Images at Librifly

The entry of the Count of Brionne: in the upper image, the count stands on a shipdeck in the guise of Jason, with mermaids and tritons playing musical instruments in the water below; at lower left, the Golden Fleece hangs in a tree above a

Venus and Mercury, ca. 1600, Engraving, sheet: 16 9/16 x 12 3/16 in. (42.1 x 30.9 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague

The Assumption of the Virgin, 1683, Etching and drypoint, second state, 18-3/4 x 13-1/8 in. (47.6 x 33.3 cm), Prints, Michael Lucas Leopold Willmann (German, 1630–1706

Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine, 1696–1756, Pen, brown ink and grey wash, 20 x 14-1/4 in. (50.8 x 36.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

A Relief with Adam and Eve, from the Large Series of Wittenberg Reliquaries, 1509, Woodcut, Sheet: 5 1/4 × 2 11/16 in. (13.3 × 6.8 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

The Last Supper, from The Passion of Christ, 1598, Engraving; presumably first state of three, Sheet: 7 11/16 x 5 1/8 in. (19.6 x 13 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598

Lucy Emerson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

The Ruinous Hut, Engraving; second state of three, Sheet: 3 5/8 × 5 1/2 in. (9.2 × 13.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Connecticut, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Drawings and Prints, Print, Every Man Has His Hobby Horse, Subject, Artist, Publisher, Subject, Charles James Fox, Thomas Rowlandson, William Humphrey, Georgiana Cavendish, Duchess of Devonshire, British, 1749–1806, British, London

St Margaret holding a palm in her raised left hand, a dragon at her right, ca. 1500–1510, Engraving, 4 1/4 x 4 5/8 in. (10.8 x 11.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Francesco

The Angler, 1650, Etching; first state of three (New Hollstein), Sheet: 4 5/8 × 6 11/16 in. (11.8 × 17 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Two men fishing in stream crossed by two

Apollo seated at the right with a lyre on his knee, pointing to a kneeling man who is about to flay Marsyas who is tied naked to a tree at left, 1530–60, Engraving, sheet: 7 1/16 x 11 in. (18 x 28 cm), Prints, Master of the Die (Italian,

Design for the Parish Church of Merkershausen, 1738, Pen and black ink, grey wash, watercolor, over graphite or black chalk, sheet: 21 x 14 3/4 in. (53.4 x 37.5 cm), Drawings, Balthasar Neumann (German, Eger/Bohemia 1687–1753 Würzburg),

Herrscher, from the series Vom Tode Zweiter Teil, n.d., Image: 6 15/16 × 13 1/16 in. (17.6 × 33.1 cm), Prints, Max Klinger (German, Leipzig 1857–1920 Großjena

Drawings and Prints, Photograph, Fannie Batchelder, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co.,

The ancient Capitol ascended by approximately one hundred steps . . . (Campidoglio antico a cui si ascendeva per circa cento gradini . . .), ca. 1750, Etching, Plate (Image): 9 5/16 × 14 3/16 in. (23.7 × 36.1 cm), Prints, Giovanni Battista

Man in officer's dress, with sword hanging at left hip, shown in frontal view with his head turned toward the left, trees beyond, ca. 1700–1739, Etching with engraving, sheet: 7 3/16 x 4 11/16 in. (18.3 x 11.9 cm), Prints, Louis Desplaces

Speculum Romanae Magnificentiae: Villa di Papa Giulio, 1557, Etching, sheet: 10 13/16 x 16 5/16 in. (27.5 x 41.5 cm), Prints, Anonymous

St. Matthew (copy), after 1511, Woodcut, hand-colored, Sheet: 2 3/8 × 1 15/16 in. (6 × 5 cm), Prints, After Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Capitol of Alabama in Montgomery, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'General

Sunset after a Storm on the Coast of Sicily, 1853, Oil on canvas, 32 3/4 x 42 1/4 in. (83.2 x 107.3 cm), Paintings, Andreas Achenbach (German, Kassel 1815–1910 Düsseldorf

Pastoral Scene, 1606–80, Brown pen and ink drawing, Mount: 11 3/4 x 9 1/2 in. (29.9 x 24.2 cm), Drawings, Giovanni Francesco Grimaldi (Italian, Bologna 1606–1680 Rome

