Images at Librifly

III. Pessima, 1898, Lithograph printed with beige tint stone on laid paper, 18-5/8 x 14-7/8 in. (47.3 x 37.8 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Interior view of St. Peter's Basilica in the Vatican, from Vedute di Roma (Roman Views), ca. 1748, Etching; third state of six (Hind), Sheet: 20 11/16 x 28 9/16 in. (52.5 x 72.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

Antoine Laurent Lavoisier (1743–1794) and His Wife (Marie Anne Pierrette Paulze, 1758–1836), 1788, Oil on canvas, 102 1/4 x 76 5/8 in. (259.7 x 194.6 cm), Paintings, Jacques Louis David (French, Paris 1748–1825 Brussels), This great

Pyramid of Men, 1540–50, Etching, Sheet: 11 1/4 x 8 1/4 in. (28.5 x 21 cm), Prints, Attributed to Juste de Juste (French (born Italy), Florence 1501–1559 Tours

Martyrdom of Saint Andrew, from the series 'The little apostles' (Les petits apôtres), ca. 1632, Etching, Sheet: 4 5/16 x 3 3/8 in. (11 x 8.6 cm), Prints, Jacques Callot (French, Nancy 1592–1635 Nancy

Book Cover with Byzantine Icon of the Crucifixion, 1000 (ivory); before 1085 (setting), Made in Constantinople (Ivory); Made in Jaca, Spain (Setting), Byzantine (ivory); Spanish (setting), Silver-gilt with pseudo-filigree, glass, crystal, and

Drawings and Prints, Print, Smuggling In, or A College Trick, Publisher, Artist, After, Ackermann's Gallery, Thomas Rowlandson, Heinrich Joseph Schu¨tz, London, British, London 1757–1827 London, German, Frankfurt 1760–1822

A Clump of Trees, ca. 1757, Graphite, brush and gray wash, Sheet: 6 1/4 x 7 5/8 in. (15.8 x 19.4 cm), Drawings, Thomas Gainsborough (British, Sudbury 1727–1788 London), While living in Ipswich in the 1750s, Gainsborough made a number of

Landscape with Wine Harvest, ca. 1630, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash, Sheet: 14 9/16 x 19 5/16 in. (37 x 49 cm), Drawings, Pietro da

Partial View of a Building [Templum Isaiae Prophetae] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', ca. 1572, Etching, Plate: 6 11/16 x 4 5/16 in. (17 x 11 cm), Lambert

Christ before Caiaphas: soldiers present Christ to seated hight priest who tears his garments, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/4 in. × 4 in. (13.3 × 10.1 cm), Prints, Marcantonio Raimondi (Italian,

Triumphal arch surmounted by a statue representing the city of Bologna, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598, 1598, Etching, Sheet (Trimmed): 8 9/16 × 5 7/8 in.

John Quincy Adams, ca. 1850, Daguerreotype, 12.0 x 9.0 cm (4 3/4 x 3 9/16 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes (American, Wayland,

The Laughing Audience, December 1733, Etching; fourth state four, plate: 7 1/2 x 6 13/16 in. (19 x 17.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Jesus Washing the Feet of the Disciples, 1540–45, Etching, Sheet (trimmed): 13 3/8 × 19 3/16 in. (34 × 48.8 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

St. Peter, from Christ, the Apostles and St. Paul with the Creed, 1589, Engraving; third state of five, sheet: 5 7/8 x 4 1/16 in. (15 x 10.3 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Speculum Romanae Magnificentiae: Statue of Pasquin in the House of Cardinal Ursino, 16th century, Engraving and etching, sheet: 19 3/16 x 13 5/8 in. (48.8 x 34.6 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Drawings and Prints, Print, poster, The Red Cross supplies people with information, Publisher, Issued by, War Council of the American Red Cross, War Council of the American Red Cross, 1917, 1925, ca. 1917, 1915, 1922, Commercial color

Drawings and Prints, Print, A naked man (Ignudo), seated and facing left, after Michelangelo's'The Last Judgment' fresco in the Sistine Chapel, Prints after Michelangelo's'The Last Judgment' fresco in the Sistine Chapel, Artist, Publisher,

Two ladies and two gentlemen dancing within an ornate architectural setting, a fountain at center in the background, a scene from 'Talestri, Regina delle Amazzoni', 1765, Engraving, sheet: 6 7/8 x 10 5/16 in. (17.5 x 26.2 cm

