Images at Librifly

'Owake! what ho! Brabantio! thieves! thieves!': plate 1 from Othello (Act 1, Scene 1), 1844, Etching, engraving, and roulette on chine collé, plate: 14 5/8 x 10 5/8 in. (37.2 x 27 cm), Prints, Théodore Chassériau (French, Le Limon,

Three Children On Dolphin, 1755–76, Crayon manner engraving in brown ink, Sheet: 11 5/16 × 15 3/8 in. (28.7 × 39.1 cm), Prints, Gilles Demarteau (French, Liège 1722–1776 Paris), After François Boucher (French, Paris 1703–1770 Paris

Small, masked male figure playing a violin, from the series 'Varie figure gobbi', ca. 1621–25, Etching, Plate: 2 1/2 x 3 7/16 in. (6.4 x 8.8 cm), Prints, Jacques Callot (French, Nancy 1592–1635 Nancy

Drawings and Prints, Arabesque Design on Dark Ground, Artist, Virgil Solis, German, (?) 1514–1562 Nuremberg, Solis, Virgil, 1514, 1562, 1534–1562, 1534, 1562

Drawings and Prints, Print, Moses' Hands Held Up (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Frederick Richard Pickersgill, British, London, New York,

St. Genevieve as a Young Girl, 1680, Engraving; second state of two (BN), sheet: 15 15/16 x 11 1/4 in. (40.5 x 28.6 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Lottery in Piazza di Montecitorio, 1743–1744, Pen and black ink, watercolor, over graphite. Framing lines in pen and black ink at left, right, and upper margins, 13 3/8 x 21 7/16in. (34 x 54.5cm), Drawings, Giovanni Paolo Panini

Mill Near the Grand Chartreuse, Dauphiny (Liber Studiorum, part XI, plate 54), January 1, 1816, Etching and mezzotint; first state of four, plate: 7 7/16 x 10 3/16 in. (18.9 x 25.9 cm), Prints, Designed and published by Joseph Mallord

Rail, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50 cards to

Fame, Engraving, sheet: 12 11/16 x 8 3/4 in. (32.3 x 22.2 cm), Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano

Vermont, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Ecorché: Torso of a Male Cadaver, 1820–63, Black and red chalk, graphite, and white chalk on wove paper, sheet: 9 15/16 x 6 1/4 in. (25.2 x 15.9 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Print, Happy Birthday (Herzlichen Glückwunsch zum Geburtstage), Artist, Publisher, Gustav Kalhammer, Wiener Werkstätte, Austrian, Vienna 1886–1919/20 (?) Vienna, Kalhammer, Gustav, Wiener Werkstätte, Austrian,

Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background, ca. 1510–20, Engraving, Sheet: 10 3/16 x 7 3/16 in. (25.8 x 18.3 cm), Prints, Marco Dente (Italian, Ravenna, active by

Set Design, n.d., Pen and brown ink, brush and brown wash, on off white antique laid paper, sheet: 17 13/16 x 21 5/8 in. (45.3 x 55 cm), Drawings, Pietro di Gottardo Gonzaga (Italian, Belluno 1751–1831 St. Petersburg

Drawings and Prints, Print, After the Victory, from the Illustrated London News, Artist, Engraver, After, John Faed, Richard Principal Leitch, British, Burley Mill, Scotland 1820–1902 Burley Mill, Scotland, British, ca. 1827–1882,

Carbine, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a series

Woman Playing the Flute, Woodcut with pochoir in orange, two shades of brown and beige, Sheet: 14 in. × 9 1/2 in. (35.6 × 24.2 cm), Prints, Anonymous, French, 16th century

Plate 2: Abraham Liberating His Nephew Lot, from 'The Battles of the Old Testament', ca. 1590–ca. 1610, Etching, Sheet: 7 7/8 in. × 11 in. (20 × 28 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Design for Knife Handles with 'Sine Cerere et Baccho Friget Venus' and a Couple Shaking Hands, 1580–1600, Engraving and blackwork, Sheet: 5 1/4 × 4 in. (13.4 × 10.2 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad

The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Michelangelo Buonarroti

Drawings and Prints, Print, Christ Crowned with Thornes, from The Passion of Christ, plate 14, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670, 1664

Connecticut, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Drawings and Prints, Print, The Flood, Artist, Edward Calvert, British, Appledore, Devon 1799–1833 Hackney (London), Calvert, Edward, British, 1799, 1833, 1904

Shaddock, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Drawings and Prints, Photograph, Mlle. Jane May, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Drawings and Prints, Photograph, Vienna Beauty, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Mike 'King' Kelly, Baseball Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued

Hawks and owls, 1625–77, Etching; only state, Plate: 5 1/4 × 7 11/16 in. (13.4 × 19.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), In a room a large owl sits on wooden partition at right holding a dead weasel in

Tripoli, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Drawings and Prints, Print, The Geological Lecture Room, Oxford: Dr. William Buckland Lecturing on February 15, 1823, Lithographer, Sitter, Artist, Charles Joseph Hullmandel, William Buckland, Nathaniel Whittock, British, London

Swordfish, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Rest on the Flight into Egypt, a round composition, ca. 1641, Etching; second state of two, Sheet: 3 7/16 x 3 1/8 in. (8.7 x 8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Vignette with Hephaestus and Putti, 1779, Etching, sheet: 13 5/8 x 9 3/4 in. (34.6 x 24.7 cm), Prints, Jean-Baptiste Huet I (French, Paris 1745–1811 Paris

The Triumph of Love, from The Triumph of Petrarch, Engraving, Sheet: 6 × 8 5/16 in. (15.3 × 21.1 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Drawings and Prints, Print, Sig. Lucia - Trastullo, from the Balli di Sfessania, Artist, Jacques Callot, French, Nancy 1592–1635 Nancy, Callot, Jacques, French, 1592, 1635, ca. 1622

The Trinity, Engraving, Sheet: 14 3/16 x 10 5/8 in. (36 x 27 cm), Prints, Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen), After Frans Floris I

London from Arundel House, copy, 17th century (?), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, ca. 1510, Oil on oak panel, Left wing: 34 1/2 x 11 5/8 in. (87.7 x 29.5 cm), painted surface 34 x 11 in. (86.4 x 27.9 cm); right wing: 34 1/2 x 11

Dagger blade, Late Bronze Age, Cypriot, Bronze, length 8 3/16 in. (20.8 cm), Bronzes

Turkish, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

South Australia, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10),

The Big Horse Chestnut Tree, Easthampton, 1928, Etching, Plate: 8 3/4 x 11 11/16 in. (22.2 x 29.7 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Drawings and Prints, Photograph, Card Number 319, Isabella Terrise, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,

Mullet, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Drawings and Prints, Photograph, Card Number 170, Jennie McNulty, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Bronze rod tripod, Late Bronze Age, ca. 1250–1050 B.C., Cypriot, Bronze, H. 14 3/4 in. (37.5 cm), Bronzes, Bronze tripods and other vessel stands from Cyprus represent some of the finest metalwork produced in the eastern Mediterranean at the

Man attached to a Tree, 1543-44, Etching, sheet: 12 1/16 x 8 3/4 in. (30.6 x 22.3 cm), Prints, Master I 0 V (active ca. 1542–45), After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

A winged putto flogging a satyr tied to a tree, ca. 1625–50, Etching, sheet: 6 9/16 x 8 1/4 in. (16.7 x 21 cm), Prints, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples

Sheep, from a set of 16 plates, 1664, Etching, plate: 4 11/16 x 5 13/16 in. (11.9 x 14.8 cm), Prints, Marcus de Bye (Dutch, The Hague 1639–after 1688

Ripe barley, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten), Limestone, paint, H. 23 cm (9 1/16 in); W. 52 cm

Plate 10: a soldier charging a cannon in center, other soldiers with picks standing at left and right, from 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes), ca. 1640, Etching,

Drawings and Prints, Print, La Chanson du Mal-aimé from Eaux-fortes pour Alcools, Artist, Louis Marcoussis, French (born Poland), Warsaw 1883–1941 Cusset, Marcoussis, Louis, 1883, 1941, 1934, 1934

Masquerades and Operas, 1724, Etching and engraving; second state of three, sheet: 4 15/16 x 6 7/8 in. (12.5 x 17.5 cm), Prints, William Hogarth (British, London 1697–1764 London

An Arkansas Planter, 19th–20th century, Lithograph, Sheet: 21 in. × 15 3/8 in. (53.4 × 39 cm), Prints, Will Denslow (American, 1856–1915

The Little Shepherd, ca. 1753, Etching and engraving, Sheet (trimmed): 10 11/16 in. × 8 in. (27.2 × 20.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770

Broadside detailing a religious procession for Saint John and Saint Ana, multiple figures dancing and celebrating, José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1913

Woman before a Mirror, 1897, Oil on cardboard, 24 1/2 x 18 1/2 in. (62.2 x 47 cm), Paintings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), The indolent, cloistered lives of prostitutes were the subject of some of

Fishing Boats, ca. 1881, Etching; first state of two, early impression, plate: 3 15/16 x 9 9/16 in. (9.9 x 24.3 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Drawings and Prints, Print, Clown, Artist, Publisher, Rudolf Kalvach, Wiener Werkstätte, Austrian, Vienna 1883–1932 Kosmanos, Kalvach, Rudolf, Wiener Werkstätte, Austrian, 1883, 1932, 1907, 1907

'Psyche Carrying Waters of the Styx' (from the Farnesina frescoes), Engraving, sheet: 11 9/16 x 8 11/16 in. (29.4 x 22 cm), Prints, Circle of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

From the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General Government and State Capitol

Terracotta kylix (drinking cup), Archaic, ca. 490–480 B.C., Greek, Attic, Terracotta; red-figure, H. 5 in. (12.7 cm), Vases, Interior, satyr and maenad, Exterior, satyrs and maenads. Makron's satyrs and maenads (male and female followers

The Daughter of Jephthah, 1710–50, Black chalk and stumping, heightened with white chalk, squaring in black chalk, on blue paper, Sheet: 12 1/2 × 18 3/4 in. (31.7 × 47.7 cm), Drawings, Charles Antoine Coypel (French, Paris 1694–1752

Buff Cochin China Hen, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Prize and Game Chickens' series (N20), issued in

St. John Preaching in the Desert, 1535–55, Etching, Sheet (trimmed): 12 1/2 × 16 7/8 in. (31.8 × 42.8 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

The World Carrying Away Knowledge and Love, from The Unrestrained World, plate 3, 1550, Etching and Engraving; second state of two (New Hollstein), Plate: 7 3/16 × 9 1/2 in. (18.2 × 24.2 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish,

The Lock, after Constable, 1912, Wood engraving, Image: 5 7/8 × 4 15/16 in. (15 × 12.5 cm), Prints, After John Constable (British, East Bergholt 1776–1837 Hampstead

Drawings and Prints, Print, A bacchante seen in profile facing left, with outstretched left arm holding her drapery, set against a black background inside a rectangular frame, Wall paintings from Herculaneum, Publisher, Artist, Intermediary

Guanyin as the Nine-Lotus Bodhisattva, 九蓮観音菩薩像, Ming dynasty (1368–1644), 1593, China, Hanging scroll; ink and color on silk, Image: 72 3/8 × 44 1/8 in. (183.8 × 112.1 cm), Paintings, Unidentified Artist Chinese, late 16th

Recreation: July, n.d., Lithograph, Sheet: 16 9/16 × 13 7/8 in. (42 × 35.2 cm), Prints, Henry Sumner Watson (American, Bordentown, New Jersey 1868–1933

Drawings and Prints, Photograph, Card Number 522, Miss Landry, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Drawings and Prints, Photograph, Card Number 615, Miss Werner, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Speculum Romanae Magnificentiae: Corinthian base, 1537, Engraving, sheet: 4 3/16 x 6 5/16 in. (10.6 x 16 cm), Prints, Master PS (Italian or French, active 1530s

Drawings and Prints, Print, Love, Artist, Publisher, Thomas Rowlandson, T. Smith, British, London 1757–1827 London, British, active London 1785–1800, Rowlandson, Thomas, Smith, T., 1757, 1785, 1827, 1787, August 12

Drawings and Prints, Print, The Brook, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, late 19th–early 20th century, 1868

Bust of a manwith hooked nose, prominent upper lip, open mouth and thick, short curly hair resembling wig in profile to left, 1665, Etching; only state, Plate: 2 11/16 × 1 15/16 in. (6.9 × 5 cm), Prints, After Leonardo da Vinci (Italian,

Governor Sawyer, New Hampshire, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Near Blair Athol, Scotland (Liber Studiorum, part VI, plate 30), June 1, 1811, Etching and mezzotint; first state of three, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Le Cardinal de Coislin (Pierre-Arnaud du Cambout de Coislin), 1658, Engraving; first state of three (Petitjean & Wickert), Sheet: 13 7/16 × 10 7/16 in. (34.2 × 26.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Speculum Romanae Magnificentiae: Cornice, 16th century, Engraving, sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm), Prints, Anonymous

Le Châtaignier de Neuve-Celle, au bord du lac de Genève, after Daubigny, 1835–78, Wood engraving, sheet: 5 1/8 x 7 1/16 in. (13 x 18 cm), Prints, after Charles-François Daubigny (French, Paris 1817–1878 Paris

Helmeted head, 17th century (?), Etching, 2 5/16 x 1 13/16 in. (6 x 4.7 cm) (trimmed to plate line), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

The Birth of Annette, ca. 1899, Color lithograph on China paper; trial proof of undescribed early state, sheet: 16 7/8 x 22 3/8 in. (42.9 x 56.8 cm), Prints, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule), In his multicolored prints

Chevaux Tartare, Engraving, image: 8 x 9 1/8 in. (20.3 x 23.2 cm), Prints, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

Harper's: June, 1896, Lithograph, Sheet: 18 13/16 × 13 3/4 in. (47.8 × 34.9 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Cover: The Inland Printer, The Easter Number, April, 1896, Color lithography, Sheet: 11 7/8 x 8 7/8 in. (30.2 x 22.6 cm), Prints, Anonymous, American, 19th century

Diana and Cupid, 1761, Oil on canvas, 49 x 68 in. (124.5 x 172.7 cm), Paintings, Pompeo Batoni (Italian, Lucca 1708–1787 Rome), The picture was painted for Sir Humphrey Morice (1723–1785), son of a wealthy merchant and director of the

Broadsheet relating to a train that derailed in Zacatecas on 18 April 1904, a description in the bottom section, José Guadalupe Posada (Mexican, 1851–1913), 1904

Goldsmith's Bouquet, from Newes Lauberbuechlein, 1628–66, Engraving, Sheet: 5 9/16 × 4 5/16 in. (14.2 × 10.9 cm), Peter Aubry II (German, 1610–1666), After Gédéon Légaré (French, 1615–1676) (?), Decorative floral arrangement in

The Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres), 1720–78, etching, sheet: 18 1/2 x 27 1/2 in. (47 x 69.9 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Drawings and Prints, Print, The Ascension of Christ, from Speculum passionis domini nostri Ihesu Christi, Artist, Author, Publisher, Published for Ulrich Pinder, by, Hans Schäufelein, Ulrich Pinder, Friedrich Peypus, German, Nuremberg

Diligence, from Virtues and Vices, 1549, Engraving, Sheet: 2 3/4 × 1 15/16 in. (7 × 4.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Two Women with Children, 1766, Aquatint in brown ink, sheet: 9 5/8 x 6 7/8 in. (24.5 x 17.4 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727–1791 Paris), After François Boucher (French, Paris 1703–1770 Paris

Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli), 1770, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778

Drawings and Prints, Photograph, Fannie Batchelder, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

Elephant and Camel, 17th century (?), Etching, 14.3 x 20.7 cm., Prints, After Francis Barlow (British, Lincolnshire ca. 1626–1704 London

Lion of the Atlas Mountains, 1829–30, Lithograph; probably second state of four, 13 x 18 3/8in. (33 x 46.7cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

View of the Ponte San Rocco at Tivoli; verso: Buildings on the River Aniene near Tivoli (?), ca. 1640–45 (?), Brush and gray ink, black chalk, Sheet: 15 11/16 × 10 15/16 in. (39.8 × 27.8 cm), Drawings, Guilliam du Gardijn (Dutch, Cologne

The Ruinous Cottage, Engraving; second state of two, Plate: 3 9/16 × 5 11/16 in. (9.1 × 14.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam