Images at Librifly

Cassandra, Frontispiece, Vol. 3, 1725, Etching and engraving, sheet: 5 5/16 x 2 7/8 in. (13.5 x 7.3 cm), Prints, William Hogarth (British, London 1697–1764 London

A Sermon in a Village Church, ca. 1630, Black chalk, oil- and water-based paints, 16 5/8 x 22 9/16 in. (42.2 x 57.3 cm), Drawings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), This sheet, a relatively recent addition to Rubens's

Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butler's Hudibras, Plate 6), 1725–68, Etching and engraving; third state of three, plate: 10 11/16 x 13 7/8 in. (27.1 x 35.3 cm), Prints, William Hogarth (British, London

The Cross of the Legion of Honor, France, from the World's Decorations series (N30) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Decorations' series

Drawings and Prints, Print, The Sylvan Sea, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1924

Noa Noa, 1893–94, Woodcut on China paper, 14 x 8 1/16 in. (35.6 x 20.5 cm): block, Prints, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Title Page, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 5 1/2 × 4 5/16 in. (14 × 10.9 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Title page with ornate cartouche over a formal

Path Through a Village, Engraving, Sheet: 7 1/4 x 11 1/4 in. (18.4 x 28.6 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Still Life with Teapot and Fruit, 1896, Oil on canvas, 18 3/4 x 26 in. (47.6 x 66 cm), Paintings, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands

Alfred Dedreux (1810–1860) as a Child, ca. 1819–20, Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), Paintings, Théodore Gericault (French, Rouen 1791–1824 Paris), The subject of this portrait is the nephew of Gericault’s friend the

Mask and Palette, 1781, Etching and engraving, sheet: 4 3/4 x 4 11/16 in. (12 x 11.9 cm), Prints, After William Hogarth (British, London 1697–1764 London

Speculum Romanae Magnificentiae: Face of an Egyptian canopic vase, late 16th to early 17th century, Etching, mount: 18 1/8 x 13 3/16 in. (46 x 33.5 cm), Prints, Attributed to Etienne DuPérac (French, ca. 1535–1604

Two Young Peasant Women, 1891–92, Oil on canvas, 35 1/4 x 45 7/8 in. (89.5 x 116.5 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), By virtue of their size, placement, and quiet dignity, these

Duke of Westminster, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),

L'Imperio Vendicato, 1630–1700, Engraving, sheet: 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm), Prints, Pietro Santi Bartoli (Italian, Perugia 1615–1700 Rome), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

St. Barbara, ca. 1505, Woodcut, Sheet: 9 7/16 × 6 5/16 in. (24 × 16 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Polin, 1898, Crayon lithograph printed in gray-black on china paper, image: 11 5/16 x 9 1/8 in. (28.7 x 23.2 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Razor, Bronze, length 9.70 cm., Bronzes

Arab Horse at the Post, 1833–1914, Etching; second state of two, Sheet: 16 3/4 x 23 1/2 in. (42.5 x 59.7 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Eugène Delacroix (French, Charenton-Saint-Maurice

Cover for 1897 Calendar, 1896, Commercial relief process and lithography, 14 x 10 3/16 in., Prints, Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Virgin and child with angels, 1636, Etching, 10 5/8 x 7 1/16 in. (27 x 18cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

British, Ioway, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Indian Chiefs' series (N2), issued in

Matthew from Christ, the Apostles and St. Paul, Woodblock, Sheet: 12 3/8 × 7 3/8 in. (31.4 × 18.8 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Hercules and Achelous: at center Hercules grasps the horns of a bull while pressing his right foot onto its leg, at left Hercules wrestles a serpent, at right Hercules wrestles a male figure on the ground, from the series 'The Labors of Hercules',

A rowboat full of men at right, a ship with men descending into a rowboat behind to left, two men with a shotgun on a ship to left, another ship to far right in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines),

The Cumaean Sibyl, November 1, 1882, Etching and drypoint; from an edition of 250, Image: 17 3/16 x 6 7/8 in. (43.6 x 17.4 cm), Prints, After Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Etched by Charles-Albert Waltner

