Images at Librifly

Carry Arms, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Harper's:January, 1897, Lithograph and letterpress, Sheet: 18 5/16 × 13 9/16 in. (46.5 × 34.4 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, Frontispiece, Revising for the Second Edition under the inspection of a learned friend (Picturesque Beauties of Boswell, Part the Second), Subject, Artist, Subject, Publisher, Artist, After, James Boswell,

Michel Le Tellier, 1662, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 15/16 × 9 13/16 in. (32.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

How much can you get from an old thing like that? As much as you can get from...Romeo, Juliet, plate VII from the suite Parisian Follies, published in Le Charivari, November 25, 1846, November 25, 1846, Lithograph; first and only state,

Theo, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50 cards to

Drawings and Prints, Print, Roman alphabet against architectural backgrounds, from G. P. Zanotti's Il Claustro di San Michele in Bosco di Bologna, Artist, Pio Panfili, Italian, Fermo 1723–1812 Bologna, Panfili, Pio, 1723, 1812, 1776

Drawings and Prints, Print, The Barn, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1923

Boar hunt in a landscape, ca. 1620–38, Etching, Sheet: 5 9/16 × 7 1/4 in. (14.2 × 18.4 cm), Prints, Ercole Bazicaluva (Italian, born Pisa (?), ca. 1600, active Florence ca. 1638

The Times, Plate 2, May 29, 1790, Etching and engraving; fourth state of four, sheet: 9 15/16 x 12 5/16 in. (25.3 x 31.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Décrotteur (Shoe Shiner), from Mes gens, ou Les commissionnaires ultramontains au service de qui veut le payer (Servants for Public Hire), 1766–70, Etching and engraving; second state of two (Bocher), Sheet: 13 11/16 × 10 7/16 in. (34.7 ×

Chief Gall, Hunkpapa Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36),

La Chine (Black and White Version), 1897, Etching, drypoint and softground; first state of two, Image: 9 3/4 x 6 5/16 in. (24.7 x 16 cm), Prints

Drawings and Prints, Print, A Magic Lantern, Artist, Publisher, After, Thomas Rowlandson, Henri Merke, Rudolph Ackermann, British, London 1757–1827 London, Swiss, Niederweningen, canton Zürich ca. 1760–after 1820, London,

A warrior facing left wearing a plumed hat and holding a cane, from the series 'Figurine', ca. 1656–1657, Etching, Sheet: 5 9/16 × 3 1/2 in. (14.2 × 8.9 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

O.H. Rothaker, The Omaha Republican, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series (N35), issued

Portrait of a Woman, ca. 1520, Oil on wood, 19 x 17 in. (48.3 x 43.2 cm), Paintings, Quentin Metsys (Netherlandish, Leuven 1466–1530 Kiel), Departing from earlier devotional portraits, the sitter appears distracted from her prayer book by

Drawings and Prints, Print, Wet Parsons, Artist, Artist, Subject, Etched by, Aquatint by, Designed by, Peter Simon, Francis Jukes, Thomas Rowlandson, William Parsons, British, London ca. 1764–1813 Paris, British, Hertfordshire

St. Paul, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving; second state of two, plate: 5 7/8 x 4 1/8 in. (15 x 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Gold bowl, Archaic, ca. 700 B.C., Cypriot, Gold, Overall: 1 7/8 in. (4.8 cm), Gold and Silver, A rosette fills the center. The two concentric zones are presented as papyrus swamps. The inner one is inhabited by ducks, the outer one by three

Bearded old man, 1645, Etching; only state, Plate: 2 3/4 × 2 in. (7 × 5.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Head and shoulders of an old man with moustache and beard, in profile to left, with head tilted

Title Page: Bentivoglio, Della Guerra di Fiandra, 1632, Engraving; printed without inscription, sheet: 8 1/8 x 5 3/4 in. (20.6 x 14.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Andreas Schwartz, 1906, Drypoint, plate: 9 7/16 x 12 5/8 inches (24 x 32.1 cm), Prints, Edvard Munch (Norwegian, Løten 1863–1944 Ekely

