Images at Librifly

Spain, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra, Published early 17th century, Etching, sheet: 15 3/4 x 20 1/2 in. (40 x 52 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome),

Elevation for a Portico of Doric Order, late 18th–early 19th century, Pen and brown ink, brush and brown and gray wash, over graphite, 14 3/4 x 19 9/16 in. (37.5 x 49.7 cm), Drawings, Anonymous, Italian, 18th or early 19th century ,

Drawings and Prints, Print, The Surrender at Breda or 'Las Lanzas' (The Lances), after Velázquez, Artist, After, Bartolomé Maura, Velázquez (Diego Rodríguez de Silva y Velázquez), Spanish, 1599–1660, Spanish, Seville 1599–1660

Popaian, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching, Sheet: 3 7/16 x 2 3/16 in. (8.8 x 5.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw, 1916, Drypoint, second state of 2, sheet: 7 x 4 7/16 in. (17.8 x 11.3 cm), Prints, Auguste Rodin (French, Paris 1840–1917 Meudon

Atalanta and Hippomenes, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 15/16 x 2 3/16 in. (4.9 x 5.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Town Wall of Regensberg, 1817, Etching; fourth state, Plate: 4 15/16 × 7 in. (12.5 × 17.8 cm), Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome)

Theuerdarnk's Horse Falls Under Him, from [Theuerdank] Die geuerlicheiten vnd einsteils der geschichten des loblichen streytparen vnd hochberümbten helds vnd Ritters herr Tewrdannckhs, 1517, Woodcut on vellum, Sheet: 14 3/4 × 9 15/16 in. (37.5

Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3, 18th century, Etching and engraving, Sheet: 10 13/16 x 7 5/16 in. (27.4 x 18.6 cm) trimmed, Prints, Jacques Philippe Le

Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin, 1543, Engraving, image: 8 3/16 x 11 1/8 in. (20.8 x 28.3 cm), Prints, Enea Vico (Italian,

Drawings and Prints, Drawing, What is Funny? by Herbert Crowley (Toronto Sunday World), Author, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, January 24, 1915

Shoe-Bill, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'Birds of the Tropics' series (N38), issued in 1889 in a set of 50

Conversing with a Captive, November 15, 1779, Etching, Plate: 9 1/8 x 6 13/16 in. (23.2 x 17.3 cm), Prints, After John Hamilton Mortimer (British, Eastbourne 1740–1779 London

Souvenir of a Castle in Vosges, 1857, Brush and iron gall washes, pen and iron gall ink, white gouache; outline of castle obtained by using a paper stencil, sheet: 18 1/2 x 12 3/16 in. (47 x 31 cm), Drawings, Victor Hugo (French, Besançon

Blackwork Print with a Horizontal Panel and Six Small Motifs, 1592, Blackwork engraving, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.5 cm), Hans de Bull (German, active 1592–1604), Small blackwork print with a horizontal panel at center flanked by

Drawings and Prints, Print, Not What Was Returned But Could Be Returned – To Represent the County of Buckingham and Bedford, Artist, Anonymous, British, 19th century, Anonymous, British, 19th century, 1800, 1900, after November 1838

The Coiffure (Playbill for the Théâtre Libre), 1893, Crayon and brush lithograph printed in three colors on imitation japan paper; second state of two, Sheet: 19 13/16 in. × 13 in. (50.3 × 33 cm), Prints, Henri de Toulouse-Lautrec (French,

Drawings and Prints, Print, Comforts of Bath, Plate 12, Artist, Publisher, Thomas Rowlandson, Samuel William Fores, British, London 1757–1827 London, British, 1761–1838, Rowlandson, Thomas, Fores, Samuel William, 1757, 1761,

A Washerwoman at Éragny, 1893, Oil on canvas, 18 x 15 in. (45.7 x 38.1 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), Pissarro spent a good deal of summer and autumn 1893 at Éragny. This

