais Beitler (German, Ansbach, active ca. 1582–1616), Ornamental panel with a

Turkey, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Sahurs Meadows in Morning Sun, 1894, Oil on canvas, 28 3/4 x 36 1/4 in. (73 x 92.1 cm), Paintings, Alfred Sisley (British, Paris 1839–1899 Moret-sur-Loing), Sisley spent the summer of 1894 in Le Mesnil-Esnard at the estate of his friend and

Three satyrs carrying the drunken Silenus, preceded by a putto carrying grapes; behind them a satyr carrying a large vessel, a putto, and a bare-breasted woman, ca. 1645–93, Etching, sheet: 3 1/4 x 5 1/16 in. (8.3 x 12.9 cm), Prints, Jonas

Drawings and Prints, Photograph, Card Number 223, Nadage Doree, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Drawings and Prints, Photograph, Card Number 392, Maggie Claire, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Le Jardin Chinoise (The Chinese Garden), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 7/16 x 19 5/16 in. (41.8 x 49 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), Gabriel Huquier (French, Orléans

Jean Fronteau, 1663, Engraving; first state of two (Petitjean & Wickert), Sheet: 6 5/8 × 4 13/16 in. (16.8 × 12.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After F. Cabouret (French, active 1660s

Tobias Leaving the Table, from The Story of Tobias, 1543, Engraving; first state of two (Landau), Sheet: 2 1/2 × 3 13/16 in. (6.4 × 9.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Philippe II, roi d'Espagne, Etching, image: 11 1/8 x 8 7/8 in. (28.2 x 22.5 cm), trimmed to image (signatures cut off), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca.

The New York Sunday Herald: January 12th, n.d., Lithograph, Sheet: 19 1/16 × 12 3/16 in. (48.4 × 31 cm), Prints, Charles Herbert Woodbury (American, Lynn, Massachusetts 1864–1940 Jamaica Plain, Massachusetts

Songs: 'Throwing off dull melancholy...', 1822, Soft ground etching, Image: 7 7/8 × 10 in. (20 × 25.4 cm), Prints, Henry Thomas Alken (British, London 1785–1851 London), One sheet of a series of satires, designed as a song book. Composed

Drawings and Prints, Print, Allegory of the Christian Faith with Christ at center, holding the cross, Artist, After, Cherubino Alberti (Zaccaria Mattia), Rosso Fiorentino, Italian, Borgo Sansepolcro 1553–1615 Rome, Italian, Florence

Blackwork Print with Five Ornament Motifs, a Pair of Butterflies and a Grotesque, 1592–1604, Blackwork engraving, Sheet: 2 11/16 × 2 5/16 in. (6.8 × 5.9 cm), Hans de Bull (German, active 1592–1604), Blackwork print with a grotesque atop

Chinese man with a bird, 1725–30, German, Meissen, Hard-paste porcelain, H. 6 in. (15.2 cm); L. 9-1/2 in. (24.1 cm), Ceramics-Porcelain, Like the other figure in this case, this group represents an early example of porcelain sculpture at

Drawings and Prints, Print, Scene in a Farce called The Quaker, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, December 22, 1783

Our English Cousins, 1894, Commerical relief process, Sheet: 14 15/16 × 17 13/16 in. (37.9 × 45.3 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Goorkha, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Portrait of a Woman in a Lace Bonnet, in three-quarter profile to the left, mid-19th century, Graphite, Sheet: 6 5/16 × 6 1/16 in. (16 × 15.4 cm), Drawings, Ferdinand Georg Waldmüller (Austrian, Vienna 1793–1865 Helmstreitmühle in der

New England Hotel, Broadway, Adjoining Trinity Church Yard, New York, 1846–49, Lithograph with tint stone, Image: 10 3/8 x 14 7/16 in. (26.4 x 36.6 cm), Prints, Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New

Marie Louise, Empress of the French, 1811, Etching and engraving on laid paper, image: 17 3/4 x 12 9/16 in. (45.1 x 31.9 cm), Prints, Designed by Alexandre Evariste Fragonard (French, Grasse 1780–1850 Paris), Engraved by J. L. Benoist

White-Throated Shag, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a

Recruits Going to Join the Regiment, ca. 1715–16, Etching with drypoint, 8 7/8 x 13 7/16 in. (22.6 x 34.2 cm), Prints, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), Recruits Going to Join the Regiment is part of a