Drawings and Prints, Photograph, Card Number 363, Chapelle Sisters, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Ancienne Mode Françoise, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

Speculum Romanae Magnificentiae: Marforius, 1581, Etching, sheet: 11 5/8 x 16 9/16 in. (29.5 x 42 cm), Prints, Anonymous

Drawings and Prints, Print, Christ Talking to the Disciples, 5, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel, 1507–27, Schäufelein,

The Conversion of Saul, 1549, Etching, Sheet: 10 3/16 x 15 3/8 in. (25.9 x 39.1 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590

The so-called Temple of Salus, on the road to Albano (Tempio antico volgarmente detto della Salute), ca. 1763, etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Study of a Young Man, Seated, 1895, Transfer lithograph, image: 11 9/16 x 8 9/16 in. (29.4 x 21.8 cm), Prints, John Singer Sargent (American, Florence 1856–1925 London), In October 1895, Galerie Rapp in Paris organized one section of a

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 1/4 × 4 5/16 in. (21 × 10.9 cm), Prints,

Ewer with a Dragon, Etching, Sheet: 8 1/2 × 4 1/16 in. (21.6 × 10.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Countess of Dalhousie, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a

Drawings and Prints, Print, Saint Catherine of Alexandria, from the 'Legenda di Sancta Caterina' (Modena, Richizola, 1490), Publisher, Artist, Richizola, Anonymous, Italian, Richizola, Anonymous, Italian, 1400, 2050

Life in Camp, Part 1: Hard Tack, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Japan, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 1 (N9), issued in 1887

Napoleon, 1895, Crayon, brush, and spatter lithograph printed in six colors on wove paper; only state, Image: 23 3/8 × 18 1/8 in. (59.3 × 46 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Speculum Romanae Magnificentiae: Plan of St. Peter's, 1569, Engraving, sheet: 18 9/16 x 16 5/16 in. (47.2 x 41.5 cm), Prints, Etienne DuPérac (French, ca. 1535–1604

A Rake's Progress, Plate 8, ca. 1800, Engraving, Sheet: 2 9/16 x 3 1/8 in. (6.5 x 8 cm), Prints, After William Hogarth (British, London 1697–1764 London

15, rue Maître-Albert, 1912, Gelatin silver print from glass negative, 23.2 x 17.6 cm (9 1/8 x 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Eloquent testimony to Atget’s keen regard for the expressions of

The Virgin and Child on a Crescent Moon, 1553, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The crowned figure of the Virgin holds the Child to her left

Kirtlington Park, Oxfordshire: View of the Dining Room, 1876, Watercolor and gouache over graphite, sheet: 13 11/16 x 19 11/16 in. (34.8 x 50 cm), Susan Alice Dashwood (British, 1856–1922), This drawing documents the history of the

St. Francis of Assisi, 1638, Engraving, sheet: 20 1/4 x 14 3/8 in. (51.5 x 36.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Veüe de Conflans, mid-17th century, Etching and drypoint, sheet: 2 1/2 x 3 7/8 in. (6.3 x 9.9 cm), Prints, Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623–1664 Amsterdam

Battery Park, 1916, Etching with plate tone, Plate: 12 13/16 x 7 in. (32.5 x 17.8 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion, 16th century, Engraving, Sheet: 9 5/16 × 16 7/8 in. (23.7 × 42.8 cm), Prints, Domenico del Barbiere (Italian, Florence

Goetz von Berlichingen Writing His Memoirs, 1836–43, Lithograph; second state of four, Image: 10 7/16 x 7 9/16 in. (26.5 x 19.2 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), The subject of this print is

Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands, 1606, Etching and engraving, Sheet: 5 1/16

White-Crested Black Polish, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Prize and Game Chickens' series (N20),

Pygmalion, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Allegory of Heaven and Hell, 1642–93, Pen and brown ink with brush and gray wash over black chalk underdrawing on beige paper. Composition outlined with brush and gray wash over pen and brown ink, in oval shape, with double outlines. Text

1st Base, from the Girl Baseball Players series (N48, Type 2) for Dixie Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen & Ginter to

Scipio Africanus on horseback preceeded by a foot soldier holding a standard, ca. 1500–1534, Engraving, Sheet: 6 11/16 × 4 3/4 in. (17 × 12 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Soldiers in a Good Mood (Les Soldats en Bonne Humeur), 1746, Etching and engraving, Plate: 11 13/16 x 16 in. (30 x 40.7 cm), Prints, After Carel Breydel (Flemish, 1678–1733), Joseph Van Loo (French, b6; active 1703–1740

Dutailly, Variettees, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Tomb of Henry VII, 1665, Etching; first state of three, sheet: 11 3/16 x 14 1/16 in. (28.4 x 35.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Print, Camp Fire, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

Ralph Temple, Cyclist, Champion Trick Rider, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second

Drawings and Prints, Print, Comforts of Bath, Plate 9, Comforts of Bath, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William,

The Rich Man and Lazarus (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Smoker and Drinker, 1610–85, Etching, Sheet: 3 9/16 × 2 5/8 in. (9.1 × 6.6 cm), Prints, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Drawings and Prints, Print, The Dance, L'Estampe originale, Album IV, Artist, Publisher, Jules Chéret, André Marty, French, Paris 1836–1932 Nice, French, born 1857, Chéret, Jules, Marty, André, French, 1836, 1857, 1932,

Drawings and Prints, Photograph, [Actress clothed in white], from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Print, Scorn, Le Brun Travested, or Caricatures of the Passions, Artist, After, Thomas Rowlandson, George Moutard Woodward, British, London 1757–1827 London, British, ca. 1760–1809 London, Rowlandson, Thomas,

Vincent Voiture, 1649, Engraving, Sheet: 7 3/4 × 5 11/16 in. (19.7 × 14.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Tethys reclining in a giant shell chariot pulled by two sea creatures, 1588–90, Chiaroscuro woodcut, Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Veüe du Grand Parterre et de la Demie Lune de Richelieu, 17th century, Etching, sheet: 8 11/16 x 12 11/16 in. (22 x 32.3 cm), Adam Perelle (French, Paris 1640–1695 Paris

Bottle, ca. 1862, British, Stoke-on-Trent, Staffordshire, Bone china, H. 7 5/8 in. (19.4 cm.), Ceramics-Porcelain, The central pattern of scrolling interlaced foliage in orange edged in gold on a white ground harkens back to Islamic

PRISM, 1922, Gouache and graphite on colored paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Drawings and Prints, Print, Plate 1: Julius Caesar looking to the right, from 'The Twelve Caesars', The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro

Christ from Christ, the Apostles and St. Paul, Woodblock, Sheet: 14 3/16 × 8 9/16 in. (36 × 21.8 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

The Marriage of Cupid and Psyche, ca. 1550, Oil on wood, transferred to Masonite, Overall, with corners made up, 51 1/2 x 61 7/8 in. (130.8 x 157.2 cm); painted surface 50 1/2 x 61 1/2 in. (128.3 x 156.2 cm), Paintings, Andrea Schiavone

Judith with the Head of Holofernes, n.d., Engraving, Sheet: 2 1/2 × 1 9/16 in. (6.4 × 4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

The Pietà: the Virgin standing over the dead Christ, her hands outspread, ca. 1515–17, Engraving, 11 15/16 x 8 9/16 in. (30.4 x 21.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael

Terracotta lamp, Early Byzantine, 7th century A.D., Roman, Terracotta; mold-made, Overall: 1 1/2 x 3 5/8 in. (3.8 x 9.2 cm), Terracottas, Pear shaped top decorated with short moulded lines in patterns

Venus and Cupid in a Decorative Frame with Grotesques, from the Judgment of Paris, ca. 1580–1600, Engraving, Sheet: 5 1/2 × 3 1/2 in. (13.9 × 8.9 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Plate 4 from a series

The Death of Adonis, 1544, Etching, 11 1/4 x 9 1/2 in. (28.5 x 24.2 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

The Four Windmills, 1650, Etching; first state of two, Sheet: 4 5/8 × 11/16 in. (11.8 × 1.7 cm), Prints, After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp), The four windmills; two-wheeled cart, two wagons and two

Reverse Copy of the Top of Dagger Sheath with David Holding the Head of Goliath, after 1529, Engraving, Sheet: 3 3/8 × 1 7/16 in. (8.5 × 3.7 cm), after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Seated Woman, Arms Crossed in Prayer, Engraving, sheet: 4 7/16 x 2 13/16 in. (11.3 x 7.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Speculum Romanae Magnificentiae: Laocoon, 16th century, Engraving; second state of two (Robert-Dumesnil), sheet: 17 1/2 x 12 3/16 in. (44.5 x 31 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Sacred Kingfisher, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in 1889

Rooks, Batter, Lacrosse, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco, 1887, Commercial color lithography reproducing drawings, Sheet: 3 1/16 x 1 3/4 in. (7.7 x 4.5 cm), Trade cards from the 'Gold Coin' series (N284), issued

Drawings and Prints, Print, Outing by Caspar Whitney, Midsummer Number, Artist, Publisher, Edward Penfield, Outing, American, Brooklyn, New York 1866–1925 Beacon, New York, Penfield, Edward, Outing, 1866, 1895, 1925, 1905

Lamentation over the body of Christ by the three Marys, a jar of ointment on the table to left and two nails to right, 1615, Etching, sheet: 9 1/16 x 8 3/4 in. (23 x 22.2 cm), Prints, Orazio Borgianni (Italian, Rome 1578–1616 Rome

Frederick the Wise of Saxony, 1509, Engraving, Sheet: 6 7/8 × 4 3/4 in. (17.5 × 12.1 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Theseus and Ariadne, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 3/4 x 2 1/4 in. (4.4 x 5.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Print, Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius, The Story of Cupid and Psyche as told by Apuleius, Publisher,

God enters into a covenant with Noah: next to a smoking pyre Noah kneels in a gesture of prayer, surrounded by members of his family, a rainbow stretches over them, from a series of engravings for the 'Liber Genesis', 1612, Engraving, Sheet: 3

Portrait of Charles Chais, 1765, Etching and engraving, plate: 8 9/16 x 5 7/8 in. (21.8 x 15 cm), Prints, Jacob Houbraken (Dutch, Dordrecht 1698–1780 Amsterdam), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Drawings and Prints, Photograph, Card Number 56, Mlle. Bucelle, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Plate 138: Acmon and his Friends Changed into Birds (Comites Diomedis indignatione veneris in aves Diomedeas), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 1/2 in. (10.2 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence

Le Père Charles Faure, Engraving; second state of two, sheet: 8 13/16 x 6 1/16 in. (22.4 x 15.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Holy Family at a Fountain, Woodcut, Sheet: 9 1/16 × 6 15/16 in. (23 × 17.7 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

English Curiosity, or The Foreigner Stared Out of Countenance, January 1, 1794, Hand-colored etching, Sheet: 8 1/2 × 9 11/16 in. (21.6 × 24.6 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Crabapple, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Drawings and Prints, Drawing, Design for a certificate, awarded by the city of Vienna for the most beautiful floral balcony decorations (balcony above text), Artist, Erwin Puchinger, Austrian, Vienna 1875–1944 Vienna, Puchinger, Erwin,

Drawings and Prints, Drawing, Head Studies of A Young Man Wearing a Hat and of a Black Man, Artist, attributed to, Lucas Franchoys the Younger, Flemish, Mechelen 1616–1681 Mechelen, Franchoys, Lucas the Younger, Flemish, 1616, 1681,

Drawings and Prints, Photograph, Miss Lillis, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

The Pietà: the Virgin standing over the dead Christ, her hands outspread, ca. 1515–17, Engraving, 12 3/16 x 8 3/4 in. (31.0 x 22.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Raphael