William Hogarth, Serjeant Painter to His Majesty, 1764, Engraving; seventh state of seven, Sheet: 15 15/16 x 14 in. (40.5 x 35.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Bascinet, ca. 1375–1425, possibly French, Steel, H. 11 7/8 in. (30.2 cm); W. 7 1/4 in. (18.4 cm); D. 8 1/4 in. (21 cm); Wt. 5 lb. 1 oz. (2268 g), Helmets, According to an attribution traceable only to the nineteenth century, this helmet was

Not Engaged, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Parasol Drill' series (N18), issued in 1888 in a set of 50

Ipswich Town, or Harbor Scene, ca. 1893–95, Color woodcut on paper stained green, image: 5 x 2 1/4 in. (12.7 x 5.7 cm), Prints, Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922 New York State), Part of a series titled 'Along

Ornamental Design with an Angels Head at Top, Engraving, Sheet: 2 3/8 × 1 5/8 in. (6 × 4.1 cm), Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Drawings and Prints, Print, St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903), Artist, Engraver, After, Dante Gabriel Rossetti, Dalziel Brothers, British, London 1828–1882 Birchington-on-Sea,

Drawings and Prints, Theater of Veronne, Arcs et monuments antiques, second edition, Artist, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet, 1510, 1585, 1560

Speculum Romanae Magnificentiae: Hercules (Hercules in aedibus Card. Burghesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Card 3, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes, 1887, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Cyclists' series (N49), issued in 1887 by Allen & Ginter to promote

Portrait of Jean-Francoise Marmontel, 1765, Etching and engraving; second state of two (Bocher), Sheet: 5 15/16 × 3 7/16 in. (15.1 × 8.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

F.W. Dawson, The Charleston News and Courier, from the American Editors series (N35) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Editors' series

Grizzly Bear, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888

Drawings and Prints, Print, Hütteldorf Brewery, A. Brusatti, Artist, Publisher, Gustav Kalhammer, Wiener Werkstätte, Austrian, Vienna 1886–1919/20 (?) Vienna, Kalhammer, Gustav, Wiener Werkstätte, Austrian, 1886, 1919, 1912

Characters and Scenes, from Jack and the Giant Killer, Plate 1 for a Toy Theater, 1870–90

Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 1/8 × 4 1/2 in. (10.4 × 11.5 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Plate 17: David Returning in Triumph with the Head of Goliath, from 'The Battles of the Old Testament', ca. 1590–ca. 1610, Etching, Sheet: 7 15/16 in. × 11 in. (20.1 × 28 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Drawings and Prints, Print, Frontispiece: Eaux-Fortes Théatrales Pour Monsieur G..., Artist, Louis Marcoussis, French (born Poland), Warsaw 1883–1941 Cusset, Marcoussis, Louis, 1883, 1941, 1933, 1933

Sheep with Lamb Nursing, Etching, plate: 4 x 4 9/16 in. (10.2 x 11.6 cm), Prints, Nicolaes Berchem (Dutch, Haarlem 1621/22–1683 Amsterdam

Drawings and Prints, Print, Flowers for the Virgin, Artist, Louis-Emile Adan, French, Paris, 1839–1937, Adan, Louis-Emile, French, 1839, 1937, 19th–early 20th century, 1839

The Entombment, 1830, Pen and brown ink, brown wash, over graphite, sheet: 11 9/16 x 21 15/16 in. (29.4 x 55.7 cm), Drawings, Philipp Veit (German, Berlin 1793–1877 Mainz

Design for the Verso of a Pendant with a Flower-Piece at Bottom Center, before 1573, Engraving; first state of two (New Hollstein), Sheet: 5 3/4 × 3 7/8 in. (14.6 × 9.8 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp),

Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount, 1620–1766, (a): engraving; (b): watercolor, graphite and black ink,

Drawings and Prints, Print, Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap, after Reni, Artist, After, Guido Reni, Flaminio Torre (Torri), Italian, Bologna 1575–1642

Peasant with a Rake, 1819, Etching; third state, plate: 8 1/8 x 10 5/8 in. , Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome

There is a Happy Land, a 'Wiggle Much' design, ca. 1910, Watercolor with pen and black ink, Sheet: 8 7/8 × 11 5/16 in. (22.5 × 28.7 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Card 4, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen &

Armchair, Manner of A. M. E. Fournier (French, active after 1850), ca. 1860, French, probably Paris, Gilded wood, upholstered in modern green tufted velvet, 45 3/8 x 26 1/2 x 24 3/4 in. (115.3 x 67.3 x 62.9 cm), Woodwork-Furniture, Manner

The Order of the Netherlands Lion of Holland, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series

Drawings and Prints, Photograph, Card Number 97, Kate Castleton, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Horizontal Panel with a Bearded Amascaron in a Medallion at Center Surrounded by Tendrils, 1543, Engraving; first state of two (Pauli), Sheet: 2 x 3 1/8 in. (5.2 x 7.9 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Panel with the

Chinese Soldier, 1738–45, Etching, Sheet (trimmed): 8 1/4 × 5 5/16 in. (20.9 × 13.5 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

The Best Guide to Boston, 1895, Lithograph, Sheet: 18 15/16 × 11 15/16 in. (48.1 × 30.4 cm), Ethel Reed (American, 1874–after 1900

Rothendael Abbey, 1648, Etching; first state of three, Sheet: 5 13/16 × 8 5/16 in. (14.7 × 21.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Rothendael Abbey seen across a lake surrounded by trees, with two swans on

Apollo and Diana, ca. 1503–5, Engraving, plate: 6 1/4 x 3 15/16 in. (15.9 x 9.9 cm), Prints, Jacopo de' Barbari (Italian, active Venice by 1497–died by 1516 Mechelen or Brussels), In this print Apollo is shown in his role as a solar deity,

Cutting Off the Nose (Modern Military Punishments), after 1725, Etching, sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm), Prints, William Hogarth (British, London 1697–1764 London

Orange, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Emily Rigl, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Drawings and Prints, Print, Viennese Café: In the Little Café (Wiener Café: Im Tschecherl), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener

The Army of Charles V Crossing the Elbe River, 1551, Engraving, sheet: 20 3/4 x 14 3/4 in. (52.7 x 37.5 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After (?) Giovanni Battista Scultori (Italian, 1503–1575), and/or after

Satyr Mask with Curled Horns Looking Down, from Divers Masques, ca. 1635–45, Etching, Sheet: 2 7/16 × 1 5/8 in. (6.2 × 4.2 cm), François Chauveau (French, Paris 1613–1676 Paris), From a series of nineteen plates with grotesque masks

Cœnotaphiorum (9), 1563, Etching; first state of four, sheet: 6 5/8 x 8 5/16 in. (16.9 x 21.1 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

Candelabra with putti on goats at center, ca. 1525–50, Etching, sheet: 13 9/16 x 4 5/8 in. (34.5 x 11.8 cm), Lambrecht Hopfer (German, active ca. 1525–50

Le Café au Jardin d'été à St. Pétersbourg, from the series Vues pittoresques des palais & jardins impériaux aux environs de St. Petersbourg, ca. 1850, Lithograph, Image: 9 1/2 x 13 11/16 in. (24.1 x 34.8 cm), Prints, After J. Meyer

Black Head Duck, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Game Birds' series (N13), issued in 1889 in a set of 50

Drawings and Prints, Photograph, Card Number 531, Eliza Reusels, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Drawings and Prints, Photograph, Card Number 523, Fanny Moor, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

The villa at Nancy in the background, two putti holding a drapery at top center, from 'Various views of remarkable palaces in Italy and France' (Diverses vues d'endroits remarquables d'Italie et de France), 1649–51, Etching, Sheet: 5 1/16 x 9

Christ Before Caiaphas, from The Small Passion, ca. 1508, Woodcut, sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Six Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Annie Summerville, Corsair Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 15/16 x 1 11/16 in. (7.4 x 4.3 cm), Trade cards from the 'Actors and Actresses' series

Mdme. de Bebian, from the Actresses series (N67) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products, ca. 1888, Photolithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Actresses' series

Maggie Mitchell, from the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Sour Sop, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands, 1891, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fruits' series (N12), issued in 1891 in a set of 50 cards to promote

Blind Beggar Bumping A Pillar, 17th century, Etching with drypoint; third state of three, Sheet: 5 3/16 × 4 5/8 in. (13.1 × 11.7 cm), Prints, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

Drawings and Prints, Print, The Medicine Man, Market Place, Mexico, Artist, George Overbury Pop Hart, American, Cairo, Illinois 1868–1933 New York, Hart, George Overbury Pop, American, 1868, 1933

Charles H. Taylor, The Boston Daily Globe, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series

Charles Comiskey, Baseball Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Champions, ' Series 1 (N28), issued

The White Mantel (Holley House, Cos Cob), 1915, Etching with plate tone, Plate: 6 7/8 x 9 15/16 in. (17.5 x 25.3 cm), Prints, Childe Hassam (American, Dorchester, Massachusetts 1859–1935 East Hampton, New York

A Seated Lady, ca. 1629, Etching, Sheet (trimmed): 6 1/8 × 3 15/16 in. (15.5 × 10 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), After Jean de Saint-Igny (French, Rouen ca. 1595/1600–1647 Paris

Drawings and Prints, Print, Comforts of Bath, Plate 12, Comforts of Bath, Publisher, Artist, Samuel William Fores, Thomas Rowlandson, British, 1761–1838, British, London 1757–1827 London, Fores, Samuel William, Rowlandson, Thomas,

Miss Agnes Huntington, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set

St. Thomas, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

St. James Major, late 16th century, Etching; second state of two, sheet: 21 5/8 x 15 3/4 in. (55 x 40 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Young Man Leaning Against a Tree With a Book, ca. 1780–89, Watercolor and body color, sheet: 11 x 8 1/2 in. (27.9 x 21.6 cm), Drawings, William Wellings (British, active 1778–96

Drawings and Prints, Print, Fete, Ornament & Architecture, Plate A: Election and Coronation of Emperor Maximilian II, Printer, Publisher, Artist, Johann Bringern, Anonymous, German, 17th century, Willhelm Hoffmans, German, active

Man Talking to a Woman, 1610–85, Etching, Sheet: 4 in. × 3 1/8 in. (10.1 × 8 cm), Prints, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Peru, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands, 1886, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Natives in Costume' series (N16), issued in 1886 in a set of 50

Drawings and Prints, Print, Fete, Ornament & Architecture, Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Artist, Artist, Author, After, Pierre Firens

Vertical Panel with Design for a Mirror, 1580–1600, Engraving, Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.3 cm), attributed to Abraham de Bruyn (Flemish, Antwerp 1540–1587 Cologne (?)), Ornament design for jewelry with square mirror at center,

The Murderess (Die Mörderin), 1912, Lithograph, image: 11 9/16 x 14 1/2 inches (29.4 x 36.8), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Marriage A-la-Mode, Plate IV, April 1, 1745, Etching and engraving; second state of three, Sheet: 15 3/16 x 18 1/4 in. (38.5 x 46.4 cm), Prints, After William Hogarth (British, London 1697–1764 London

Clara Thropp, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued

Speculum Romanae Magnificentiae: Castello Sant' Angelo, 16th century, Engraving, sheet: 12 3/16 x 19 11/16 in. (31 x 50 cm), Prints, Anonymous

Drawings and Prints, Print, The Palace at Westminster: King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4), Boydell'shakespeare Gallery, Subject, Artist, Engraver, Publisher, After, William

'Judith' (from 'Famous Women from the Old Testament', set of 6), Engraving, diameter: 9 1/4 in. (23.5 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

King of Portugal, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Sovereigns' series (N34), issued in 1889 in a set of

Drawings and Prints, Print, None But the Brave Deserve the Fair – Mr. E. Landseer's admired Picture seen in a new point of view, HB Sketches, No. 553, Subject, Publisher, Subject, Artist, Subject, Lithographer, Associated with, Lord

Mattie Cobb, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued ca.

Portrait of Robert Grave, Printseller, 1827, Steel engraving on chine collé, plate: 10 3/8 x 8 1/8 in. (26.3 x 20.7 cm), Prints, Robert Graves (British, London 1798–1873 London), After John Hoppner (British, London 1758–1810 London