Images at Librifly

Callot figures; two children carrying a cartouche to left, a dwarf in a plumed hat carrying a standard at right, from 'Six grotesques' (Six pièces de figures grotesques), 1684, Etching, plate: 5 3/8 x 7 5/8 in. (13.6 x 19.3 cm), Prints,

Renard's Parents Ask to Withdraw from the Court from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 13/16 × 4 9/16 in. (9.7 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Mrs. G.L. Lorillard, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),

Projet d'une grande Pendule, from 'Oeuvre de Juste Aurele Meissonnier', ca. 1742–48, Etching and engraving, Plate: 18 7/8 × 13 in. (47.9 × 33 cm), Juste Aurèle Meissonnier (French, Turin 1695–1750 Paris), Design for a large pendule hung

Morning on the Seine near Giverny, 1897, Oil on canvas, 32 1/8 x 36 5/8 in. (81.6 x 93 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), Begun in 1896, Monet’s Mornings on the Seine series was not completed until 1897

Drawings and Prints, Print, Greetings of the Season from Emily Morris Gallatin, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Caricature of Paul Meurice, 1859, Black chalk on brown paper, Sheet: 7 1/4 x 5 5/16 in. (18.4 x 13.5 cm), Drawings, Hippolyte Mailly (French, 1829–1863), After Nadar (French, Paris 1820–1910 Paris

Six vases, and two sketches of vases on the extremities, Plate 5 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), ca. 1650–56, Etching, Sheet: 3 11/16 × 7 11/16 in. (9.3 × 19.6 cm), Stefano della Bella (Italian, Florence

Drawings and Prints, Print, Outlines of Figures, Landscapes and Animals, Outlines, Artist, Publisher, Thomas Rowlandson, M. Lay, British, London 1757–1827 London, British, active Brighton, ca. 1790, Rowlandson, Thomas, Lay, M.,

Drawings and Prints, Print, Un Soir from Eaux-fortes pour Alcools, Artist, Louis Marcoussis, French (born Poland), Warsaw 1883–1941 Cusset, Marcoussis, Louis, 1883, 1941, 1934, 1934

Design for a Knife Handle with the Sermon on the Mount, 1580–1600, Engraving and blackwork, Sheet: 4 3/16 × 2 13/16 in. (10.6 × 7.1 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design for a knife handle

Zebu, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote Allen

Naissance et Triomphe de Venus (The Birth and Triumph of Venus), 18th century, Etching and engraving, Sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm), Prints, Jean Daullé (French, Abbeville 1703–1763 Paris), After François Boucher (French, Paris

Youth (Midday) from The Four Ages of Man and Death with the Last Judgment, Before 1619, Engraving; state before Hollstein's first state of two (before astrological symbols added to the flag on left), Sheet: 9 x 12 5/16 in. (22.8 x 31.2 cm),

Mirror-Bearer, 6th century, Guatemala or Mexico, Mesoamerica, Maya, Wood, red hematite, H. 14 1/8 x W. 9 x D. 9 in. (35.9 x 22.9 x 22.9 cm), Wood-Sculpture, This Mirror-Bearer figure is the best-preserved example of portable Maya wood

Shell Border Pattern, ca. 1897, Aquatint and drypoint. Black ink and graphite, Sheet: 14 1/2 x 11 in. (36.8 x 28 cm), Prints, Théodore Roussel (French, Lorient, Brittany 1847–1926 St. Leonards-on-Sea, Sussex

Cupid & Psyche, ca. 1631, Engraving; third state of four, 38.7 x 52.9 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Bär und Elfe, from the series Intermezzi, n.d., Sheet: 16 5/16 in. × 11 in. (41.4 × 28 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Chancelier Michel IV Le Tellier, ca. 1661, Engraving; second state of two (Petitjean & Wickert), Sheet: 14 3/4 × 11 1/4 in. (37.5 × 28.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

David with the head of Goliath, ca. 1515–16, Etching with engraving, 4 5/8 x 3 3/8 in. (11.8 x 8.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), ?After Raphael (Raffaello Sanzio or Santi)

Three sphinxes climbing a vine, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), ca. 1650–56, Etching, Sheet: 6 7/16 × 2 9/16 in. (16.4 × 6.5 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence

Britannia Roused, or the Coalition Monsters Destroyed, February 3, 1784, Etching, Sheet: 11 1/8 x 8 7/16 in. (28.3 x 21.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

元 王蒙 丹崖翠壑圖 軸, Red Cliffs and Green Valleys, late Yuan (1271–1368)–early Ming (1368–1644) dynasty, ca. 1367, China, Hanging scroll; ink on paper, Image: 26 3/4 x 13 1/2 in. (67.9 x 34.3 cm), Paintings, Wang Meng

The Flower-Garden Display'd, In Above Four Hundred Curious Representations Of the Most Beautiful Flowers; Regularly Dispos'd in the Respective Months of Their Bloom, 1734, Illustrations: hand-colored etching and engraving, Book: 9 7/8 x 7 13/16 x

十二ヶ月花鳥図書画挿絵貼屏風, Birds and Flowers of the Twelve Months with Chinese Calligraphy, Muromachi period (1392–1573), 16th century; sheets of poetry, one dated 1553, Japan, Pair of six-panel folding screens; ink and color

Drawings and Prints, Print, Mourning Portrait of Daniel Webster (from Gleason's Pictorial Drawing-Room Companion), Artist, Sitter, Anonymous, American, 19th century, Daniel Webster, American, Salisbury, New Hampshire 1782–1852

Dahlia (Dahlia Coccinea), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote

Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .), 18th century, Etching, Plate: 5 3/16 × 7 11/16 in. (13.2 × 19.5 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778

Drawings and Prints, Print, Initial letter D with garlands, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 3/8 × 2 3/8 in. (6 cm

Drawings and Prints, Print, Returning from the Races, Publisher, Artist, Samuel William Fores, Thomas Rowlandson, British, 1761–1838, British, London 1757–1827 London, Fores, Samuel William, Rowlandson, Thomas, 1761, 1757, 1838,

Adam and Eve, 1543, Engraving, Sheet: 3 1/8 x 2 1/8 in. (8 x 5.4 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), after Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

The Arms of France Accompanied by Personifications of Law and Good Faith, 1664, Engraving; first state of two, sheet: 4 13/16 x 11 11/16 in. (12.3 x 29.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Gail Borden, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Printer's samples for the collector's album 'World's Inventors'

Horatius Cocles on horseback, trampling a fallen soldier, ca. 1510–27, Engraving, Sheet: 6 7/8 × 4 1/2 in. (17.4 × 11.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Drawings and Prints, Print, Biedermeier Fashion, Artist, Publisher, Urban Janke, Wiener Werkstätte, Austrian, Blottendorf/Vienna, 1887–1914, Janke, Urban, Wiener Werkstätte, Austrian, 1887, 1914, 1908

Relief with Mithras kneeling upon a bull and driving a sword into its shoulder, at left two smaller standing figures, one holding a sheathed sword and one holding a sword, a frieze with chariots and serpents coiled around figures above, 1564,

The Sixth Commandment from The Ten Commandments, Woodcut, Sheet: 4 3/16 × 5 1/4 in. (10.6 × 13.4 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Sleeping Child with Four Skulls (reverse copy), 1595–1637, Engraving, Sheet: 2 1/8 × 3 1/16 in. (5.4 × 7.7 cm), Prints, Lucas Kilian (German, Augsburg 1579–1637 Augsburg), After Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Christ on the Cross, before 1604, Engraving; first state of four, Plate: 9 1/8 × 6 13/16 in. (23.2 × 17.3 cm), Prints, After Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

View of Tower near Blois, mid 18th century, Etching, Sheet (trimmed): 10 1/2 × 14 3/16 in. (26.6 × 36 cm), Prints, Quentin Pierre Chedel (French, Châlons-en-Champagne 1705–1763 Châlons-en-Champagne), After François Boucher (French,

Allegory of the Triumph of the Church, 16th century, Point of brush and brown wash, 13 1/8 x 20 3/16 in. (33.3 x 51.2 cm), Drawings, Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605 Florence

The Bridge at Villeneuve-la-Garenne, 1872, Oil on canvas, 19 1/2 x 25 3/4 in. (49.5 x 65.4 cm), Paintings, Alfred Sisley (British, Paris 1839–1899 Moret-sur-Loing

A Harlot's Progress, Plate 3, before April 1732, Etching and engraving; first state of three, sheet: 12 11/16 x 15 3/8 in. (32.2 x 39 cm), Prints, William Hogarth (British, London 1697–1764 London

Drawings and Prints, Photograph, Card Number 252, Beatrice Cameron, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Shakespeare's Tempest (Macklin's British Poets), 1798, Stipple engraving, hand-colored; third state of three, Sheet (trimmed within plate): 17 11/16 × 22 1/2 in. (45 × 57.2 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815

Cœnotaphiorum (14), 1563, Etching; first state of four, sheet: 6 9/16 x 8 15/16 in. (16.7 x 22.7 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

Drawings and Prints, Print Ornament & architecture, A Triton and Two Infant Satyrs, from Twelve Ornamental Panels, Twelve Ornamental Panels, Artist, Formerly attributed to, Giovanni Antonio da Brescia, Giovanni Pietro da Birago, Italian,

Lamp, concave top, 1st century B.C.–1st century A.D., Cypriot, Terracotta, Overall: 15/16 x 3 9/16 in. (2.4 x 9.1 cm), Terracottas

St. Mark, 1615–42, Etching, Sheet: 5 5/16 x 7 5/16 in. (13.5 x 18.5cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Drawings and Prints, Print, The Grace, from the Illustrated London News, Artist, After, Frederick Goodall, British, London 1822–1904 London, Goodall, Frederick, 1822, 1904, June 14, 1851

Drawings and Prints, Print, The Defeat of the High & Mighty Bailissimo Corbettino..., Artist, Publisher, Thomas Rowlandson, William Humphrey, British, London 1757–1827 London, British, 1742?–before 1814, Rowlandson, Thomas, Humphrey,

Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche', 1530–60, Engraving, plate: 7 11/16 x 8 7/8 in. (19.6 x 22.6 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

Central Park, Winter – The Skating Pond, 1862, Hand-colored lithograph, image: 18 1/8 x 26 9/16 in. (46 x 67.5 cm), Prints, After a painting by Charles Parsons (American (born England), Hampshire 1821–1910 New York), Lithographed by Lyman

Eleven Hounds, 1625–77, Etching; only state, Plate: 5 1/2 × 7 5/8 in. (14 × 19.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Eleven hounds, one of them lying in foreground at left, others lying, sitting and

Satyr with Club and Seven Figures, from Bacchanals and Histories, 1744, Etching, Sheet: 10 7/8 x 15 3/16 in. (27.7 x 38.6 cm), Prints, Francesco Fontebasso (Italian, Venice 1707–1769 Venice

Hector taking leave of Andromache: the Fright of Astyanax, 1766, Pen, brown ink, brush, brown wash, blue watercolor, touches of gouache over traces of black chalk, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Benjamin West (American,

Don Quixote Releases the Galley Slaves (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 15/16 x 7 5/16 in. (25.3 x 18.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Elevation of Proscenium and Lateral View, ca. 1750, Pen, grey ink and wash over pencil, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Algiers, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Marble grave stele of a young woman and servant, Classical, ca. 400–390 B.C., Greek, Attic, Marble, Pentelic, H. 70 1/16 in. (178 cm), Stone Sculpture, The young woman leans against the framing pilaster of her grave stele in a pose that

Dahomey, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Man with caricatured features and hair streaming behind, in half-length to left, 1648, Etching; only state, Plate: 3 1/8 × 2 5/16 in. (8 × 5.9 cm) , Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Man with caricatured

Young woman with a scarf on her head, after Bonsignori, 1645, Etching; only state, Plate: 3 3/4 × 2 13/16 in. (9.6 × 7.1 cm), Prints, After Francesco Bonsignori (Italian, Verona ca. 1455/60–1519 Caldiero), A young woman shown bust-length

Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from 'Collection of Various Vases' (Raccolta di Vasi Diversi), ca. 1650–56, Etching, Sheet: 3 3/4 × 7 9/16 in. (9.5 × 19.2 cm), Stefano della Bella (Italian,

Chinese Bulbul, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Song Birds of the World' series (N42), issued

Plate 2: The Argonaut Amphion led by Mercury (Anfione Argon. condotto da Mercurio), with a fantastic beast head at the prow and Amphion seated at the stern, from the series 'The magnificent pageant on the river Arno in Florence for the marriage of

Lucretia, ca. 1519, Woodcut, Sheet: 4 15/16 × 3 3/8 in. (12.6 × 8.6 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Drawings and Prints, Print, The Israelites in Egypt–Water Carriers (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Sir Edward John Poynter, British, London,

Drawings and Prints, Photograph, Card Number 362, Alice Arlington, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Van Horn, Striking Down a Coward, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

Drawings and Prints, Print, St. John the Baptist Preaching, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein, Hans,

Drawings and Prints, Print Ornament & Architecture, Plate 7: Vase or Ewer Decorated With a Vase Flanked by Putti and Two Large Female figures whose legs morph into griffin claws, from Antique Vases (Vasa a Polydoro Caravagino), Antique Vases,

Chariot Mount with Three Figures, 300–500, Made in posssibly Gaul, Late Roman or Byzantine, Copper Alloy, Overall: 7 15/16 x 7 3/16 x 2 1/8 in. (20.2 x 18.2 x 5.4 cm), Metalwork-Copper alloy, The men who adorn this chariot mount are probably

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Bujardia, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Harper's: August, 1894, Lithograph, Sheet: 16 3/4 × 12 5/8 in. (42.5 × 32 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

The Arch with a Shell Ornament, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison), Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm),

Study for 'The Sultan of Morocco and His Entourage', 1832–33, Brush and brown ink on heavy laid paper, Overall: 7 5/8 x 9 15/16 in. (19.4 x 25.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Two Costume Designs or Portrait Studies. Woman with a Bird and a Woman with Binoculars, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to

Madame Alexandre Lethière, née Rosa Meli, and Her Daughter, Letizia, 1815, Graphite on tracing paper glued down on support sheet, Sheet: 9 1/8 x 7 15/16 in. (23.1 x 20.2 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban

Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth' (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2), 1725–68, Etching and engraving; third state of three, plate: 10 3/4 x 13 11/16 in. (27.3 x 34.7 cm),

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808, Etching, drypoint and mezzotint; first state of three, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner

Sphinx with Two Bodies, 1652, Etching, only state, Sheet: 4 1/16 in. × 6 in. (10.3 × 15.3 cm), Prints, After Giulio Romano (Italian, Rome 1499?–1546 Mantua), Female sphinx standing to front with basket of flowers on her head, over two

Design for University of Michigan (elevation and plan), ca. 1838–39, Ink, watercolor and graphite, Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Opossum, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in a

Drawings and Prints, Photograph, Annie Summerville, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

Odalisque in Grisaille, ca. 1824–34, Oil on canvas, 32 3/4 x 43 in. (83.2 x 109.2 cm), Paintings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) and Workshop, This painting is an unfinished repetition, reduced in size

Saint Anthony, 1564, Engraving, sheet: 3 1/2 x 2 3/8 in. (8.9 x 6 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Martin Schongauer

Le Maréchal de Castelnau (Jacques II de Castlenau, dit de Mauvissière), 1658, Engraving; second state of four [?] (Petitjean & Wickert), Sheet: 11 9/16 × 7 1/2 in. (29.3 × 19 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Harper's: March, 1897, Lithograph, Sheet: 14 × 19 in. (35.5 × 48.2 cm), Prints, Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print Poster, Profile of a Woman, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, 1876, 1925, 1900

Speculum Romanae Magnificentiae: Bacchus on the Shoulders of a Satyr, 16th century, Engraving, sheet: 18 1/8 x 12 in. (46 x 30.5 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Queen of England, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of

Hamlet and Horatio Before The Gravediggers, 1843, Lithograph; second state of four, Image: 11 1/4 x 8 1/4 in. (28.5 x 21 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Of all the authors from whom Delacroix

Frontispiece and Its Explanation (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 1), 1725–68, Etching and engraving; fourth state of four, plate: 10 7/16 x 13 7/8 in. (26.5 x 35.2 cm), Prints, William Hogarth (British, London

Drawings and Prints, Print, Fete, Ornament & Architecture, The Temple of Honor of the Glory of Louis le Grand, Artist, Anonymous, French, 17th century, Anonymous, French, 17th century, 1600

Erigone Vanquished, ca. 1745, Etching and engraving, Sheet (trimmed): 9 3/8 × 11 1/16 in. (23.8 × 28.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

James Gordon Bennett, The New York Herald, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35),

Drawings and Prints, Print, Judith with the Head of Holofernes, Publisher, Artist, Grégoire Huret, Pierre Mariette, French, Lyon 1606–1670 Paris, French, 1596–1657, Huret, Grégoire, Mariette, Pierre, French, 1606, 1596, 1670,