Goldsmiths Ornament with a Young Man Holding a Cornucopia, 1709, Engraving and Blackwork, Plate: 2 3/16 x 2 11/16 in. (5.5 x 6.8 cm), Giovani Battista Grondoni (Italian, active 1709–1715), Small ornament print with a design mainly made up out

A cartouche with a loom, a skull at top, bones to either side, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis), ca. 1640–60, Etching, letterpress visible on

The South Sea Scheme, 1722, Etching and engraving; seventh state of seven, sheet: 10 1/4 x 12 15/16 in. (26.1 x 32.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Ulrich Van Büler, n.d., Woodcut, sheet: 17 1/8 x 12 15/16 in. (43.5 x 32.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Men collecting dung dropping from the hindquarters of a mule, with a rider sitting backward on the mule and holding its tail aside, surrounded by onlookers spread around a stepped platform, from 'Secular emblems' (Emblemata saecularia),

Prang's Publications: Easter, 1895, Lithograph, Sheet: 23 7/8 × 16 15/16 in. (60.6 × 43.1 cm), Louis John Rhead (American, born England, 1857–1926

Design for a water pitcher, ca. 1835, Graphite, sheet: 19 7/8 x 12 in. (50.5 x 30.5 cm), Drawings, Attributed to Thomas Fletcher (American, Alstead, New Hampshire 1787–1866 New Jersey

Portrait of an Olivetan Monk, Oil on canvas, 38 1/4 x 28 5/8 in. (97.2 x 72.7 cm), Paintings, Attributed to Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481–1536 Rome), The sitter in this portrait is an Olivetan monk, a branch of the

Isaac Blessing Jacob (Dalziels' Bible Gallery), After Edward Armitage (British, London 1817–1896 Tunbridge Wells, Kent), Dalziel Brothers (British, active 1839–1893), 1880–81

Oceanica, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of

The Virgin at the Window, 1502–40, Engraving, Sheet: 7 11/16 in. × 6 in. (19.6 × 15.2 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Paysans en Marche, Etching, sheet: 13 9/16 x 20 in. (34.5 x 50.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659

The Market at Gisors: Rue Cappeville, 1894–95, Etching and drypoint printed in color on laid paper; seventh state of seven; posthumous impression, sheet: 10 3/8 x 7 7/8 in. (26.3 x 20 cm), Prints, Camille Pissarro (French, Charlotte Amalie,

Drawings and Prints, Photograph, Card Number 55, Sadie Martinot, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

May Danforth, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

Sitting Satyrs, after 1732, Etching and engraving, sheet: 9 3/4 x 5 13/16 in. (24.7 x 14.8 cm), Prints, G. King (British, active 1732–49

Pyramus and Thisbe, 1553, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Trapeze Artist, late 19th century, Pen and ink, brush and wash, and gouache, Sheet: 21 9/16 × 18 1/8 in. (54.7 × 46 cm), Drawings, Anonymous, British, 19th century, A man in costume perfoms on a trapeze in a theater auditoriumm as a woman

The Casks and Planks at the Back of the River, Engraving; third state of three, Plate: 3 7/8 × 5 11/16 in. (9.9 × 14.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Card 409, Jennie Bernhardt, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type

Speculum Romanae Magnificentiae: View of Rome from the North, 1561, Engraving, sheet: 20 1/2 x 26 9/16 in. (52 x 67.5 cm), Prints, Sebastiano di Re (Italian, active Rome, 1557–63

Renard Asks for Confession from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Frontispiece to Nicholas Amhurst's 'Terrae-Filius', June 1726, Etching and engraving, sheet: 5 1/2 x 3 1/8 in. (13.9 x 8 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print Ornament & architecture, Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques, Twelve candelabra grostesques, Artist, Formerly attributed to, Giovanni Antonio da

Nicolas Potier de Novion, 1657, Engraving; first state of three (Petitjean & Wickert), Sheet: 14 × 10 5/16 in. (35.6 × 26.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Lithographie fur die Vierte Bauhausmappe, 1922, Lithograph in yellow, red, blue, black, Sheet: 14 5/16 x 13 1/2 in. (36.3 x 34.3 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine

Christ Carrying the Cross, from The Large Passion, ca. 1498, Woodcut, Sheet: 15 7/16 × 11 5/16 in. (39.2 × 28.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Drawings and Prints, Print, St Giles's Courtship, Publisher, Artist, Rudolph Ackermann, Thomas Rowlandson, London, British, London 1757–1827 London, Ackermann, Rudolph, Rowlandson, Thomas, 1829, 1757, 1855, 1827, April 10, 1799

Successful Monster (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778, Etching, Plate: 11 5/8 x 7 7/8 in. (29.5 x 20 cm), Prints

Horizontal Panel with a Row of Flowers Above a Frieze with a Battle Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util, 1645, Etching and burin, Sheet: 3 1/8 × 4 1/2 in. (7.9 × 11.4 cm), Nicolas Cochin (French, Troyes 1610–1686

Count Vauvineaux, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued

Drawings and Prints, Print, Plate 3: Tiberius turned to the right, from 'The Twelve Caesars', The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro),

Fencing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25 cards in 1887

Purple-breasted Chatterer, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series

The Hay Barn, 1920, Etching, Plate: 10 5/16 x 14 1/4 in. (26.2 x 36.2 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Louis Gueymard (1822–1880) as Robert le Diable, 1857, Oil on canvas, 58 1/2 x 42 in. (148.6 x 106.7 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), This painting, shown at the Salon of 1857, depicts the tenor

'La seconde a une abondante chevelure...', 1902, Color lithograph, sheet: 12 13/16 x 9 15/16 in. (32.5 x 25.2 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Four goats; at the back a nanny goat lies on the ground, in the middle a billy goat stands, in the front two kids lie on the ground, a fence and tree beyond, ca. 1641–78, Etching, sheet: 5 1/8 x 6 3/8 in. (13 x 16.2 cm), Prints, Karel

S. Marie Overs in Southwarke (St. Mary Overy, now Southwark Cathedral), 1647, Etching; second state of two, Image: 5 9/16 × 9 7/8 in. (14.1 × 25.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), View of St Mary Overy,

Awl, Cypriot, Bronze, Other: 3 15/16in. (10cm), Bronzes

Drawings and Prints, Print, Fete, Ornament & Architecture, Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Artist, Author, Artist, After, Abraham Bosse,

A mule carrying a woman and a peasant walking with a mule to left, a fisherman to right casting his line towards the right, a bridge in the center background, from 'Various landscapes' (Divers paysages), ca. 1641, Etching, Sheet: 3 1/8 x 6

Drawings and Prints, Print, Standing man, viewed from the back, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820

Peasant Leaning on Door, 1610–85, Etching, Sheet: 4 3/16 × 3 1/2 in. (10.6 × 8.9 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

A Baby in 16th century Dress with a Rooster and a Dog (in Sketch Book With Drawings on Twenty-six Leaves), ca. 1849, Graphite washed with ink on paper, Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm), Drawings, Frederic, Lord Leighton (British,

Drawings and Prints, Drawing, Study of a Young Woman in Three-quarter Bust-Length, Artist, Bronzino (Agnolo di Cosimo di Mariano), Italian, Monticelli 1503–1572 Florence, Bronzino (Agnolo di Cosimo di Mariano), Italian, 1503, 1572, ca.

Drawings and Prints, Print, Chap. X: Quel guignon! (What bad luck!), Un an de la vie d'un jeune homme (A Year in the Life of a Young Man), Lithographer, Publisher, Artist, Langlumé, Sazerac and Duval, Victor Adam, French, active

Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right, 1508, Engraving, 11 3/4 x 8 1/4 in. (29.8 x 20.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Card 437, Lillie Blow, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

A Sketch (Portrait of George Stubbs), second half 18th century, Etching, plate: 7 3/4 x 5 5/8 in. (19.7 x 14.3 cm), Prints, James Bretherton (British, active 1750–99), After Thomas Orde, Lord Bolton (British, Morpeth, Northumborn

Drawings and Prints, Drawing, Study of a Nude, Artist, Charles-Albert Despiau, French, Mont-de-Marsan 1874–1946 Paris, Despiau, Charles-Albert, French, 1874, 1946, 1890, 1946

The Baptism, ca. 1734, Etching, state ii/ii, Sheet: 13 1/4 x 19 1/16 in. (33.7 x 48.4 cm), Prints, Pierre Charles Trémolières (French, Cholet 1703–1739 Paris

