Images at Librifly

Drawings and Prints, Photograph, Jessie Story, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Drawings and Prints, Print, Silver Statuette of St. James the Greater, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the

C.W.V. Clarke, Walker, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in

Joseph and Potiphar's Wife, from The Story of Joseph, 1546, Engraving, Sheet: 4 1/2 × 3 1/16 in. (11.5 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Apples, 1878–79, Oil on canvas, 9 x 13 in. (22.9 x 33 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), This composition combines two separate studies that are unrelated to any known painting by Cézanne.

Harbor and Orchard, ca. 1902–1908, Color woodcut, image: 6 1/4 x 4 7/8 in. (15.9 x 12.4 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922 New York State), This panoramic image captures the view from Dow's studio

The Buddha, 1895, Lithograph on chine collé, Image: 12 5/16 x 9 3/4 in. (31.3 x 24.8 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris

Frank R. O'Neil, The St. Louis Missouri Republican, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors'

Portrait of Petronella Cornelia Rømeling, ca. 1792 (?), Pastel on brown laid paper, sheet: 13 3/8 x 10 1/4 in. (34 x 26 cm), Drawings, Jens Jørgensen Juel (Danish, Balslev 1745–1802 Copenhagen

Christ presented to Pilate by henchmen, ca. 1500–1534, Engraving; second state of three, Sheet: 5 3/16 × 3 7/8 in. (13.1 × 9.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht

Whooping Crane, from the Game Birds series (N40) for Allen & Ginter Cigarettes, 1888–90, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Game Birds' series (N40), issued in 1888-90 in a set of 50

Portrait of Leonardo da Vinci (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar), 1786, Aquatint and etching, Plate: 7 7/8 x 6 5/16 in. (20 x 16 cm), Prints

Sacred Kingfisher, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a

Weceslaus Hollar, 1649, Etching; second state of five, Plate: 6 5/16 × 4 1/2 in. (16 × 11.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of Wenceslaus Hollar, half-length almost facing front, wearing

Hardouin de Beaumont de Péréfixe, ca. 1662, Engraving; fourth state of four (Petitjean & Wickert), sheet: 12 1/2 x 9 3/4 in. (31.8 x 24.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Congo, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the set, 'Flags of All Nations, ' Series 2 (N10), issued in 1890

Camel, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

Capital and Base of a Column, 1543, Engraving, Sheet: 3 x 2 in. (7.6 x 5.1 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Design for the capital and base of a column, with foliate designs on capital. From a series of four designs

Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet, May 1, 1796, Etching and engraving, printed in brown ink; third state of three, image: 7 5/16 x 5 5/16 in. (18.6 x 13.5 cm), Prints, After Charles Shirreff (British, Edinburgh

Felix Vialar, 1680, Mezzotint, Sheet: 13 3/16 × 9 13/16 in. (33.5 × 25 cm), Prints, Pierre Lombart (French, 1612/13–1682 Paris (active Britain)), After Robert Nanteuil (French, Reims 1623–1678 Paris

Snowdrop (Galanthus Nivalis), from the Flowers series for Old Judge Cigarettes, 1890, Commercial color lithograph, sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), The 'Flowers' series of trading cards (N164) was issued by Goodwin & Company in 1890 to

Drawings and Prints, Print, Native Baptism - Trinidad, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933, 1924

Dame de Constantinople, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

The Tares (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896 London), It took

Edwin Booth, from the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Frontispiece for New Testament in Greek, 1642, Engraving; third state of four, sheet: 14 1/16 x 9 3/4 in. (35.7 x 24.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Temple Monument in a Park on a Lake, Aquatint, plate: 5 x 3 1/2 in. (12.7 x 8.9 cm), Prints, Peter Speeth (German, Mannheim 1772–1831 Odessa

Plan of the City of Rome. Part 7 with a Dedication to Camillo Pamphili, the Vatican and Part of the City Wall, 1645, Etching with some engraving, undescribed state., Sheet: 21 5/8 x 16 3/8 in. (55 x 41.6 cm), Prints, Antonio Tempesta (Italian,

Rose Coghlan, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set of 50

Kleine Welten VI (Small Worlds VI), 1922, Woodcut, Plate: 10 11/16 × 9 3/16 in. (27.2 × 23.3 cm), Prints, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine

Stiletto, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Miss Nelson, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Drawings and Prints, Print, The Tower, from the series, Views in Central Park, New York, Part 2, Publisher, Louis Prang & Co., Boston, Massachusetts, Prang, Louis, & Co., American

Two Genii with a Cat and a Rat, 1594, Engraving, Sheet: 2 3/8 × 3 7/8 in. (6 × 9.8 cm), Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam), Two putti against a landscape with a plant growing a center and a rat below. At right,

Drawings and Prints, Drawing, Young Boy in Bust-Length, Artist, Circle of, Guercino (Giovanni Francesco Barbieri), Italian, Cento 1591–1666 Bologna, Guercino (Giovanni Francesco Barbieri), 1591, 1666, ca. 1619–30, 1614, 1635, Pen

Germany, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Stag and Flower Pattern Frame, 1897–99, Etching and softground, Sheet: 7 13/16 × 9 1/4 in. (19.8 × 23.5 cm), Prints, Théodore Roussel (French, Lorient, Brittany 1847–1926 St. Leonards-on-Sea, Sussex

Elevation for a Catafalque Surmounted by an Obelisk., 1696–1756, Pen, grey ink and wash, 23 x 15-1/2 in. (58.4 x 39.4 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Capitol of Connecticut in Hartford, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the

A woman representing Temperance holding a bit facing left, ca. 1510–27, Engraving, Sheet: 5 1/4 × 2 15/16 in. (13.4 × 7.4 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Drawings and Prints, Print, Captain Epilogue, Subject, Artist, Publisher, Edward Topham, Thomas Rowlandson, E. Jackson, British, York 1751–1820 Doncaster, British, London 1757–1827 London, Topham, Edward, Rowlandson, Thomas,

Remains of a covered portico, or a cryptoporticus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views), ca. 1766, Etching; first state of four (Hind), Sheet: 20 11/16 x 26 9/16 in. (52.5 x

Children Fishing, ca. 1738, Etching and Engraving, Sheet: 9 x 10 1/4 in. (22.9 x 26 cm), Prints, Pierre Alexandre Aveline (French, Paris 1702–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, The Rival Chancellors, HB Sketches, No. 320, Lithographer, Subject, Artist, Publisher, Alfred Ducôte, Henry Peter Brougham, Prince William Frederick, Duke of Gloucester and Edinburgh, John Doyle, Thomas

Boys Peeping at Nature, 1751, Etching and engraving; fourth state of four, sheet: 5 7/8 x 4 13/16 in. (15 x 12.3 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764 London

Mike, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Peasant Crossing Water, 1786, Etching and engraving, sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Print, Herd of Sheep Near the Water, from Verscheyden Landtschapjes (Various Landscapes), Plate 8, Artist, Publisher, Willem Pietersz. Buytewech, Claes Jansz. Visscher, Dutch, 1591–1624, Dutch, Amsterdam 1586–1652

Terracotta lamp, Mid Imperial, 2nd century A.D., Roman, Terracotta; mold-made, Length 8.1 cm. H. 3.3 cm., Terracottas

Drawings and Prints, Print, Spring, Artist, After, Battista Angolo del Moro, Giulio Romano, Italian, Verona ca. 1515–ca. 1573 Murano, Italian, Rome 1499?–1546 Mantua, Angolo, del Moro Battista, Giulio Romano, Italian, 1515, 1499,

Head of a bald, sinewy man looking downwards, 1648, Etching; only state, Sheet: 2 5/8 × 1 3/4 in. (6.7 × 4.4 cm), Prints, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Head of a bald, sinewy man looking downwards, after

The Third Spring, Engraving; first state of two, Sheet: 5 in. × 6 13/16 in. (12.7 × 17.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Ornament with Owl Mocked by Day Birds, 15th century, Engraving, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso), 1825–79, Watercolor over black chalk, with pen and ink, brush and wash, and litho crayon., 13 5/16 x 10 5/8 in. (33.8 x 27cm), Drawings, Honoré

Aftermath of the Flood: human bodies strewn on dry land in the foreground, Noah's ark moored on a rocky outcrop beyond, from a series of engravings for the 'Liber Genesis', 1612, Engraving, Sheet: 3 1/2 x 5 5/16 in. (8.9 x 13.5 cm), Prints,

Speculum Romanae Magnificentiae: Amphion and Zethus Tying Dirce to a Wild Bull [The Farnese Bull], 1581, Engraving, sheet: 18 1/8 x 13 9/16 in. (46 x 34.4 cm), Prints, Diana Scultori (Italian, Mantua ca. 1535?–after 1588 Rome

Plate 5: two friezes; at top, a grotesque head of an old man to left, a lion head to right, at bottom, a ram skull to left, a grotesque head of a man to right, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), ca.

Treasury House, 10 Downing Street, London: Plan of the Great Middle Room (Sir Robert Walpole's Levee Room, Northwest Corner, First Floor), ca. 1732–42, Pen and black ink, sheet: 19 x 25 13/16 in. (48.3 x 65.5 cm

Drawings and Prints, Print, The Loss of Eden - and Eden, Lost., Subject, Publisher, Artist, William Eden, 1st Baron Auckland, Bill Arnold, William Hinton, Thomas Rowlandson, British, 1744–1814 Beckenham, Kent, American, born 1941,

Birds Eye View of the Chateau and Grounds of Anet, from Les plus excellents bastiments de France, 1607, Engraving, Sheet: 15 3/4 x 19 11/16 in. (40 x 50 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Vive la France, 'French' Style in Broadway, 1840, Lithograph, hand colored, sheet: 14 3/16 x 10 5/8 in. (36 x 27 cm), Prints

Cupid Sleeping, 16th century, Etching, sheet: 2 3/4 x 4 5/16 in. (7 x 10.9 cm), Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Annunciation, 1594, Engraving, Sheet: 8 3/8 x 11 1/4in. (21.3 x 28.6cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Vue du Tombeau de Virgile from Differentes vues dessiné d'apres nature... dans les environs de Rome et de Naples, Adélaide Allou (French), After Hubert Robert (French, Paris 1733–1808 Paris), After Jean Honoré Fragonard (French, Grasse

Drawings and Prints, Print, Compassion, Le Brun Travested, or Caricatures of the Passions, Artist, Publisher, After, Thomas Rowlandson, George Moutard Woodward, Rudolph Ackermann, British, London 1757–1827 London, British, ca.

The Rock in the Middle of the River, 17th century, Engraving; second state of three, Plate: 3 15/16 × 5 3/4 in. (10 × 14.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: King Pyrrhus, 1562, Engraving, sheet: 19 5/16 x 13 5/8 in. (49 x 34.6 cm), Prints, Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80

Thetis and Chiron, 1543, Engraving, Sheet: 5 5/16 x 7 1/2 in. (13.5 x 19 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Standing Shepherd, early 16th century, Etching, sheet: 4 5/16 x 2 13/16 in. (11 x 7.2 cm), Prints, Attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Study for the West Façade of the Palace of Charles V, The Alhambra, Granada, ca. 1580, Pen and brown ink, brush and brown wash, 14 3/8 x 22 1/16 in. (36.5 x 56.0 cm), attributed to Juan de Orea (Spanish, born Granada (?), died Granada (?)

Drawings and Prints, Print, David Brought Before Saul (from The Art Journal), Publisher, Engraver, Artist, After, J. S. Virtue, Samuel Smith, Louisa Starr Canziani, London, British, London? 1810–1879 London, British, London

Venus in a Chariot drawn by Two Swans, ca. 1544, Etching, Sheet (trimmed): 11 9/16 × 18 1/8 in. (29.3 × 46 cm), Prints, Master I 0 V (active ca. 1542–45), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Bow and Arrow, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a

Mon. C.J. Lefevre, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22a),

Hamburg, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Plate 7: two soldiers standing to left, a wolf devouring a dead horse to right with another wolf entering from right, from 'Troops, cannons, and attacks on towns' (Dessins de quelques conduites de troupes, canons, et ataques de villes), ca.

Mary Hamilton (from Le Café Concert), 1893, Brush and crayon lithograph printed in light olive green on laid Japan paper; only state, Image: 10 9/16 × 6 7/16 in. (26.8 × 16.3 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901

Ibex, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to promote

The Englishman at the Moulin Rouge, 1892, Lithograph printed in six colors on laid paper; second state of two, Sheet: 24 5/8 × 19 1/8 in. (62.5 × 48.5 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Spring in Annapolis, 1929 (The Back of the Chase House), 1929, Etching, Plate: 9 x 12 in. (22.8 x 30.5 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

Partial elevation and plan of the first-order portico at the Theater of Marcellus (Dimostrazione di una parte de' portici del prim' ordine del Teatro di Marcello), from 'Le Antichità Romane', 1756, Etching, Sheet: 20 1/2 x 14 5/8 in. (52 x 37.2

Drawings and Prints, Print, The Bride of Lammermoor, Publisher, Artist, Engraver, Publisher, After, Knoedler and Co., Sir John Everett Millais, Thomas Oldham Barlow, Thomas Agnew & Sons, Ltd., British, Southampton 1829–1896 London,

Salon Chimney, Houghton Hall, Norfolk, Elevation, 1735, Black ink, grey wash, sheet: 15 3/16 x 9 1/4 in. (38.5 x 23.5 cm

Speculum Romanae Magnificentiae: Trajan Fighting the Dacians, 16th century, Engraving, sheet: 10 1/4 x 14 3/8 in. (26 x 36.5 cm), Prints, Attributed to Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Massacre of the Innocents, 17th century, Red chalk, touched with Chinese white, on brown paper, 19-7/8 x 14-1/2 in. (50.5 x 36.8 cm), Drawings, Anonymous, Italian, 17th century

Phaeton Pattern Frame, 1907–8, Etching and softground; third state of three, Sheet: 11 1/8 × 21 7/16 in. (28.2 × 54.5 cm), Prints

Card 518, Mary Anderson, from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series (N45,

General Owen Williams, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b),

Drawings and Prints, Print, The Vision at Lord Errol'slain Castle (Picturesque Beauties of Boswell, Part the Second), Subject, Publisher, Artist, After, Samuel Johnson, James Boswell, E. Jackson, Thomas Rowlandson, Samuel Collings,

Gabrielle, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Man's Robe (Jama) with Poppies, 17th century, Attributed to India, Deccan, Burhanpur or Hyderabad, Cotton; painted, with applied gold leaf, Robe: L. 55 in. (139.7 cm), Textiles-Costumes, This man’s robe, called a jama, is decorated with

Speculum Romanae Magnificentiae: A Papal Gathering in the Sistine Chapel, Michelangelo's Last Judgement on the back wall; the crowd looks on through a screen, 1582, Etching, sheet: 21 1/16 x 15 9/16 in. (53.5 x 39.5 cm), Prints, Giovanni

Order of Saint James, Portugal, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series (N44),

Toboggan, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

The Park, 1865, Etching, Image: 3 15/16 × 7 1/2 in. (10 × 19 cm), Prints, A pastoral scene with a shepherd seated on the ground, leaning against a tree with his dog next to him and sheep nearby. Published by the Etching Club in 'Selections of

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm),

Mocking of Christ, 1680–1743, Etching, sheet: 12 x 20 1/4 in. (30.5 x 51.5 cm), Prints, Robert van Audenaerde (Flemish, Ghent 1663–1743 Ghent), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Henri Lehmann, 1850, Graphite on wove paper, Sheet: 12 1/2 x 9 3/8 in. (31.7 x 23.8 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Drawings and Prints, Drawing Ornament & Architecture, Design for an Epitaph with a Variant, flanked by Terms and surmounted by statues of Cherubs, Artist, Abraham van Diepenbeeck, Flemish, 's Hertogenbosch 1596–1675 Antwerp, Diepenbeeck,