American White Egret, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Drawings and Prints, Drawing, Design for the cover of the Austrian Illustrated Newspaper (Österreichs illustrierte Zeitung), Artist, Erwin Puchinger, Austrian, Vienna 1875–1944 Vienna, Puchinger, Erwin, 1875, 1944, 0

Christ Before Pilate, from The Small Passion, ca. 1508, Woodcut, sheet: 5 1/16 x 3 3/4 in. (12.8 x 9.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

After the Hunt, ca. 1859, Oil on canvas, 93 x 73 1/4 in. (236.2 x 186.1 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), In style, scale, and composition, this work strongly resembles Courbet’s first hunting

Baden, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10), issued in 1890

Cover for 'Oraculo Mignon', a witch brewing a potion in a cauldron, José Guadalupe Posada (Mexican, 1851–1913), ca. 1880–1910

Carrara, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Storage jar, middle Yayoi period (ca. 100 B.C.–A.D. 100), Japan, Earthenware with applique, H. 16 in. (40.6 cm); Diam. of rim 8 3/4 in. (22.2 cm); Diam. 11 in. (27.9 cm); Diam. of base 1 1/2 in. (3.8 cm), Ceramics, Contributions from Chinese

Massacre of the Innocents, ca. 1544, Chiaroscuro woodcut printed from three blocks in green, dark green and black, Sheet: 11 x 20 3/16 in. (28 x 51.2 cm), Prints, Master ND (Italian, active 1540s), After Raphael (Raffaello Sanzio or Santi)

The Entry into Jerusalem; Christ riding on a donkey towards an arched city gate; an elderly man spreads out his cloak on the road, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 in. × 4 in. (13.1 × 10.2 cm),

Paul Before Felix, February 5, 1752, Etching and engraving; third state of three, sheet: 16 1/4 x 20 13/16 in. (41.3 x 52.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Five Designs for Gold Stickpins, 1899, Graphite and gouache, sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm), Edgar Gilstrap Simpson (British, 1867–1945 (presumed)), Five designs for a stickpin with a precious stone, all executed in gold. Each pin is

Swede in the 30 Years War, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set

Two Designs for Friezes or Consoles characterized by Armorial Trophies, Plate 6 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1645–50, Etching, Sheet: 3 7/16 × 9 11/16 in. (8.7 × 24.6 cm), Stefano della Bella

St. Paul standing under an overgrown arch, his left foot poised upon a rock, his right hand grasping a scroll, from a series of full-length figures of Christ and the Twelve Apostles, 1545, Engraving, sheet: 7 13/16 x 3 5/8 in. (19.8 x 9.2 cm),

Potiphar's Wife (Potiphars Weib), 1914, Drypoint; first state of two, plate: 15 1/2 x 11 3/4 inches (39.5 x 29.5 cm), Prints, Wilhelm Lehmbruck (German, Duisburg 1881–1919 Berlin

Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from 'Various Figures' (Agréable diversité de

Drawings and Prints, Print, Prince Henry and Falstaff at the Boar's Head Tavern, Eastcheap (Shakespeare, King Henry the Fourth, Part I, Act 2, Scene 4), Publisher, Engraver, Artist, Subject, After, Hurst, Robinson & Co., Robert

Drawings and Prints Ornament & Architecture, Design for the Porcelein Cabinet at the Charlottenburg Palace, other side, Artist and publisher, Architect, After, Martin Engelbrecht, Eosander von Göthe, German, Augsburg 1684–1756 Augsburg,

Drawings and Prints, Print, The Annunciation, Artist, Hans Schäufelein, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, Schäufelein, Hans, German, 1480, 1540, 1500, 1540

Fishing Scene, 1547, Etching, Sheet (trimmed): 12 1/16 × 14 1/16 in. (30.7 × 35.7 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Asian Art, Incense burner, China, Ming dynasty (1368–1644), Zhengde mark and period (1506–21), early 16th century, 1500, 1533, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware

Indian Clubs, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25 cards in

Mexican, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Nebamun Supervising Estate Activities, Tomb of Nebamun, New Kingdom, Dynasty 18, ca. A.D. 1928; original ca. 1400–1352 B.C., Original from Egypt, Upper Egypt, Thebes, Tempera on paper, facsimile: h. 99 cm (39 in); w. 130 cm (51 3/16 in),

The Wool Carder, ca. 1855–56, Etching on laid paper; only state, plate: 10 1/2 x 6 7/8 in. (26.6 x 17.5 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Circular Diagram (in Sketch Book With Drawings on Twenty-six Leaves), ca. 1849, Graphite, Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm), Drawings, Frederic, Lord Leighton (British, Scarborough 1830–1896 London

Cœnotaphiorum (25), 1563, Etching; first state of four, sheet: 6 5/8 x 8 5/16 in. (16.9 x 21.1 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

Venus and Vulcan at the Forge, ca. 1555, Engraving, sheet: 7 1/2 x 12 3/16 in. (19 x 31 cm) trimmed to borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence

Three Children Among Clouds Near a Palm Leaf, 1738–45, Etching and engraving, Sheet: 17 3/8 × 11 15/16 in. (44.2 × 30.3 cm), Prints, Gabriel Huquier (French, Orléans 1695–1772 Paris), After François Boucher (French, Paris 1703–1770

Adrian 'Cap' Anson, Baseball Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued

Concave-Casqued Hornbill, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889

Drawings and Prints, Print, The Wonderful Pig, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827, 1838,

Drawings and Prints, Print, The Savior with the Globe in his Hand, Artist, Publisher, Grégoire Huret, Le Blond, French, Lyon 1606–1670 Paris, Huret, Grégoire, Le Blond, French, 1606, 1670, 17th century, 1620, 1670

Rainbow Pitta, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a set

Vertumnus and Pomona, ca. 1550-55, Etching, Sheet: 8 3/8 × 11 5/8 in. (21.2 × 29.5 cm), Prints, Anonymous, French, 16th century, After Jean Cousin the Younger (French, Sens ca. 1522–1594 Paris

Dialectic: a young woman standing in a decorated interior and touching her right index finger to her left middle finger in a counting gesture, at her feet is a toad seated on a stack of books, from the series 'The liberal arts' (Les arts liberaux),

Den Grooten Raad van Romen, 1665–1708, Etching, Prints, Style of Romeyn de Hooghe (Dutch, 1645–1708

Pomegranate, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Beggars (Bettelvolk), 1930, Lithograph, image: 14 7/16 x 10 3/4 inches (36.7 x 27.3 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Leopard, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

Venus and Adonis, ca. 1570, Engraving, sheet: 12 7/16 x 8 3/4 in. (31.6 x 22.2 cm) borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Teodoro Ghisi (Italian, 1536–1601

Killing an Enemy, November 15, 1779, Etching, Sheet: 8 13/16 x 6 in. (22.4 x 15.2 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

W.B. Page, High Jump, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 2 (N29), issued in 1888 in a

Gypsy, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to

Martin Folkes, 1742, Etching and engraving; fourth state of four, sheet: 13 3/8 x 9 5/16 in. (33.9 x 23.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Napier, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a set of 50 cards

Portrait of Paul Cézanne, 1874, Etching on laid paper; only state, sheet: 17 5/8 x 11 1/2 in. (44.8 x 29.2 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

Jacobus Gibbs, Architectus, 1747, Etching and engraving; third state of three, sheet: 10 7/8 x 8 in. (27.7 x 20.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Drawings and Prints, Print, Fortune (La Fortune), L'Estampe originale, Album III, Artist, Publisher, Adolphe-Léon Willette, André Marty, French, Châlons-sur-Marne 1857–1926 Paris, French, born 1857, Willette, Adolphe-Léon, Marty,

Drawings and Prints, Photograph, Card Number 62, The Modern Puck, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Man holding a cane and a hat, mid–19th century, Lithograph, Sheet: 4 5/8 × 2 3/4 in. (11.7 × 7 cm), Prints, Victor Adam (French, 1801–1866

View of Ipswich, or A Bend in the River, ca. 1895, Color woodcut, image: 5 x 2 5/16 in. (12.7 x 5.9 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922 New York State), Part of a series titled 'Along Ipswich River, '

Jacopo Brought before His Father, the Doge: Study for 'The Two Foscari', ca. 1855, Graphite on laid paper, Overall: 9 13/16 x 15 1/4 in. (25 x 38.7 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Print, Hildegarde's Birth, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1910

Saint Jude, 1726, Etching and engraving, Sheet (trimmed): 13 3/4 × 8 11/16 in. (35 × 22.1 cm), Prints, Etienne Brion (French, Paris, ca0), After François Boucher (French, Paris 1703–1770 Paris

Marriage A-la-Mode, Plate II, April 1745, Etching and engraving; fourth state of four, Plate: 15 1/4 x 18 1/2 in. (38.7 x 47 cm), Prints, After William Hogarth (British, London 1697–1764 London

Broadsheet relating to the death of Pope León XIII, he is shown in his study flanked by angels, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1913

Shepherd and Shepherdess, 1874, Etching; first state, sheet: 12 7/8 x 9 1/2 in. (32.7 x 24.1 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Seated Chief Playing Thumb Piano (Mwanangana), before 1869, Angola, Chokwe peoples, Wood (Uapaca), cloth, fiber, beads, H. 16 3/4 x W. 4 3/4 x D. 5 1/4 in. (42.5 x 12.1 x 13.3 cm), Wood-Sculpture, By the early nineteenth century, Chokwe

Drawings and Prints, Print, The High-Mettled Racer, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761, 1827,

Top Knot Pigeon, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a set

Head of a toothless man with bare, sinewy neck in profile to left, 1648, Etching; only state, Plate: 3 1/16 × 2 1/4 in. (7.7 × 5.7 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Head of a toothless man with bare,

Drawings and Prints, Drawing, The Martyrdom of St. Catherine of Alexandria, Artist, Carlo Portelli, Italian, Loro Ciuffena, Val d'Arno before 1510?–1574 Florence, Portelli, Carlo, Italian, 1510, 1574, 1560–70, 1560

Pompone II de Bellièvre, 1653, Engraving; second state of two (Petitjean & Wickert), Sheet: 12 7/8 × 10 5/16 in. (32.7 × 26.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Bernard de Foix de La Valette, duc d'Eperon, ca. 1650, Engraving; first state of three (Petitjean & Wickert), Sheet: 12 3/4 × 10 1/16 in. (32.4 × 25.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

'Les Grandes Frises' (6 of 12), Before 1626, Etching, sheet: 2 13/16 x 9 3/4 in. (7.1 x 24.8 cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Susanna Surprised by the Elders, from The Story of Susanna, 1555–80, Engraving; first state of three, Sheet: 4 7/16 × 3 3/16 in. (11.3 × 8.1 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Susanna, seated

Drawings and Prints, Print, Chap. XI: Des Memoires! fi donc (IOUs, fie!), Un an de la vie d'un jeune homme (A Year in the Life of a Young Man), Artist, Publisher, Lithographer, Victor Adam, Sazerac and Duval, Langlumé, French,

The Annunciation, ca. 1525, Oil on wood, 34 x 31 1/2 in. (86.4 x 80 cm), Paintings, Joos van Cleve (Netherlandish, Cleve ca. 1485–1540/41 Antwerp), Gabriel and Mary are presented within an elaborately furnished interior that would have been

The Rich Man at His Table, from The Parable of the Rich Man and Lazarus, 1554, Engraving, Sheet: 3 1/8 × 4 5/16 in. (8 × 10.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Dives, at center, dining with a

Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 5/8 in. (10.5 × 11.7 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

May Day Celebrations at Xeuilley, 1624–25, Etching; first state of four (Lieure), Sheet: 7 1/2 x 13 1/16 in. (19 x 33.2 cm), Prints, Jacques Callot (French, Nancy 1592–1635 Nancy), Callot incised the contour lines of his preparatory

Poppy Fields near Argenteuil, 1875, Oil on canvas, 21 1/4 x 29 in. (54 x 73.7 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), This work is one of four similar views of the plain of Gennevilliers, just southeast of