Plate 21: Envoys from Cologne Bring Presents to Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet: 6 5/16 × 8 1/8 in. (16.1 × 20.6 cm),

Pier table, 1810–15, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, mahogany veneer, satinwood, 38 x 54 x 23 3/4 in. (96.5 x 137.2 x 60.3 cm), Furniture, Joseph B. Barry and Son (1757–1838), This table combines

Portrait of Marie-Thérèse, 1747, Etching and engraving; state 3 of 3, sheet: 16 5/8 x 12 7/8 in. (42.2 x 32.8 cm), Prints, Johann Christoph Reinsperger (German, Nürnberg 1711–1777 Vienna), After Jean Étienne Liotard (Swiss, Geneva

Pauline Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

St. John, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Day of God, 1894–95, Woodcut on china paper; edition in black ink on china paper, block: 7 3/16 x 8 in. (18.3 x 20.3 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Design for a Festival Gondola, ? – 1737, Pen and brown ink, over graphite. Framing lines in pen and brown ink, 13-1/16 x 19 in. (33.2 x 48.2 cm), Alessandro Mauro (Mauri) (Italian, Tortona 1711–documented 1748 Dresden

The Prophet Joel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 5/16 x 16 11/16 in. (56.7 x 42.4 cm) borderline(?), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua),

Hercules at the cross-roads, he is seated at the right, to the left are female personifications of Virtue and Vice, 1547–87, Engraving, sheet: 7 11/16 x 11 1/4 in. (19.5 x 28.6 cm), Prints, Adamo (Ghisi) Scultori (Italian, Mantua ca.

The Virgin and Child with Saint Anne at the Cradle, Engraving, Sheet: 2 1/2 × 2 1/4 in. (6.4 × 5.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

St. Jerome in the Desert, ca. 1511, Chiaroscuro woodcut, Sheet: 7 1/2 × 5 7/16 in. (19.1 × 13.8 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Lion Devouring a Horse, 1844, Lithograph; fourth state of five, Image: 6 5/8 x 9 5/16 in. (16.9 x 23.6 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Photograph, Card Number 336, Carrie Behr, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

I Should Smile, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Hills around the Bay of Moulin Huet, Guernsey, 1883, Oil on canvas, 18 1/8 x 25 3/4 in. (46 x 65.4 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), During his trip in late summer 1883 to the English Channel island

Design for the Tomb of Pope Julius II della Rovere, 1505–6, Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint, 20-1/16 x 12-9/16 in. (51 x 31.9 cm), Drawings, Michelangelo Buonarroti (Italian, Caprese 1475–1564

Design for Knife Handles with Personifications of Peace and Faith, 1580–1600, Engraving and blackwork, Sheet: 3 9/16 × 2 7/16 in. (9.1 × 6.2 cm), attributed to Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach),

The Sorrows of Satan, 1896, Lithograph, Sheet: 13 1/16 × 10 1/16 in. (33.1 × 25.5 cm), Joseph J. Gould, Jr. (American, 1880–1935

Drawings and Prints, Drawing, Temple of the Sun and the Moon in Rome, Artist, Jean Barbault, French, Viarmes 1718–1762 Rome, Barbault, Jean, French, 1718, 1762, 1750, 1750

Drawings and Prints, Print, The Holy Family with the Infant John the Baptist, Artist, Hendrick Goltzius, Federico Barocci, Netherlandish, Mühlbracht 1558–1617 Haarlem, Italian, Urbino ca. 1535–1612 Urbino, Goltzius, Hendrick,

Man Holding a Crossbow, Etching, Sheet: 14 1/2 × 8 13/16 in. (36.9 × 22.4 cm), Prints

Drawings and Prints, Print, Les porteurs de mauvaises nouvelles (The Bearer of Bad Tidings) from Le Monde Illustré, Artist, Draftsman, Artist, After, Émile Thomas, Albert Duvivier, Jean Lecomte du Nouÿ, French, Vittel, active

Portrait of Charles Gauzargues, 1767, Etching; first state of two (Bocher), Sheet: 7 3/16 × 5 3/16 in. (18.3 × 13.1 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French, Paris

The Flagellation: Pilate stand under archway on left watching two men flagellate figure of Christ tied to column, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/8 in. × 4 in. (13 × 10.1 cm), Prints, Marcantonio Raimondi