View on the Nile near Cairo, ca. 1855, Watercolor over graphite, heightened with bodycolor and stopping out, Sheet: 7 9/16 × 14 1/16 in. (19.2 × 35.7 cm), Drawings, Thomas Seddon (British, London 1821–1856 Cairo), Seddon here uses a

Conversion of Paul, ca. 1508, Woodcut, Sheet: 9 5/16 × 6 5/16 in. (23.6 × 16 cm), Prints, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Fencing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25 cards in 1887

Corinthian Order from Tivoli, 1845–70, IPen and ink and brush and wash, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Drawings and Prints, Photograph, Sadie Hughes, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

A woman in profile pulling back on a rope tied around the horns of a young bull, ca. 1660, Etching; first state of two, Sheet: 6 5/16 x 5 7/8 in. (16 x 15 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Le Père Jean Du Bois-Olivier, Engraving; second state of two, sheet: 6 5/16 x 4 in. (16.1 x 10.2 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The thundering skeleton of the modern bells, José Guadalupe Posada (Mexican, 1851–1913), 1905

Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso)., 18th century, Black and white chalk on blue paper, 12-5/8 x 13-3/8 in. (32.1 x 34.0 cm), Drawings, Anonymous, Italian, North Italy, 18th century

Red Snapper, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Fish from American Waters' series (N39), issued in 1889 in

The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures, ca. 1520–60, Engraving, 8 1/4 x 6 7/16 in. (21.0 x 16.3 cm), Prints, Anonymous, After Marcantonio Raimondi (Italian, Argini (?) ca.

Shepherd Girl of the Alps, Etching and Engraving, sheet: 15 1/8 x 10 13/16 in. (38.4 x 27.5 cm), Prints, Philippe Trière (French, Paris 1756–1815 Paris), After François Boucher (French, Paris 1703–1770 Paris

Bebe Brinda, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Royal Tiger, 1829, Lithograph; second state of four, Image: 12 15/16 x 18 7/16 in. (32.8 x 46.9 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Delacroix had great empathy with the natural world and was

An Angel Trampling a Skeleton, from Grotisch fur alle Kunstler, 1580–1600, Engraving, Sheet: 2 11/16 × 5 13/16 in. (6.8 × 14.8 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Framed in an oval at center, an angel,

St. Jude Thaddeus, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, plate: 5 7/8 × 4 1/8 in. (15 × 10.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Crucifixion, ca. 1675, Oil on canvas, 20 x 13 in. (50.8 x 33 cm), Paintings, Bartolomé Estebán Murillo (Spanish, Seville 1617–1682 Seville), This poignant depiction of Christ on the Cross is an oil sketch that relates to a large

Edward VI, 1650, Etching, only state, Sheet: 9 15/16 in. × 7 in. (25.2 × 17.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Portrait of Edward VI; half length, full face, shown as a baby holding a

Wild Horse, 1828, Lithograph; first state of two, Image: 9 x 9 1/4 in. (22.9 x 23.5 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Guy and Mealy, in Paris Qui Marche, 1898, Crayon lithograph printed in dark violet on japan paper, sheet: 15 3/4 x 11 5/16 in. (40 x 28.7 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

A Greek Patriarchal Crown – Tiara Patriarchalis Graeca (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, vol. I, plate 9), 1723–24, Etching and engraving; first state of three, sheet: 13

'Apollo' (after Parmigianino), first half 18th century, Engraving, sheet: 6 9/16 x 4 1/2 in. (16.6 x 11.5 cm), Prints, Antonio Belemo (Italian (active Venice), active first half 18th century), After Parmigianino (Girolamo Francesco Maria

Judith, Chiaroscuro woodcut, sheet: 8 1/8 x 5 3/8 in. (20.6 x 13.7 cm), Prints, Ludolf Büsinck (German, Hanoversch Münden 1599 or 1602–1669 Hanoversch Münden), After Georges Lallemand (French, Nancy ca. 1580–1636 Paris

Drawings and Prints, Print, Barber, Country Characters, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward, Thomas Rowlandson, London, British, ca. 1760–1809 London, British, London 1757–1827 London, Ackermann,

Abram Instructing Sarah–Abram Parting from Lot (Dalziels' Bible Gallery), Thomas Dalziel (British, Wooler, Northumberland 1823–1906 Herne Bay, Kent), Dalziel Brothers (British, active 1839–1893), 1865–81

Swiss Cow-Keeper, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50

John Arkins, Denver Rocky Mountain News, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series (N1),

zü Cölln (Cologne), 1643, Etching; first state of two, Sheet: 3 1/4 in. × 5 in. (8.3 × 12.7 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A stone wall with arches crowned with balcony at left, with wooden fence in

Master of Ceremonies with a Dog, from The Large Wedding Dancers, 1538, Engraving, Sheet: 4 9/16 × 3 1/16 in. (11.6 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

William Jenkins Worth, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a

Dumb Bells, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25 cards in

Saturn from The Gods Who Preside Over the Planets, 1525, Etching, sheet: 3 1/4 x 1 15/16 in. (8.3 x 4.9 cm), Prints, Master I.B. (German, active 1525–1530

On the Maas, early 20th century, Etching, Plate: 4 7/16 × 4 15/16 in. (11.3 × 12.5 cm), Prints, Clifford Addams (American, Woodbury, New Jersey 1876–1942

John the Baptist in the Wilderness, ca. 1545–55, Engraving, sheet: 15 3/16 x 12 1/16 in. (38.5 x 30.7 cm) trimmed to platemark, Prints, Giulio Sanuto (Italian, active 1540–88), Principal figure after fresco by Daniele da Volterra (Daniele

Plate 14: Senatorial Bridge, today called the Ponte Rotto (Broken Bridge). 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine. (Ponte Senatorio oggi detto Ponte rotto), ca. 1748, Etching, Plate: 4 7/8 × 6 3/16 in.

Goldfish, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in

Dias de Fiesta, 1926, Softground and aquatint, Plate: 7 3/16 × 9 3/8 in. (18.3 × 23.8 cm), Prints, George Overbury 'Pop' Hart (American, Cairo, Illinois 1868–1933 New York

Au Bal des Etudiants, n.d., photographic reproduction of a drawing, mat size: 22 x 28 in., Prints, after Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Right Shoulder Arms, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set

Louise Paullin, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 7), issued ca. 1888

The Gothic Arch, from Carceri d'invenzione (Imaginary Prisons), ca. 1749–50, Etching, engraving, sulphur tint or open bite, burnishing; first state of six Robison), plate: 16 1/4 x 21 7/16 in. (41.2 x 54.4 cm), Prints, Giovanni Battista

Woman walking and holding her skirt with her right hand, shown in three-quarters view with head turned toward the viewer, from the series 'Figures of fashion' (Figures de modes), ca. 1710, Etching, sheet: 8 1/4 x 6 in. (21 x 15.3 cm), Prints,

Landscape with Two Fishermen Climbing Rocks Next to a Waterfall, 1784–88, Etching, Plate: 7 15/16 x 10 13/16 in. (20.2 x 27.5 cm), Prints, After George Barret, the elder (Irish, Dublin 1732?–1784 Paddington, London

The Visitation, 1540–50, Engraving, sheet: 12 5/8 x 19 11/16 in. (32 x 50 cm) within borderline, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–1563

Combat of Naked Men, 1535–55, Etching, Sheet (trimmed): 11 11/16 × 17 13/16 in. (29.7 × 45.3 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Doctor, from the Dance of Death, 1651, Etching; second state of four, Sheet: 3 in. × 2 1/4 in. (7.6 × 5.7 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), An old man consults a doctor seated at left in

Morning (Le Matin), ca. 1700, Engraving, Sheet: 9 1/2 × 14 1/4 in. (24.1 × 36.2 cm), Prints, Claude Simpol (French, Clamecy 1666–1716 Paris

The Public at an Exhibition, 1831, Lithograph from a zinc plate, Prints, Johann Gottfried Schadow (German, Berlin 1764–1850 Berlin

The Good Shepherd; verso: Cloud Studies, late 18th–19th century, Graphite, pen and brown ink, brown wash; verso: graphite. Framing line in pen and brown ink, possibly by the artist., sheet: 7 1/16 x 5 1/8 in. (18 x 13 cm), Drawings,

January, February, March, 1897, 1896, Commercial relief process and lithography, Sheet: 14 in. × 10 3/16 in. (35.6 × 25.8 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Design for a Palace Façade, ca. 1700, Pen and brown ink, brush with grey-brown wash, over black chalk (or graphite), Sheet: 12 13/16 x 12 3/16 in. (32.5 x 31 cm), Anonymous , Italian 18th century

The dog in the manger from illustration to John Ogilby's 'Æsopic's: Or A Second Collection of Fables..., 1666, Etching; first state of two, Sheet: 9 13/16 × 7 11/16 in. (25 × 19.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677

Landscape with a Haybarn and a Flock of Sheep (copy), 1750–1810, Etching and drypoint; first state of two, Plate with curved top: 3 3/8 × 6 3/4 in. (8.6 × 17.2 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810

Village Street, hay stacked in front of a farm from Praediorum villarum et rusticarum casularum icones elenoantissimae ad vivum in apre deformatae, ca. 1559–61, Etching; first state of three, Plate: 6 (cut at top) x 7 15/16 in. (15.3 (cut) x

Pony Tracks, 1895, Lithograph and commercial relief process, Sheet: 13 1/2 × 9 3/4 in. (34.3 × 24.7 cm), Prints, Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Enigmes Joyeuses pour les Bons Esprits, Plate 9, Artist, Jan van Haelbeeck, Jean Leclerc IV, Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630, French, baptized 1560, died Paris, 1622,

The Adoration of the Shepherds, after 1650, Engraving, sheet: 8 7/8 x 6 1/8 in. (22.6 x 15.6 cm), Prints, Abraham Blooteling (Dutch, 1640–1690), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Harper's: November, 1896, Lithograph, Sheet: 17 15/16 × 13 11/16 in. (45.5 × 34.7 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Drawings and Prints, Print, Sunset on the Lake, from the series, Views in Central Park, New York, Part 2, Publisher, Louis Prang & Co., Boston, Massachusetts, Prang, Louis, & Co., American

The War – Making Havelocks for the Volunteers (Harper's Weekly, Vol. V), June 29, 1861, Wood engraving, image: 10 7/8 x 9 1/4 in. (27.6 x 23.5 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine),

The Baptism of Christ, ca. 1650, Oil on canvas, Overall 59 3/4 x 46 1/2 in. (151.8 x 118.1 cm); painted surface (oval) 59 1/8 x 45 1/2 in. (150.2 x 115.6 cm), Paintings, Sébastien Bourdon (French, Montpellier 1616–1671 Paris), A follower of

A Rural Halt, Thomas Rowlandson (British, London 1757–1827 London), 1787

Harper's, August, 1893, Lithograph, Sheet: 19 5/16 × 13 1/2 in. (49.1 × 34.3 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York

Walter Kennedy, Overboard He Goes, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes, ca. 1888, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Pirates of the Spanish Main'

Jupiter and Alcmene Medallion, Sketch for Decoration of a Frame, 1907–8, Etching, Plate: 2 x 3 1/4 in. (5.1 x 8.3 cm), Prints

Designs for an Pierced Border Ornament, Three Pitchers and an Open Basin (recto); Design for a Candle Stick (verso), 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred

Sir R. Jardine, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving and blackwork, Sheet: 5 7/16 × 3 5/8 in. (13.8 × 9.2 cm), Paul Birckenhultz (1561–1639), Design with a jewelry bouquet

Asia from a set of The Four Continents, designed ca. 1786, woven 1790–91, French, Beauvais, Wool, silk (19-21 warps per inch, 8 per cm.), 144 × 198 in. (365.8 × 502.9 cm), Textiles-Tapestries, This suite of four remarkable tapestries

Drawings and Prints, Photograph, Card Number 21, Fannie Rice, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons

Ruins of a Round Building, 1673, Etching, first state of three, sheet: 2 3/4 x 4 1/4 in. (7 x 10.8 cm), After Sebastiaen Vrancx (Netherlandish, Antwerp 1573–1647 Antwerp), Ruins of a round Roman building, overgrown with vegetation, with a

Sepoy Finch, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Song Birds of the World' series (N23), issued in 1890 in a

Uprising and Repulse (Aufbruch und Abwehr), 1912, Lithograph, image: 10 11/16 x 13 3/8 inches (27.1 x 34 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Nine Small Boys, 1625–77, Etching, Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Autumn, 1848, Etching; sixth state of nine, plate: 6 1/8 x 10 1/4 in. (15.6 x 26 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Lot Prevents the Sodomites from Violence, from The Story of Lot, 1555, Engraving, Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Lot, at center, addresses two

Drawings and Prints, Print, Cupid's Magick Lantern, Artist, After, Thomas Rowlandson, George Moutard Woodward, British, London 1757–1827 London, British, ca. 1760–1809 London, Rowlandson, Thomas, Woodward, George Moutard, 1757,