Images at Librifly

The Baptism of Christ, 1549, Etching, Sheet: 7 15/16 x 10 15/16 in. (20.2 x 27.8 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590

Drawings and Prints, Print, A Fool in the Service of the Devil and a Virtuous Man, from Hymmelwagen auff dem, wer wol lebt..., Artist, Author, Publisher, Hans Schäufelein, Hans von Leonrodt, Silvan Otmar, German, Nuremberg ca. 1480–ca.

View of the rear entrance of the Basilica of S. Maria Maggiore, from Veduta di Roma (Roman Views), ca. 1742, Etching; first state of five (Hind), Sheet: 18 1/8 x 30 in. (46 x 76.2 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano

New Zealand Parrot, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of the Tropics' series (N5), issued in

Portrait of a Surgeon, Oil on wood, 8 1/4 x 6 1/8 in. (21 x 15.6 cm), Paintings, Netherlandish Painter (dated 1569), A surgeon is represented here with the attributes of his trade: a skull and a metal instrument that resembles the tool used to

Morning: The Four Times of the Day, March 25, 1738, Etching and engraving; first state of two, sheet: 19 5/16 x 15 9/16 in. (49 x 39.5 cm), Prints, William Hogarth (British, London 1697–1764 London

A Rake's Progress, Plate 2, June 25, 1735, Etching and engraving; third state of four, sheet: 13 7/8 x 15 7/8 in. (35.3 x 40.3 cm), Prints, William Hogarth (British, London 1697–1764 London

Carpenter, Engraving, Sheet: 1 15/16 × 1 11/16 in. (5 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Annunciation from The Birth and Early Life of Christ, 1594, Engraving, Sheet: 18 15/16 x 14 in. (48.1 x 35.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Horatius Cocles Leaping into the Tiber, Engraving, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Portrait of a Young Man, early 18th–mid 18th century, Black and red chalk; framing line in black chalk or graphite, sheet: 4 9/16 x 4 1/8 in. (11.6 x 10.4 cm), Drawings, Cornelis Troost (Dutch, Amsterdam 1696–1750 Amsterdam

Monsieur Daumier, your Robert-Macaire series is delightful. It's an exact picture of the thieves of our period... the faithful portrait of innumerable crooked characters one finds everywhere - in business, in politics, in bureaucracy, in finance,

Square Blackwork Design in Silhouette Style with Schweifwerk and Grotesque Figures, 1617, Blackwork, Plate: 4 7/16 x 4 3/8 in. (11.2 x 11.1 cm), Esaias von Hulsen (Dutch, Middelburg ca. 1570–before 1626 Stuttgart), This sheet is part of a

Drawings and Prints, Photograph, Miss Mertens, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons & Co., 1870,

Madonna and Child with Saints (after Parmigianino), Engraving, sheet: 11 x 8 in. (28 x 20.3 cm), Prints, Battista Angolo del Moro (Italian, Verona ca. 1515–ca. 1573 Murano), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian,

Hudibras and the Skimmington (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 9), 1721–26, Etching and engraving, sheet: 4 3/4 x 9 9/16 in. (12.1 x 24.3 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764

Speculum Romanae Magnificentiae: Atreus Farnese, late 16th century, Engraving, sheet: 13 5/8 x 8 11/16 in. (34.6 x 22 cm), Prints, Anonymous, After Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome

Façade Design and Old Plan for the First Merchant's Exchange, New York (unexecuted; front elevation and plan), ca. 1829, Graphite, ink and watercolor, 10 x 6-5/8 in. (25.4 x 16.8 cm), Alexander Jackson Davis (American, New York 1803–1892

L'intrigue découverte, Etching, sheet: 9 x 9 in. (22.8 x 22.8 cm), Prints, Rudolf Füssli (Swiss, Zurich 1737–1806 Vienna

The Blue Egyptian Water Lily, from 'The Temple of Flora, or Garden of Nature', September 11, 1804, Aquatint and stipple engraving printed in colors with hand coloring, Image: 17 1/8 x 14 in. (43.5 x 35.6 cm), Prints, After Peter Charles

Drawings and Prints, Photograph, Card Number 40, Miss Hall, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Print, Stage Coach Setting Down at the Dolphin Inn, Publisher, Artist, William Rowlandson, Thomas Rowlandson, British, active 1788, British, London 1757–1827 London, Rowlandson, William, Rowlandson, Thomas, 1750,

Guillame-Égon, Cardinal de Fürstenberg, 1671, Engraving; first state of two (Petitjean & Wickert), Sheet: 20 13/16 × 17 15/16 in. (52.8 × 45.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

The Virgin and Joseph with the Young Jesus, 1710–40, Engraving and etching, sheet: 16 13/16 x 11 5/8 in. (42.7 x 29.5 cm), Prints, Johann Jakob Frey the Elder (Swiss, active in Rome 1681–1752), After Carlo Maratti (Italian, Camerano

Head of an Elderly Man with a Long Beard and Turban, n.d., Engraving, Sheet: 7 11/16 × 4 7/8 in. (19.5 × 12.4 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Christ before Caiaphas, from The Passion of Christ, ca. 1623, Engraving, sheet: 7 13/16 × 5 1/16 in. (19.8 × 12.8 cm), Prints, Ludovicus Siceram (Flemish, active Antwerp, ca. 1623), After Hendrick Goltzius (Netherlandish, Mühlbracht

Decorative Panel, Henri Rachou (French), 1893

Deer in the Woods, 1850, Etching on laid paper; third state of three, sheet: 14 1/2 x 9 in. (36.8 x 22.9 cm), Prints, Charles-François Daubigny (French, Paris 1817–1878 Paris

Plate 11: Temple of Janus (Tempio di Giano) from the series 'Antichita Romana', ca. 1748, Etching, Plate: 5 3/16 × 10 1/2 in. (13.2 × 26.6 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Plate 65: Medea Urging the Daughters of King Pellias to Murder Their Father (Medea Peliades in parricidium stimulat), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 3/8 in. (10.2 × 11.1 cm), Prints, Antonio Tempesta (Italian,

Saint Sebastian, 15th century, Engraving, Sheet: 6 1/4 x 4 7/16 in. (15.8 x 11.3 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Photograph, Card Number 180, Irene Varona, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

La Chasse au Tigre (The Tiger Chase), 18th century, Etching, Sheet: 19 3/4 x 14 7/16 in. (50.2 x 36.6 cm), Prints, Jean Jacques Flipart (French, 1719–1782), After François Boucher (French, Paris 1703–1770 Paris

Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from 'The Fable of Psyche', 1530–60, Engraving, sheet: 7 11/16 x 8 7/8 in. (19.5 x 22.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After

Drawings and Prints, Print, Viennese Café: The Chess Players (Wiener Café: Die Schachspieler), Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz,

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple, ca. 1530–60, Engraving, Sheet: 11 7/8 × 16 3/4 in. (30.1 × 42.6 cm), Prints, Anonymous, Italian, 16th to early 17th century,

The Crucifixion, 1502, Woodcut, sheet: 16-1/8 x 11-1/2 in. (40.8 x 29.3 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Old Gate-Tower at Barcelona, 1885, Etching; published state, plate: 6 3/16 x 4 1/2 in. (15.7 x 11.4 cm), Prints, Charles Adams Platt (American, New York 1861–1933

Drawings and Prints, Photograph, Card Number 553, Fanny Rice, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Basile Fouquet, 1658, Engraving; second state of three (Petitjean & Wickert), Sheet: 12 15/16 × 9 13/16 in. (32.8 × 24.9 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Minnie Palmer, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Drawings and Prints, Print, The double murder in Puente de los Gallos, Artist, José Guadalupe Posada, Mexican, 1851–1913, Posada, José Guadalupe, 1851, 1913, ca. 1905–1910, 1900, 1910

Boxing, from World's Dudes series (N31) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Dudes' series (N31), issued in 1888 in a set of 50 cards to promote

Delaware, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),

Two Costume Designs or Portrait Types, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine Caire-Morand (French, Briançon

Drawings and Prints, Print, The Wounded Cateran by R. Carrick, Exhibition of the New Society of Painters in Water Colours, from the Illustrated London News, Artist, After, Joseph Lionel Williams, Robert Carrick, British, ca. 1815–1877

Duke of Rosebery, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Racing Colors of the World' series (N22b), issued

Allegory on the Glory of Emperor Ferdinand II, Engraving, sheet: 17 1/4 x 20 3/8 in. (43.8 x 51.8 cm), Prints, After Antonio Circignano or Circignani (Italian, 1560–1620), Claude Mellan (French, Abbeville 1598–1688 Paris

Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 3/4 in. (10.2 × 12 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

Farms in a Village from Regiunculae et Villae Aliquot Ducatus Brabantiae, ca. 1610, Etching, Plate: 4 3/16 x 6 3/16 in. (10.6 x 15.7 cm), Prints, Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam), After The Master of the Small

Speculum Romanae Magnificentiae: View of Modern Rome from the West, 1590, Etching, sheet: 16 1/8 x 20 3/8 in. (41 x 51.8 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Christ Taking Leave from his Mother, from The Small Passion, ca. 1508, Woodcut, sheet: 5 x 3 7/8 in. (12.6 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Sleep of Cupid, Etching and Engraving, Sheet: 8 5/16 x 9 13/16 in. (21.1 x 25 cm), Prints, Jean-Baptiste Michel (French, Paris 1748–1804 Paris), After François Boucher (French, Paris 1703–1770 Paris

Tickling Trout, Arthur Wellesley, 1st Duke of Wellington (British, 1769–1852), ca. 1843

Reindeer, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Large trade cards from the 'Quadrupeds' series (N41), issued in 1890 in a set of 50 cards to

The Lamentation over Christ, 1535–55, Etching, Sheet (trimmed): 13 1/4 × 11 5/8 in. (33.7 × 29.6 cm), Prints, Jean Mignon (French, active 1535–ca. 1555), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Anita, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the 'Actresses

Steamboats in the Port of Rouen, 1896, Oil on canvas, 18 x 21 1/2 in. (45.7 x 54.6 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), On January 20, 1896, when Pissarro arrived for his second

May Belfort, 1898, Crayon lithograph on china paper, sheet: 15 7/16 x 12 7/16 in. (39.2 x 31.6 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Broadsheet relating to the execution of a prophet named Don Gustavo, man lying face down, José Guadalupe Posada (Mexican, 1851–1913), ca. 1913

The Birth of the Virgin, ca. 1690, Oil on canvas, 80 1/2 x 67 1/4 in. (204.5 x 170.8 cm), Paintings, Francesco Solimena (Italian, Canale di Serino 1657–1747 Barra), Painted in the 1690s, the picture must have served as an altarpiece in a

Seated Figure Bottle, 2nd–5th century, Peru, Moche, Ceramic, Overall: 6 3/8 in. (16.19 cm), Ceramics-Containers, The stirrup-spout vessel--so named for the similarity of the spout form to that of a riding saddle stirrup--was a much-favored

Border over Dado Sidewalls of Chancel, late 19th–early 20th century, Graphite, pen and ink and watercolor, sheet: 16 3/4 x 22 in. (42.5 x 55.9 cm), Ernest Geldart (British, London 1848–1929

A Silver-Gilt Pacifical with a Crucifixion, from the Large Series of Wittenberg Reliquaries, 1509, Woodcut, Sheet: 5 1/4 × 2 5/8 in. (13.3 × 6.7 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Double Arm Swing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Gymnastic Exercises' series (N77), issued in a set of 25

Governor Biggs, Delaware, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Secretary-bookcase, 1825–35, Made in New York, New York, United States, American, Ebonized mahogany, mahogany, mahogany veneer, gilding, bronzing, stamped brass ornaments, and glass (secondary woods: pine, poplar, cherry), 102 x 55

Beaumaine, Varietiees, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Jean Perrault, 1652, Engraving, sheet: 13 9/16 x 9 7/16 in. (34.5 x 24 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Broadsheet relating to the sad cry of a poor orphan girl, her lament in verse in the bottom section, José Guadalupe Posada (Mexican, 1851–1913), ca. 1895–1910

Studies of Arab Heads and Figures, 1810–63, Graphite and wash on wove paper, sheet: 10 3/8 x 14 3/16 in. (26.4 x 36.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), During the five months Delacroix

Costume Design for 'Madame Trentoni', Act III, 1901, Watercolors over graphite, Mount: 11 1/16 x 8 1/8 in. (28.1 x 20.7 cm), Percy Anderson (British, 1850/51–1928 London), Design for the costume for 'Madame Trentoni' for the third act of the

The Lost Path, 1920, Wood engraving, block: 8 x 5 1/16 in. (20.3 x 12.8 cm), Prints, Charles Macowin Tuttle (American, 1861–1935

Plate 4: Moses Ordering the Israelites to Attack the Ethiopians, from 'The Battles of the Old Testament', ca. 1590–ca. 1610, Etching, Sheet: 7 7/8 in. × 11 in. (20 × 28 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome

The West Side of Yorke Castle, 1669, Etching; first state of two, Sheet: 4 7/8 × 8 1/2 in. (12.4 × 21.6 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), West view of York Castle in Tangier from a hillside, with troops

Swallow-tailed Hawk, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Birds of America' series (N4), issued in 1888 in a

Decimation (John Beaver, Roman Military Punishments, 1725), after 1725, Etching, sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm), Prints, William Hogarth (British, London 1697–1764 London

A galley arriving at port to left, several rowboats in center, ships at port to right, from 'Set of eight nautical landscapes' (Suite de huit Marines), 1639, Etching, Sheet: 4 15/16 x 8 1/4 in. (12.5 x 21 cm), Prints, Stefano della Bella

Marine: The Waterspout, 1870, Oil on canvas, 27 1/8 x 39 1/4 in. (68.9 x 99.7 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), Courbet first witnessed a waterspout at Trouville, a village on the Channel Coast,

Bordeaux, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Venus and Amor, ca. 1585, Pen and brown ink, light and dark brown and gray wash, heightened with white (partially oxidized); traced for transfer., 7 5/8 x 5 5/16 in. (19.4 x 13.5 cm), Drawings, Bartholomeus Spranger (Netherlandish, Antwerp

Aeneas and Mercury, 1654, Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698, Plate: 10 1/4 × 7 11/16 in. (26 × 19.5 cm), Prints, After Franz Cleyn (German, Rostock 1582–1658 London), 1 of 30

Drawings and Prints, Print, Five horses pulling a carriage with passengers, Artist, Victor Adam, French, 1801–1866, Adam, Victor, French, 1801, 1866, mid–19th century, 1820, 1866

Drawings and Prints, Drawing, A Seated Italian Shepherd with a Small Child on his lap; verso: A Southern Landscape with a Woman Carrying a Jar on her Head, Artist, Franz Theobald Horny, German, Weimar 1798–1824 Rome, Horny, Franz Theobald,

Triumphal arch surmounted by woman seated on a dolphin, four standing figures below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598, 1598, Etching, Sheet (Trimmed): 8 11/16 × 6 3/16 in. (22.1 × 15.7 cm), Guido

Marriage A-la-Mode, Plate III, April 1, 1745, Etching and engraving; first state of three, Sheet: 15 1/4 x 16 in. (38.7 x 40.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

Fragments of Antiquity, 1765, Etching, sheet: 4 15/16 x 7 5/8 in. (12.5 x 19.3 cm), Prints, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Designs for Goldsmiths, n.d., Engraving, plate: 2 1/2 x 3 1/2 in. (6.4 x 8.9 cm), Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt), After Master ES (German, active ca. 1450–67

Bacchanal, 17th century, Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

The Gleaners, ca. 1855–56, Etching on chine collé; first state of two, 7 1/2 x 10 in. (19.1 x 25.4 cm), Prints, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Germanicus Habitus, from Fashions of Different Nations, n.d., Engraving; first state of two, sheet: 9 11/16 x 5 7/8 in. (24.6 x 15 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634), After Sebastiaen Vrancx

Drawings and Prints, Print, Weeping (Le Brun Travested, or Caricatures of the Passions), Artist, Publisher, After, Thomas Rowlandson, George Moutard Woodward, Rudolph Ackermann, British, London 1757–1827 London, British, ca.

Scarab, Grecian Key and Fly Pattern Mount, 1897–99, Drypoint, aquatint, softground, and lavis, Sheet: 11 13/16 x 10 11/16 in. (30 x 27.2 cm), Prints

Drawings and Prints, Print, Noah Building the Ark (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, George Frederic Watts, British, London, New York, NY,

Falling Woman (Stürzende Frau), 1912, Lithograph, image: 10 3/4 x 12 1/2 inches (27.3 x 31.8 cm), Prints, Ernst Barlach (German, Wedel 1870–1938 Rostock

Hudibras beats Sidrophel and his man Whacum (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 8), February 1725–26, Etching and engraving; first state of two, sheet: 10 3/16 x 13 3/8 in. (25.8 x 34 cm) (trimmed to and within

Plate 9: the bridge and market of the Rialto, Venice, ca. 1730–40, Etching, sheet: 17 3/8 x 24 1/2 in. (44.2 x 62.2 cm), Prints, Michele Marieschi (Italian, Venice 1710–1743 Venice

City Hall Park, Broadway, from Park Place to Chambers Street (West Section of the City, Hudson River and Jersey Shore), 1850–1900, Wood engraving, hand colored, 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints

Drawings and Prints, Drawing, Magical Holy Mountain within a Lotus-filled Sea, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911, 1924

A Rocky Stream, Italy, ca. 1786–91, Watercolor, pen and gray ink, over graphite, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Drawings, Samuel Woodforde (British, Castle Carey, Somerset 1764–1817 Bologna), Formerly attributed to John