Images at Librifly

A mortar without a carriage lying on the ground to the right, soldiers firing cannons creating clouds of smoke in the background, from 'Equipment needed for Fortification' (Recueil de diverses pièces très nécessaires à la fortification), ca.

Christ Testifying his Mission, ca. 1520, Etching; first state of two, sheet: 8 9/16 x 6 in. (21.7 x 15.3 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

Bacchanal, 1615–42, Etching, Sheet: 5 9/16 x 16 5/16 in. (14.2 x 41.5cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Drawings and Prints, Print, Road to Ruin, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, 1785, 1785

Design for Sword or Dagger Handles, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 2 5/8 in. (9.2 × 6.6 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Two dagger handle designs. The one at left shows an armed female

Infant Hercules asleep, 1625–77, Etching; third state of four, the plate is reduced in size in this state, Sheet: 5 7/8 × 4 11/16 in. (14.9 × 11.9 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Parmigianino

Snap-the-Whip – Drawn by Winslow Homer (Harper's Weekly, Vol. XVII), September 20, 1873, Wood engraving, image: 13 9/16 x 20 5/8 in. (34.4 x 52.4 cm), Prints

Speculum Romanae Magnificentiae: Satyr (Satyrus in caedibus), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Harbor with large tower at left, and figures in the foreground, ca. 1635–40, Etching, sheet: 5 3/16 x 7 11/16 in. (13.2 x 19.6 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Salmon, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in 1889

The Industrious 'Prentice Performing the Duty of a Christian (Industry and Idleness, plate 2), September 30, 1747, Etching and engraving; second state of two, plate: 10 3/8 x 13 9/16 in. (26.3 x 34.5 cm), Prints, William Hogarth (British,

Drawings and Prints, Photograph, Card Number 113, May Jackson, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Botanical Studies, ca. 1820, Watercolor over graphite, 19 7/16 x 12 11/16 in. (49.4 x 32.2 cm), Drawings, Anonymous, French, 19th century

Drawings and Prints, Photograph, Card Number 220, Floy Crowell, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Two Musicians Playing the Violin and the Lute, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/16 × 1 1/2 in. (5.3 × 3.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Peasant Paying his Bill, 1610–85, Etching, Sheet: 3 15/16 × 3 1/4 in. (10 × 8.2 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Two Cupids, One Carrying a Torch, Another a Bow, 1727–60, Etching and engraving, Sheet (trimmed): 10 13/16 × 8 1/8 in. (27.5 × 20.7 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French,

Modern Titans, John Charles Spencer, 3rd Earl Spencer (British, 1782–1845), ca. 1834

Ideal Landscape with Sleeping Shepherd and Sheep, n.d., Etching; proof state?, sheet: 19 3/4 x 24 9/16 in. (50.2 x 62.4 cm), Prints, Attributed to Heinrich Theodor Wehle (German, Förstgen at Niesky 1778–1805 Bautzen

Seven columns of the Temple of Juturna with Corinthian capitals . . . (Sette colonne con capitelli corinti spettanti al Tempio di Giuturna . . .), 18th century, Etching, Plate: 5 3/16 × 7 11/16 in. (13.2 × 19.6 cm), Prints, Giovanni Battista

March and April (copy), Engraving, Sheet: 2 x 2 3/4 in. (5.1 x 7 cm), Prints, after Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Drawings and Prints, Print Ornament & Architecture, Plate 2: Two-handled vase with a nude figure on a pedestal at center, from Antique Vases (‘Vasa a Polydoro Caravagino’), Antique Vases, Artist, Artist, Publisher, After, Cherubino

Two deformed heads, 1625–77, Engraving, only state, Sheet: 3 11/16 × 6 9/16 in. (9.4 × 16.7 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Two grotesque figures facing each other. Not by Hollar

Drawings and Prints, Print, Everhard Jabach, Banquiere a Paris, Amateur des beauxArts, Artist, Subject, Michel Lasne, Everhard Jabach, French, Caen 1590–1667 Paris, French, 1618–1695 Paris, Lasne, Michel, Jabach, Everhard, 1590,