Drawings and Prints, Print, Portrait of a Young Man in Profile, Artist, Paul Anton Skerl, German, Dresden 1787–1852 Dresden, Skerl, Paul Anton, German, 1787, 1852, 1808, 1808

Perseus and Andromeda, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 7/8 x 2 3/16 in. (4.7 x 5.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Venus with a Dove, ca. 1780, Graphite, pen and ink, sheet: 8 1/16 x 6 1/2 in. (20.5 x 16.5 cm), Drawings, Nicolai Abraham Abildgaard (Danish, Copenhangen 1743–1809 Frederiksdal

La Vierge de douleurs, Etching, image: 18 3/8 x 13 11/16 in. (46.7 x 34.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Drawings and Prints, Photograph, Card Number 220, Miss Reyes, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Great Cry and Little Wool, December 22, 1783, Etching, Sheet: 9 in. × 12 5/16 in. (22.8 × 31.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Bias weeps and condemns, plate IX from Thronus Justitiæ, 1605, Engraving, sheet: 11 3/4 x 15 3/8 in. (29.9 x 39 cm), Prints, Joachim Wtewael (Netherlandish, Utrecht 1566–1638 Utrecht), Willem van Swanenburg (Netherlandish, ca.

Portrait Bust of Mademoiselle Marcelle Lender, 1895, Crayon, brush, and spatter lithograph printed in eight colors; fourth state of four (rare trial proof for Pan edition), image: 14 x 9 5/8 in. (35.5 x 24.4 cm), Prints, Henri de

Judith, ca. 1526, Engraving, Sheet: 3 3/8 × 2 5/8 in. (8.5 × 6.7 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

St. William, Duke of Aquitaine, Converted by St. Bernard, Engraving, sheet: 9 3/4 x 13 1/2 in. (24.7 x 34.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

A mortar and a cannon, both mounted on carriages, a soldier shown from the back stands to the left, from 'Equipment needed for Fortification' (Recueil de diverses pièces très nécessaires à la fortification), ca. 1638–43, Etching, Sheet: 3

The Unmerciful Servant (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

The Fight Between Ulysses & Irus, ca. 1590, Engraving; second state of three, 42.8 x 33.2 cm, Prints, Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638 Haarlem), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Lamp, 2nd century A.D., Roman, Terracotta, Length 8.1 cm. H. 2.7 cm., Terracottas

Portraits at the Stock Exchange, ca. 1878–79, Pastel on paper, pieced, and laid down on canvas, 28 3/8 x 22 7/8 in. (72.1 x 58.1 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This study for an oil painting by Degas of

Drawings and Prints, Print, The Neva River, Artist, Karl Petrovich Beggrov, Russian, 1799–1875, Beggrov, Karl Petrovich, 1799, 1875, ca. 1800–1850, 1800, 1850

Drawings and Prints, Photograph, Card Number 143, Marie St. John, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Cooling the Porridge, 1861, Etching on chine collé; fifth (final) state, image: 6 1/2 x 5 3/16 in. (16.5 x 13.2 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Hispani et Hispanae in Vestitu Cultus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 3/16 x 5 7/8 in. (23.4 x 15 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814, Etching and mezzotint; first state of seven (Finberg), plate: 7 x 10 3/16 in. (17.8 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William

Drawings and Prints, Drawing, Cabbages, a Wiggle Much design, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, ca. 1910, 1905

Paradise, Jes' Billy an' me, an all the world great big caves of sugar ('Wiggle Much' Design), ca. 1910, Watercolor, blue ink, and graphite, Sheet: 5 15/16 x 9 7/16 in. (15.1 x 24 cm), Drawings, Herbert E. Crowley (British, London

Haniwa (Hollow Clay Sculpture) of a Shaman, 埴輪祈祷師像, Kofun period (ca. 300–710), 5th–early 6th century, Japan, Earthenware with painted, incised, and applied decoration (Kanto region), H. 15 7/8 in. (40.3 cm); W. 8 1/2 in.

Girl with a Load of Hay, Outside of Thorbogen, 1817, Etching; fifth state?, plate: 4 x 5 5/8 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

Percy Stone, Cyclist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in 1888 in a

Black-necked Stilt, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Little boy with a scythe, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de France, devised in

Scotch, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

The Girl at Cobhurst, 1898, Not illustrated, 7 7/16 x 5 1/16 x 1 1/4 in. (18.9 x 12.8 x 3.2 cm), Books, Binding and decorations by Margaret Neilson Armstrong (American, New York 1867–1944 New York

Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 1/4 in. (21 × 10.8 cm), Prints, Giovanni Jacopo

The Tomb of Raphael, Opened September 14, 1833, Pantheon, Rome, 1833, Lithograph on wove paper, sheet: 14 9/16 x 10 3/16 in. (37 x 25.8 cm), Prints, Horace Vernet (French, Paris 1789–1863 Paris

Sheep, from a set of 16 plates, 1664, Etching, sheet: 4 7/16 x 5 1/2 in. (11.2 x 14 cm), Prints, Marcus de Bye (Dutch, The Hague 1639–after 1688

Joseph R. Hawley, The Hartford Courant, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

Pyramus and Thisbe, ca. 1529, Engraving, Sheet: 2 3/16 in. (5.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Portrait of Kunz von der Rosen, ca. 1515/1518, Etching; second state of six, sheet: 11 5/8 x 8 7/16 in. (29.6 x 21.5 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

Martin Folkes, 1742, Etching and engraving; fourth state of four, plate: 13 1/16 x 9 3/8 in. (33.2 x 23.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Photograph, Card Number 714, Agnes Lyndin, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Following Renard's False Story, His Father Is Chased by Hunting Dogs from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 11/16 × 4 9/16 in. (9.3 × 11.6 cm), Prints, Allart van Everdingen (Dutch,

Drawings and Prints, Print, The Betrayal of Christ, Artist, Léonard Limosin, ca. 1505–1575/1577, LIMOSIN LÉONARD, 1505, 1577, 1540, 1549, Etching, Sheet: 10 in. × 7 3/8 in. (25.4 × 18.7 cm

Buffalo, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Canal Boats and Tugs, 1887, Etching and drypoint; trial proof b, plate: 4 7/16 x 6 15/16 in. (11.3 x 17.6 cm), Prints, Charles Adams Platt (American, New York 1861–1933

William Dugdale, 1625–77, Etching; third state of five, Sheet: 10 1/16 × 6 9/16 in. (25.5 × 16.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of William Dugdale; half length, almost full face; siting at a

Mlle. Magnier, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Ecce Homo, late 16th–early 17th century, German, Augsburg, Silver, silver gilt, rosewood, Overall (relief only): H. 7 1/2 x W. 6 5/8 in. (19.1 x 16.8 cm), Metalwork-Silver, Anonymous, German, 17th century, A painting of nearly identical

Le chancelier Pierre Séguier, 1657, Engraving; first state of four (Petitjean & Wickert), Sheet: 12 5/8 × 9 5/8 in. (32 × 24.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Charles Le Brun (French, Paris 1619–1690

Speculum Romanae Magnificentiae: Portraits of the Ancient Philosophers, 16th century, Engraving, sheet: 18 13/16 x 15 3/8 in. (47.8 x 39 cm), Prints, Anonymous, Italian, 16th century

Drawings and Prints, Print, Fast Day, Artist and publisher, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, March 20, 1799

Venie Clancy, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Speculum Romanae Magnificentiae: Council of Trent, 1565, Etching and engraving, sheet: 13 3/16 x 19 9/16 in. (33.5 x 49.7 cm), Prints, Anonymous, Italian, 16th century

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Composite capital with measurements, ca. 1537, Engraving, Sheet: 8 13/16 x 5 11/16 in. (22.4 x 14.5 cm), Master G.A. (Italian, active ca. 1535), Published as part of Antonio Lafreri's Speculum Romanae Magnificentiae (The Mirror of Roman

Order of St. James, Portugal, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued in

Drawings and Prints, Print, The Three Women Returning from the Tomb, Artist, After, Aegidius Sadeler II, Bartholomeus Spranger, Netherlandish, Antwerp 1568–1629 Prague, Netherlandish, Antwerp 1546–1611 Prague, Sadeler, Aegidius, II,

An Old Man Sitting on the Roadside, 1818, Etching; second state, plate: 6 1/16 x 5 in., Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

A Doe and Two Lionesses, ca. 1540, Etching, sheet: 10 1/4 x 9 1/8 in. (26 x 23.2 cm), Prints, Attributed to Jan Cornelisz Vermeyen (Netherlandish, Beverwijk 1500–1559 Brussels

Drawings and Prints, Photograph, Lady S. Churchill, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

Oriental Head, ca. 1803, Lithograph (polyautograph), sheet: 11 1/8 x 8 1/4 in. (28.2 x 21 cm), Prints, Charles Heath, the elder (British, London 1785–1848 London), After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

Adoration of the Magi, after Rubens' 'Adoration of the Magi', ca. 1830, Graphite on wove paper, sheet: 10 1/8 x 7 13/16 in. (25.7 x 19.9 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Joseph, from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 3/8 x 10 5/8 in. (21.2 x 27 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert

The Holy Family with Angels, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger), 1782–1821, Etching and aquatint, Sheet: 15 7/8 × 21 7/16 in. (40.3 × 54.5 cm), Prints,

Drawings and Prints, Photograph, Card Number 329, Empire Group, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

The Green Wave, ca. 1866–67, Oil on canvas, 19 1/8 x 25 1/2 in. (48.6 x 64.8 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), When this early seascape debuted at the 1879 Impressionist exhibition, one critic remarked that

Frame for a Dedication Plate, 18th century, Etching and engraving, Sheet: 20 1/4 x 14 5/16 in. (51.4 x 36.4 cm) trimmed within platemark, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris

The Universe is Created (L'Univers est créé), from Fragrance (Noa Noa), 1893–94, Woodcut on china paper, block: 8 x 13 15/16 in. (20.3 x 35.4 cm), Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743, 1743, Engraving, sheet: 16 1/2 x 11 5/16 in. (41.9 x 28.8 cm), Prints, After William Hogarth

Broadsheet relating to a poor man who is in love with a wealthy woman but cannot provide for her, couple arguing on the street, José Guadalupe Posada (Mexican, 1851–1913), ca.1911

Laughter (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Prints,

Drawings and Prints, Photograph, Card Number 300, Annie Robe, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Kleine Welten I (Small Worlds I), 1922, Lithograph printed in blue, red, yellow and black, Plate: 9 3/4 × 8 9/16 in. (24.8 × 21.8 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine

Express Train, 1859, Hand-colored lithograph, image: 17 11/16 x 26 11/16 in. (45 x 67.8 cm), Prints, Charles Parsons (American (born England), Hampshire 1821–1910 New York

Chinoiserie from Nouvelle Suite de Cahiers Arabesques Chinois, 1790–99, Etching à la poupée, Plate: 7 11/16 × 5 7/16 in. (19.5 × 13.8 cm), Designed by Jean Pillement (French, Lyons 1728–1808 Lyons), Etched by Anne Allen (British, born

Plate from 'Scenographiae...', 1560, Etching, sheet: 5 7/8 x 8 5/16 in. (15 x 21.1 cm), Johannes van Doetecum the elder (Netherlandish, active 1554–ca. 1600, died 1605), After Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606

Cutlass, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a series

The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), June 10, 1808, Etching and mezzotint; third state of three, plate: 7 1/8 x 10 1/4 in. (18.1 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Youth Playing a Pipe for a Satyr, 1645–50, Brush with colored oil paint; paper partly saturated with oil; lined, 16 x 21-1/16 in. (40.6 x 53.5 cm), Drawings, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua),

West Front of Houghton Hall in Norfolk, Perspective, 1735, Black ink and wash, sheet: 15 1/4 x 26 3/16 in. (38.7 x 66.5 cm

Astrology, 17th century, Etching, sheet: 6 3/8 x 4 3/16 in. (16.2 x 10.7 cm), Prints, Anonymous, Italian, 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Drawings and Prints, Book Print, The Woes of an Umbrella, Author, Adelaide Maria Burgess, British (?), active America, 1880–1905, Burgess, Adelaide Maria, 1880, 1905, 1905

Vertical Panel with Candelabrum Containing Pairs of Fish and Rosettes, 1552, Engraving, Sheet: 5 7/16 × 1 3/4in. (13.8 × 4.5 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design with a pair of

Conversation Piece - Ravens, 1934, Drypoint; first state, plate: 8 1/2 x 12 7/8 in. (21.6 x 32.7 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut