Images at Librifly

Drawings and Prints, Print, Ship'stem, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Scarlet Finch, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued in

Trulla Attacking Hudibras (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 4), 1721–26, Etching and engraving, sheet: 4 11/16 x 2 11/16 in. (11.9 x 6.9 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

Drawings and Prints, Photograph, Card Number 769, Fanny Rice, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Bavarian Postillion, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50

Horizontal Panel Design with Four Male Figures Fighting a Lion, 17th century (first half), Pen and brown ink over leadpoint., Sheet: 7 1/4 x 10 1/4 in. (18.4 x 26.1 cm), Anonymous, Italian, Venetian, 17th century, In the manner of Polifilo

Anne of Austria with the Young Louis XIV and Monsieur before the Virgin and Child (Anne d'Autriche déposant le régence du royaume de France entre les mains de la Vierge Marie), Engraving, sheet: 17 3/8 x 11 5/16 in. (44.2 x 28.8 cm), Prints,

Banknote motifs: six small lathe work designs for corners, frames and numbers, ca. 1824–42, Engraving, plate: 2 7/16 x 4 7/16 in. (6.2 x 11.3 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

The Crowning with Thorns, from The Passion of Christ, 1597, Engraving, sheet: 8 1/16 x 5 1/2 in. (20.4 x 13.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series

Four Scenes from the Passion, Oil on wood, 11 3/4 x 11 3/8 in. (29.8 x 28.9 cm), Paintings, Follower of Bernard van Orley (Netherlandish, ca. 1520), This panel was probably the centerpiece of a small triptych intended to assist its owner in the

Plan of the City of Rome. Part 2 with the Trinita dei Monti, Palazzo Borghese and the Baths of Diocletian, 1645, Etching with some engraving, undescribed state., Sheet: 21 3/16 x 15 13/16 in. (53.8 x 40.2 cm), Prints, Antonio Tempesta

Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona), ca. 1535–38, Pen and brown ink, over traces of black chalk, sheet: 7 13/16 x 4 5/16 in. (19.8 x 10.9 cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola)

Drawings and Prints, Print, The Home Pond (from A Round of Days), Artist, Engraver, Publisher, After, John William North, Dalziel Brothers, George Routledge & Sons, British, London 1842–1924 Stamborough, Somerset, British, active

Hyems - Winter (Three-quarter-length seasons), 1641, Etching; second state of two, Sheet: 9 3/4 × 6 15/16 in. (24.7 × 17.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

The Vestal Virgin Tuccia, mid-16th century, Engraving, sheet: 10 11/16 x 13 3/4 in. (27.1 x 35 cm), Prints, Master FG (Italian, active mid-16th century

Adam and Eve, 1519, Woodcut, Block: 10 1/16 × 3 13/16 in. (25.5 × 9.7 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition, 1659, Engraving, Sheet: 2 11/16 x 2 1/16 in. (6.8 x 5.3 cm), Prints, After

Drawings and Prints, Print, Variety Act 2: Mister B. Mouring, The Learned Monkey (Varietenummer 2: Mister B. Mouring der Gelehrte Affe), Artist, Publisher, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach,

新石器時代良渚文化 玉璧, Ritual Object (Bi), Neolithic period, Liangzhu culture (ca. 3200–2000 B.C.), mid-3rd millennium B.C., China, Jade (nephrite), Diam. 8 3/8 in. (21.3 cm), Jade

Infant Hercules asleep, 1625–77, Etching; third state of four, the plate is reduced in size in this state, Sheet: 6 in. × 4 3/4 in. (15.3 × 12 cm), Prints, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

River Bank with Factories in the Background, 1720–70, Etching; first state, Sheet: 11 13/16 × 17 3/16 in. (30 × 43.6 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Antoine Watteau (French, Valenciennes 1684–1721

Portrait of the Duke of Alva, from a Series of Tazza Designs, ca. 1588, Engraving, Sheet: 5 3/16 × 4 15/16 in. (13.2 × 12.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In the central medallion, a portrait of the Duke

Design for a Lavish Headdress with Feathers on a Helmet, ca. 1620–56 , Blue gouache or watercolor heightend with white, Sheet: 10 5/8 x 7 11/16 in. (27 x 19.5 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and

The Hamlet of Optevoz, ca. 1852, Charcoal and lead white, 14 7/8 x 24 3/4 in. (37.8 x 62.8cm), Drawings, Charles-François Daubigny (French, Paris 1817–1878 Paris

The Skeletons, from Grotteschi (Grotesques), ca. 1748, Etching with engraving, drypoint, and burnishing; second state of five (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

'Honest Iago, my Desdemona must I leave to thee': plate 4 from Othello (Act 1, Scene 3), etched 1844, reprinted 1900, Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts), plate: 14 3/8 x 10 1/2

Harper's: August, 1899, Lithograph, Sheet: 12 5/16 × 11 7/16 in. (31.3 × 29 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Abraham and Isaac on the way to Sacrifice, 1558, Etching, Sheet: 12 1/8 x 8 7/8 in. (30.8 x 22.5 cm), Prints, Hieronymus Cock (Netherlandish, Antwerp ca. 1510–1570 Antwerp), Possibly after Matthijs Cock (Netherlandish, ca. 1509/10–1540/48

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, 1526, Engraving, sheet: 8 11/16 x 4 5/8 in. (22.1 x 11.7 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona

Drawings and Prints, Print, Smaraolo cornuto - Rarsa di Boio, from the Balli di Sfessania, Artist, Jacques Callot, French, Nancy 1592–1635 Nancy, Callot, Jacques, French, 1592, 1635, ca. 1622

The Committee (Plate 10: Illustrations to Samuel Butler's Hudibras), 1725–30 (?), Etching and engraving, Plate: 7 3/4 x 9 5/16 in. (19.7 x 23.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Good Samaritan Paying the Innkeeper for the Care of the Wounded Man, from The Parable of the Good Samaritan, 1554, Engraving, Sheet: 3 1/16 × 4 1/4 in. (7.8 × 10.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561

Kneeling One (Kneide, groß), 1911, Drypoint; first state of three, plate: 13 1/2 x 9 3/4 inches (34.5 x 25 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin

Afriquaine en deshabillé, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by

Harper's: July, 1899, Lithograph, Sheet: 9 15/16 × 12 5/8 in. (25.3 × 32 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Plate 13: two peasants standing to left, a cripple kneeling on the ground in center, a woman carrying a child seen from behind to right in middleground, a church to right in background, from 'Caprice faict par de la Bella', ca. 1642, Etching;

Helen Standish, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Chinese Magician, 1738–45, Etching, Sheet (trimmed): 8 1/8 × 5 1/8 in. (20.7 × 13 cm), Prints, Jean-Baptiste Perronneau (French, Paris 1715–1783 Amsterdam), After François Boucher (French, Paris 1703–1770 Paris

Covered Goblet with Three Pomegranates, Etching, Sheet: 8 9/16 × 4 1/8 in. (21.8 × 10.4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Man Threshing Wheat, 1853, Woodcut on chine collé, block: 5 3/8 x 2 15/16 in. (13.6 x 7.5 cm), Prints, Designed by Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Engraved by Jacques-Adrien Lavieille (French, 1818–1862

Daniel Webster, ca. 1850, Daguerreotype, 21.5 x 16.6 cm (8 7/16 x 6 9/16 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American, Wayland,

Page McCarty, The Richmond Daily Times, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

The Watermill, Engraving; fourth state of four, Sheet: 5 1/4 × 7 5/8 in. (13.4 × 19.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Frieze with Children, 1517–32, Etching; state two, sheet: 1 7/8 x 7 7/8 in. (4.8 x 20 cm), Prints, Conrad Baur (German, active 1517–32

Solness le Constructeur, Program for Théâtre de l'Oeuvre, April 1894, 1894, Lithograph; second state of two, sheet: 12 3/4 x 9 1/2 in. (32.4 x 24.2 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Lippincott's: May, 1896, Lithograph, Sheet: 16 15/16 × 11 15/16 in. (43.1 × 30.3 cm), Joseph J. Gould, Jr. (American, 1880–1935

Costume Study for Belmonte in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 × 8 3/16 in. (28.5 × 20.8 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

Japan, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Woman Seated with Four Putti, late 19th century, Colored lithograph, Mount: 12 3/8 x 17 9/16 in. (31.5 x 44.6 cm), Prints, George William Thornley (French, 1857–1935), After (?) François Boucher (French, Paris 1703–1770 Paris

Boulevard, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to

Drawings and Prints, Print, Rainauld d'Este, Cardinal Éveque de Reggio, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 17th century, 1720

The Industrious 'Prentice a Favorite and Entrusted by his Master (Industry and Idleness, plate 4), September 30, 1747, Etching and engraving; second state of two, plate: 10 3/8 x 13 1/2 in. (26.3 x 34.3 cm), Prints, William Hogarth (British,

The Goose Girl, 1830–75, Drypoint on thin wove paper, plate: 5 9/16 x 4 3/4 in. (14.2 x 12.1 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Oak Organ Case Southery Church, late 19th–early 20th century, Pen and ink over graphite with watercolor, Ernest Geldart (British, London 1848–1929

R.W. Walden, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued in

The Three Trees, after Rembrandt, 1758, Etching; second state of six, plate: 8 1/4 x 11 in. (21 x 28 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), Rembrandt (Rembrandt van Rijn) (Dutch, Leiden

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, 1599, Engraving, sheet: 5 x 7 7/16 in. (12.7 x 18.9 cm), Prints,

Feeding the Dog, 1682–1754, Black chalk, highlighted with white chalk, on blue-gray paper faded to brown, 15-1/2 x 20-9/16 in. (39.3 x 52.3 cm), Drawings, Giovanni Battista Piazzetta (Italian, Venice 1682–1754 Venice

St. Thomas, from 'Christ, Mary and the Apostles', late 16th century, Etching, sheet: 21 5/8 x 15 3/4 in. (55 x 40 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Anything Will Do For an Officer, January 1, 1796, Hand-colored etching, Sheet: 14 5/16 × 8 15/16 in. (36.4 × 22.7 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Drawings and Prints, Print, The Mule Car, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

Irish, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

George Abel, The Baltimore Sun, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1), issued

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Vedute di Roma (Roman Views), ca. 1750, Etching; first state of four (Hind), Sheet: 20 1/2 x 30 1/2 in. (52 x 77.5 cm), Prints,

Miss Von Stamwitz, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of

Shell: Hebrew Volute ( Voluta ebraea L), ca. 1646, Etching; only state, Plate: 3 13/16 × 5 9/16 in. (9.7 × 14.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Head, from the Kinnaird Sketchbook, 17th century, Black chalk with touches of pen and brown ink, sheet: 4 15/16 x 3 5/16 in. (12.5 x 8.4 cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, Man holding hands with a boy, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820, 1866

Anne Bonny, Firing Upon the Crew, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

The Exiles and Other Stories, 1903, Lithograph, Sheet: 14 15/16 × 10 7/16 in. (38 × 26.5 cm), Prints, Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Mon. C.J. Lefevre, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),

Forest Landscape, n.d., Etching, sheet: 12 5/16 x 8 15/16 in. (31.3 x 22.7 cm), Prints, Domenico Quaglio II (German, Munich 1787–1837 Hohenschwangau, near Füssen

Society Islands, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10),

Hairy Bear, Winnebagoes, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued

Column of Dilius and Obelisque Fountain, 1574, Engraving, sheet: 18 3/16 x 12 3/16 in. (46.2 x 31 cm), Prints, Anonymous, Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence). It is likely

Banknote vignette with the main street of a town, ca. 1824–37, Engraving and etching on chine collé, plate: 2 1/2 x 4 13/16 in. (6.3 x 12.3 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Hudibras Vanquished by Trulla (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 5), February 1725–26, Etching and engraving; second state of five, sheet: 9 7/8 x 12 7/8 in. (25.1 x 32.7 cm) (trimmed within platemark), Prints,

Terracotta bowl, Early or Middle Bronze Age, ca. 2500–1600 B.C., Cypriot, Terracotta, H. 14 in. (35.6 cm), Vases, Bowl with handle and two spouts. Red Polished Ware vessels, such as this bowl, made their appearance at the very beginning of

Drawings and Prints, Print, New Inventions of Modern Times [Nova Reperta], The Invention of Eyeglasses, plate 15, Artist, Publisher, After, Jan van der Straet, called Stradanus, Jan Collaert I, Philips Galle, Netherlandish, Bruges

Venus and the Lute Player, ca. 1565–70, Oil on canvas, 65 x 82 1/2 in. (165.1 x 209.6 cm), Paintings, Titian (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice) and Workshop, Titian and his workshop treated the theme of Venus and a

Water, 18th century, Etching and engraving, Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Christ Healing the Leper, from The Story of Christ, 1534–35, Engraving, Sheet: 1 9/16 × 2 5/16 in. (3.9 × 5.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

A Shepherd with two Magicians, from the Scherzi, ca. 1740, Etching, Plate: 8 13/16 x 6 7/8 in. (22.4 x 17.5 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Dollie Ames, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Macbeth IV, 1918, Drypoint; first state of two, plate: 15 1/2 x 11 3/4 inches (39.5 x 29.5 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin), Known best as a sculptor, Lehmbruck also made etchings and drypoints in his last

Banditti Taking His Post (from Fifteen Etchings Dedicated to Sir Joshua Reynolds), December 8, 1778, Etching, Sheet: 11 5/16 x 7 3/16 in. (28.7 x 18.2 cm), Prints

Plate 21: a poor woman to left, seen from behind, enveloping her child in a shawl, another woman seen from behind to left in background, a woman atop a horse and a man to right in background, from 'Diversi capricci', ca. 1644–47, Etching;

L'Air, from The Elements, 17th century, Etching; fourth state, sheet: 3 x 7 11/16 in. (7.6 x 19.6 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Charles-Maurice le Tellier, 1671, Engraving; fourth state of four (Petitjean & Wickert), Sheet: 13 1/8 × 10 1/2 in. (33.3 × 26.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Duck, 1850–1914, Etching; proof state, sheet: 19 1/2 x 16 in. (49.5 x 40.6 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Ayam Jallak Malay Game Cock, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20),

Return of a Raiding Party from Pennsylvania (from Confederate War Etchings), 1861–63, Etching, Image: 4 5/8 x 7 13/16 in. (11.7 x 19.9 cm), Prints, Adalbert John Volck (American (born Germany), Augsburg 1828–1912 Baltimore, Maryland

Madonna and Child, 16th century, Etching, plate: 3 5/8 x 2 5/16 in. (9.2 x 5.8 cm), Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Nude Children Dancing Under a Canopy, with Two Horses on the Left and a Banner on the Right, ca. 1532–33, Engraving, Sheet: 1 11/16 × 4 1/8 in. (4.3 × 10.4 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Chimneypiece: Architrave decorated with a Greek key motif and a circular fireback with figures of the zodiac (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting

Italy, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Portrait of L'Abbé Pommyer, 1771, Etching and engraving; fifth state of five (Bocher), Sheet: 9 3/4 × 7 13/16 in. (24.7 × 19.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

Ground Plan, ca. 1750, Pen and black ink, 23-7/8 x 17-1/2 in. (60.6 x 44.5 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Horizontal Panel with a Row of Flowers Above a Frieze with a Battle Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util, 1645, Etching and burin, Sheet: 3 1/16 × 4 1/2 in. (7.8 × 11.4 cm), Nicolas Cochin (French, Troyes 1610–1686

Speculum Romanae Magnificentiae: Temples on the Isle of Tiber, 16th century, Engraving and etching, sheet: 13 7/8 x 18 5/16 in. (35.3 x 46.5 cm), Prints, Anonymous