Images at Librifly

Two gladiators fighting in front of an arch, 1530–60, Engraving, sheet: 8 1/16 x 9 1/16 in. (20.5 x 23 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Miss Annie Oakley, Rifle Shooter, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in

Owl Parrot, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889 in a

The Times, Plate 1, September 7, 1762, Etching and engraving; third state of three, sheet: 9 13/16 x 12 in. (25 x 30.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Different Scenes, from the Gospels and from Acta Apostolorum, ca. 1530, Etching; first state of two, sheet: 12 1/16 x 15 5/8 in. (30.6 x 39.7 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

A Seated Woman in Roman Dress, Spinning, early 19th–late 19th century, Graphite, sheet: 11 9/16 x 10 9/16 in. (29.3 x 26.9 cm), Drawings, Theodor Leopold Weller (German, Mannheim 1802–1880 Mannheim

Order of St. John, Holy See, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued in

Trade card for Ladislas Lukassy Kunstfeuerwerker, 19th century, Lithography, Sheet: 18 1/8 × 11 15/16 in. (46 × 30.4 cm), Prints

Francesco I d'Este Speaks About his Victories with an Honest Comportment, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...], 1659, Etching, Sheet: 4 13/16 × 6 5/16 in. (12.3 × 16 cm),

The Piazza di Spagna (Veduta di Piazza di Spagna), ca. 1750, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Drawings and Prints, Print, The Snow Farm, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1924

Drawings and Prints, Print, The Girl from Biarritz, Artist, Paul-Albert Besnard, French, Paris 1849–1934 Paris, Besnard, Paul-Albert, 1849, 1934, 1901, 1901

Head of a Woman Looking Toward the Left and Upward, 1881, Colored lithograph, Mount: 17 11/16 x 12 3/8 in. (45 x 31.5 cm), Prints, George William Thornley (French, 1857–1935), After François Boucher (French, Paris 1703–1770 Paris

Virgin and Child, Engraving; reverse copy, sheet: 7 3/4 x 5 7/16 in. (19.7 x 13.8 cm), Prints, Abraham Blooteling (Dutch, 1640–1690), After Claude Mellan (French, Abbeville 1598–1688 Paris

Royal Tiger, 1829–30, Lithograph; between second and third states, Image: 18 5/16 x 12 7/8 in. (46.5 x 32.7 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Outward Bound (Dublin), ca. 1860, Hand-colored lithograph, Image: 11 1/2 x 7 5/8 in. (29.2 x 19.4 cm), Prints, Proof showing ink around edges of lithographic stone edges as well as marginal scratches and tests. Companion scene to 'Homeward Bound

Admiral, Norway, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888 in a set of

The Funeral of Chrystom and Marcella Vindicating Herself (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 10 1/4 x 7 1/16 in. (26 x 18 cm), Prints, William Hogarth (British, London

Drawings and Prints, Print, The Death, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827, 1838,

The Madonna nursing the Christ Child at the foot of a tree, ca. 1502–3, Engraving with drypoint, Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen or Brussels

The Treacherous Sinon Brought into the Trojan's Camp by the Shepherds, 1535–55, Etching, Sheet (trimmed): 12 3/8 × 17 1/2 in. (31.5 × 44.5 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence

Portrait of Sarah Bernhardt, Louise Abbema (French, Étampes 1858–1927 Paris), 19th–early 20th century

Design for a Plate Border Representing Foreign Trade, 1800–1863, Pen and brown ink over graphite with touches of graphite, sheet: diameter: 18 11/16 in. (47.5 cm), Attributed to William Mulready (Irish, Ennis 1786–1863 London

Hippopotamus, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to

Sainte Famille dans un Intérieur (Holy Family in an Interior), 19th century, Etching, Mount: 13 15/16 × 10 9/16 in. (35.4 × 26.8 cm), Prints, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Governor Hill, New York, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co., ca. 1888

St. Peter, from Christ, the Apostles and St. Paul with the Creed, 1589, Engraving; first state of five, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Judith, after Goltzius, Woodcut, sheet: 5 5/16 x 4 in. (13.5 x 10.2 cm), Prints, Christoffel van Sichem I (Netherlandish, 1546–1624), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Portrait: Snowy Owl, 1934, Drypoint; first state, plate: 9 3/4 x 7 3/4 in. (24.8 x 19.7 cm), Prints, Henry Emerson Tuttle (American, Lake Forest, Illinois 1890–1946 New Haven, Connecticut

Drawings and Prints, Print, Outskirts of Boston, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

The Charlatan and the Peep Show from a set of the Italian Village Scenes, designed 1734–36, woven 1762, French, Beauvais, Wool, silk (21-23 warps per inch, 8-9 per cm.), 111 1/2 × 160 1/2 in. (283.2 × 407.7 cm), Textiles-Tapestries,

Speculum Romanae Magnificentiae: Statues of the Dioscuri at the Quirinal, 1546, Engraving, 11 1/16 x 16 7/8 in. (28.1 x 42.9 cm), Prints, Anonymous, Italian, 16th century

Apollo and Daphne (reverse copy), n.d., Engraving, Sheet: 3 1/8 in. × 2 in. (7.9 × 5.1 cm), Prints, After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Title Page, from Des Pendants de Cleffs pour les Femmes, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 1 1/8 in. (9.2 × 2.9 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Title page from a series of

Broadsheet relating to life in prison, a man in his jail cell, José Guadalupe Posada (Mexican, 1851–1913), ca 1900–1913

Elevation and plan of the second-order portico at the Theater of Marcellus (Teatro di Marcello), Rome, from the series 'Le Antichità Romane', 1756, Etching, Sheet: 20 1/2 x 14 5/8 in. (52 x 37.2 cm), Giovanni Battista Piranesi (Italian,

Ornament design, 19th century, Graphite, sheet: 7 1/4 x 26 in. (18.4 x 66 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Hilly River Landscape, a Boat in the Water at Foreground Left, a Figure on the Far Shore, Houses on a Wooded Hill Beyond, 1784–88, Aquatint and soft ground etching, Plate: 10 15/16 x 14 7/8 in. (27.8 x 37.8 cm), Prints, After Thomas

Solomon Adoring the Idols, from Women's Wile (Weiberlisten), Woodcut; first state of three (Hollstein), Sheet: 4 5/8 × 3 11/16 in. (11.8 × 9.3 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Block cut by Jost de Negker

Goetz von Berlichingen Writing his Memoirs, 1836–43, Lithograph on wove paper; second state of four, Image: 10 7/16 x 7 1/2 in. (26.5 x 19 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject of

Drawings and Prints, Print, Christ Purifying the Temple, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German,

Drawings and Prints, Photograph, Card Number 261, Hattie Starr, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

The Triumph of Caesar: The Senators, ca. 1484–92, Engraving, sheet (trimmed to image area): 10 7/8 x 10 5/8 in. (27.6 x 27 cm), Prints, Circle of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Vitruvian Tuscan Order, 1845–70, IPen and ink and brush and wash, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Plate 23: Conference on What Steps to Take Upon the Romans' New Troops Approaching Across the Alps, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), 1611, Etching, first state of two, issue 1 (Bartsch), Sheet:

Drawings and Prints, Print, Sleeping Woman with a Cupid (Hush), Publisher, Artist, Robert Pollard, Henry Fuseli, British, Newcastle-upon-Tyne 1755–1838 London, Swiss, Zürich 1741–1825 London, Pollard, Robert, Fuseli, Henry, 1755,

Youth with two old Men, 16th century, Etching, sheet: 4 13/16 x 3 3/4 in. (12.2 x 9.6 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Soldiers (3 prints of varying size pasted onto a green sheet), mid–19th century, Lithograph, Mount: 12 x 3 7/16 in. (30.5 x 8.8 cm), Prints, Victor Adam (French, 1801–1866

The Rape of Europa, ca. 1542–45, Etching, Sheet (trimmed): 9 3/16 × 8 1/4 in. (23.3 × 21 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Drawings and Prints, Print, Washington Allston, Artist, Sitter, Publisher, After, Alonzo Chappel, Washington Allston, Johnson, Fry & Company, American, New York 1828–1887 Middle Island, New York, American, Georgetown, South Carolina

Peru, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887 in

Naked male torso seen from behind, 1645, Etching; only state, 3 9/16 x 2 1/16 in. (9.1 x 5.2 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Naked male torso seen from behind, with muscles strongly delineated, left

Venice: Santa Maria della Salute, Oil on canvas, 18 3/4 x 31 1/4 in. (47.6 x 79.4 cm), Paintings, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice

Francesco I d'Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...],

Drawings and Prints, Photograph, Card Number 646, Minnie Thorp, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Death of Adonis, Engraving; fourth state of four (BN), sheet: 8 7/16 x 12 in. (21.5 x 30.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Cock-of-the-Rock, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a

The Flagellation, with the Pavement, ca. 1475–80, Engraving, plate: 15 3/16 x 11 5/8 in. (38.6 x 29.5 cm); trimmed to the boarder on the left and all around on the other sides., Prints, School of Andrea Mantegna (Italian, Isola di Carturo

Connoisseurs, June 20, 1799, Hand-colored etching, Sheet: 10 11/16 × 8 7/16 in. (27.2 × 21.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), Rowlandson here directs his visual wit against a group of elderly art

George Bubear, Oarsman, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued in 1887 in a

Painted Bunting, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued

Portrait of Carle Vernet, 1837, Etching, Plate: 8 7/16 x 6 1/4 in. (21.5 x 15.8 cm), Prints, Louis Pierre Henriquel-Dupont (French, 1797–1892), After Paul (Hippolyte) Delaroche (French, Paris 1797–1856 Paris

The Queen Tries to Console Hamlet, 1834, Lithograph; second state of four, Image: 10 x 7 13/16 in. (25.4 x 19.8 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), In 1834 Delacroix began a series of lithographs

Design for a Plate with Arion Riding a Dolphin in a Medallion Bordered by Sea Monsters, ca. 1600, Engraving, Sheet: 6 9/16 × 6 1/2 in. (16.7 × 16.5 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Design for a circular

Pair of Gauntlets, 18th century, Japanese, Iron, leather, L. of each 9 in. (22.9 cm), Armor Parts-Gauntlets

Speculum Romanae Magnificentiae: Sepulchre of Augustus, 1575, Engraving and etching; first state of two (Robert-Dumesnil), sheet: 13 7/8 x 18 5/16 in. (35.3 x 46.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

American Partridge, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of

Drawings and Prints, Photograph, Card Number 230, May Johnston, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Maddalena Corvina, 1636, Engraving, sheet: 4 1/8 x 3 1/4 in. (10.5 x 8.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Tennessee, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Minerva Instructs the Dauphin, 1640, Engraving; third state of three (BN), sheet: 8 x 5 1/2 in. (20.3 x 13.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Louise Marie, Queen of Poland and Sweden, 1653, Engraving, sheet: 9 9/16 x 7 1/16 in. (24.3 x 18 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Washington, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Rest on the Flight into Egypt, 1509, Woodblock, Sheet: 11 5/16 × 7 1/2 in. (28.7 × 19.1 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Illustration from The White King (Der Weiß König), 15th–16th Century, Woodcut, sheet: 9 x 7 11/16 in. (22.8 x 19.6 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg

Sitting Satyrs, after 1732, Etching and engraving, sheet: 9 3/4 x 5 13/16 in. (24.8 x 14.8 cm), Prints

Bengali, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued in 1890

Head, Shoulder, and Foot, studies for 'Scenes from the Chios Massacres', ca. 1824, Graphite on wove paper, Overall: 7 5/8 x 11 7/8 in. (19.4 x 30.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Polar Bear, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888

Study for a Ceiling, n.d., Gouache, 15 1/4 x 26 3/4 in. (38.7 x 68 cm), Drawings, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Kate Forsyth, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

The Fall of Achilles, January 7, 1785, Etching, Sheet: 9 1/4 × 13 5/16 in. (23.5 × 33.8 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

The Beautiful Night of Five Senses (Le Beau Seiour des Cinq Sens), Jean Couvay (French, Arles ca. 1605–1663 Paris), After Grégoire Huret (French, Lyon 1606–1670 Paris), 17th century

A Sketch from Nature, January 24, 1784, Etching and stipple, printed in brown ink, Sheet: 12 1/8 in. × 16 in. (30.8 × 40.6 cm), Prints, William Paulet Carey (British, Dublin 1759–1839 Birmingham), After Thomas Rowlandson (British,

The Last Supper, ca. 1608, Pen and brown ink, brush and brown wash, highlighted with white gouache, some black chalk or graphite, Sheet: 10 3/8 x 16 1/16 in. (26.3 x 40.8 cm), Drawings, Morazzone (Pier Francesco Mazzucchelli) (Italian,

Cross-shaped Pendant and Four Other Motifs, 1622, Blackwork and engraving, Plate: 3 3/8 x 4 9/16 in. (8.6 x 11.6 cm) [height is slightly cropped], Giovanni Battista Costantini shows a real progression in his print designs in blackwork. In 1615 he

Drawings and Prints, Photograph, Card Number 62, Ida Vernon, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

The Tobacco Smoker, 1817, Etching; third state, plate: 4 1/4 x 3 13/16 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome), After Ferdinand Kettner

Greece, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

The Marriage Feast (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London),

Personification of Faith, Engraving; second state of three (BN), sheet: 11 15/16 x 8 11/16 in. (30.4 x 22.1 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Drawings and Prints, Print, Little Pitch Pine, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Composition (Große Komposition), 1913, Drypoint; first state of three, plate: 13 1/2 x 9 3/4 inches (34.5 x 24.5 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin

The Glorification of the Eucharist, ca. 1630–32, Oil on wood, 28 x 19 in. (71.1 x 48.3 cm), Paintings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), This oil sketch is Rubens’s design for an altarpiece ensemble in the church of

Title-Plate, from Das Bossenbüchlein, ca. 1582, Engraving, Sheet: 2 5/16 × 3 1/4 in. (5.9 × 8.3 cm), Mathais Beitler (German, Ansbach, active ca. 1582–1616), Title page, with title in cartouche as center, flanked by two putti, in an

Studies of a Lamp Standard, late 19th–mid-20th century, Graphite, sheet: 25 x 9 3/4 in. (63.5 x 24.8 cm), Sir Edwin Landseer Lutyens (British, London 1869–1944 London

The Story of the Horse Who Wants Revenge on the Stag from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 5/8 × 4 5/8 in. (9.2 × 11.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

The Steps, 1915, Etching, printed in brown ink, sheet: 12 15/16 x 8 5/8 in. (32.9 x 21.9 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Rocks in the Forest, 1890s, Oil on canvas, 28 7/8 x 36 3/8 in. (73.3 x 92.4 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), Cézanne treated the rocks in this composition much as he did the fruits in his

Sanitas, from Proposopographia, ca. 1585–90, Engraving, plate: 5 7/8 x 3 7/16 in. (15 x 8.8 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp