Images at Librifly

Plate 72: Scylla Watching Minos from the Castle Walls (Minois pulchritudine inflammatur Scylla), from Ovid's 'Metamorphoses', 1606, Etching, Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Broadsheet relating to the Virgin of Guadalupe who is shown flanked by angels, José Guadalupe Posada (Mexican, 1851–1913), 1901

Sunrise, 1850, Etching; fifth state of five, plate: 12 1/8 x 17 3/4 in. (30.8 x 45.1 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Drawings and Prints, Print, Perseus, Artist, After, Marco Pino, Anonymous, Italian, 16th century, Italian, Costa del Pino, Siena ca. 1525–ca. 1587 Naples, Pino, Marco, Anonymous, Italian, 16th century, Italian

Drawings and Prints, Print, Trelawnay of the Wells, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1890–1925

Lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta, Length 13.2 cm. H. 6.7 cm., Terracottas

Drawings and Prints, print, Ten Men and Four Boys Singing in a Church, Artist, Pieter de Jode II, Flemish, 1606–ca. 1674, Jode, Pieter de II, Flemish, 1606, 1674, 17th century, 1600, 1699

Venus preventing Aeneas from killing Helen, late 18th century, Pen and brown ink, brown wash, over graphite, Sheet: 9 1/8 x 12 1/4 in. (23.2 x 31.1 cm), Drawings, Attributed to Johann Tobias Sergel (Swedish, Stockholm 1740–1814 Stockholm

Drawings and Prints, Print, New Meadows Farms, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, ca. 1923

The Light Of The World, 1761, Engraving, Sheet: 18 5/8 x 14 1/16 in. (47.3 x 35.7 cm), Prints, Etienne Fessard (French, Paris 1714–1777 Paris), After François Boucher (French, Paris 1703–1770 Paris

View of Ranby's House, May 1, 1781, Etching and engraving; second state of two, plate: 4 x 6 in. (10.1 x 15.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Broadsheet relating to the death of Juan Dimio, crowd of people gathered around a gazebo while a man wearing a top hat stares out at viewer, José Guadalupe Posada (Mexican, 1851–1913), 1918 (published

Claude Joly, 1673, Engraving; first state of two (Petitjean & Wickert), sheet: 15 3/16 x 12 5/16 in. (38.5 x 31.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Photograph, Card Number 387, Carrie Perkins, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Trois Amours soutenant une draperie (Three Loves Holding a Drapery), from Premier Livre de Groupes d'Enfans (First Book of Groups of Children), Etching and engraving, sheet: 10 13/16 x 8 1/4 in. (27.5 x 20.9 cm), Pierre Alexandre Aveline (French,

Le chancelier Louis Boucherat, 1677, Engraving; second state of four [?] (Petitjean & Wickert), Sheet: 20 3/16 × 16 15/16 in. (51.3 × 43 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Blackwork Print with Two Horizontal Panels and Four Bezels, ca. 1620, blackwork, Plate: 1 9/16 x 2 1/16 in. (4 x 5.2 cm), After Hans de Bull (German, active 1592–1604

Portrait of a man with a mole on his nose, Roman Period, A.D. 130–150, From Egypt, Encaustic, limewood, H. 39.4 x W. 19.3 cm (15 1/2 x 7 5/8 in.), Although the panel shape and palette of paintings 09 and are very similar, differences in the

The Century: XMAS, 1895, Lithograph, Sheet: 21 3/8 × 14 1/2 in. (54.3 × 36.8 cm), Louis John Rhead (American, born England, 1857–1926

Drawings and Prints, Print, Scene in a Farce called The Quaker, Subject, Artist, Subject, William Parsons, Thomas Rowlandson, John Bannister, British, 1735–1795 London, British, London 1757–1827 London, British, London 1760–1836

The Savior, mid-15th century, Engraving; second state, sheet: 6 3/16 x 4 9/16 in. (15.7 x 11.6 cm), Prints, Master ES (German, active ca. 1450–67

Drawings and Prints, Print, God, that Eisenbach!, Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian, 1885, 1915,

Alma Stanley, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Bronze statuette of an African (known as Ethiopian) youth, Hellenistic, 3rd–2nd century B.C., Greek, Bronze, H. 18.29 cm., Bronzes, This fine statuette shows the careful observation that reflects firsthand knowledge of the subject. The

Tile Panel in the form of an Architectural Niche, first half 14th century, Made in Iran, Kashan, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled, H. 48 1/2 in. (123.2 cm), Ceramics, Hasan ibn `Ali ibn Ahmad

Orderly, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50 cards

Plate 17: Nine studies of horse heads, from 'Various heads and figures' (Diverses têtes et figures), 1650, Etching, Sheet: 3 5/16 x 2 7/16 in. (8.4 x 6.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Le Christ a la colonne, Etching, image: 18 1/2 x 13 9/16 in. (47 x 34.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Giorgione (Italian, Castelfranco Veneto 1477/78–1510 Venice

Reverse copy of the Frontispiece: Gaigne Petit, from Le Cris de Paris (The Cries of Paris), plate 1, 18th century, Etching and engraving, Sheet: 10 3/4 x 7 7/16 in. (27.3 x 18.9 cm) trimmed, Prints, Simon Francis Ravenet, the elder (French,

Giovanni Alto (Johann Alten, Ioannes Altus) standing on the Quirinal Hill in Rome, with his right arm outstretched in a pointing position and a snake coiled around his foot and sword, 1613, Engraving, image: 14 7/16 x 9 1/8 in. (36.7 x 23.2 cm),

From the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 4), issued ca. 1888 by Allen

The soldier kissing the woman's hand, 1666, Etching, second state of two, Sheet: 5 5/8 × 3 3/4 in. (14.3 × 9.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), In a dark room, a soldier at left bends to kiss the hand

Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right, 1543, Engraving, image: 11 3/4 x 8 1/16 in. (29.8 x 20.5 cm), Prints, Enea

Drawings and Prints, Print, The Rich Man in Hell and the Poor Lazarus in Abraham's Lap, from Das Plenarium, Artist, Publisher, Hans Schäufelein, Adam Petri, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German, active Basel,

Shepherds in a Forest, 1648–50, Etching, state cannot be determined due to trimming of sheet, Sheet: 5 13/16 × 8 5/16 in. (14.7 × 21.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Two shepherds, one reclining on

Drawings and Prints, Print, The Reformed Woman, Artist, Publisher, Artist, After, Grégoire Huret, Pierre Mariette, Jean Couvay, French, Lyon 1606–1670 Paris, French, 1596–1657, French, Arles ca. 1605–1663 Paris, Huret,

Drawings and Prints, Print, Pilgrims at the Church of the 'Beautiful Virgin' at Regensburg, Artist, Michael Ostendorfer, German, (?) ca. 1490–1549 Regensburg, Ostendorfer, Michael, 1520, 1549, 1610, 1610

Remissio Peccatorum, from the Allegories on the Christian Creed, 1598, Engraving, sheet: 9 13/16 x 7 3/8 in. (25 x 18.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Jason confronting the dragon guarding the Golden Fleece, from: Histoire de Jason et de la conquête de la toison d'or, 1563, Engraving, Plate: 6 1/8 x 9 in. (15.5 x 22.8 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After

Portrait of Michelangelo in profile facing right set within a recess, 1545, Engraving, Sheet: 9 7/16 × 6 15/16 in. (24 × 17.7 cm), Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara

Side Chair, ca. 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, northern white cedar, 37 x 22 1/2 x 23 in. (94 x 57.2 x 58.4 cm), Furniture, Attributed to Thomas Affleck (1740–1795), This magnificently carved

Drawings and Prints, Print, Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), Shakespeare Gallery (small series), Subject, Artist, Publisher, Engraver, After, William Shakespeare, Robert Smirke, John &

The Shadow that Lies Floating on the Floor. Illustration to The Raven by Edgar Allan Poe, 1875, Transfer lithograph on laid (Hollande) paper, only state, sheet: 21 5/8 x 13 3/4 in. (55 x 35 cm), Prints, Édouard Manet (French, Paris

Charles-Emmanuel, Duc de Savoie, 1668, Engraving; state four of five [?] (Petitjean & Wickert), Sheet: 15 3/8 x 9 15/16 in. (39 x 25.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Coronation Procession of Charles II Through London, 1662, Etching, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Print, The Madonna of Mercy, from Hymmelwagen auff dem, wer wol lebt..., Publisher, Artist, Author, Silvan Otmar, Hans Schäufelein, Hans von Leonrodt, German, active Augsburg, 1513–40, German, Nuremberg ca.

Landscape, after 1885, Color lithograph, sheet: 18 3/4 x 24 3/4 in. (47.6 x 62.9 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Drawings and Prints, Drawing Ornament & Architecture, Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, 1911, Artist, Léon Bakst, Russian, Grodno 1866–1924 Paris, Bakst,

Drawings and Prints, Print, Gypsy, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

The Assassination of President Lincoln at Ford's Theatre, Washington D.C., April 14th, 1865, 1865, Hand-colored lithograph, Image: 7 13/16 × 12 1/8 in. (19.8 × 30.8 cm), Prints, This lithograph records the shocking moment when Abraham

Drawings and Prints, Photograph, Card Number 771, Helen Standish, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Alice Hart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Triomphe de Pomone (Triumph of Pomona), 18th century, Etching and engraving, Sheet: 19 7/8 x 5 3/4 in. (50.5 x 14.6 cm) trimmed, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris), After François Boucher (French, Paris 1703–1770

The Mocking of the Prisoners, ca. 1540, Engraving, sheet: 16 1/8 x 22 1/16 in. (41 x 56 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Double Portrait of Pierre and Jacques Dupuy, ca. 1648–49, Engraving, Sheet: 7 13/16 × 11 in. (19.8 × 28 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Jacobin, from The World's Racers series (N32) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'The World's Racers' series (N32), issued in 1888 in a set of 50 cards

Emperor Mark Antony Offering a Sacrifice, ca. 1540–45, Etching, Sheet (trimmed): 10 1/2 × 18 5/8 in. (26.7 × 47.3 cm), Prints, Léon Davent (French, active 1540–56

Plate 34, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Awakening (from the series A Love), 1887–1903, Etching and engraving; third edition; state eight of ten, Plate: 17 15/16 × 12 3/16 in. (45.5 × 30.9 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Study of a Male Nude (Althaemenes) in Despair, mid-18th–early 19th century, Pen and brown ink, brown wash, over graphite, sheet: 3 5/8 x 3 1/16 in. (9.2 x 7.8 cm), Drawings, Nicolai Abraham Abildgaard (Danish, Copenhangen 1743–1809

Needle, Cypriot, Bronze, Other: 2 9/16in. (6.5cm), Bronzes

Bambridge on Trial for Murder by a Committee of the House of Commons, June 1, 1803, Engraving, Plate: 17 3/8 x 21 15/16 in. (44.2 x 55.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

Canal Boats and Tugs, 1887, Etching, printed in brown ink, plate: 4 7/16 x 6 7/8 in. (11.3 x 17.5 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Drawings and Prints, Print, How to Escape Losing, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, November 22, 1791

Ground Plan for Catafalque for Johann Wilhelm, Count Palatine of the Rhine (d. 1716)., ca. 1716, Pen, brown ink and gray wash, 19-1/4 x 12-13/16 in. (48.9 x 32.5 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756

Queen of Belgium, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of

A Rake's Progress, Plate 3, June 25, 1735, Etching and engraving; third state of three, sheet: 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Mme. Materna, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Two satyrs, traditionally known as the 'Mockers, ' laughing and using their limbs to pin a drawing to a tree trunk, at left a smiling man points toward the drawing, at right is a laughing woman, a globe underneath one of the satyrs, ca.

The Ruined Cottage, Surrounded by Water, Engraving; first state of three, Sheet (trimmed to plate): 2 15/16 × 4 1/4 in. (7.4 × 10.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Two young satyrs and a boy, 1647, Etching, second state, Sheet: 5 1/2 × 8 1/8 in. (13.9 × 20.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Two young satyrs recline on a bank under a tree, blowing horns; a boy lies

Seagull, from the Birds of America series (N37) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of America' series (N37), issued in 1888 in a set of 50 cards

The Breakfast (Le Gourmet en Compagne), 17th century, Etching; twelfth state, Sheet: 8 1/2 × 10 3/16 in. (21.6 × 25.9 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Studies of Legs, Hands, and Torso, 1700–1750, Black chalk and pen and brown ink, sheet: 11 x 8 1/8 in. (28 x 20.7 cm), Drawings, Anonymous, Italian, first half of the 18th century

Speculum Romanae Magnificentiae: Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), 1553, Engraving, sheet: 20 7/8 x 15 1/2 in. (53 x 39.4 cm), Prints, Anonymous, Italian, 16th century, After a drawing attributed to Enea Vico

Bust of a deformed man wearing a bulbous hat in profile to the left, 1625–77, Etching; only state, Plate: 2 3/16 × 1 11/16 in. (5.6 × 4.3 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Bust of a deformed man

Drawings and Prints, Photograph, Grace Seavey, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Cardinal Richelieu, Kneeling, Presents His Book to the Virgin and Child, ca. 1646, Engraving; second state of six, sheet: 8 9/16 x 6 1/4 in. (21.8 x 15.9 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Officer of the Day, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, 1832, Watercolor over graphite on wove paper, 8-3/4 x 6-3/8 in. (22.2 x 16.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris),

Cadwallader David Colden, Mayor of New York City, ca. 1825, Engraving; first state of two, Plate: 12 5/8 x 9 3/4 in. (32 x 24.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), Peter

Title page of Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 3/4 x 11 7/8 in. (22.2 x 30.1 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon

Albury with tree-stump in foreground, 1625–77, Etching; first state of two, Sheet: 3 1/2 × 6 1/8 in. (8.9 × 15.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Albury; stump of old tree in the foreground at left,

Drawings and Prints, Print, Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry IV, Part 1, Act 5, Scene 4), Boydell'shakespeare Gallery, Subject, Engraver, Artist, Publisher, After, William Shakespeare, Thomas Ryder, John

George Jones, 1833, Engraving; only state, plate: 11 1/16 x 8 1/8 in. (28.1 x 20.6 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Frederick Stiles Agate (American, Sparta, New

Autumn, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 3/4 in. (22.7 × 24.8 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Léon-Bouthillier, comte de Chavigny, 1651, Engraving; first state of two (Petitjean & Wickert), sheet: 12 1/4 x 9 5/8 in. (31.1 x 24.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French,

Drawings and Prints, Drawing, A Riding School with a Visiting Family, Artist, Dirk Langendijk, Dutch, Rotterdam 1748–1805 Rotterdam, Langendijk, Dirk, 1748, 1805, 1778, 1778

Arizona, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

伊藤若沖筆　葡萄双鶏図, Hen and Rooster with Grapevine, Edo period (1615–1868), 1792, Japan, Hanging scroll; ink and color on silk, Image: 40 1/8 x 16 1/4 in. (101.9 x 41.3 cm), Paintings, Itō Jakuchū (Japanese, 1716–1800),

Searobin, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in a

Horseman in center facing left speaking to a man on foot, infantry troops in a line in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie), ca. 1642–45, Etching, Sheet: 3 3/8 x 2 11/16 in. (8.5 x 6.8 cm),

Drawings and Prints, Print, Upper Sheepscott, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925

Plate 16: head of an old man in profile with a cloth tied around his head, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Sheet: 3 1/4 x 2 9/16 in. (8.2 x 6.5 cm), Prints, Stefano della Bella

Goldsmiths' Bouquet, from Livre de Toutes Sorte de Feuilles Pour Servir a l'Art d'Orfeburie, 1627, Engraving, Sheet: 9 5/8 × 7 1/8 in. (24.4 × 18.1 cm), Jacques Caillard (French, 17th century), Published by Isaac Briot (French, Damblain

Plate 7: a triton in the water, facing left, holding up an eel in his right hand and two other eels underwater in his left hand, from 'Second collection of various doodles and etching proofs' (Second recueil de divers griffonnements et preuves

Dorothy Dean, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

The Corner of Luna Street, Chelsea Embankment, 1888–89, Etching; second state of twp, Plate: 6 7/16 x 5 11/16 in. (16.3 x 14.5 cm), Prints

Renard, Disguised as a Monk, Gains the Confidence of the Rooster from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 5/8 × 4 11/16 in. (9.2 × 11.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar

Promenade, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to