E.J. Baldwin, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a), issued in

St. Lawrence, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

La Seine à Bas Meudon, 19th–20th century, Etching; second state of four, sheet: 7 5/16 x 9 13/16 in. (18.5 x 25 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Renard Makes Fun of the Bear from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 5/8 in. (9.5 × 11.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Arrival of Telemachus at the Island of Calypso, Etching and Engraving, sheet: 7 5/16 x 9 1/8 in. (18.5 x 23.2 cm), Prints, Etched by Antoine Jean Duclos (French, Paris 1742–1795 Paris), Engraved by Jean-Baptiste Patas (French, Paris

Africa, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Types of All Nations' series (N24), issued in 1889 in a set of 50

Animal-Headed Figure Pendant, 1st–7th century, Colombia, Calima (Yotoco), Gold, H. 2 1/2 in. (6.35 cm), Metal-Ornaments, Figure pendants topped with two dome-shaped elements are found over a wide area of Colombia, from the Tolima and Calima

An allegorical composition with Charity and prisoners in chains; a plate from Rossi's series of engravings of Pietro da Cortona's fresco in the Camera of Mars in the Pitti Palace, Florence., 1677, Engraving, Sheet: 15 7/16 x 31 9/16 in. (39.2 x

The Cascade Near the Watermill, Engraving; fourth state of five, Sheet: 5 7/8 × 8 5/16 in. (15 × 21.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Plate 13: bust of a child with his left hand near to his chin, turned towards the left, from 'Various heads and figures' (Diverses têtes et figures), 1650, Etching, Sheet: 2 1/2 x 3 1/4 in. (6.4 x 8.3 cm), Prints, Stefano della Bella

Drawings and Prints, Print, A French Dentist Shewing a Specimen of His Artificial Teeth and False Palates, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, British, 1757, 1827, 1811, 1811

Frieze with a Bearded Mask Wearing a Headdress of Tendrils and Strapwork, ca. 1590, Engraving, Sheet: 1 9/16 × 6 7/16 in. (3.9 × 16.4 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Frieze with a bearded mask at center with

The Storm, 1880, Oil on canvas, 92 1/4 x 61 3/4 in. (234.3 x 156.8 cm), Paintings, Pierre-Auguste Cot (French, Bédarieux 1837–1883 Paris), When Cot exhibited this painting at the Salon of 1880, critics speculated about the source of the

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (5), ca. 1600–1617 , Etching, Sheet: 2 15/16 x 8 3/4 in. (7.5 x 22.2 cm), Theodor Bang (German, active in Nuremberg (fl6)), Frieze with a decorative pattern made up out of very

Virgin and Child (upper portion), late 15th century, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

The White King's Skill in Conducting Masquerades, from Der Weisskunig, 1514–16, Woodcut; proof (Hollstein), Sheet: 8 3/4 × 7 13/16 in. (22.2 × 19.9 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg), Der Weisskunig (the

Moses Brought to Pharoah's Daughter, ca. 1800, Engraving, Sheet: 2 9/16 x 3 1/4 in. (6.5 x 8.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Charles V, duc de Lorraine, 1660, Engraving; first state of two (Petitjean & Wickert), Sheet: 12 9/16 × 9 3/4 in. (31.9 × 24.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

New Dreams of Happiness (from the series A Love), 1887–1903, Etching and engraving; third edition; state eight of ten, Plate: 17 13/16 × 13 11/16 in. (45.3 × 34.7 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Order of Leopold, Belgium, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30), issued in

Drawings and Prints, Photograph, Card Number 22, Lotta, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

Portrait of Jan Pietersz Sweelinck, Organist & Musician in Amsterdam, 1624, Engraving; third state of three, 7 13/16 × 5 1/16 in. (19.8 × 12.9 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Drawings and Prints, Print, Plate 1: Apuleius changed into a donkey, listening to the story told by the old woman, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by Apuleius, Artist, Publisher,

View in Central Park with Balcony Bridge and Oak Bridge (Valentine's Manual), 1861, Lithograph with tint stone, plate: 6 x 7 11/16 in. (15.2 x 19.6 cm), Prints, George Hayward (American (born England), ca. 1800–ca. 1872), A view of New

Speculum Romanae Magnificentiae: Pyramid of Caius Cestius, 1582, Etching and engraving, sheet: 18 13/16 x 13 3/16 in. (47.8 x 33.5 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (1), ca. 1600–1617 , Etching, Sheet: 2 7/8 x 8 5/8 in. (7.3 x 21.9 cm), Theodor Bang (German, active in Nuremberg (fl6)), Title page to the series of friezes with a double-headed

Marriage A-la-Mode, Plate V, April 1, 1745, Etching and engraving; second state of four, Sheet: 15 3/16 x 18 3/8 in. (38.6 x 46.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

Commodore's Pennant, Sweden, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands, ca. 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Naval Flags' series (N17), issued ca. 1888

Bella, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca. 1888

Self portrait, 1914, Drypoint, plate: 5 x 4-1/4 inches (12.7 x 10.7 cm), Prints, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

The Two Bathers, 1895, Etching on cream wove paper; only state, sheet: 23 3/8 x 16 15/16 in. (59.3 x 43 cm), Prints, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

Farming scene, 'Mittersill im Pinzgau', early 19th century, Etching; third state, plate: 7 11/16 x 11 in., Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome), After C. Viehbeck

The Bear Seeks Justice from the Lion Against Renard from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 3/16 in. (9.5 × 10.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Scarlet Tanager, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a

Martyrdom of Saint Sophia, an oval composition, from the series 'Les images de tous les saints et saintes de l'année' (Images of all the saints of the year), 1632–35, Etching, sheet: 4 15/16 x 2 15/16 in. (12.6 x 7.4 cm), Prints, Jacques

Sunflower (Helianthus annuus), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

Pleasures of Occupation, Etching and engraving, sheet: 4 1/4 x 5 7/8 in. (10.8 x 15 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Martyrdom of St. Sebastian with Two Crossbow Men, Woodcut, Sheet: 5 1/16 in. × 4 in. (12.8 × 10.1 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Sheet of border segments: vertical floral ornament, horizontal frieze, four corners, 1490–1500, Engraving, Sheet: 11 5/16 × 7 11/16 in. (28.8 × 19.5 cm), Prints, Francesco Rosselli (Florence 1448–1508/27 Venice

Eleven Designs for Decorated Cups, including Venice and Celestial Patterns, ca. 1852, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872

Christine, reine de Suède, 1654, Engraving; third state of three (Petitjean & Wickert), Sheet: 10 1/16 × 7 3/8 in. (25.5 × 18.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Sébastien Bourdon (French, Montpellier

Impressions of Rain, Rouen, 1883, Etching, drypoint, and aquatint, sheet: 11 x 8 3/4 in. (28 x 22.3 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

Strainer, Third Intermediate Period, Dynasty 21–22, ca. 1070–712 B.C., From Egypt, Eastern Delta, Tell Basta (Bubastis), Temple of Bastet, ancient cache, Gold, h. 3.5 cm (1 3/8 in); diam. 12 cm (4 3/4 in), Wine services do not seem to

Speculum Romanae Magnificentiae: Farnese Palace, 16th century, Engraving, sheet: 15 1/16 x 18 11/16 in. (38.2 x 47.4 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome

Drawings and Prints, Print, How to Escape Losing, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, November 22, 1791

Minerva, Engraving; first state of two, sheet: 9 7/16 x 13 9/16 in. (24 x 34.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Vignettes of Manhattan by Brander Matthews, 1894, Lithograph, Sheet: 16 11/16 × 11 1/2 in. (42.4 × 29.2 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Peasant Paying his Bill, 1610–85, Etching, Sheet: 4 in. × 3 3/8 in. (10.2 × 8.6 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Broadsheet relating to a train accident in Guanajuatense, destroyed railroad tracks and dead victims, José Guadalupe Posada (Mexican, 1851–1913), 1920 (published

Governor Beaver, Pennsylvania, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

L'Abbé de Saint Cyran, Engraving, sheet: 10 3/8 x 7 5/16 in. (26.3 x 18.5 cm), Prints, Anonymous, After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Uncle Sam's Church, 1895, Commercial relief process, Sheet: 18 15/16 × 15 1/16 in. (48.1 × 38.2 cm), Ethel Reed (American, 1874–after 1900

Drawings and Prints, Print, Variety Act 12: One for All for One or a Glimpse through the Keyhole (Varietenummer 12: Eine für Alle für eine oder ein Blick Durch'schlüsselloch. Pariser Schwank mit 20 Akten, Artist, Publisher, Moriz Jung,

Saint Paul, 1726, Etching and engraving, Sheet (trimmed): 13 1/2 × 8 9/16 in. (34.3 × 21.7 cm), Prints, Michel Aubert (French, 1700–1757 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Greyhound, Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian, 1885, 1915, 1912, 1912,

Drawings and Prints, Print, Female figure standing in the right-hand margin of the third sheet of the Rape of the Sabine Women, Artist, After, Cherubino Alberti (Zaccaria Mattia), Polidoro da Caravaggio, Italian, Borgo Sansepolcro 1553–1615

Jewel of the Garter, Great Britain, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series (N30),

Drawings and Prints, Photograph, Card Number 179, Fay Minnette, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

White Ibis, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards

The Green Car, 1910, Oil on canvas, 24 x 32 in. (61 x 81.3 cm), Paintings, William James Glackens (American, Philadelphia, Pennsylvania 1870–1938 Westport, Connecticut), William Glackens was a keen observer and able recorder of the rhythm

Speculum Romanae Magnificentiae: Doric capital, 1528, Engraving, mount: 7 5/16 x 8 11/16 in. (18.5 x 22.1 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome

Drawings and Prints, Print, Silver Statuette of St. Jude, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,

Annunciation, Mary kneels at a lectern as Gabriel approaches on a cloud from the left, with the dove of the Holy Spirit above, trimmed from an engraving showing decorations for thimbles, ca. 1580–1600, Engraving, sheet: 1 1/8 x 11/16 in. (2.9

Tartary, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Raspberries, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Armchair, ca. 1870–75, Made in New York, New York, United States, American, Rosewood, prickly juniper veneer, 37 x 27 1/2 x 27 1/2 in. (94 x 69.9 x 69.9 cm), Furniture, Attributed to Pottier and Stymus Manufacturing Company (active ca.

Bronze hydria (water jar), Archaic, late 7th–early 6th century B.C., Greek, Bronze, h: 17 in. (43.2 cm), Bronzes, This is one of the earliest of this kind of Archaic Greek bronze hydriae to have survived. The handles are cast. Portions of

From the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses and

La Gourmandise, 1924, Hand-colored commercial process illustration (pochoir), sheet: 9 3/4 x 6 7/16 in. (24.8 x 16.3 cm), George Barbier (French, Nantes 1882–1932 Paris

Denis de La Barde, 1657, Engraving, Sheet: 14 × 10 1/4 in. (35.6 × 26 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Saint Charles Borromeo, 1575–1662, Pen and brown ink, brush and brown wash, highlighted with white, on brown-washed paper, 18-1/8 x 10-9/16 in. (46.1 x 26.9 cm), Drawings, Giovanni Battista Crespi ('Il Cerano') (Italian, Cerano (?) near

Blackwork Print with Birds and Grotesques Atop a Horizontal Panel, from a Series of Blackwork Prints for Goldsmiths' Work, 1615, Blackwork engraving, Sheet: 4 3/4 × 3 1/2 in. (12.1 × 8.9 cm), Etienne Carteron (French, born

A Woodland Road with Travelers, 1607, Oil on wood, 18 1/8 x 32 3/4 in. (46 x 83.2 cm), Paintings, Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp), Jan, who was born shortly before the death of his famous father, Pieter

Portrait of Louise Émilie Baronne de ***, 1779, Etching; fourth state of five (Bocher), Sheet: 14 1/8 × 10 3/8 in. (35.8 × 26.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), According to Bocher his portrait is most

White Shield, Southern Cheyenne, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36),

Woman Carrying a Bucket, Etching and Engraving, sheet: 12 7/8 x 15 3/8 in. (32.7 x 39 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris